19th Century Floor Lamps

We are delighted to offer for sale this Fabulous Art Deco Floor Lamp Nude Female holding a Ball in cupped hands EU Wired Wiring Untested (working) Painted in the original Black lacq...

19th century bronze floor lamp that originally was oil burning, oil container has been removed and professionally has been wired with four pull chain socket and fitted with 22" pleat...

Pair of model G-075 floor lamps by Eje Ahlgren for Bergboms from the 1960/1970s. Brass. Good vintage condition, minor patina and wear consistent with age and use. The lamps are sold ...

Italy, circa 1890 A late nineteenth century Italian standard lamp of trefoil form, the surface painted throughout with pale blue and white tromp l’oeil designs. Photographed with a...

19th Century or early 20th century Floor lamp in the shape of a wooden solomon column. * The measurement is of the wood, the lampshade is not included in the measurements or in the...

Converted from oil to electricity. Rewired with three core fabric covered antique cable and an inline floor switch.

An outrageous gilt brass adjustable standard lamp with a low oak shelf, converted to electricity.

19th Century Giltwood Continental Floor Lamp with Shade

Unique and great design, antique bronze oil lamp with angel sculptures, by one of Europe's finest. There is a reason why the late 19th and the early...

This is a extremely rare and early 19th century experimental device. This example is set up as a simple large reflective and dramatic floor lamp. Originally it was used for research ...

They were exhibited at Palm beach "American International Fine Art Fair (AIFAF)" Sculpture with lampshade Height: 162 cm (63.77 inch) Sculpture Height: 142 cm (55.90 inch) Diameter:...

This is a very interesting floor lamp. The articulated stand and arm are all wood including all the adjustment fittings. The three legs are cast iron. In the mid-late 1800s these sta...

Vintage French bronze floor lamp designed and manufactured in France circa 1900s. This fantastic floor lamp features a solid bronze frame with a unique leaf design surrounding the li...

Exceptional antique and rare Chinese floor lamp offers bronze balustrade form construction with enameled champleve cloisonne lady, cloud, floral and foliate motif.

A magnificent pair of Louis XV style Ormolu and crystal girandoles Probably by Baccarat Constructed from finely cast and chased ormolu, the imposing floor candelabra—almost 2-me...

Manufactured in France by the renowned Ferdinand Barbedienne and designed by Henry Cahieux specifically for the iconic 1855 Paris Exposition Universelle. The stands with deep brown p...

Step into a realm of unparalleled elegance and sophistication with this exclusive pair of Monumental Carved Wood Candelabra. Meticulously crafted by skilled artisans, these extraordi...

A highly important pair of large patinated bronze figural torcheres by Émile Guillemin, cast by Ferdinand Barbedienne. French, dated 1872. Barbedienne Title: 'Deux Femmes, Indi...

This tall antique wood floor lamp was carved in Italy, circa 1850. The elegant light stands a wide three-leg pedestal base ending with scrolle...

Antique corinthian column brass telescopic floorlamp, Hinks pattern, with wonderful handmade fringed lampshade. Made in England, in the style of James Hinks & Son in 1890. The lamp ...

A pair of late C19th silver and gilt decorated standard lamps in the classical manner. The carved wood columns with egg and dart capitals, stylised acanthus leaves below, leading to ...

A fine quality late 19th Century Carrera Marble Neo-Classical Egyptian revival lamp, engraved with wonderful hand carved scenes of gladiators on horseback and chariots, raised above ...

ABOUT Contact us for more shipping options: S16 Home San Francisco. An original adjustable industrial steampunk studio stage light floor lamp. Studio light has thick glass and a B...

ABOUT An original industrial steel table or floor lamp with an antique tin and glass shade. The height and configuration are fully adjustable and the light can be adjusted in multip...

A Pair of Giltwood Carved Torchères After the Design by Jean Pelletier for the King's State Apartments Supported on incurved tripartite plinths, the pair of torchères hand-carved i...

Victorian Gilt Brass Adjustable Standard Oil Lamp, Spiral Extendable Column with acanthus mounts and tripod base, stamped Messengers Patent - converted to electric - 22" diam x Adjus...

"Foglia" lamp, by Carlo Giorgi for Bottega Gadda. Circa 1970, Rome, Italy. Curved tubular structure in golden brass. Deflector forming a large golden brass leaf.

A fine arts & crafts brass and copper standard lamp, full of movement with floral and scrolling setails to the lily pad base and useful telescopic English, Late Nineteenth Century ...

