Molded Decorative Objects

A very fine black lacquered wood photograph frame etched with a lilac blue floral cherry branch decoration to the sides of the case and finished with a crystal glass finial motif, ma...

This sizable ceramic and well executed Cheetah sculpture is signed by the maker Ronzan of Italy and dates to approximately 1960 and done in the period Mid-Century Modern style. The s...

Art Déco painted enameled porcelain cat-shapped box by Édouard Marcel Sandoz for Theodore Haviland By: Édouard Marcel Sandoz, Theodore Haviland Material: ceramic, porcelain, paint, ...

A gorgeous Chinese flambe glazed vase with molded deer head handles, Qing dynasty, 19th century. The vase of pear shaped archaistic "hu" fo...

Emile Louis Picault (1833-1915) « LE TRAVAIL » bronze statue The bronze statue 'Le Travail' by Émile Louis Picault is much more than a mere work of art. It embodies the very essence...

Perfume bottle "Telline" made in frosted glass with sepia patina by René Lalique in 1920. Molded signature. Perfect condition. height: 10 cm Félix Marcilhac, René Lalique - Catalo...

PRESENTING A LOVELY Wedgwood Jasperware Pale Blue Small Circular Lidded Vanity Box. Made by Wedgwood in England in 1982 and fully and properly marked/stamped on base. Marked: “Wedgwood, Made in England …. “PH” … “T” ….. “82”. 2.25 inches tall lidded vanity box with a diameter of 3.25 inches. Rolling vine and grape cameo reliefs, all over the lid and base sides. Fabulous large pointed finial on the lid with floral cameo reliefs on the sides. In very good original condition with no chips or cracks. A ‘PERFECT’ match for the larger and almost identical, lidded jasperware box...

Vase "Chamonix" made in opalescent glass by René Lalique in 1933. Stamped signature on bottom. Perfect condition. Great opalescence. height: 15 cm Félix Marcilhac, René Lalique -...

Mid-20th century Torino ceramic semi-nude woman sculpture 'Portatrice Africana' by C.I.A. Manna By: C.I.A. Manna Material: ceramic, paint Technique: gilt, glazed, hand-crafted, molded, painted, pressed, unglazed Dimensions: 6 in x 22 in Date: mid-20th century Style: Mid-Century Modern, Space Age Place of origin: Italy This mid-20th century Italian ceramic sculpture titled 'Portatrice Africana' was handcrafted by C.I.A. Manna in Torino, Italy. Molded from ceramic clay and meticulously hand-painted, it depicts a semi-nude african woman carrying a large clay vessel...

Early 20th century Art Déco gilt bronze bearded buffalo/bison sculpture, France By: unknown Material: bronze, copper, metal Technique: cast, molded, metalwork, patinated, polished, ...

The clock movement with a fresh battery has been running, however it may need to be serviced, it is quite loud. The manual timer is in working order. For reference an example was auc...

Vase "Soucis"made  in pink, black and purple glass pate de verre created by Gabriel Argy-Rousseau in 1920. Molded signature. Perfect condition. Very beautiful colors. Heigh...

Wonderful deep blue René Lalique "Soucis" vase designed in 1930. "R.LALIQUE FRANCE" signature (see image). This piece was made before 1946. Great condition, no issues! 17.9cm hi...

Vase “Formose” (Fishes) made in agate glass (cased grey and opalescent) by René Lalique created in 1924. Molded signature on bottom. Perfect condition. Wonderful model and extremely...

These stunning French Art Deco kitchen canister jars, six pieces in assorted sizes, were crafted in the 1930s. Two sizes are available in this set: large and medium. The containers h...

Perfume Bottle "La Belle Saison" made in clear glass with sepia patina by René Lalique in 1925 for Houbigant. Molded signature. Perfect condition. height: 10 cm Félix Marcilhac, R...

This Versailles vase, created by René Lalique in 1939, aptly illustrates the alliance between classical tradition and French glassmaking expertise. In...

Vintage Ettore Sottsass ET4 postmodern centerpiece with lopsided walls and garden green glaze produced by Alessio Sarri, circa 1980's. 4 3/4" high, 9 3/4" wide, 9 3/4" deep. Excellen...

Decorative green Art Déco bowl with reclining female sculpture. Carl Schlevogt. (1869-1959) Czech Republic 1930s. Good original condition. Malachit.

