Neoclassical Decorative Objects

A Magnificent Pair of Decorative Bottles or Carafes. Repetitive olive motif cut throughout, elegant necks. Would make excellent lamps. France, circa 1900. Dimensions: Height 20 1/2" ...

Andrea Flaibani Friulian sculptor (Udine, Italy 1846 - Udine, Italy 1897) Terracotta Measures: Height 38 cm Width cm 23 Base diameter cm 15 Weight kg approx. 5.5. As a young...

Large neoclassical style giltwood torchère French, late 19th century Measures: Height 170cm, diameter 52cm This fine and large neoclassical styl...

Pair of bronze dore and rock crystal candlesticks.

A campana form urn with twin handles, cast with frolicking putti and trailing ivy leaves. The basin seated on a spiral fluted foot over a square plinth. Stamped CLODION below one han...

Pair of very large French blue glass and ormolu vases French, 20th Century Height 153cm, width 50cm, depth 53cm Blue glass and shining gold ormolu are combined to create this stunn...

This ornate porcelain vase is in the shape of an archaic oil lamp. It has double heads and double spouts.

Large 19th century terracotta ceramic figurative sculpture, beautifully hand crafted after French neoclassical sculptor Augistin Pajou. Possible to be Marie Antoinette born Maria Ant...

A rare and large pair of neo-grec gilt and patinated bronze amphora vases. Designed by Ferdinand Levillain and cast by Ferdinand Barbedienne. Signed ‘F. Levillain’ and ‘F. Barbedienne’. These spectacular floor-standing Neo-Grec vases...

This elegant antique bowl is a striking blend of classical form and luxurious materials. Likely crafted in France or Italy circa 1960, the bowl is fashioned from carved rock crystal,...

A stunning pair of French 19th Neoclassical style patinated bronze and ormolu 3 light candelabra. Each candelabra is raised by a square base with ormolu supports and foliate designs ...

Rectangular top with diamond inlay over three drawers with similar inlay, slight cabriole legs.

An antique 6-inch olive green majolica glazed tile by Minton & Co. (stamped) depicting a profile portrait of a bearded neoclassical figure in a regal headdress. Formerly used to deco...

Large marble figure depicting a young boy sitting on a rock, holding some springs of wheat. Carved in white luminous marble in the late 20th century, this figure is a work of exquisi...

Add a touch of ecclesiastical charm to your decor with this striking pair of antique pricket candlesticks. Hand-carved in Italy circa 1860...

An elegant pair of French 19th century Neo-Classical st. Alabastro Cotognino and Ormolu urns. This wonderful pair of tazzas is raised on circular bases below the tripod supports deco...

A very handsome French 19th century neo-classical patinated verdigris bronze urn. The urn is raised on a square marble base. The handsome patinate...

Antique marble and gilt bronze centrepiece attributed to Edward F. Caldwell & Co. American, Early 20th Century Height 31cm, width 75cm, depth 30cm Attributed to Edward F. Caldwell ...

Bronze inkwell Georg Josef BURGSTALLER (German/Austrian) Neo classical woman signed Burgstaller ruge marble.

Antique 19th century American cut glass footed compote. Thumb and dot cut pattern with faceted rim. Bowl rises on a baluster stem; polished pontil on the base. Measures 9" diameter x...

Two men with a cab or the Sedan chair, in the style of Touzé. Bears collector's stamp (possibly the eye-form mark of Nathaniel Hone) and inscribed indi...

Each fluted Campana-from urn with a removable bobeche below a pricket, the urns raised on socle bases with internal wooden frames

A gray marble circular inkwell with marble stopper.

A decorative pair of Italian campana-form urn planters, featuring fluted bodies and stepped pedestal bases. The elegant silhouette draws from traditional European garden design, with...

Very nice pair of neoclassical style nine light bronze candelabras,these candelabras can go in a very interior modern .Its the perfect mix

Fine and elegant work of gold-plated bronze as mantel clock in the romantic style. Guilloche silvered dial covered with patina. The bronze sculpture was made using the casting techni...

Wedgwood basalt encaustic ewer with ancient Greek inspired decoration on both sides. The shape is also inspired by a Greek wine jug, known as...

"The Water Carrier" White Marble Sculpture, depicting a standing figure holding a water vessel, on a socle. 22" H x 7" W x 7" D.

19th Century English Adams Style Giltwood Girandole Wall Sconce with Two Candle Holders. Sconce is richly decorated with refined classical motifs including ribbons, lures, and acanth...

A mantel clock from the French “Restauration” era of 1815-1830 in fire-gilt bronze. The dial is enamelled white and the hours are depicted with Roman numerals. The figure represents ...

French neoclassical style lapis and gilt bronze clock set French, late 19th century Clock height 52cm, width 39cm, depth 15cm Vases height 38cm, width 16cm, depth 12cm This be...

Pair of finely chaste bronze and dore bronze of dog and cat. Very life like.

