Molded Decorative Objects

This striking cobalt blue glass perfume bottle, designed by the renowned René Lalique for the Worth fragrance “Dans la Nuit”, is an exceptional example of Art Deco design from the 19...

Pair of Peill & Putzler ice cube lamps Pair of cube candlestick (ice cubes) in glass by Peill & Putzler. Period: 1960s Style: Midcentury Quantity: Tw...

Large Heavy Greyhound Statues for Driveway Entry. Possibly English Made but procured in the states. Sold as found at the estate. These should be repainted if you want to use them ou...

This is an iconic art deco centerpiece from the famous French earthenware factory Saint Clément, established in 1758. The model was designed by the French sculpture Charles Lemanceau (1905-1980) and put into production in the mid-1930s. This specific piece has the advantage of being glazed in the the famous green "trademark" color of Saint Clément. The brown glazed version is more common and not so hard to find. Charles Lemanceau was one of the most popular sculptures of the art decor era and he was well-known for his stylized animal sculptures...

The clock movement with a fresh battery has been running, however it may need to be serviced, it is quite loud. The manual timer is in working order. For reference an example was auc...

Shell-shaped box in solid 800 silver completely handmade. The lower part and the lid have been shaped and chiseled by faithfully copying the veins and structure of the Chlamys shel...

1960s Mid-Century Modern lucite and gilt brass sphere/ball paperweight clock with 15 jewel wind-up movement by swiss clockmaker Arthur Imhof By: Arthur Imhof Material: brass, copper...

A fine French Art Deco glass vase hand-enameled art glass vase decorated with Chestnut stems and dating from around 1930. This stylish vase is molded in frosted glass and hand applie...

Wonderful Mid-Century Modern German vase by Ingrid Glas, circa 1970. This beautiful bright red vase brings a touch of fun and fantasy to any room with it's whimsical textured 'tree b...

Tiara Perfume Bottle "Leurs Ames" made in glass by Rene Lalique in 1913 for D'Orsay Molded signature on bottom. Perfect condition. Exceptional and extremely rare bottle. height :...

Cenedese vintage midcentury modern tall and rare pair of Murano solid light blue colored / coloured faceted glass obelisks, made circa 1970. Wonderful Italian glass and perfect as an...

Seal Stamp "Statuette Drapée" made in frosted glass with turquoise patina by René Lalique in 1912. Engraved signature. Perfect condition. Sublime patina. Height: 6.5 cm Félix Marc...

An absolutely delightful vintage set of three Chinese export porcelain celadon glazed models of ducks, circa 1970's, China. The three ducks all portrayed in a similar fashion, stan...

Clearly influenced by stylized Etruscan and African sculpture, this heavy-lidded female head is a classic example of Art Deco design. The artist was Jean de Marco...

Vase "Baies" made in frosted glass with original heated brown enamel by Rene Lalique in 1924. Molded signature on bottom. Perfect condition. Exceptional enamel. height : 26,5 cm ...

A beautiful pair of vintage, wall candle sconces in a classic Louis XVI style. These sconses are made of heavy, molded, bronze/copper alloy. They are identical and none of them featu...

Émile Gallé (1846-1904) Rare and Important Galle French Cameo Glass Vase Cased glass, opalescent, colorless, yellow and blue, acid-etched design with the Basilica of St Nicolas de P...

1920s Art Déco bronze rabbit bell ring with base by Édouard-Marcel Sandoz manufactured by Susse Frères, France By: Édouard-Marcel Sandoz, Susse Frères Material: bronze, copper, meta...

Large sized art nouveau caged glass vase by Kralik glasswork. Frosted clear glass, blown and encased in a metal cage. In very good vintage condition without damage.

A dramatic black glass vase decorated with striking satin finished enamel swirls against a polished background, signed Lalique France. ADDITIONAL INFORMATION Height: ...

Wonderful Mid-Century Modern German vase by Ingrid Glas, circa 1970. This beautiful bright blue and clear vase brings a touch of fun and fantasy to...

Emile Louis Picault (1833-1915) « LE TRAVAIL » bronze statue The bronze statue 'Le Travail' by Émile Louis Picault is much more than a mere work of art. It embodies the very essence...

A vintage Mid-Century modern set of thirteen Finnish Ljusstakar, candle holders made of hand blown molded glass, designed by Timo Sarpaneva for Festivo - Iittala, in good condition. ...

Cast iron cauldron with unmatching Lid from Galicia at the northern part of Spain, circa 1940s Made in molded/cast iron, originally used for cooking...

Vase "Ronces" made in cased butterscotch yellow opalescent glass with sepia patina by René Lalique in 1921. Molded signature. Perfect condition. Exceptional color. height: 23.5 cm ...

Émile Gallé (1846-1904) French Art Nouveau Cameo Mold Blown Glass Vase « Fleurs de Pommier » circa 1910 Beautiful and very rare Art Nouveau molded-blowned g...

1920s Vienna Secession silvered metal box with wooden interior by Josef Hoffmann and Wiener Werkstätte, Austria By: Wiener Werkstätte, Josef Hoffmann Material: metal, silver plate, ...

Émile Gallé (1846-1904), Art Nouveau Cameo Glass Vase « Gladioli Flowers » Large piriform vase on heel with long collar in dark blue and blue multi-layered glass Cased glass, opales...

Vase "Picardie" made in cased opalescent with sepia patina by René Lalique in 1927. Engraved signature on bottom. Perfect condition. Exceptional model. Extremely rare. height: 24 ...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Rene Lalique Suzanne opalescent glass statuette. Suzanne is one of Rene Lalique's most iconic pieces and has probably featured on the cover of mor...

Box "Lucie" (Lucy) made in frosted glass with blue patina by Rene Lalique in 1924. Molded signature on lid and engraved control signature on bottom. Perfect condition. Superb patin...

Opalescent molded glass box decorated with cicadas. This model was created in 1921. The glassware is in perfect condition. The satin background is original and requires restoration...

Art Déco czech Blue art glass vase decorated with nude figures from the 'Ingrid' collection by Curt Schlevogt By: Curt Schlevogt Material: art glass, glass Technique: molded Dimensi...

This vide poche or ashtray in in Glass. It has been done circa 1940, in France. Transparent Color. Original and iconic molded glass bowl; its shape is simple and decisive, skillfully...

A large and powerful Chinese famille rose enameled porcelain "Five Dragon" meiping vase, modern, China. The oversized vase of traditional meiping form, with a splayed foot supporting a baluster shaped body with high shoulders, short, narrow neck, and rolled mouth rim. The large vase decorated with five dragons molded in relief. Their bodies painted in vibrant overglaze famille rose enamels of reds, greens, yellows and turquoise. The dragons portrayed dancing in the sky among flames and clouds. Their bodies twisting and writhing, claws extended, tails coiled, some with mouths open in triumphant roars. The main dragon in red, and portrayed to more directly face the viewer. The dragons dance against a white ground sky. The blank sky broken up by overglaze red painted stylized clouds and flames. The foot decorated with a band of crashing waves. A stylized lotus blossom surrounds the base of the neck. The neck with a band of scrolling flowers and vines against a yellow ground. The underside of the large vase with an apocryphal "Da Qing Qianlong Nian Zhi...

Mid-20th century Torino ceramic semi-nude woman sculpture 'Portatrice Africana' by C.I.A. Manna By: C.I.A. Manna Material: ceramic, paint Technique: gilt, glazed, hand-crafted, molded, painted, pressed, unglazed Dimensions: 6 in x 22 in Date: mid-20th century Style: Mid-Century Modern, Space Age Place of origin: Italy This mid-20th century Italian ceramic sculpture titled 'Portatrice Africana' was handcrafted by C.I.A. Manna in Torino, Italy. Molded from ceramic clay and meticulously hand-painted, it depicts a semi-nude african woman carrying a large clay vessel...