This antique set of four stoppered scent or perfume bottles was made in France in circa 1880 in the period Victorian style by an unknown maker. The uniquely shaped three sided bottle...

René Lalique (1860-1945) Vase "LAURIERS" (1922) An Exceptional Work to Acquire. Discover the magnificent "LAURIERS" vase by René Lalique, an exceptional piece that combines the art ...

Car Mascot Hood Ornament "Levrier" (Greyhound) made in glass by Rene Lalique in 1928. Molded signature. Perfect original condition. Really be...

Seal Stamp "Dindon" (turkey) made in butterscotch glass by René Lalique in 1925. Engraved signature on the edge. Perfect condition Measure: height: 6 cm Félix Marcilhac, René Lali...

Rene Lalique "Lacdor" perfume bottle made in 1920 for Lubin in molded clear and frosted glass with sepia patina. Molded "LALIQUE" signature on bottom. A few drops of the perfu...

This molded ceramic tsa tsa brick depicts Buddhist deities. The tsa tsa is a meditation created in a monastery by a Buddhist monk in training and was sold to r...

Chinese Pheasant beautifully render with rich oranges, reds, and yellows is a creation of the Hutschenreuther-Selb porcelain manufacturer. The authent...

"Miniature Boating Vase" by Daum Frères A very fine early 20th Century miniature cameo glass vase etched etched with a scene of boats afloat on a sea landscape against a warm yellow...

French Art Deco table amp, 1930s. Egyptian woman with snakes in her arms. Spelter, glass and marble. Glass shade by Georges Leleu (Paris). Height : 16"(40.5cm), Diameter : 6.4"(16.2c...

Vase "Ronces" made in cased opalescent glass with blue patina by René Lalique in 1921. Engraved signature. Perfect condition. very nice patina. height: 23.5 cm Félix Marcilhac, R...

Art Déco belgian glazed pottery/ceramic Charles Catteau-like vase by Boch Freres Keramis By: Boch Freres Keramis, Charles Catteau (in the style of) Material: ceramic, pottery, paint...

This is a captivating bronze sculpture of a horse, a collaborative work by the renowned Spanish sculptor Miguel Berrocal (1933-2006) and the esteemed Italian painter and sculptor Bru...

This is a Lalique Crystal Mesange flower vase. It depicts a vase with an hexagonal base followed by a stem shaped as a wreath. The wreath is made of periwinkles flowers decorated in the center by two chickadees birds...

Bertoncello by Roberto Rigon Large Modernist Ceramic Vase or Centerpiece A striking and rare Modernist ceramic piece by Roberto Rigon for Bertoncello. This sculptural work is compos...

Belle Époque austrian/viennese group of cold-painted small bronze sculptures of band/musician frogs By: unknown Material: bronze, paint, copper, metal Technique: cast, cold-painted, hand-painted, molded, painted, metalwork Dimensions: 1 in x 1 in x 1.5 in Date: late 19th century, circa 1890 Style: Belle Époque, Jugendstil, Art Nouveau, Vienna Secession, Arts and Crafts Place of origin: Austria This late 19th century austrian bronze sculpture depicts a band of diminutive, hand-painted frog musicians...

A striking mid 20th Century clear and frosted glass study of an eagle perched on a rocky landscpae with its wings outspread with fine detail, signed Goebel ADDITIONAL INFORMATION He...

Art Déco fench polished silvered bronze balancing dice paperweight by Edgar Brandt By: Edgar Brandt Material: copper, bronze, silver, metal Technique: cast, molded, silvered, polish...

Émile Gallé (1846-1904) Rare and Important Galle French Cameo Glass Vase Cased glass, opalescent, colorless, yellow and blue, acid-etched design with the Basilica of St Nicolas de P...

The Strength An Art Deco patinated bronze group by Maurice Guiraud-Rivière (1881-1947) Representing three men in full effort pulling a rope, resting on an oblong naturalistic base S...

A rare and early perfume bottle Amphitrite in emerald green glass, designed by René Lalique and made in his glassworks in Wingen-sur- Moder circa 1920. This bottle is a great example...

Striking and high design piece created by Paolo Tilche for Guzzini. It’s Space Age design consists of an ecru sphere with navy blue and red stripes with a silver chrome handle that a...