This elegant vase of attenuated proportions was given an unusual silver-luster glaze, and embellished with two medallions on a military theme. One depicts a young soldier with a swor...

German Porcelain Two Handle Vase, late 19th century, with snake entwined handles, oval painted landscape panel, signed illegibly "A. Schu... (?)", with bands of roses and grape vine,...

Table clock made of gilded bronze with a powerful base, enhanced with legs decorated with vegetal and architectural motifs of classicist inspiration and a series of details on the fr...

Porcelain and gilt bronze vase signed Sèvres, painted by Lucat, France, late 19th century.

This little neoclassical style gilt bronze and marble candlestick by Gherardo Degli Albizzi would be ideal to be placed on a bedside table. Even if it features classical shape, overa...

Candelabras English Silver Plated Three Arms For Candles England. A pair of candelabras made during the 19th Century in England. Holding three candles each.

This fine pair of four-light candelabra are English and made circa 1820. In the manner and style of the great English sliver and bronze craftsman Matthew Boulton, they are made from ...

A pair of Italian neoclassical period painted and gilded candlesticks from the 18th century, with fluted motifs and hoof feet. Created in Italy during the later years of the 18th cen...

Very Good stylish and fancy fine detail hand chased bronze and gold-plated (ormolu) sconces in the style of Neoclassicism (also known as Empire style). Made in 19th century in Contin...

Patinated bronze female figures supporting three candle arms, raised on circular red marble section with square bases with guilloche decoration.

Antique French Bronze Sculpture by Charles Raphael Peyre "Batailles Des Fleurs" (Battle of the Flowers) A beautiful detailed bronze sculpture with 3 playful putti (cherubic children...

Large vase on pedestal, decorated with faun heads, in Sarreguemines enameled earthenware. Covered in flamed cobalt-blue enamel, the grips in the shape of faun heads are gilded with g...

A patinated cast bronze statue of a classically draped Greek scholar sitting sideways on a Klismos chair with the trademark griphons as front leg supports, the subject holding a pen in his right hand and an open scroll on the other left signed "Moreau" inscribed on one side of the chair. There are no visible foundry marks. Presumably the signature stands for Mathurin Moreau, a 19 Century French sculptor born 1822, and son of noted sculptor Jean Baptiste Moreau. In 1841, the 19 year old Mathirin entered the École des Beaux Arts in Paris and, the following year, won the Second Grand Prix de Rome with his sculpture Diodemus removing the Palladium. Several of his works remain on public display in Paris, among them on the facade of the Gare du Nord...

Hallmarked in Sheffield in 1792 by John Parsons & Co., this handsome pair of George III period, Antique Sterling Silver Candlesticks, are round in shape, and feature reed detailing, ...

Centerpiece (Atlantes) bronze, marble and glass materials: portore marble, gilt bronze and glass Origin Italy circa 1930 neoclassical perfect condi...

19th Century Silver Dutch Candlesticks Sourced by Martyn Lawrence Bullard from London, England Fitted with hallmark, and etched floral motif

A reclaimed 8-inch clay tile by Minton Hollins & Co. (stamped to reverse) illustrated with a scene from Shakespeare’s 1593 poem ‘Venus and Adonis’. Inspired by Greek mythology, the...

Pair of neoclassical bronze candelabra with eagle Bronze candelabra with black and green patina Circa 1930 Origin France Excellent condition without restorations Some wear due to use...

Studio Plaster Bas-Relief Attributed to Charles Filleul – Depicting a Nymph This plaster bas-relief originates from the workshop of Charles Filleul and is likely a preparatory study...

Late 19th century glass & silver candy dish, probably Italian. Blown glass dish with intaglio cut work & Continental 800 standard silver handle centered by a putti playing cymbals. ...

A stunning and most impressive French 19th century Neo-Classical st. patinated bronze, silvered bronze, ormolu, Rosso Verona and white Carrara marble bust of Marianne in full armor. The bust is raised by a thick Rosso Verona marble base with an elegant scalloped shape adorned with richly chased masks and swaging berried laurel garlands and centered by a striking fitted ormolu plaque...

The Ceramic Garden Planterette is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. The piece is signed by Glick and stamped with the name of his studio: Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

After Jean-Baptiste CARPEAUX (1827 - 1875). "Woman's face", patinated plaster sculpture

Silver and enamel candy box glass candy jar with silver lid and painted enamel on its lid Origin Switzerland Circa 1900 stamped 935 silver cap Guillo...

A good sized 19th Century Classical Grand Tour Bronze group of Ariadne And The Panther, modelled with Ariadne reclining to the left while her head is looking to the same side, with h...

2 Italian Neo-classic style glazed terra-cotta busts of ladies emblematic of two of the four seasons (19th/early 20th Cent) (PRICED EACH)

19th century spectacular clay Goddess of summer.

19th Spanish ceramic floral urn with two handles and carved wood base Enameled and gilded vase ceramic Peyró Antonio Valencia, circa 1950 signed and stamped "Porcelain Peyró". Bas...