European Vases and Vessels

Indian Summer vase, clear orange, matt pastel pink. Vase in soft resin designed by Gaetano Pesce in 1995 for Fish Design collection. Measures: XL ...

A strikingly singular addition to a personal art collection, this gorgeous vase is a veritable work of art of bold visual impact. Entirely crafted of soft resin, it boasts a magnific...

An exceptional and large pair Moser amethyst glass vases with gilded chinoiserie patterns dating from around 1910. These tall glass vases Stand on...

The Classic design of this porcelain vase comes back to life with retro decorations with a contemporary flavor. This vase is embellished with animals and branches inspired by the fau...

Excellent Sommerso huge vase with faceted glass in shades of grey. Dark and clear grey glass cased into clear glass using the Sommerso technique. Attributed to Mandruzzato, Italy, 19...

A blue blown-glass vase designed by Edvin Öhrström and produced by Orrefors, Sweden, c. 1940s.

We present this lovely Murano glass vase, Italy circa 1960s. In excellent condition ready to be displayed in your vase collection. This vase is characterized by a particular chalice...

Rare, oversized stoneware “Argenta” vase by Wilhelm Kåge, in a round shape. Silver decor of a mermaid and merman in playful interaction among bubbles and flowers. Lovely attention to...

Colorful art glass vase by Czech designer Frantisek Koudelka. Hand blown orange glass with infused coal and air bubbles.

A fluted white-glazed ceramic vase produced by Schollert, Denmark, c. 1950s.

A small squat bottle, glass vase, crafted in the 1980s by Mdina Glass. Made from pink opaque glass with mottled clear glass spots, this decorative bottle features a fluted exterior...

Signed at the base Original stoneware ceramic vase by French artist GB Midcentury ceramic vase design Brown and black stoneware ceramic glazes colors and effects Original...

Eye-catching ceramic bull jug / pitcher, Spain, 1960s. Spanish ceramic bull shaped jug with romanesque inspired decorative details in green, white and brown-black. This kind of tradi...

Classic Aldo Londi Bitossi ceramic vase from the Rimini blue range. A gorgeous Mid-century modern retro classic, with really nice glazing, the colors are what makes these vases so sp...

A beautiful bronze vase with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition, with only some light scratches. Stamped 'BRONS' and makers mark.

Vibrant Orange Seventies tall Bay vase, quite rare decor and to my opinion the most attractive vase from this period. I have a similar (large) one for sal...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Wilhelm Kåge for Gustavsberg, Sweden. Tall squar...

Enhance your living space with the whimsical charm of the Hand-Painted Ceramic Menagerie Vase. Featuring delightful depictions of playful animals carefully painted around its surface...

Important sculptural vase carved by hand from a solid block of Arabescato marble. Vase dimension: D 52 x H 45 cm. Available in different marble, onyx and quartzite. Limited edition of 35. Each vase is hand signed and numbered by the artists (engraved), 100% handmade in Italy and comes with a “Certificate of Authenticity”. Marble is a natural material, every piece is unique as each marble block is different in veins and color shades. All of our creations are handmade by Italian artisans and can slightly vary in shape and size. This is to be considered as a guarantee of a handmade object. All Pieruga objects are made of precious and natural marbles and onyx. Marble is sensitive to acid-based liquids, especially a prolonged contact with substances such as wine, lemon, vinegar, fruit juices, cola and alcohol can stain the surface. Cleaning should be carried out with a soft sponge, water and neutral detergent. Do not use metallic or abrasive sponges, do not wash in the dishwasher, do not use in the microwave. The color of the marble after washing can undergo variations due to the humidity trapped in the surface’s micro-pores. Once fully dried it will regain its original color. The brass inlays tend to oxidize over time, to make them return to shine again use a soft cotton pad soaked in a solution of water and traditional Marseille soap, gently rub over the brass inserts and rinse the surface thoroughly. We are against the use of chemical products, all Pieruga objects are processed and polished through long manual processes without the use of polishing liquids. Pieruga proudly creates elegant accessories and complements in marble through artisanal processes, bringing into dialogue ancient techniques of sculpture with advanced technologies. 100% handmade in Italy. Our Mission is a clear Signal of opposition to the enormous waste that occurs in the extraction and processing of large blocks of marble, tons of material are discarded and thrown, in disfigurement to the generosity of our mountains. Rediscovering the ancient art of manual sculpture we give new life to even the smallest fragment of marble, bringing to light its millenary beauty that is lost in more than 2000 years of architecture and sculpture. Pieruga Marble...

