Ceramics

Scandinavian Modern Wilhelm Kåge "Argenta" Vase in stoneware and inlays in silver for Gustavsberg, Sweden. “Argenta” was introduced at the Stockholm exhibition in 1930 and became W...

This art deco lidded jar by Anna-Lisa Thomson for Upsala-Ekeby is bathed in a mesmerizing deep green glaze and floral relief decor. This model (number 2650) was only produced betwee...

Made by Faïencerie of Sainte Radegonde (city of Tours and suburbs) in the 1930s/40s. Certainly inspired by the Atelier Primavera (1912-1972)

A wonderful Casserole bowl or dish with integral lid, produced in Belgium, circa 1930. A ‘Tellurite’ model number -1125- lidded tureen with basket weave sides in rich, deep earth ton...

A rare and large Art-Deco, Art Nouveau, Modernist, vase, in beige stoneware with superb black, red, pink and dark green floral decoration, signed by stamp on the bottom, Betzy Augero...

Glazed stoneware vase in shades of brown by Arne Bang. Denmark, c. 1930s.

This contemporary fabulous highly sophisticated ceramic vessel is signed Yuri by the artist. It is off white matte porcelain colored glaze ceramic covered with with charcoal black gr...

Pair of 1930s English Staffordshire ceramic dogs.

Rare and excellent Goldscheider art ceramic figure of the 1930's: Young standing Japanese woman in traditional kimono with wide sleeves and colored floral decoration on dark blue ba...

A very fine Art Deco Wedgwood floral cabinet coffee can and saucer by renowned designed Millicent (Millie) Jane Taplin (British, 1902-1980) and dating f...

Table centrepiece made of hand-worked iron in art nouveau style The piece is in Good condition and a real beauty! With original patina on all parts We prefer to sell our items in ...

A superb little vase with large handles, Art-Deco, Art Nouveau, Modernist, in beige sandstone with a superb pink, blue and pink floral decoration, signed on the side (residues) and c...

4 English pottery items 1930s. Belonging to my great-grandmother, they are a carafe, a coffee pot and two cups. The jug measures 14.5 cm in height, 18 cm in width and 13 cm in depth...

Elegant dance couple, performing a long dance step to the side: the leading figure with a black hat, red jacket with wide sleeves and matching red breeches hugs the dance partner from behind in a strapless, black and white lace dress...

Elegant Goldscheider Art Déco art ceramic figure from the 1930s: Dancer with chin-length brunette hair in light gray-blue long dance dress with abstract floral decoration, posing wi...

French Art Deco antelope ceramic sculpture by Charles LEMANCEAU at Sainte-Radegonde, France, 1930. Width: 13.4"(34cm), Height: 10.6"(27cm), Depth : 2.75"(7cm). Marked "Se Radegonde" ...

This unique vase by Swedish ceramist Claes Thell possesses the kind of rough beauty for which he is well-known the world-over among enthusiasts of Scandinavian ceramics. Thell deve...

This unique vase by Swedish ceramist Claes Thell possesses the kind of rough beauty for which he is well-known the world-over among enthusiasts of Scandinavian ceramics. Thell deve...

This lovely oblong dish features one of the classic subjects of high style Art Deco design -- the leaping antelope -- but in other respects it is highly unusual. It is an early work of Waylande Gregory for Cowan Pottery, before he struck out on his own in the 1930s, and it is finished with a striking, speckled glaze in a rich, burnt sienna color, with a touch of green in the depths of the dish. Gregory was one of America's greatest sculptors and ceramicists before and after World War II. He was prodigious and indefatigable, producing a wide range of sculptures and wares in ceramic during his years working with Lorado Taft...

A beautiful handmade ceramic dish or vide-poche by unknown studio potter / maker with an organic oval form and hand painted glaze of cream and dark grey / blue color (color). Would be perfect for serving nuts or other little bar snacks...

Decorative Bird, very artistic work made by Piano in Vallauris, unsigned.

Elegant Goldscheider Art Deco ceramic figure of the 1930's: Dancer with shoulder-length hair in a long, wide, gray skirt with floral decoration and a pink...

