Painted Decorative Objects

Staffordshire Pearlware bocage pack of red spaniel puppies or sheep- A rare whimsical grouping of three seated red and white animals under a tree on an oval naturalistic base.      

Rectangular Black and Red Lacquered Snuff Box, Signed and Dated 1971. This tobacco snuff box is richly and colorfully decorated with a winter scene showing 3 people riding a sleigh in the snow being pulled by 3 wild horses. This Soviet-era box has a strong and great condition red lacquer on the inside and fine gilded decorations running around the edges of the box. The box is signed and dated on the front cover and with hand-written "Made in USSR...

Large antique Chinese porcelain vase decorated with green, white and pink organic motifs with golden accents. Stylized art nouveau decorations of branches, leaves, roots and butterflies. Manufactured between 1890 and 1920 - possibly Famille Verte. Stamped under base. Beautiful vintage condition. China...

Color Number 1 showtime vase by Jaime Hayon Dimensions: Diameter 19 x H 33 cm Materials: Made in two pieces in enameled stoneware porcelain; mono-color (interior and external in ...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

Scailmont glass Nadia vase designed by Henri Heemskerk, circa 1935, impressed: Made in Belgium. Photography fails to capture the simple elegant. Documentation can be found in the...

Italian painted terracotta rope bound draped urn after Serge Roche. Fantastic Italian Serge Roche style painted terra cotta rope bound draped urn, planter, cachepot or jardinière. This large Italian draped urn is beautiful as-is or would look great sitting on the center of a dining table or console table with orchid plants.

An important Napoléon III gilt bronze and turquoise porcelain clock garniture. French, circa 1870. This very fine clock garniture comprises of a clock and a pair of vase form candelabra. The finely cast and chiselled gilt bronze case has a jewelled turquoise porcelain face with Roman Numerals above a plaque depicting children in a wooded landscape, flanked by expressive male and female cherub figures, cast in the round, beneath a scrolled pediment with torches en flambeau and surmounted by a turquoise vase and cover. The pair of candelabra en-suite are in the form of turquoise porcelain vases...

PRESENTING A STUNNING little French Ring Box from the 18th Century, namely a French Louis XVI Brass and MOP Box with Miniature Portrait of Lady. Box inlaid wi...

DeSimone of Italy, 'Happy Grape Lady' is typical of DeSimone's colorful and playful art. This bowl is weighty, deep and square - a most unusual piece for ...

This hand-painted ceramic vase features illustrations of our classic monsters. The vase is finished with a glossy glaze perfect for hand-picked flowers from the garden. Dimensions: ...

Transform your space with this breathtaking Italian figural standing candelabra floor lamp, a masterpiece of early 20th-century European craftsmanship. Exuding elegance and sophistic...

Late 19th century door stop, France, circa 1880. This lady sculpture is made in heavy solid cast iron and is in it original hand-painted colors.

Late 18th Century french glazed porcelain apothecary/pharmacy jar with lid - 'BUTYR: CACAO' By: Charles-Antoine Acloque Material: ceramic, porcelain, paint, enamel Technique: molded...

Octagonal table box in 925/1000 sterling silver with fire-enamelled Art Deco design. Dimensions diameter cm. 15.8 high cm . 8.2. Weight gr. 974. Designed by Giorgio Salimbeni for Cartier USA in the 1980s, inspired by objects designed by Louis Cartier around 1920 and manufactured in Florence in various specimens, also in parure with other objects and in different colors, in the headquarters by the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at about 750°<800° C. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

Rectangular handprinted stoneware vase with 4 motifs: 2 with fishes and two with flowers. It has no markings but we suspect it was made by Italian ceramist Guido Gambone during the 1...

A tall antique Balinese hand-carved and painted wooden statue from the 19th century on black base. Hand-made on the island of Bali, Southern Indonesia during the 19th century, this w...