A late 19th-century Greek Peloponnese olive oil jar with the typical handcrafted ribbed Nekuma decoration on its round bodice handmade in terracotta clay. These antique garden potter...

Art Deco Vase “Montlhery” made in frosted glass with sepia patina by René Lalique in 1926. Engraved signature. Perfect condition. Some molding lines from manufacturing like all thic...

Midcentury Faceted Murano art glass vase with textured ice glass sides. Attributed to Mandruzzato, Italy, 1960s. Sommerso technique with red glass with a layer in yellow submerged i...

A beautiful pewter vase, with amazing patina. Designed by Edvin Ollers and made by Schreuder & Olsson in Stockholm, Sweden, 1938. Great condition, with only a few light scratches. ...

Crackle and thunder – a magical wonder! At Kosta Boda, we marvel at beautifully preserved cracks in glass. The pink bowl from the Crackle collection has an expressive, sculptural exterior created using an old handicraft technique where the hot glass...

Unique looking vase covered all over in a mixed fatlava glaze of purple, rose and greens nuances. Designed and made by Dumler & Breiden in Germany during the 1970s. Imprinted/signed ...

"Roma Imperiale" is not just a vase or rather a sculpture, imagine it as a memory, the memory of a nobility now dissolved, a suspended memory, forgotten in a secret garden, of those ...

Beautiful citrine yellow glass vase attributed to Miloslav Klinger for Zelesnobrodské Sklo back when the Czech Republic was still part of Czechoslovakia, circa 1960. Elegant draped t...

A very large antique Spanish Lebrillo mixing bowl in earthenware, made of hand crafted terra cotta, originating from Granada, Spain. Featuring a glaz...

Ceramic vase by he Danish ceramist Arne Bang (1901-1983). Made ca. 1930s to 40s. It is decorated with rosette flowers and has a beige / sand colored glaze with a few blue speckles...

Swedish "dug out barrel"/laggkärl from around 1850s Made from a single solid dugout pine tree trunk with a attatched bottom, perfect as a planter. Height: 70 cm/27.5 inch Depth: 34...

Important sculptural vase carved by hand from a solid block of Arabescato marble. Vase dimension: D 52 x H 45 cm. Available in different marbles. Limited edition of 35. Each vase...

The Classic design of this porcelain vase comes back to life with retro decorations with a contemporary flavor. Black Dragon Pool is inspired by the h...

The Classic design of this porcelain vase comes back to life with retro decorations with a contemporary flavor. The Italian coast of Amalfi inspires t...

Stunning and vibrant, 27 cm high, vase with sgrafitto and hand-painted colored glossy pattern of stylised women. On the base is painted Italy 7862 I have also a smaller and a large o...

Handcrafted of fiber reinforced resin and finished in oxidized bronze volcanic patina. This product is meticulously handmade with artistic texture one piece at a time. Available in b...

The heart collection is the result of the extravagant creativity of two innovative designers, who are inspired especially by the human body. The heart collection is inspired by the N...

Highly decorative mid century Murano Glass Vase from the renown workshops in Italy around 1960/70. A fantastic shaped, mid-sized vase with twisted body combined with a lovely coloration from pink tones down to a bright green on the base. An exceptional designed Murano masterpiece...