Depiction of a dancer in Spanish costume: she wears a mantilla, a veil cloth that covers the head and neck down to the shoulders. Often, as here, a high comb is also tucked underneath, the peineta. The cloth is still worn today for festive costumes and is mostly made in lace technique. In addition, the dancer wears an elaborately decorated with floral patterns asymmetrical ruffled skirt. On oval, black-beige marbled base in rare execution. This figure also exists as a group 'Spanish Dance' with dance partner, model number 7557, a more frequent version. Designed by Josef LORENZL (1892 - 1950), an Austrian sculptor and ceramic modeler. His bronze statuettes often show graceful dancers with long...

Longwy Art Deco French Cloisonné Ceramic Vase. Stunning color with faceted base with blue, gold circular droplets interse...

A rare glazed hand crafted studio pottery tile decorated with two fish by renowned English potter Bernard Leach CBE (British, 1887-1979) and made at the Leach Pottery in St Ives, Cor...

Beautiful post modern , Memphis style ceramic teapot for the well artist Peter Shire , signed EXP 1999 . He is known for the teapots .

A rare handcrafted glazed Studio Pottery tile depicting the pottery in St Ives, Cornwall by renowned English potter Bernard Leach CBE (British, 1887-1979) and made at the Leach Potte...

An unusual sculptural segmented teapot and remarkable piece of ceramic art, captivating with its unique design and artistic expression. Crafted from beige glazed ceramic, the teapot ...

A very fine Art Deco Wedgwood floral cabinet coffee can and saucer by renowned designed Millicent (Millie) Jane Taplin (British, 1902-1980) and dating f...

A rare glazed hand crafted studio pottery tile decorated with a running deer by renowned English potter Bernard Leach CBE (British, 1887-1979) and made at the Leach Pottery in St Ive...

Rare Goldscheider Art Deco ceramic figurine: Depiction of a seated dancer in a blue, strapless ball gown with lace flounces, the right leg folded over the left and the left arm on the knee, holding a ball mask...

Very rare Goldscheider Vienna ceramic figure of the 1930s: Young pretty lady, chin-length hair fastened with a hair band, posing in a long green dress with a wide, high-slit skirt decorated with flowers, which she holds up with both arms stretched out to the side, her head turned to the side with a straight look. On a cream-colored oval base shaded on the side. Manufactory: Goldscheider Vienna / Austria Technique: handcrafted ceramics, finest hand painting, glossy finish Designer: Claire Weiss /= Klára Herczeg (1906-1997) Sculptor, childhood in Vienna, apprenticeship as a sculptor at the Vienna Arsenal Foundry, studies at the Budapest Art...

Beautiful ceramic bowl by Jerome Heck crafted in the Raku firing technique. This one of a kind piece stands on four legs and develops and opens upwards. The glaze has variations of greens that ondulate in shape around the bowl. Inside the bowl, different designs come forward (turtle figure...

Late 20th Century Scandinavian black and white glazed ceramic vase. It is an eclectic vase in optical colors, eye catching in a room. Its minimal style makes it easy to put in every...

Auguste Mouzin et Cie, Belgium, designed and manufactured this lovely Art Deco bedroom or dresser ceramic set. The set comprised four ceramic pieces: a pitcher, a large basin bowl, a...

This Art Deco Sculpture was produced in Italy and more precisely in Milan, by Guido Cacciapuoti in the 1930s.  The base is in ebonized wood and the sculpture, a couple of fishes is in light blue porcelain stoneware. Under the base there is the label 'Made in Italy, G. Cacciapuoti, Ceramics and...

A Japanese transferware china serving platter by Noritake in the Olympia pattern. At the center is colorful floral spray, with a vine leaf border...

Art Deco Little lama sculpture by Charles Lemanceau at Saint-Clement (Luneville), France, 1930. French Art Deco ceramic. Measures: Width: 10.2"(26cm), Height: 10.2"(25.8cm), Depth: 2...

A gorgeous character beer stein - King. This character beer stein has been made in Germany circa 1930s or older, attributed to E. Bohne, Thuringia Germany. Absolutely gorgeous piece ...

Elevate your interior with this exquisite Modernist Bronze Vase by Noel R., a captivating piece of art from circa 1930, manufactured in France. T...

Antique Primavera ceramic vase for the Parisian Atelier Printemps, marked and numbered 12936 plus made in France, Primavera.

Set of 5 Porcelain Snails Knife signed Limoges, circa 1930.  

Pair of art deco ceramic figures by Geza de Vegh (1905-1989) the Hungarian-American sculptor who created a range of pieces for the Lenox and Lamberton Scammell porcelain works, both ...

We are delighted to offer for sale this seriously cool, circa 1930s Art Deco wall mounted spice rack stamped by Petrus Regout & Co Maastricht Holland A very collectable and decorative piece of kitchen furniture...

Argenta Vase with nude woman Algot Wilhelm Kåge (6 March 1889 – 25 November 1960) was a Swedish artist and designer, mainly known as a ceramic d...

Anna-Lisa Thomson (1905-1952) is one of the well-known representatives of the illustrious Swedish ceramic design of the 20th century. She was one of the leading designers for the Ups...

Charles Catteau - Boch Frères, La Louvière - Vase with Minimalist decoration with bands, silver on black background - model D1783 - 1933s Beautiful Art Deco vases designed by Charle...

Polar bear at ice POOL, a ceramic bowl manufactured by Ditmar Urbach in Czechoslovakia in the 1930s. The bowl was designed to celebrate Nora, the first polar bear in the Prague Zoo. ...

Rare and iconic budded vase by Danish master of stoneware Axel Salto in terra-cotta and celadon green glaze. Made at the terracotta manufacturer "P.Ibsens Enke" in the 1930s. Signed ...

A beautiful ceramic vase in lovely Art Deco-style designed by Einar Luterkort, the vase is designed at Upsala Ekeby in the 1930s. It is 27 cm (10.8") high and about 15 cm (6") in di...

Table set designed by Barbara BRENNER for ROSENTHAL Studio Linie, consisting of cruet, vinegar, salt and pepper pot Origin Germany Period Twentieth century Designer B...

Guido Andlovitz.

Pair of ceramics Sign: Ceramic with enamel : Catherine Barjansky Made in Belgica Boch Ceramic White: Sign: BFK made in Belgium The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy & Boch. The direction of Boch Freres SNC was in 1844 taken by Victor Boch. Production could be started immediately thanks to other Boch family ceramic businesses that sold Victor ready-to-use copperplates. This faience manufacture developed very fast. In 1847 the company won a gold medal at the exhibition of the Belgian industry. In 1855 they already employeed 300 workers in La Louvière (Keramis) and 100 in Tournai (Boch Freres) factory. Around 1860 the production of polychrome pieces was started. In 1904 the first in Europe tunnel kiln was launched. Problems started in 1970s. The company went bankrupt in 1985 and was reactivated as Novoboch and MRL Boch. In 2015 was started Keramis Center, just two rooms showing Royal Boch history. One of the most important designers for Boch Frères Keramis was Charles Catteau. He was French but in 1906 moved to La Louvière. Patterns designed by Catteau were created in following years: The Boch Frères Kéramis factory (Belgium, province of Hainaut, La Louvière) is now well known thanks to the work of the very dynamic Charles Catteau. That of the sculptor Catherine Barjansky is much less so, even if her career is international: Rome, Berlin, New York, Vienna, Paris, Brussels... Catherine is from Odessa, a Ukrainian city located in the Soviet Empire. At the age of twenty, she studied sculpture in Monaco where she met her husband, Alexandre Barjansky, the famous violinist whose name is now inseparable from a Stradivarius! Thanks to her husband's job, she travels a lot. Witnesses to his exchanges with the intellectual milieu of the time, his portraits of personalities dominate his work: a bust of Einstein, kept at the Solvay Institute in Brussels; a bust of Freud; or even Colette, author who prefaced her first exhibition in Brussels. She made a bust of Queen Elisabeth of Belgium...

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

André Villien art deco crispware vase with 1930 silver bronze trim decorated with squirrels. Good condition.

A tall brutalist ceramic vase, 1990s. Style of Sally Bowen Prange. Trypophobes beware: upper half of vase is holes galore. Muted teal and denim ...

circa 1930s French silk brocade clutch with gilt brass & carved carnelian in woven brass clasp. Back with hand grip. Some losses near the top on both sides...

Elegant Goldscheider Art Deco ceramic figure of the 1930's: Dancer with shoulder-length hair in a long, wide, light gray skirt with floral decoration and ...