Bowl "Anges" (Angels) made in navy blue glass by René Lalique in 1930. Stamped signature. Perfect condition. Height: 9.5 cm Diameter: 37 cm Félix Marcilhac, René Lalique - Catalog...

A very fine and palatial French 19th-20th century Christofle & Cie Louis XV style silvered figural centrepiece with a cut-glass scalloped centre-dish, attributed to Baccarat, and fla...

Maria Vessel in Brick Designed by Project 213A in 2020 Handmade Stoneware This vase is inspired by the Greco-Roman period, having a timeless appearance and finished with a contempor...

Art Nouveau brass pair of Wall Mount candlesticks 1930s Originel Patina Excellent condition. looks simply stunning.  

This is a Lalique Crystal Mesange flower vase. It depicts a vase with an hexagonal base followed by a stem shaped as a wreath. The wreath is made of periwinkles flowers decorated in the center by two chickadees birds...

Perfume Bottle"Elegance" made in clear and frosted glass with sepia patina by René Lalique in 1923 for D'Orsay. Molded signature "R.LALIQUE" signature on bottom and molded "D'ORSAY"...

“Scalare,” Freshwater Angelfish was the winner of the Grand Prize Paris exhibition 1937. Could a more perfect pair of Angelfish be found? Quite animated both swimming and feeding and so very delicately constructed with their floating "Barbel", whisker like appendages around the mouth used for finding food and communication. It is a finely detailed Rosenthal figure...

A beautiful whimsical sculptural table lamp titled 'Horse and Boy' is hand crafted, molded and cast. The intricate design features a boy and his hors...

Chinese Pheasant beautifully render with rich oranges, reds, and yellows is a creation of the Hutschenreuther-Selb porcelain manufacturer. The authent...

Rare pair of Cenedese vintage midcentury modern clear green colored / coloured Murano glass round Apothecary jars or storage containers with lids made circa 1970s. Wonderful Italian ...

Decanter "Pouilly" with fishes made in glass with blue patina by René Lalique in 1931. Stamped signature. Perfect condition. Very beautiful model. Height: 29 cm Félix Marcilhac, R...

The Cyclamen perfume bottle is a strong Art Nouveau example of R.Lalique ‘s style in the begin of the 20th Century. The butterfly Ladies are represented on the different surfaces of...

A large Palatnik lucite Heron in black, signed in the piece, ‘Pal’. In excellent condition from the 1970’s. It retains its paper label ‘ Made in Brazil.

Westite Glass Company #302 bow tie flower pot. Green and cream slag. Tapering traditional form flower pot with rim. Embossed on base: "WESTITE" (in bow tie shape) "302 WESTON, W. VA....

This a Daum crystal Pate de Verre single flower (it can be a Groundsel) and large leaves bowl depicting different shades of blue and turquoi...

Renzo in a family of multipurpose trays with a very smooth surface and soft curved edges, now available in a different color composition. Each piece is a unique, no two are the same....

'Olimpia': Art Déco french spelter sculpture with stone base by Pierre Le Faguays (Fayral) for Max Le Verrier By: Pierre Le Faguays (Fayral), ...

A striking mid-century modern 1950s fat lava vase by the renowned West German pottery maker Jasba Keramik. The company was founded in 1926 by Jakob Schwaderlapp in Ransbach-Baumbach ...

Vase "Jaffa" made in frosted glass with turquoise patina by René Lalique in 1937. Stamped signature. Perfect condition. Fabulous patina. height: 19.5 cm length: 31 cm Félix Marcil...

This rare molded glass advertising ashtray for Air France, designed in the 1960s, was manufactured by the Albert Gerrer company in Mulhouse, France. It features an original design by...

The Formose vase is one of the vases lalique created in many colors. The vase was a big success as the study of the fishes swimming all around the vase's body are a real study of th...