Art Nouveau Vases

Finest Bohemian Art Nouveau glass vase with into form blown body with a square basic shape, drawn up in a wave shape and narrowing towards the top, the upper edge at the corners draw...

Clément Massier vase design by Lucien Levy Design . Glazed ceramic. Signed and stamped at the bottom.

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A stunning Art Nouveau era art glass vase produced in Austria or Bohemia. Possibly by Loetz. The vase or cache pot is sculpted bronze decorated with foliage legs and great owl form h...

Finest Bohemian Art Nouveau glass vase: Mould-blown vase with torus-shaped stand and funnel-shaped attached wall with trefoil-shaped, lobed mouth rim, wall and inside satin-finished, polished pontil. Shape: Production number / pattern not preserved Decor: Cobalt Papillon...

"Boy with Sledge and Dog" is carved wooden brush pot with hand painting in oils in post - impressionist manner performed by a famous master: Elisaveta Merkuryevna Bem or Boehm or Böhm (1843–1914). Very beautiful vase that will decorate any interior. Antique wooden vases...

Vase in a bulbous shape with an offset round base, wide neck that tapers towards the top with a slightly flared mouth rim, colorless glass with a milky, opaque inner melting’s in the...

Fine Galle Cameo glass cabinet vase, with lavender cameo floral decoration, signed in the glass. Measure: The opening is 1.75" diameter.

Large, mold-blown, baluster-shaped body on a separate stand, bulbous after the constriction and slowly narrowing again, wide mouth rim with metal mount, drawn silver thread decoratio...

The older brother of Clément Massier, Delphin Honoré Massier had inherited his share of the family ceramics business upon the death of their father Jacques in 1871, establishing the ...

A rare Bretby Art Nouveau high fired ‘flambe’ glazed art pottery vase by Henry Tooth & Co and dating from 1900-1910. This exquisite simple shaped bulbous vase stands on a narrow roun...

Art Nouveau Daum Nancy Acid Etched, Cameo & Enamel Glass Vase  France, circa 1900s An exquisite Art Nouveau glass vase from Daum Nancy Glasswor...

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Mold by Matheus Pettersson; Artist is Nils Emil Lundström. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handl...

Early and rare Muller cameo glass vase, circ 1907-1914. Heavily applied cameo glass with wheel cut finish. Applied outside decoration. Red, brown and white floral motive.

Two Art Nouveau Favrile Glass Vases in Iridescent Gold and Rose Gold, probably by L.C. Tiffany, made early 20th Century. The larger vase of pinched bottle form, with gold iridescence...

Primitive Antique Vase from Royal Copenhagen with Hand-Decorated Underglazed Pattern Vase No. 2315-36 in porcelain with Art Nouveau-style floral decoration. Made by Royal Copenhagen...

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

This exquisite multi colored Art Nouveau vase by Émile Gallé in Nancy is statement pieces in the room. Signed E. Gallé. Vase with red currant decoration in frosted glass internally ...

Desvres Fourmaintraux Delassus, France. Art Nouveau ceramic vase with handles. Crystal glaze. Ochre-yellow glaze. Circa 1930s. Marked. In excellen...

Beautiful pink and white acid etched vase with decorations of maple leaf and samara seeds by the French 1900s Art Nouveau Manufacture Legras. Signed in the vase. Very good condition...

Antique Sgraffito vase / pot by Josef Ekberg for Gustafsberg., circa 1911. Beautiful large piece made at his studio in the Gustavsberg Porcelain Factory, Sweden. Blue flower decorat...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Sculptural ceramic vase made by Herman A. Kähler ceramic works circa 1910 The vase has modeled starfish-arm shaped handles glazed with glossy deep blue luster...

Pair of beautiful ceramic vases in shades of emerald blue to dark green, production from the early 1900s, in Art Nouveau or Jugendstil style in the shape of water lilies with bronze ...

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Rare Majolica carnation vase signed Jerome Massier, circa 1900. The Massier family are known for the quality of their unique enamels and paintings. They produced an incredible whole...

A stylish pair Austrian Art Nouveau hand-painted twin handled vases decorated with fruiting vines by the renowned Turn Teplitz factory run by Riessner, Stellmacher & Kessel and datin...

Finest Bohemian Art Nouveau glass vase Blown, bulbous body on a round floor plan with a wide neck, narrowed at the top and indented four times to create a square opening on the li...

A pair of antique French Art Nouveau manner gold and green enamelled art glass vases attributed to Legras Monte Joye. Each vase has a globular shaped body and a fluted neck. The vase...

2 Vases WMF Signs: WMF G: Introduces on the 1 st June 1910, in the interests of improved legibility, especially of the very small marks. The company´s choice of an ostrich as a tr...

