1930s Sculptures

Art Deco parrot bookends by Georges Van de Voorde with Foundry seal Brig, Paris. The birds are in patinated Art metal and stand on green marble bases...

The piece are in perfect condition

Sevres pair of pigeons (Vinsare) origin France Art Deco period in perfect condition circa 1930.

Beautiful sculpture of a chinese girl. Signed by the french artist " Géo Maxim". .

Russian Dancer by Demetre H. Chiparus (1886-1947).Bronze and ivory on marble base. The statuette depicts the ukrainian dancer Vaslav Nijinsky (1889-...

It was exhibited in the original Miami beach antique show and Palm beach "American International Fine Art Fair (AIFAF)". Obelisks in golden leaf i...

Very Rare Goldscheider Vienna ceramic Figurine of the 1930s: Standing blond lady with cap and coat, showing great resemblance to Marlene Dietrich, with setter. On a cream-colored r...

A stunning Art Deco French sculpture of German Shepherds, made in Paris and dating from the 1930’s. The dogs are made from gilded spelter, they are beautifully mounted on a fantasti...

Couple of Bears" by Charles Lemanceau, Sainte-Radegonde, France, circa 1935. This striking and rare French Art Deco ceramic sculpture, titled "Sur la Banquise" (On the Ice Field), depicts a charming couple of bears in an elegant, minimalist style. Created by renowned artist Charles Lemanceau in the mid-1930s, this rare and highly sought-after piece showcases his mastery of ceramic craftsmanship. The sculpture is produced in a distinctive crackle glaze technique, a hallmark of Lemanceau's work and the French Art Deco period. Dimensions: Width: 24.4" (62 cm), Height: 13.6" (34.5 cm). Condition: Very good, with some minor imperfections typical of the technique used during this period. This model is illustrated in the Sainte-Radegonde catalog (see photo) and is available in two sizes. The piece presented here is the larger of the two. It is also featured in Les Craquelés Art Déco by Alain-René Hardy & Bruno Giardi (page 109), as well as in Craquelés, Les Animaux en Céramique 1920-1940 by Patrick Malaureille (page 38), which is a reference book on French crackle glaze ceramics...

Delicate Goldscheider Art Déco Ceramic Figurine of the late 1930s: Gracefully posing dancer in dark red costume: polka-dot bustier and short skirt at the front with long, wide, slit ...

Bookends Pierrot and lady with fan White bronze with original patina on a base of Portor marble Original Art Deco, France 1930s Dimensions: Width: 22 cm Height: 19 cm Dept...

Rare Goldscheider Vienna Figurine of the late 1930s: Representation of an elegant lady in a long, close-fitting, off-the-shoulder dress with a ruffled neckline made of rose-colored ...

Rare Goldscheider Vienna Art Déco Art Ceramic Group of the late 1930s: Little blond girl with curly hair in a white and blue checked summer dress with red edges holding a fox terrie...

French Art deco ceramic book ends by Duquenne depicting elephants playing. Dimensions : 23 x 12 x 12 cm

Stunning wooden boot sculpture mold, measures 14.25 in H, 11 in deep, 5.75 in wide. Great piece for your home decor. Please be sure to check our storefront for more wonderful decorat...

Rare Goldscheider ceramics of the 1930s The standing young variety dancer is only dressed in high heels. Looking to the left over her shoulder...

BRIAND (20th century) LE VERRIER Workshop Dancer with a hoop, cast iron sculpture with greenish patina and brown highlights, black marble base. Total height including base, 29 cm

A majestic illustration of an elephant raising high his trunk. The sculpture is made in the style of "Irénée Rochard" (1906-1984). It's not signed but this representation is well-k...

Exquisite porcelain figurine of the 1930: Aparte dancer in a tight-fitting red costume with short trouser legs and ruff, gymnastic shoes on her feet, balancing on the ball of her rig...

Two original Art Deco ceramic bookends depicting lion heads, attributed to Jan Schonk who designed for Royal pottery factory Gouda.

Carrying import marks for 1937 by Israel Segalov, this very rare pair of Sterling Silver Owl Models, were originally made in Germany for the English market, by the great model making...

Rare Goldscheider ceramic of the 1930s: The standing young variety dancer is only dressed in a headdress and high heels. Looking to the left over her shoulder, she covers herself in front with a large green fan...

This very fine German Art Deco lion sculpture in ceramic, terracotta and a copper finish was made in the 1930s by EJM. It is in a perfect antique condition with no chips and beautif...

Black glazed ceramic elephants signed: L. Francois France, 1930s Dimensions: Width 35 cm Height 23 cm. Depth: 9 cm

1930s leather medicine ball, nice color and patina.

Incredible bronze original Art Deco signed and numbered Franz Hagenauer circa 1930.

Decorative cast iron winged griffin facade ornament. From a building on Michigan Ave in Chicago.

Porcelain statue of 3 dancing ladies. Mounted as a lamp High quality glazed porcelain Period 1930-1940 Fraureuth Kunstabteiling Germany Signed on the bottom of the piece Height ...

L’opera è di ottima fattura, senza alcun tipo di imperfezione e non è stata oggetto di restauro. Essa raffigura un cervo adulto con due grandi corna e il manto della colorazione tipi...

This is a vintage Bohemian female bust. A Continental, bronze figural statue in Art Nouveau taste, dating to the early 20th century, circa 1930. Wonderful Art Nouveau revival bust, ...

Art Deco bronze sculpture by French Artist Pierre Le Faguays, France 1930. Bronze on green marble base. This sculpture is illustrated in: Art Deco and other figures by Brian Catley, ...

A gorgeous character ceramic figural gnome statue - made by Hertwig & Endert in Germany, a well known manufacturer of this kind of figures. This character statue has been made in Germany, in the 1930s probably to 1940s. Absolutely gorgeous item with lots of character and still in great condition. Made of hand colored glazed earthenware. A nice addition to any Lawn, Yard, Garden or Patio, but can also be a nice addition to a room. A German garden gnome...

Very Rare Goldscheider Art Déco Ceramic Figurine of the 1930s: Little curly-haired blonde girl in a green and red checked dress, bent over, trying with both hands and her body weight...

Incredible Art Deco bronze signed Le Faguays from 1930 original representing "Pierrot and Columbina"

A Streamline Moderne style sculpture by Ukrainian artist Anton Pavlos (1905-1954), produced circa 1930s. It depicts a couple of male and fem...

Excellent Marcell Goldscheider figurine of the 1930s: Dreamy, striding dancer in a harem costume, her hair covered with a large headscarf, held in place by a headband with a gemstone...

Beautiful bronze sculpture depicting a young girl gracefully sitting down on a marble base, listening to the sea with a sea shell on her ear. Signed on the marble base "D.H. Chiparus...

Vintage French Carved Stone Sphere Depicting Grazing Deer

This is a pair of Murano glass rooster or pheasant figurines, crafted in the traditional Venetian glassblowing style. These sculptures showcase the fine artistry of Murano glass, a ...

Excellent Goldscheider Vienna Art Déco Ceramic Figurine: Dancer in Spanish costume: long skirt with slit above the knee and embroidered bolero jac...

Beautiful figurine by Arvid Knöppel, in the form of a deer head, made in earthenware. Lovely attention to detail. Mounted on a square, wooden base.

The mannequin of a young lady from Brussels in Belgium circa dates back to the 1930s of the 20th century and is made of plaster. It is painted polychrome. The lady is wearing make-up...

Carving Wooden Human Sculptures A Fisher Woman Antique Decorative Female Figurine Beautifully stylized fish women figurine with a great balance of harm...

A gorgeous character ceramic figural gnome statue - made by Hertwig & Endert in Germany, a well known manufacturer of this kind of figures. This character statue has been made in Germany, in the 1930s probably to 1940s. Absolutely gorgeous item with lots of character and still in great condition. Made of hand colored glazed earthenware. A nice addition to any Lawn, Yard, Garden or Patio, but can also be a nice addition to a room. A German garden gnome...

American maritime copper and brass deep sea divers helmet with the original three glass cross hatched windows, latching bonnet, air line intake ...

Walter Bosse (1904-1979), Austria. Three miniature bronze figurines. Elephant, squirrel, and whale. 1930s/40s. In excellent condition with a beautiful patina. Dimensions of the whale...

A 19Th Century Large and impressive bronze with golden bronze patina of a girl holding a musical instrument .Signed P. Mengin 1853-1937. in very good condition. Made with a base that...

Germany, 1930s, excellent condition Porcelain figurine/air purifier/table lamp. Owl eagle owl. Undamaged original condition. The lighting works. A small container on the back can be...

A.Kelety Et M Guillard, Art Deco enameled terracotta panther. Etling edition. Very good condition, Paris, 1930.

Industrial Foundry Form, factory casting, beautiful silver zinc original paint, wonderful patina, whimsical, fantasy Art Deco design,'Emaerald City' Very sculptural, see other listings for additional Foundry molds. Foundry molds and patterns are wooden tools, carved out or built up to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. To make a wooden mold, wood needs to be stacked up, like a relief, or cut-out, like a sunken relief, with handles or other pieces to grab and pick up the mold from the molding material. Individual pattern pieces that get packed into the molding material are carved and shaped. The space or forms that these pieces make in the molding material will be the inverse of the final cast piece. These antique foundry molds...

Napoleone Martinuzzi CVM Venice 1930 Nude of woman with amphora Slightly iridescent glass with gold speck inclusion Very rare glass sculpture Has internal threads on the back of th...

Modern abstract lacquered metal set of 2 sculptures France ca. 1930s H 45 cm 13.5 x 16.5 cm Conditions: very good, small lack of paint.

In the realm of artistic prowess, Doris Gerrard R.B.A stands as a figure of profound talent and unfulfilled promise, as articulated by the esteemed English writer, playwright, and pu...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Just Andersen (1884-1943), Denmark. Figurine of ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

“Créature Fantastique” Ceramic sculpture. Augusto Chini (Florence, 1904), Manifattura Fornace San Lorenzo, Italy, circa 1930. A juvenile important work by Maestro Chini. Very fine craquelure, delicate purple nuances on dark green and light metallic lustre. Signed A. Chini on the edge and serial inside the base. The Chini family, leading exponents of European Art Nouveau. One of the most important manufacturers of Art Nouveau ceramics...

Henri Bargas exhibited at the famous 1925 Exhibition in Paris that helped to usher in the style we now call Art Deco. Bargas created a number of sculptures in the tradition of Antoin...

French Art Deco terracotta sculpture signed U. Cipriani. Italian Art Deco terra cotta sculpture of a male athlete artist signed, Ugo Cipriani. This terra cotta ...

Chrome cast bronze, marble and glass table lamp, France, circa 1930.  

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...