Ceramic Lighting

Lamp in Paris porcelain and gilded bronze in the shape of a baluster, duck blue color. Openwork circular base and quadripod. French work made circa 1880. New and functional electri...

Pair antique (19th century) porcelain table lamps with reticulated vine form with numerous multi-colored porcelain flowers. Electrified with modern wiring, ready for use.

A table lamp produced by Søholm Keramik, located on the island of Bornholm in Denmark. Features a highly artistic glazed and incised decor. Sold without lampshade. Stated dimensio...

This is a stunning large antique French Sevres hand-painted porcelain and ormolu mounted vase circa 1870 in date, later converted into a lamp. The ovoid porcelain body is painted...

Set of four (4) French gilt bronze two-light wall appliques in the Rococo style with numerous multi-colored porcelain flower heads. May be electrified.

A beautiful Italian 19th century Louis XV st. Tole, gilt metal and Saxe porcelain chandelier. The six arm eighteen bulb chandelier is centered by a charming bottom gilt metal floral ...

An elegant pair of French 19th century Neo-Classical st. Ormolu, Wedgwood porcelain and crystal sconces. Each three arm sconce displays a bottom reserve with draped foliate garlands ...

19th century Chinese famille rose floral and bird porcelain lamp. Pink, green and teal colors on a white background. Lamp sits on a carved wooden ...

Porcelain candelabra painted with flower decoration, with a base and a bouquet of 7 lights, in bronze with a brown patina, in the Japanese or Escalier de Cristal style Good general ...

19th Century Chinese porcelain blue and white vase lamp. A Chinese porcelain blue white baluster vase with flared neck. Decorated with w...

Each baluster form ginger jars with powder blue ground with famille verte vignettes. Bronze bases. Single light with shades. A former Bunny Williams installation.

A charming and unique pair of Italian 19th century patinated Tole, Porcelain and gilt metal chandeliers. The three light three arm chandeliers display S scrolled gilt metal arms deco...

A 19th century English Redware jug made into a lamp with its wooden spigot and custom gold gilt wooden base.

A very massive impressively decorated 19th century porcelain Chinese jar converted to a lamp with three bulbs and enamel paintings of birds and flowers and braches with blossoms. The...

This is a pair of signed, French antique gilt bronze twin arm candle wall sconces from a famous European Pottery and ceramic maker. These are quite rare as most of their works were table wear...

Pair of Antique 19th Century French Dore Bronze and Wedgewood Urn Lamps. Shades Not included.

An impressive good quality pair of late 19th century Chinese crackleware vases, each with a white ground and bronzed boarder, motif and foliate decoration, circa 1890. Batch 7...

Pair of Sevres French Empire style porcelain ceramic vases mounted as lamps, the blue glazed urns with hand-painted gilt details and swan-form handles. 26.5" H x 5" W x 4.5" D. Deal...

An exceptionally fine pair of heavy gauge French Glazed Porcelain oil lamps of impressive proportions, with ornate Ormolu bases now converted to electric table lamps, of good size proportions, mid to early nineteenth century. The main Cobalt blue outer bodies of bulbous form in glazed porcelain each with a lavish cast ormolu wide decorative band below a beaded edge and twin art nouveau...

A beautiful pair of 19th century Chinese rose medallion / Cantonese vases, each with wonderful classical motif decorations in yellows, blue backgrounds. Inset hand painted panels of ...

A Pair Of 'Japonsime' Gilt-Bronze-Mounted Powder-Blue Porcelain Vases, Mounted As Lamps. By Ferdinand Barbedienne, Paris. Each with a square shaped body. The sides decorated with ...

Faience Ceramic milk pot from Delft Manufactures. Netherlands, circa 1880. On one side of the milk jug, a boat is represented and on the other side Faithful to the tradition of t...

A good quality late 19th Century Chinese Famille Rose vase, depicting Classical Chinese motifs, symbols, furniture etc Batch 72. G8127/17 DYKE.

A Magnificent pair of 19th century Louis XVI Style ormolu mounted chinese famille verte porcelain vases turned to lamps, the ormolu attributed to Henry Dasson. The ormolu mounted Chi...

This 19th century French chandelier is an immaculate example of Sevres Porcelain in lighting. Sevres, both a city in France and one of the most highly regarded porcelain manufacturer...

A charming and most decorative French 19th century Louis XVI st. patinated bronze, pressed metal and Saxe porcelain chandelier. The six arm chandelier is centered by a lovely floral ...

Stunning and imposing pair French Sevres soft paste porcelain and ormolu twin handle electric table lamps of traditional Urn form, and of good size pr...

Pair of French porcelain 19th century Louis XVI style cobalt blue Sèvres porcelain and ormolu vase shape mounted into lamps. Each lamp features an urn shape vase form with a narrow n...