This pair is very old from the Ching Wang Shu XIX Dynasty And the color is exquisite. They are in good condition with only A few flea bite tiny chips on ...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

This collector's item is an umbrella stand in marbled copper, with accessories in gilded brass and hand painted with a floral motif, by Tommaso Barbi for...

18th century Italian crucifix with gold-plated kyanite, calcite crystals in matrix, and baroque pearls. The crucifix is originally from a church in Liguria. It is hand-carved and pai...

This delicate French Art Nouveau enameled glass jewelry box features hand-painted cherry fruits and leafy branches, capturing the romantic elegance of ...

Shipping special update - We have negotiated a special flat rate shipping cost to the USA with our main US shipping partner for our 1st dibs clients of only £995 export crated by ai...

A very good quality late 19th-century Japanese Imari lidded vase stands at an impressive 35 inches tall. Characterized by its vibrant colors, it showcases a striking palette of deep ...

A Thai wooden polychrome prayer box from the early 20th century depicting a reclining guardian lion with his tongue sticking out. Created in Thailand during the early years of the 20th century, this highly decorative object is in fact a prayer box. Opening in its upper section to reveal an oval, roughly carved interior, the box depicts a guardian lion whose striking features and expression are meant to ward off negative influences. His reclining position demonstrates that he is ready to pounce. Best to be seen from the sides, the lion opens his mouth to reveal sharp teeth through which his tongue is sticking out. The latter is removable. His body is adorned with incised scrolling accents and hand painted with green, yellow, red, pink and white motifs. The tail is missing. The other side shows a décor a little more faint. With its highly decorative presence and polychrome finish, this Thai guardian...

French wrought iron black painted locksmith trade sign in the form of a large and elaborate key. The trefoil top filled with interlocking Gothic style quatrefoils (like four leaf clovers), with a ladder in the center joining them and a cut metal crest...

A magnificent and quite large, Baroque style, Museum Quality, Antique Meissen Porcelain Grouping of Mars, the God of War, Chariot with his Putti Servant, originally designed by Johann Joachim Kändler in 1772-1773 for Czarina Katharina, better known as Catherine the Great. Mars, the Roman God of war, is seen wearing a Roman war attire on his white double horse-drawn chariot. While seated, Mars is seen holding the handle of his sword. On his head is a beautiful silver helmet...

There are small, decorative wood boxes from many cultures. Some are ideal for holding hand sewing tools. Others, equipped with a lock, like this example, might hold those bulky bangl...

A pair of finely molded and hand painted English Staffordshire dogs. This pair features full body reclining hounds with the most charming of hand painted faces and colors. On their o...

Pair of Brutalist iron candlesticks hand forged topped with hand-hammered brass bobeche cups. This pair of handsome iron and brass candlesticks are forged and hammered with their original painted finish - black over gold. There is some finish chipping off in places around the decorative orbs...

19th Century hand painted and gilt gold porcelain decorative tableware pitcher with under-plate service by Giraud Limoges . The pieces are in great antique condition . Minor wear app...

A truly stunning gilt bronze Art Nouveau style decorative piece / vase with Exterior hand carved design details. The piece / vase is in great condition . Minor wear consistent with a...

Pair of original Baroque wooden putti / winged cherubs. We were told that they originate from a church in the French Pyrenees. We suppose they are from...

An 18th/19th Century Chinese cinnabar circular box with multiple cartouches of Families. This is a marvelous piece with very fine details on the main top panel of the box. The top pa...

19th century very tall gilt porcelain decorative vase / piece with exterior floral design details . The vase / piece is in good condition . Minor wear appropriate with age / use . Nu...

Beautifully stylized a set of 3 animal figurines with a great balance of harmony stood, horses portray the beauty of the inner world through pure beauty. This Valuable unique art pie...

A porcelain creation belonging to the Dog & Candy collection, inspired by the more playful side of pets. This poodle has been caught red-handed eating mochis, the traditional Japanes...

Small shaped frame for 2 oval photographs in 925/1000 sterling silver gold plated with translucent fired enamel on guilloche in Art Nouveau style. External dimensions cm. 5.2 x 7 int...