A very fine miniature French art glass vase. By Daum. In a pink, purple, and grey mottled color palette. With an elongated slender neck and acid-etched "Daum Nancy" to the b...

Large Tiffany Studios Gold Favrile trumpet vase, 1908 Marks: 32565C L.C. Tiffany-Favrile, (applied paper label) Dimensions: Height: 16.5 inches (41....

Montjoye, France. Large Art Nouveau vase in mouth-blown art glass. Decorated with flowers in enamel work, gilt. High quality vase. Dated 1880-1900. In very good condition. Measures...

An eye catching and rare early 20th Century French cameo glass vase with a decorative mould blown design of flowering clematis in orange and red colours against a deep yellow field, ...

Antique decorative Christofle Gallia Art Nouveau vase with five stems decorated with stag beetles and oak leaves made from silverplated pewter. Marked on the bottom with the manufact...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Rare large sculptural brass vase with handles is decorated with enameled dark blue, green, and white abstract Art Deco or Jugendstil style desi...

While there may have been no love lost for his early paintings, Eckmann had an endless fascination for the decorative potential of undulating water. The open spaces created by the me...

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

An excellent French early 20th Century bronze vase decorated with raised frogs upon lily pads around the circumference. The bronze with very fine deep brown patina and fabulous detai...

A amethyst-to-clear cut and engraved pair of glass Vases by Moser: of hexhagenal tapering form deeply cut and etched with design of flowers and leaves; unsigned but guarateed to be ...

André Delatte Nancy Signed Large Vase Soliflore Art Glass Mixed Colors André Delatte (French, circa 1887-1953), an art glass vase, the mottled mixed colors...

Austrian Jugendstil, floral glass bowl, manufactured by Johann Loetz Witwe, red, green, orange, gold, circa 1902, "Cytisus Maigruen" decoration, bohemian glass The "Cytisus" decoration, also known as "golden rain", is one of the most beautiful decor variations produced by the Johann Loetz Witwe glassworks. As with other decorations, Cytisus was also inspired by the secessionist taste in art in Vienna around 1900. The Beethoven frieze by Gustav Klimt in the Vienna Secession can be cited as an example of this type of artistic design. The bowl captivates with its calyx shape, where form and decoration seem to harmonize. The rare color combination of "Maigruen" (May green...

A fine Art Nouveau yellow lustre loop handled miniature porcelain vase by Wedgwood dating from around 1900. The vase of oval bulbous shape stands on a narrow round base with a centra...

A Very Fine 19th Century Austrian Royal Vienna Lidded Vase Titled: "Verschnrindene Illusionen" Circa 1870 Origin: Austria Height: ...

A wonderful D'Argental cameo art glass vase, France, late 19th century. San Giorgio Island scene with gondola and Palazzo San Giorgio in the background. Milky glass with shades of or...

Hand-crafted Danish Art Nouveau flower decorated vases by West in 1927 for P. Ipsens Enke 1920s handcrafted Danish art nouveau parrot decorated vases by P. Ipsens Enke The art nouv...

Stunning Bohemian Secessionist brass mounted glass vase with 'Streifen und Flecken' decoration by Loetz and dating from around 1900. The thickly made green glass vase has a dimpled b...

Popular classic pulled feather design art glass vase, made by Lundberg Studios of California, signed. Iridescent finish and inspired by Tiffany designs.

DIMENSIONS: Height: 12.5 inches Width: 6.75 inches Depth: 6.75 inches ABOUT AWAJI POTTERY Awaji pottery was made on the Japanese island of the same name between 1830 and 19...

An amazing pair of Jugendstil Style amphora from Rudolstadt, Thuringia hailing from the Triebner Ens Manufacture and the artist Karl Ens Volkstedt. ...

Attributed to Lucien Levy Dhurmer for Clement Massier. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling....

French art nouveau glass vase An iris is engraved in the foreground of a lacustrine decoration. Iris is one of the typical flowers of art nouveau representations Irregular vase...

The son of Edmond Lachenal, Raoul Lachenal worked in his father's studio until 1911, when he established a new workshop at Boulogne-sur-Seine. While some of Raoul Lachenal's Art Nouv...

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

A stunning Art Nouveau iridescent glass vase applied with green trailed thread patterning attributed to Palme König and dating from the early 20th century....

Emile Gallé Cameo Glass Leaves and Pods Vase, circa 1900 Marks: Gallé Height: 15.25 inches (38.7 cm) Width: 6.5 Inches Depth: 5 Inches Condition: Tall vase of colorless glass overlaid in peach, chartreuse and green acid-etched with cascading branches of maple leaves and seed pods. In overall very good condition. Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé...