Neoclassical Decorative Objects

Austrian bronze dog (ashtray and phosphor) Artist: F. Gornik sealed at its base circa 1900 perfect condition.

It is an ancient gonden wooden frame, perfect for a painting (internal size cm. 66 x 50) or for a mirror. It's elegant , classical, alone it furnishes a wall. ref. O/1886-1.

Delft blue and white "Rappe" urn-shape tobacco jar with lid, Netherlands, circa 1800. Inscribed “Rappe” within a floral leafy bordered cartouche. Rappe was a coarse kind of snuff mad...

German Neoclassical silver urn, 18th century. Oval tapering bowl on raised and stepped foot. Cover domed with vasiform finial. Chased imbricated le...

A Wonderful French Empire Baccarat style centerpiece with cut crystal central bowl supported on bronze basket stamped Baccarat France And Flanked by two female Sphinx...

Early 20th Century Italian wicker basket in a saucer shape with a leather-and-brass hinged lid that opens to a storage cavity historically used f...

Italian Baroque (18th Century) monumental altar candlestick in a columnar form with carved detail and a gilt finish and having 5 lower candle holders (flat on back). Losses to wood ...

Carrara marble sculpture "Schiava" attributed to Giacomo Ginotti (1845-1897). Italy, late 19th Century.

A pair of Neoclassical style iron urn planters from circa 1900 with liners and mythological figures. This pair of Neoclassical-style iron urn planters from circa 1900 embodies the gr...

Depictions of young angelic boys are also known as putti, or putto for a single one. Since the 17th century on they remained popular and are found in various forms. Perhaps the most known version is Cupid. Looking at their attributes time periods can be narrowed down. In this example we see a rose Guirlande and a medaillon which are typical for the late 18th- early 19th century. The Rosso Verona Marble...

Delft blue and white "Dunkerer" tobacco jar circa 1780, from the Netherlands. Not the original brass lid - it is larger than the opening. Surface of jar is decorated with floral cart...

Italian Figural Walnut Centrepiece of Dionysus 19th Century Provenance: Private Australian Collection. Description: A walnut figure modelled on the bronze ‘Narcissus’ found in N...

Delft blue and white "Rappe" urn-shape tobacco jar with lid, Netherlands, circa 1790-1809. Inscribed “Rappe” and decorated with coastal scene and seated “Amerindian” figure. Rappe wa...

Pair of bronze tazzas in a neoclassical style, intricately crafted and mounted on square bases made of exquisite Siena marble. The combination of bronze and marble lends the tazzas a...

4 Italian Neo-classic (19th Cent) bronze masks of a classical woman's face mounted on a modern ebonized metal rectangular base. (PRICED EACH) (Vary in height from 7" - 8/5")

Pair of heavy bronze urns or planters, circa early 20th Century. Beautifully detailed with swags and rosettes encircling the rim, feathers on each of the 3 tripod legs, and leaves ar...

French Neo-Classic (19th Cent) silver plated bronze figure of classic Greek woman on steps (signed ALBINET & COULON/ AIZELIN, sculp.)

This is a pair of gilt bronzed metal double candle holders. They depict double candle holders decorated with some scrolls of acanthus leaves in th...

Neoclassical pair of Sevres Parian and doré bronze mounted Urns or Vases circa 1920s. This spectacular pair of table vases having doré bronze bases suppo...

Italian Laudarte SRL Gilt Bronze and Enameled Candlesticks with Flowers, a Pair Offered for sale is a pair of Italian gilt bronze and enamele...

This striking vintage artisan sculpture is a masterwork of architectural caprice, blending classical motifs with Postmodern flair. The piece is constructed as a three-tiered totem, f...

This large decorative tole urn was made in France, circa 1780 . The elongated form is topped with a cascading series of icicle shapes that again appear at th...

A 20th Century School "Liberty" Bronze Bust on Black Slate Plinth. Measures 6.25" in width, 6.25" in depth and stands 15" tall.

19th Century Jardiniere with lion head masks and garland detailing decorated with blended rich red majolica glaze.

Delft blue and white "Manilla" tobacco jar with stepped brass lid, Netherlands, circa 1790-1809. Decorated with floral cartouche, within which "Manilla" is inscribed. Manilla refers to a mild variety of tobacco popular at that time. De Drie Klokken...

This stunning pair of vintage Regency wall sconces is a masterclass in architectural elegance and classic tailored design. Expertly crafted from solid brass with a brilliant high-pol...

This is a French figural patinated bronze sculpture mantel clock of a winged Cherub hunter by Lemire Charles Gabriel Sauvage. The thirsty Cherub is seated over a large rock with some...

An intricately carved and painted classical urn of pleasing proportions on a square plinth base. Please note we are currently working to a 30-36 week lead time and that this item is...

Candelabras English Silver Plated Three Arms For Candles England. A pair of candelabras made during the 19th Century in England. Holding three candles each.

Pair of Italian neo-classic (17/18th Century) white painted candlesticks with gilt & silver gilt trim and raised on 3 later white painted claw feet (PRICED AS PAIR).  

George III sterling silver urn. Made by Hester Bateman in London in 1785. Girdled bowl with flared rim and capped s-scroll side handles; domed foot. Gilt interior. Visible handwork. ...

A Regency monumental doré and patinated bronze ormolu-mounted on marble base clock adorned with figures of a Cherub and a Maiden, extremely large an...

This ornate porcelain vase is in the shape of an archaic oil lamp. It has double heads and double spouts.

19th Century Silver Dutch Candlesticks Sourced by Martyn Lawrence Bullard from London, England Fitted with hallmark, and etched floral motif

American oil on board landscape of young lady standing by rabbit in foreground with the original molded pine frame and wood backing. Early 19th century.

18th Century, Italian Bronze Sculpture with Venus Removing Her Sandal This bronze sculpture represents Venus as she takes off her sandal. Made in the neoclassical era in Italy, it consists of the bronze sculpture of the Greek goddess Aphrodite, Venus for the Romans. The naked goddess, getting ready for the bath, makes the very human gesture of loosing a sandal. The left arm is raised, as if to compensate the position while maintaining the balance. Next to her, wrapped around a rocky spur, is a dolphin, an animal iconographically linked to the goddess because of his birth from the foam of the sea. The figure rests on a cylindrical and concave bronze base, with finely chiselled reserves. The bronze element is in turn resting on a africano marble cylinder with black of Belgium marble base. Venus is one of the major Roman goddesses primarily associated with eros and beauty. It is traditionally understood as the equivalent of the Greek goddess Aphrodite, goddess of beauty, physical and passionate love, among the major deities of Olympus. His birth is due to a dramatic event: Uranus, Heaven, is mutilated by his son Cronus, who punishes him for the wrongs inflicted on his mother. The torn limbs of Uranus fall into the sea and fertilize the foam of the waves of the island of Cyprus. From the waves emerges in all its splendor Aphrodite. Since the 4th century, Aphrodite begins to be represented with characters more human and less heroic. Praxiteles with the 'Aphrodite Cnidia,' for the first time in the history of sculpture, depicts her naked, as she prepares to take a ritual bath. From the Pressitele’s model descend the Capitoline Venus (Capitoline Museums of Rome) and the Venus de’ Medici (Uffizi Museum of Florence) accompanied by Eros on the back of a dolphin. This vein also includes a subject frequently attested in the Hellenistic and then Roman Ages, with examples in bronze, marble and terracotta: the Aphrodite who fastens the sandal. The luck that this type of representation had in the following centuries is demonstrated by the vast number of sculptures that represent it. In this bronze work the goddess resumes the position of Oplontis’s Naked Venus: here Venus holds an apple in her left hand, a reminder of her victory in the beauty contest in which she prevailed over Minerva and Juno by judgment of Paris. In our bronze instead, the hand seems to want to shake the apple, which however has not been molded. Perhaps the bronze is inspired by another work, such as the bronzes kept in the archaeological museum of Padua. Another example is the famous 'Venus in bikini" found in Pompeii, so-called because it depicts the goddess in the same pose, but with the breasts and hips covered by bands painted in gold. The dolphin depicted next to it could be inspired instead to the Medici Venus...