19th century Middle Eastern Moorish pierced brass and copper floor lamp. Beautiful Middle Eastern Moorish Syrian, Persian style brass floor lamp is handcrafted with Moorish calligraphy Islamic designs. Extremely fine antique Islamic floor brass lamp with Kufic Mamluke revival pierced foliate openwork’s chased and chiselled with Arabic calligraphy and figures. The Moorish brass shade is intricately hand-pierced with Tuluth writing and designs. Great exquisite Middle Eastern Museum quality piece, beautiful desirable patina. Same floor lamp could be found at the Doris Duke Islamic Art Museum. Hand-hammered decorative collector Islamic brass Moorish folk art Antique 19th century Middle Eastern floor lamp...

Height without/with lampshade : 168/185 cm (66,1 / 72,8 in.) ; Base : 43 x 43 cm (16,9 x 16,9 in.) Beautiful pair of neo-Greek floor lamps in bronze with double patina, composed of cylindrical lamps, decorated on the body with a rotating frieze representing women dressed in the Antique style weaving and spinning, surmounted by lampshades with cut sides in red pleated silk with golden braid. They are placed on pedestals from which hang thin chains attached to the slender shaft decorated with stylized leaves and flowers, resting on a tripod base decorated with large palmettes and ending in lion’s paws. The stylistic repertoire used here, composed in particular of palmettes, masks, and nymphs, evokes Greek Antiquity, as does the reuse of forms of furniture and objects such as tripods and antique vases. The rediscovery in the 18th century of the archaeological remains of Pompeii and Herculaneum allowed artists of all disciplines to draw inspiration from Antiquity while reinterpreting it. This trend did not fade and, in the 19th century, many personalities fitted out their interiors with neo-Greek furniture, as was the case for the Maison Pompéienne built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoleon, or Empress Eugénie who bought from the Maison Barbedienne pedestals inspired by antique tripods. Related work : Pedestal model presented by Maison Barbedienne at the Universal Exhibition in Paris in 1855. On this occasion, Empress Eugénie bought it for her bathroom in the Château de Saint-Cloud. This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoir in the palaces of Compiègne and Fontainebleau. (see photo attached) Photo showing a floor lamp similar to ours in Empress Eugénie’s bedroom in the Château de Compiègne (Oise), in Architecture intérieure et Décoration en France des...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Peculiar, rare, and antique pair of Italian altar candlesticks in the shape of a torch; they were made completely by the technique of manual turning, a special way of working that allows the objects to have a rounded shape: the piece of wood rotates with the aid of the lathe, while the craftsman uses special tools called "gouges" to shape and decorate its surface; they were then painted with a pasty gray-white varnish, which over time has taken on the craquelure effect; on the wooden structure we did not, therefore, consider doing any restoration because its veiled patina and imperfections make it truly alluring and fascinating and attest to its antiquity and authenticity; at the top of each one is a metal "bobeche" of shaped leaves made to hold large candles; when, in more recent times, they were electrified, a candle-shaped lamp holder was applied; the base is made of three lion's paws in cast bronze. They were produced in a craft workshop in the province of Lucca (Tuscany, Italy) between 1830 and 1835; the area was famous for producing liturgical furnishings of all kinds. The master craftsman was inspired by ancient medieval torch...

C 19th Venetian Carved Gondolier Figure Candlestand, With Polychrome Decoration Gondolier, Holding a paddle & Cornucopia shaped holder for Candle. Standing on part gondola The Se...

ABOUT A 19th century English dental surgeon copper floor lamp. This lamp would have originally been a gas light and used outside the front door of the dental surgery of Mr. Bennett Edwards. It's complete with original wrought iron stand, two red etched...

Masterfully executed wrought iron floor lamp, forged body with square profile of generous thickness are covered with wrought iron leaves, presence of handmade screws. excellent quali...

Unusual Antique Victorian French onyx and ormolu extending floor lamp having an extending top above a onyx turned column supported by a circular onyx top supported by a onyx column s...

Bouillotte Floor Lamp, Adjustable Twin Candle Lamp This is an Elegant piece, originally the lamp would have been candle powered, this one has ...

Exceptional antique and rare Chinese floor lamp offers bronze balustrade form construction with enameled champleve cloisonne lady, cloud, floral and foliate motif.

At over six feet tall (both measure around 76 inches), these torchère candlesticks have a commanding presence, enhanced by a silver gilt finish. Hand-carved in Italy, circa 1800, the...

Intricately hand carved French torchere style floor lamp featuring an abundance of fruit nuts and foliage.

Unique The pair of monumental French bronze column torchieres with acanthus leaf gilt bronze mounts, supporting two tiers of acanthus and scro...