A Painted Wood Sculpture by Louis Sala France 1970s In Pine Painted Wood Signed. In good original condition, minor scratch.

This pair of elegant and fine giant jars in porcelain, has its origin in the extremely East part of the Chinese continent, probably from Japan. The entire surface is decorated with the relief of white flowers, the peonia flowers, symbol of authority, power and wealth. On the surface, are present many drawings in blue of the Pho dogs...

1940's Argenta stoneware plate with female siluett decor by Wilhelm Kåge for Gustavsberg. The now iconic Argenta stoneware collection with its green gl...

Regency Penwork Decorated Box c1810. "A sycamore veneered box decorated in penwork. The sides of the box are decorated with what looks like stylized marigolds. ...

Sculpture white pure bred Horse all made in hand painted porcelain. Exceptional piece.

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Meissen, Germany. Porcelain figurine of girl wit...

This late 19th century porcelain vase was designed by Eduard Stellmacher for Riessner, Stellmacher & Kessel Amphora of Turn-Teplitz, Bohemia. The piece has a Classic Art Nouveau form and features a dimensional nymph partially encased in the leaves of a lily of the valley plant. The maiden's body is accented by two delicate arched tendrils finished in gilt which bear small white lily of the valley blossoms, also accented in gilt. The remainder of the piece is painted in shades of light green and ochre with gilt highlights. An example of this shape with similar painted decoration can be seen on page 37 of Richard L. Scott's 'Ceramics From The House Of Amphora 1890-1915.' As an antique item, the vase shows appropriate signs of age consisting of wear to the gilded decoration along with a shallow chip on one of the ridged leaves on the back of the piece. The foot is 4" in diameter and bears the red RStK mark reading "RStK TURN Teplitz...

This colorfully cold painted Vienna bronze brings to the viewer a lovely little scene. The gentleman standing on a carpet is explaining something to his 3 other countrymen who are re...

Metallic art tie designed by Pierre Cardin. Very rare metallic tie, created in Paris France by the fashion designer Pierre Cardin, back in the 1970. It was crafted as a piece of art...

Robert Segal’s abstract sculpture offers a particularly fertile ground for experiments in shape, color, proportion, and technique. He steps away from non-traditional sculpting method...

Brick Floor Lamp by Idaaf Architects Dimensions: L 30 x W 30 x H 165cm Material: Walnut, Aluminum Madefrom walnut and aluminum, the ‘Brick’ Floor Lamp is a testament to the raw beau...

