Etched Sculptures

Contemporary American cityscape / skyline sculpture made from shaped and etched silver metal alloy with mesh exteriors, featuring two central skyscrapers flanked on either side with ...

A wonderful pair of frosted Horse Head sculpture bookends. The pair could be used as decorative pieces but also are perfect for bookends, especially in a Childs room. They are molded...

Frosted Glass Sculpture "Lion", Lucienne Bloch, by Glasfabriek, Netherlands, 1929

Impressive Mid-20th Century clear and frosted glass figural study of an African elephant with its trunk raised. The surface with fine detail, signed Lalique France Additional information Height: 15 cm Condition: Excellent Condition circa: 1970 Materials: Clear & Frosted Glass About Lalique Glass René Lalique (1860-1945) began his career as a jewellery apprentice at the age of 16, and by 1881 he was a freelance designer for many of the best-known Parisian jewellers. In 1885, he opened his own workshop on Place Gaillon in Paris, the former workshop of Jules Destape. In 1887, Lalique opened a business on Rue du Quatre-Septembre, and registered the "RL" mark the following year. In 1890, he opened a shop in the Opera District of Paris. Within a decade, Lalique was amongst the best-known Parisian jewellers. In 1905, Lalique opened a new shop at Place Vendôme which exhibited not only jewellery, but glass works as well. It was close to the shop of renowned perfumer François Coty; in 1907, Lalique began producing ornate perfume bottles for Coty. The production of glass objects began at his country villa in 1902, and continued there until at least 1912. The first Lalique glassworks opened in 1909 in a rented facility in Combs-la-Ville, which Lalique later purchased in 1913. In December 1912, Lalique hosted an exhibition of Lalique Glass—as his glass would come to be known—at the Place Vendôme shop. During the First World War, the glassworks produced mundane items in support of the war effort. In 1919, work began on a new production facility in Wingen-sur-Moder, which opened in 1921. From 1925-1931, Lalique produced 29 models of hood ornaments; a mermaid statuette first produced in 1920 was also later sold as a hood ornament. During the 1920s and 1930s, Lalique was amongst the world's most renowned glassmakers. René Lalique died in 1945. His son Marc Lalique took over the business, operating initially as "M.Lalique" and later as "Cristal Lalique...

A decorative 20th century vintage modernist lamp realized by French artist MarCo de Gueltzl circa 1980s made out of sculpted sandblasted glass and patinated steel in its original vin...

This is a Lalique Crystal Sculpture of a Koi Fish. It depicts a frosted crystal bent Koi Fish over a clear round crystal base. Below the base...

Periphas was a legendary king of Attica and dutiful priest to Apollo. Zeus became indignant because Periphas was revered and honoured as if he were Zeus himself. Zeus wanted to destr...

A serene pose of a swan swimming beneath the overhanging branches of a weeping willow. This is a depiction of Leda and the Swan. Leda and the Swan is a story and subject in art from Greek...

A large early glass vessel in the form of a reversed traditional Tlingit Hat by American studio artist Preston Singletary (b. 1963) circa 1998. Base...

Gérald Vatrin is an artist that resides in Nancy, France. Glass is his main means of expressing himself, and he enhances each of his creations through engravings, pigments and transp...

"Set of 4 Contemporary abstract mixed-media artworks of etched and hand colored organic forms in acrylic, numbered and signed by the artist. (EVA PETRIC)(PRICED EACH) Individual wor...

"Contemporary abstract mixed-media artwork of etched and hand colored organic forms in acrylic, numbered and signed by the artist. (EVA PETRIC) Individual works listed as: NWL7082A...

"Contemporary abstract mixed-media artwork of etched and hand colored beige organic forms in acrylic, numbered and signed by the artist. Edition: 1/1 (EVA PETRIC) Similar sculptures:...

American Post-War Design ebonized ceramic porcelain sculpture of a torso form with etched scroll mounted on a white square base.

Vintage Set of 4 Murano hand blown Italian decorative frosted art glass pieces in the shape of fruits. A Lemon, Pear, Banana and Plum. Hues of frosted silver and bronze colors as se...

Frosted and gilded glass.

"Unitled" painted, etched and engraved laminated glass sheets by Dana Zamecnikova. Dana Zamecníkova executes her work on multiple layers of sheet glass...

Contemporary American ceramic artist Richard Hirsch's Altar Bowl with Blown Glass Ladle Sculpture #3 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and white glazes with hot blown glass. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" Scott Meyer said; "As Hirsch's work progressed over the years, it would be a mistake to portray these advances as chronological. In fact, items found provocative would be added to the roster of possibility. The vessel might change in character with the deep interior space of a mortar becoming the shallow concavity of a Japanese, stone Tsubi basin or natural geode form. The corresponding implement might change from bulbous pestle to delicate ladle, alluding to the ceremonial cleansing for participants in the Tea Ceremony. In this sense, the proximity of these objects to their implied ceremonial use was similar to that which traditional Raku bowls...

Offered is one of Gerald Vatrin's original hand-blown glass sculptures that is embellished with black enamel and a diamond cutter to create its distinct pattern on the surface. It ...

"Contemporary abstract mixed-media artwork of etched and hand colored organic forms in acrylic, numbered and signed by the artist. (EVA PETRIC) Individual works listed as: NWL7082A...

"Contemporary abstract mixed-media artwork of etched and hand colored organic forms in acrylic, numbered and signed by the artist. (EVA PETRIC) Individual works listed as: NWL7082A...

"Contemporary abstract mixed-media artwork of etched and hand colored yellow and black organic forms in acrylic, numbered and signed by the artist. Edition: 1/1 (EVA PETRIC) Also li...

"Contemporary abstract mixed-media artwork of etched and hand colored rust and grey organic forms in acrylic, numbered and signed by the artist. Edition: 1/1 (EVA PETRIC) (similar wo...

"Contemporary abstract mixed-media artwork of etched and hand colored organic forms in acrylic, numbered and signed by the artist. (EVA PETRIC) Individual works listed as: NWL7082A...

Contemporary mixed-media artwork featuring three etched and hand colored acrylic plates resting on an acrylic base, signed by the artist and numbered edition: 1/1 (EVA PETRIC)

"Contemporary abstract mixed-media artwork of etched and hand colored black organic forms in acrylic, numbered and signed by the artist. Edition: 1/1 (EVA PETRIC) Similar sculptures:...

Belgium; 1970's; Glass sculpture; Postmodern art; Michel Martens, a large glass sculpture with several punctuation marks, colored, frosted, and sandblasted glass. Signed by the artist on the bottom right corner. Belgium artist Michel Martens is famous for his impressive glass art. He created this postmodern piece of art in the 1970s. Martens (1921-2006) was a respected designer of stained glass windows and had an impressive career creating stained glass windows for churches. His credo was 'light is my material, glass my medium'. Martens was an autodidact and first taught himself the technique of stained windows. He designed an impressive 7000 meters stained glass between 1947 and 1989 for churches and monasteries. From 1968 onwards, Martens started to lose the church as a main client and therefore started to develop a practice in which he worked with mirrors that were also suitable for the private sector and private homes. With his radical and modern approach to glass art, Martens became part of the Post-war Abstract Modernist movement. Using mirrored glass opened up new perspectives for Martens. He even started using industrial glass as well, for his so-called 'Crazy Mirrors...

Contemporary American ceramic artist Richard Hirsch's Altar bowl with blown glass ladle #5 was assembled in 2007. It's wheel thrown and hand built clay with low fire slips and glazes, black glaze, enamel polychrome paint, raku green patina and hot blown glass. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" Scott Meyer said; "As Hirsch's work progressed over the years, it would be a mistake to portray these advances as chronological. In fact, items found provocative would be added to the roster of possibility. The vessel might change in character with the deep interior space of a mortar becoming the shallow concavity of a Japanese, stone Tsubi basin or natural geode form. The corresponding implement might change from bulbous pestle to delicate ladle, alluding to the ceremonial cleansing for participants in the Tea Ceremony. In this sense, the proximity of these objects to their implied ceremonial use was similar to that which traditional Raku bowls...

An outstanding deep black crytal glass study of a horse gently drinking from a water's surface, raised on a polished black glass plinth, signed Lalique France and numbered from the limited edition 40/250. Lalique has produced the first interpretation in light and crystal of Still Water, the emblematic sculpture by British artist Nic Fiddian...