Arts and Crafts Brass Extending Standard Lamp with Slender Column, Twist Tripod Supports with Copper Spiral Decoration, Gadrooned Base and Lion Paw Feet - 22\"diam x adjustable heigh...

Antique corinthian column brass telescopic floorlamp, Hinks pattern, with wonderful handmade fringed lampshade. Made in England, in the style of James Hinks & Son in 1890. The lamp features a striking scalloped lampshade...

Late 19th Cetury Brass Extending Standard Oil Lamp with Gadrooned Square Base Reeded Square Column Base with Twisted Top - By Joseph Hinks, Birmingham - 22" diam x Adjustable height ...

Pair of large candelabras in the Gothic style, in painted bronze ("tree" part) and iron (base) The upper part is decorated with flowers and foliage, 7 lights with painted sheaths,...

Bring an elegant light into any space with this stunning antique torchiere lamp. A lovely marble and brass base features the timeless beauty of Art ...

Twisted barley English standing lamps that has been newly rewired. The lamp has a square shape burlap shade and is ready to install.

An unusual pair of polychrome painted large candlesticks, finely turned and painted in red with yellow and green highlights, lamped to reading height. Ceylonese, late 19th century.

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Exquisite & rare! This French Art Nouveau floor lamp in patinated bronze displaying a Heron between Leaves & Lilly pads, dated early 1900...

Italian Renaissance Revival floor lamp in cast bronze with repousse brass lantern with ornamental crown finial on top. Handmade in Italy during the circa ...

Measures : Total Height : 188,5 cm (74,2 in.) ; Base : 45 x 45 cm (17,7 x 17,7 in.) Pedestal height : 136 cm (53,5 in.) Lamp height : 52 cm (20,4 in.) Beautiful pair of neo-Greek fl...

Late 19th-early 20th century large floor lamp with an iron and white marble base, brass body with candelabra sockets for three candle shaped bulbs and main torchiere style top with m...

A similar model presented at the 1855 Paris Universal Exhibition Total height : 154 cm (60 5/8 in.) ; Width : 33 x 33 cm (13 x 13 in.) Cup : height 17 cm (6 ¾ in.) Beautiful pair of bronze stands also named Bamboo candelabra. Each rests on three claw feet adorned with lion heads and separated with palms. A bamboo shaped shaft arises from this tripod and is topped with three buds supporting a circular red griotte marble top on which stands a cup in the Ancient style decorated with ivy. The sobriety of the decoration enhances the quality of the bronze cast and the patina shades. The small chains falling from the top animates this work of a sleek design. The model : The design of these stands, inspired from Ancient tripods, is a well-known model in Ferdinand Barbedienne’s production as it was reused many times by the bronze-caster. Designed by the head-decorator Henri Cahieux, this model was edited by the Barbedienne Company as soon as 1855, named Ancient candelabra lamp-holder h. 1m35 and was sold 440 francs. From 1875, these stands were commercialised under the name Bamboo candelabra, tripod, lamp-holder and were offered in three heights : 1m90, 1m70 and 1m35. This model of stand could then be found in all catalogues of the Barbedienne Company. This pair of candelabras allows us to see how F. Barbedienne offered during decades a range of furniture from the designs of his decorator. This type of stand could be seen in different interior decorations of the Second Empire A model similar to ours was presented by the Barbedienne Company at the 1855 Universal Exhibition. For this occasion Empress Eugénie bought it for her toilet at Saint-Cloud Castle. A watercolor by Fortuné de Fournier made in 1860 shows them, set on both sides of a cheval mirror made by the Fourdinois Company. (see photo attached) This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoirs at Compiègne and Fontainebleau Palaces. Otherwise similar stands took place in the Pompeiian house built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoléon. Several pictures and engravings of this house show us these candelabras used...

Victorian brass extending standard oil lamp converted to electric, having Reeded Doric Column, Pierced Acanthus Leaf Decoration, Platform Base Supported b...

Cast gilt-brass standard lamp, with circular adjustable column, on shaped splayed base. Terminating in scrolling toes. Dimensions Height 49 Inches adjustable to 63.5 Inches Width ...

Pair of bronze newel post lamps, the crown tops above hexagonal glazed lantern raised up on reeded stem and circular bases. The lamps have been rewire...

circa 1880 19th Century French gilt & green painted floor lamp sku 1403 Measures: W42 x D42 x H148 cm.

Victorian brass extending standard oil lamp, with central adjustable column flanked by three pierced tubular brackets, decorated with classical male busts...