A very important early work by Bertil Vallien b. 1938. Unique and monumental wall sculpture, hand painted and contour sawn wood. Made in Sweden 1966. One of a kind! The sculpture is depicting fishes in the water. It was commissioned by an optician in 1966. That is why the eyes are made of oval glass mirrors. They are also hiding the holes where you screw the sculpture to the wall. The sculpture would be great in a fish restaurant or in an indoor pool area. It will certainly make a statement wherever it will hang! A photograph depicting the artist in front of the sculpture is included (see image)! Fully signed and dated 1966 (see image). The sculpture is in 3 parts. The upper part is in one piece. The lower part is in 2 pieces. There are no problems hanging this on the wall. It is heavy but not that heavy. Measurements: The upper part, Lenght 226cm, height 68cm, 7cm deep. The lower part, Lenght 245cm, height 75cm, 7cm deep. As mounted as in the pictures: length 304cm, height 120cm. Total length if one put these pieces after one another, circa 475cm. You can put this sculpture on the wall with different combinations and variations. In 2017 Flint Institute of Arts in Michigan bought the "One million Dollar Boat". They paid one million dollars for the mixed media sculpture "Passage" made by Bertil Vallien. BERTIL VALLIEN EDUCATION AND PROFESSIONAL EXPERIENCES 1963 - ongoing Freelance designer for Kosta Boda glassworks, Sweden 1963 - ongoing Independent artist/designer 1961-63 Studies in USA and Mexico 1961 University of Art and Design, Stockholm, Sweden PUBLIC COLLECTIONS (SELECTION) Victoria and Albert Museum, London, England Metropolitan Museum of Art, NY, USA HM de Young Museum, San Francisco, USA Yokohama Art Museum. San Francisco, USA Imagine Museum, FL, USA The State Hermitage museum, St. Petersburg, Russia Düsseldorf Museum of Fine Arts, Düsseldorf, Germany Museum of Arts and Design, NY, USA The Art Institute, Chicago, USA National Museum, Stockholm, Sweden VIDA Museum, Sweden, permanent wing Everson Museum, NY, USA Museum of Fine Art, Boston, USA National Museum of Art, Tokyo, Japan Microsoft Art Collection, Seattle, Wa, USA JB Speed Art Museum, Louisville, USA The Prescott Collection at Pacific First Centre, Seattle, USA Detroit Art Institute, Detroit Il, USA Yokohama Art Museum, Yokohama, Japan The Powerhouse Museum, Sydney, Australia Museum für Kunst und Gewerbe, Hamburg, Germany Mint Museum of Art and Design, Charlotte, NC, USA Dayton Art Institute, Dayton, Ohio, USA Museo del Vidrio, Monterrey, Mexico Musée des Art and Design, The Louvre, Paris, France The Montreal Museum of Fine Arts, Montreal, Canada Rockford Museum of Art, Rockford, IL, USA Microsoft Art Collection, Seattle, USA National Museum, Edinburgh, UK Flint Institute of Art, Flint, MI, USA AWARDS (SELECTED) Prince Eugen´s medal for outstanding achievement in art, conferred by the King of Sweden (1998) Gold medal, Royal Academy of Science, Stockholm, Sweden (2005) GAS Visionary Award (2020) Honorary doctorate, Växjö University, Sweden (2002) Artist of the future Award, Imagine Museum, FL, USA (2020) Visionaries Award, Museum of Arts and Design, NY, USA (2001) Medal for exhibition “Nine Rooms” at the 13th Biennale in Venice given by Instituto Veneto di Scienze ed Arti (2012) Young American award, Museum of Arts and Design, NY, USA (1961) Award in recognition of the promotion of Glass Art in the world, Museo del Vidrio Monterey, Mexico (2004) The Libensky Award, Seattle, WA, USA (2008) The Wilson Award, GAS, New Orleans, USA (2005) Urban Glass Award for >>Outstanding Achievement in Glass<< NY, USA (1998) Zweiter Coburger Glaspreis, Coburg, Germany (1985) BIBLIOGRAPHY (SELECTION) 2020 Ytspänning, Galleri Glas, Stockholm, Sweden 2020 Drawings, Ceramics, Glass, Staffan Bengtsson, Kosta förlag, Sweden 2012 Bertil Vallien, Nine Rooms, Publisher Marsilio, Italy 2008 Staven, Gunnar Lindqvist, Kamras/ Kamras förlag 2007 Transperent Bounaries, Ulla-Britt Edberg, Carlsson Bokförlag, Stockholm 2006 Vallien, Gunnar Lindquist, Carlsson Bokförlag, Stockholm 2002 Somna Vakna, Matthew Kangas, University of Washington Press, London 2002 Fiat Lux, Johan Unger Gunnar Lindquist, Carlsson Bokförlag 1998 Glass eats light, Gunnar Lindquist, Carlsson Bokförlag 1997 Headbook, Niclas Rådström, Publisher, Kamras/Kamras 1995 Anod, Peter Nilsson, Nordstedts förlag, Sweden 1990 Bertil Vallien, Gunnar Lindqvist, Carlson Bokförlag 1983 Sandcast, Ulf Thomas Moberg, Moberg Publisher EXHIBITIONS (SELECTION) 2020 Ytspänning, Galleri Glas, Stockholm, Sweden 2020 Vida Museum, Öland, Sweden 2019 Habatat gallery, Detroit, USA 2019 Schantz Gallery, Stockbridge-MA, USA 2018 Leger Gallery, Malmö, Sweden 2017 Gallery Schantz, Stockbridge, MA, USA 2017 Art Miami, Schantz gallery, Miami FL, USA 2017 Spritmuseet, Stockholm, Sweden 2016 Hawk Gallery, Columbus. OH, USA. 2016 Galleri Thomassen, Göteborg, Sweden 2016 Millesgården, Stockholm, Glasstress, Sweden 2016 Edsvik Konsthall, Edsvik, Sweden 2016 SOFA, Navy pier Chicago IL- USA 2015 Galleri Berengo, Muranoi, Italien 2014 Palazzo Guinigi, Lucca, Italien 2013 Gallerie Azur, Spa, Belgien 2011 Marina Barovier Galleria, Venedig, Italien 2011 Hawk Galleries, Columbus, OH, USA 2009 Imago Gallery, Palm Springs. CA. USA 2008 Etienne gallery.Oisterwijk, The Netherlands 2007 Heller Gallery, NYC, USA 2007 Rockford Art Museum, Rockford, Il, USA 2006 Prince Eugen´s Waldermarsudde, Stockholm, Sweden 2005 Landkrona Konsthall, Landskrona, Sweden 2005 Röhsska Museet, Gothenburg, Sweden 2004 Museo del Vidrio, Monterrey, Mexico 2003 Rockford Art Museum, IL, USA 2003 Glass Museum, International Centre for Contemporary Art, Tacoma, USA 2002 Cellier de Clairvaux, Dijon, France 2002 >>In Transit<< Gävle Museum 2002 Eremitaget, St. Petersburg, Ryssland 2002 The state Hermitage Museum, St. Petersburg, Russia 2002 Konstindustrimuseet, Oslo, Norway 2001 Riihiimäki Museum, Finland 2000 Traver gallery, Seattle, WA, USA 1999 Museum of Contemporary Art, Warsaw, Poland 1999 Eretz Israel Museum, Tel Aviv, Israel 1998 Traver Gallery, Seattle, WA, USA 1998 The Bullseye Gallery Portland, OR, USA 1998 Museum of History, Stockholm, Sweden 1997 Museum of Arts, Indianapolis, USA 1997 Museum of Arts and Design, NY, USA 1969 Palazzo Ducale, Venice, Italy PERFORMANCE 2012,18,19, 20 Rainshower, Kosta glassworks, Sweden 2007 Diamonds and Ashes, Music: Tomidas, Midnight session at Åfors glass...