Gres Stoneware vase designed and produced by Italian artist Bruno Gambone in shades of white, brown and orange, production Italy 1970s Signed Gambone Italy under the vase.

Formafantasma Post Scriptum Cachepot Reticolo Nero Piccolo Vase For Cassina BLACK ON WHITE, THE CONTEMPORARY EXPRESSION OF DESIGN The Formafantasma designs become decorations on t...

A very fine Art Deco Italian Murano satin glass millefiori twin handled vase dating from circa 1930-1940. This quality vase is of small bottle shape...

Large French Majolica grapes jardinière, circa 1880.

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

A group of six vases with stunning black and brown harfur glazes designed by Carl-Harry Stålhane at Rörstrand in the 1950s. The vases are between 10.5 - 35 cm high and in excellent ...

A lovely vase of model "Collier" designed by Gunnar Nylund at Rörstrand, the vase is 14 cm (5,6") high and about 13 cm (5,2") in diameter. It´s in mint condition. Gunnar Nylund was...

Vintage English metal ice bucket or cachepot (circa 1930s). Lion motif handles accent this interesting vintage piece with grape bunch motif. The piece...

Set of 9 Murano hand-blown vases in range of degree brown, grey, amber and yellow. The vases are made in Murano glass by the Italian artist glassblower Mandruzzato, Italy, 1970s. Th...

The Carat collection is based on a contemporary interpretation of the traditional cut glass for which Orrefors is world-renowned. Carat Globe Vase Large has an asymmetrical motif at ...

An exceptional French Art Nouveau Daum Frères Violets miniature cameo glass vase wheel cut with raised designs in colored enamels on an etched ground dating from around 1900. The tal...

With its unique kintsugi style repair, this Wedgwood black basalt vase has become one of a kind. The flared trumpet style vase was made by Wedgwood in the ...

A lovely Mid-Century Modern white porcelain/ceramic vase from the 1960s. Original vintage good condition. Only one unique piece.

Antique French majolica basket with flowers and butterfly, bug, and insect accents, circa 1880. No maker's mark. Some chips.

Wonderful Rare Matched Pair of Early English Regency Royal Crown Derby Porcelain Pot Pourri or Pastile Burners of traditional form. First quarter of the Nineteenth Century. Lavishly hand decorated in Imari palette with colours of Iron Red and Cobalt Blue with gilt on an off-white ground, each rim with four projecting Lion's heads ending on four paw feet on a shaped base. Condition: Superb condition for such early items, light wear to gilding at high points and some staining inside, evidence of gilt overpainting on one cover, see image. Both bases with iron red mark for circa 1815. Diameter: (entire) 5.5" (14cm). Height: 6" (15.25cm). Location: Dublin City, Ireland. Affordable Fixed Price Worldwide Store to door shipping offered by Seller. Please take time to scroll down below and click "View All From Seller" or favorite our Shop PATRICK HOWARD...

Midcentury amazing black and orange sommerso Murano glass vase. Mario Badioli probably designed this fantastic piece in the style of Picasso in Italy dur...

A substantial pink marble bowl with unique white veining rests atop a pedestal for a grand presentation of fruits and vegetables. Exposure to the acid of citrus fruits can stain ma...

Shimmering glass vase by Archimede Seguso, mouth-blown in Murano in the 1970s. Black glass with silver flecks, beautiful hand-shaped piece. Remains the original manufacturers sti...

Large handcrafted bowl was designed by Anna Ehrner for Kosta Boda as a part of 'Atoll' series. It has a solid, heavy clear glass walls with unique free-form pattern of hand-applied ...

Astonishing blue and green Murano glass bottle by Fulvio Bianconi for Venini. Signed “Venini88” on the bottom, as shown in the pictures. Made in Italy in 1988.

Large antique 19th century French blown glass demijohn w/ a raised letter W at top of neck. Measures 26" h x 17" across most bulbous point. Look at all picture sand read condition re...