This is an iconic art deco centerpiece from the famous French earthenware factory Saint Clément, established in 1758. The model was designed by the French sculpture Charles Lemanceau (1905-1980) and put into production in the mid-1930s. This specific piece has the advantage of being glazed in the the famous green "trademark" color of Saint Clément. The brown glazed version is more common and not so hard to find. Charles Lemanceau was one of the most popular sculptures of the art decor era and he was well-known for his stylized animal sculptures...

Val Saint Lambert,Signed sculpted crystal vase with amethyst core, Belgium. Heavy Val Saint Lambert crystal vase catalogued in the 1950s. The central amethyst color (a traditional f...

Mid-20 century Modern glazed ceramic sinuous organic design bowl by french luxury brand Hermès Paris By: Hermès Paris Material: ceramic, paint, enamel Technique: pressed, molded, painted, hand-painted, glazed, enameled Dimensions: 9 in x 8 in x 3 in Date: mid-20th century Style: Organic Modern, Mid-Century Modern, Space Age, Scandinavian Modern Place of origin: France This sinuous organic bowl exemplifies Hermès' mid-20th century embrace of biomorphic Modernism. Molded from colored clay in warm earth tones of orange and brown, its sensuous curves evoke flowing, organic forms and the purity of line reflects Scandinavian inspiration. The marks under the base confirm the bowl's creation by the renowned luxury brand and its french origin. Hermès captured...

1900s Jugendstil cold-painted bronze sculpture of an oriental woman with a fruit bowl by Franz Bergmann, Austria By: Franz Bergmann Material: bronze, copper, tin, metal, paint Techn...

A weathervane in the form of a running horse, that was likely modeled after "Dexter" circa late 19th century on a custom display stand. The full body molded horse has a gilt surface with verdigris patina. Not entirely sure of the maker but possible by L. W. Cushing & Co. In Waltham or Harris. Co in Boston. The surface has been re-gilt historically likely dated from early 20th century. A lovely piece that transcends American fold art...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

A celebration of female strength and the subtleties of the human body. Hand-sculpted and hand-cast objects in stone-resin composite. All of Marcela Cure’s collectible design object...

Pair of Grotesque Caricature figurines of the first half of 20th century. One figurine depicting Rigoletto, the deformed jester from the famous Verdi opera...

The Formose vase is one of the vases lalique created in many colors. The vase was a big success as the study of the fishes swimming all around the vase's body are a real study of th...

A wonderful mid 20th Century frosted glass figure of a crouching cat with good hand finished surface detail, signed Lalique France ADDITIONAL INFORMATION Height: ...

The Palissy vase is created in 1926 in white glass by R.Lalique. This example is in opalescent glass and in excellent condition. The vase is signed in hand written script letters .

Vase "Glycines" (Wisteria) made in multilayer purple and white cameo acid-etched glass. Molded signature. Perfect condition.  height : 33 cm

French Art Deco frosted molded glass fruit bowl by Pierre D'Avesn at DAUM's (Croismare), France, 1920s. Centerpiece. Diameter : 11"(27.9cm), Height : 3.9"(10cm). Molded glass signatu...

A fine and rare pâte de verre Vase Crabes et Algues by Gabriel Argy-Rousseau, made in Paris, ca. 1920. Three iterations of a nicely modeled crabe vert cover the sides of this kiln fo...

Vase "Picardie" made in cased opalescent with sepia patina by René Lalique in 1927. Engraved signature on bottom. Perfect condition. Exceptional model. Extremely rare. height: 24 ...

René Lalique (1860-1945) Vase les “Bacchantes” (1927) in opalescent molded pressed blown white glass. THE ARTWORK: In 1927, René Lalique created the famous Bacchantes vase, a coni...

Cast brass Arabian Camel Figurine Cast in Korea. It has a lovely old patina throughout from age.

Opalescent molded glass box decorated with cicadas. This model was created in 1921. The glassware is in perfect condition. The satin background is original and requires restoration...

Set of 4 Ceramic Owls by Edward Lindahl for Stig Lindbergs Minerva Series. The largest is 2 1/2" x 2 1/2"

Large Heavy Greyhound Statues for Driveway Entry. Possibly English Made but procured in the states. Sold as found at the estate. These should be repainted if you want to use them ou...