A Chinese wooden hat box - handmade, with a chinoiserie image. The box is in very good condition with fitted top, the wood is a wonderful patinated colo...

Single French Cast Iron Candlestick In The Original Green Painted Patina, 19th Century

Sculpture Zebra Gold Skull with structure in resin hand-painted with gold and black paint, on solid blackened iron base. Base: 25x25cm. Exceptional and uniq...

Paris Porcelain floral wedding urn. Wedding tureen Paris Porcelain gilt painted lidded and handled covered presentation dish with soldier mask handles, Pegasus finial and all gilt ba...

Pair of hand painted and carved wooden candle holders having a metal spike to hold candles. They are painted in a cream/ grey tone. That is very...

Circa 1815 French tole oval cachepot or jardiniere. Exceptionally elegant, raised on painted bronze lion paw feet; swan handles. Each side hand painted w...

Large Italian Blue and Beige Plate from Baldelli. Dante Baldelli production, 1940s Italy. Hand painted and handcrafted ceramic decorative plate with organic neutral and blue floral d...

Two Cold-painted Sculptures of Rifle-carrying Cowboys, 1969 Signed. These are priced and sold individually, two are available.

This well designed and executed Vienna bronze has a young boy resting on his stomach and enjoying what is left of a cigar. His clothes are meticulously cold painted, and this bronze...

Wonderful patina on this antique general store tea or coffee canister. Certainly a unique piece that could used on a kitchen counter or in a reta...