The purple/white stone in the shape of a sphere

A handsome pair of French 19th century Neo-Greek st. black Belgian marble and Ormolu urns/tazzas. This wonderful pair are raised by a circular mottled and concave marble bases with a...

An elegant and high quality pair of French 19th century Neo-Classical st. Sévres Porcelain and Ormolu tazzas/centerpieces. Each most elegant tazza is raised by a triangular shaped Or...

This a pair of wide cylindrical white porcelain apothecary lidded jars. They are hand painted and decorated with some laurel’s branches in the front. The lids are shaped as doctoral ...

This Louis XV style vanity gilt bronze-mounted desk has one wide drawer in front and there are 6 drawers on two lines for even more storage. Fine writing desk with curved sides and g...

Jug. Silver. Anselm Prior and Mason. Vitoria, Spain, between 1816 and 1846. With contrast markings. Silver jug in its color with a square base that serves as a support for the ci...

A 19th century antique stone fragmentary statue depicting an angel standing atop the devil, circa 1800. Reminiscent of an ancient roman statue, this is a fragment from history – sho...

The mottled brown agate with translucence when held to light. The cover with a gold rope twist edge above hinged clasp with wreath and berry design above a cushion base

Pair of Italian Neo-classic (18th Cent) cream painted and gilt trimmed carved urns/finials with gilt flame top and open design side arms (PRICED AS Pair)

A 19th century bronze bust of Charles V after Leoni Leone. Crafted circa 1800, this highly detailed bust portrays the sitter wearing a laurel wreath and classical drapery over what ...

American 1940s bronze green patina bust of a gentleman wearing a jacket and tie raised on a square plinth

Early 20th Century Italian Head. Made of concrete. Packaging is included.

Pair of Continental German (19th/20th Cent) alabaster busts of Fredrick the Great and Napoleon raised on green marble column bases (by Fritz Kochendorfer...

A fine pair of early to mid-19th century Campana shaped patinated bronze urns on Sienna marble pedestals. The bronzes are of good quality with f...

Hallmarked in London in 1797 by Robert Sharp, this rare and exceptional quality, George III, antique sterling silver tea caddy set, comprises two oval tea caddies and a sugar caddy...

Hallmarked in London in 1795 by Solomon Hougham, this attractive, George III period, Antique Sterling Silver Sugar Basket, is in t...

Jean Bulio (French, 1827-1911) "Cupid", Patinated Bronze Sculpture, late 19th century, on a circular base, signed. 17" H x 6" Diameter.

Bronze inkwell Georg Josef BURGSTALLER (German/Austrian) Neo classical woman signed Burgstaller ruge marble.

"The Water Carrier" White Marble Sculpture, depicting a standing figure holding a water vessel, on a socle. 22" H x 7" W x 7" D.

Neoclassical style circular movement mantel clock by Leroy & Cie French, circa 1880 Measures: Height 72cm, width 25cm, depth 25cm This superb mantel clock, crafted from white marble, gilt bronze, and patinated bronze—takes the shape of an Amphora vase form case above a cylindrical stem and a circular foot, the stem and foot ornamented with classicising gilt bronze mounts. The foot of the vase sits on an architecturally formed plinth, which is decorated with inset gilt bronze relief panels...

Neoclassical, Bronze, Marble, Table-Top Urns, France, 1920s Pair of small Neoclassical style marble and bronze table-top urns designed and produced in France c. 1920s. Each example ...

Neoclassical bronze bust of Zar Alexander II, with yellow patina. Marked on the side: Giesserei Burgdorf 1852. Height: 19 cm Depth: 8 cm Width: 11.5 cm Switzerland 1852

Antique Brandt Furniture Co. Inlaid Mahogany 4 Bottle Decanter Spirit Box This Brandt Furniture Co. decanter box has a beautiful four bottle ...

A pair of ormolu mounted serves porcelain vases.