A beautiful large French Samson porcelain lamp with hand painted scenes and delicate gilt decoration, dating from C 1880. The baluster shape...

Low Countries, circa 1880. An unusual late nineteenth century Delft vase decorated with a bold C scroll and griffins, in the chinoiserie taste. Measures : Height of vase 35.00c...

This lamp is both highly decorative and useful. It is by Samson, hard paste, unlike Derby and is spuriously marked Derby. As is sometimes the case, the bird painting is of excellent ...

A fine pair of Chinese Imari late 19th century baluster vases, decorated with floral and foliate garden scenes in the typical Imari palette of iron reds and blues with gold highlight...

A large table lamp produced by Søholm Keramik, located on the island of Bornholm in Denmark. Features a highly artistic glazed decor. Sold without lampshade. The stated dimensions...

A stunning 19th century famille rose porcelain lamp adorned with intricate Louis XVI style bronze dore mounts. With florals and roosters. Two sockets with pull chains. Vase itself is...

Antique Capodimonte Porcelain figural group designer lamp Additional information: Materials: Porcelain Color: Sky Blue Brand: Capodimonte Pe...

A beautiful and most unique French 19th century Louis XVI st. Sèvres porcelain and ormolu clock lamp. The clock/lamp is raised by an elegant square ormolu base with concave corners, ...

Stunning pair traditional japanese imari bulbous form porcelain vases of generous proportions, now converted to a pair of electric Table Lamps, complete with ormolu stepped circular ...

Table lamp designed by G. Mansard Paris. Beautiful table lamp, created in Paris France by G. Mansard, back in the 1880. Mounted in a bronze ormolu partially gilded round base, with a glazed white porcelain figurine...

A large table lamp produced by Søholm Keramik, located on the island of Bornholm in Denmark. Features a highly artistic glazed decor. Sold without lampshade. The stated dimensions...

Antique early 19C Old Paris Porcelain Inkwell Additional information: Materials: Porcelain Color: Gold Brand: Old Paris Designer: Old Paris Period: ...

Amazing Pair of porcelain vases mounted in gilt bronze and hand painted. In a beautiful and unique colors.

A beautiful and small scale Italian 19th century Louis XVI st. tole and Saxe porcelain three light chandelier. The chandelier is centered by a charming bottom foliate finial amidst e...

A magnificent and large pair of 19th century Qing Dynasty Chinese blue and white porcelain vases mounted as lamps. Each i...

A fine and large 19th century French Sevre's porcelain and gilt bronze mounted lamp.

Pair antique French Belle Epoque porcelain and ormolu lamps, circa 1880.

Pr of French Old Paris or Vieux Paris urns now converted into table lamps c1810. Old Paris porcelain or Vieux Paris is very broadly defined as porcelain made by artisans in and aroun...

Old vieux Paris porcelain from the Napoleonic period decorated with farm animals and barn. With swan handles. Beautifully painted and fire gilded. Now mounted as lamps.

Pair of French antique Japonisme glazed ceramic and ormolu mounted lamps French, Late 19th Century Lamps: height 104cm, width 36cm, depth 26cm Shades: height 33cm, diameter 50cm In the Japonisme style, these superb, exceptionally large lamps (converted from vases) are made from glazed ceramics and fitted with ormolu mounts. The beautiful vases are parcel gilt and decorated with exquisite images of, to the front, a Japanese male figure on one and a female figure on the other; complemented by images of Japanese landscapes including trees, birds (ducks), shrubbery, flowers, and insects, including stick insects and butterflies. Each piece is fitted with superb ormolu elephant...

Stunning French Sevres Soft Paste Porcelain and Ormolu Twin Handle Electric Table Lamp of traditional Urn form, and of large size proportions, rai...

Antique Chinese blue and white "Moon Vase" (Made into lamp).

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Exceptional antique French gold encrusted cobalt Sèvres porcelain urn converted to lamp.

Unique Pair of French Pair Of Bristol Table Lamps, They Are In Great Conditions, Beautiful Color & Clear Acrylic Base.

A rare, large antique Chinese famille rose porcelain baluster vase lamp. Measures: 30" height x 18" diameter with the shade. Chinese Famille Rose porcelain vases converted to ta...

Antique Samson French porcelain vase - Chinese armorial crest table lamp. Includes harp and finial. Additional information: Materials: Porcelain ...

Antique late 19th century Chinese porcelain vase which was later converted into lamp on a custom made mahogany base. Measurement...

Vase, table lamp, in Porcelain. It has been made in china, Circa 1880. The decorative pattern are Birds, and leaves. USA PLUG ADAPTATOR WILL BE FURNISHED FOR FREE TO THE US BUYERS S...

ROYAL BONN - FRANZ ANTON MEHLEM - Art Nouveau hand painted and gilded vase - featuring branches of pink and soft purple floral blossoms with thorns to the front and back (likely Flow...