Japonisme Table Lamps

A pair of antique Japanese Arita Imari porcelain vases, available as lamps. Meiji period (1868-1913) Japanese porcelain vases decorated in bright enamels in Imari colours. The body ...

Early 20th Century Japanese black lacquer table lamp. Black lacquer finish with a mountain and village landscape painted in gold, red and white. Original carved rosewood base in good...

Mid 20th century satsuma table lamp. Features a woman and man in ornate traditional robes, with mountains ocean and a village in the background. Matte black base with red, green and ...

The lamp base has an attractive Imari-inspired floral pattern and is mounted on a brass base. The table lamp has a professionally handmade custom lampshade made of coarsely woven vel...

Early 20th Century pink satsuma table lamps - a pair. An unusual pair of pink satsuma table lamps with wildly drawn flowers and swirls with a portrait of a man and woman in tradition...

An Incredible and Quite Large 19th Century French Ormolu Mounted Japanese Blue and White Porcelain Vase Turned to Lamp, The moun...

Antique French onyx table lamp of bowl form mounted with pierced bronze base and peacocks from the Japonisme period, attributed to G. Viot et Cie of Paris, after the design by Eugene...

Satsuma porcelain lamp decorated with Geishas and Cherry trees. Japan, Circa 1950 Very good condition, new electricity. Beautiful cracked email Dimensions: Height:32cm Diameter:12cm

Standout mid century Japanese table lamp having hand carved wood lotus leaves and flowers with a gilt finish, in a classic bronze urn with black stones in t...

Pair of beech and white acrylic lamps circa 1980, signed by Alain Gaubert. Alain Gaubert was a French cabinetmaker popular for his meditation stool "Shoggi" produced during the 198...

A pair of vintage Japonesque faux lacquer painted glass table lamps mid to third-quarter of the 20th Century and stunning. Of circular section and baluster form, with flared tops, st...

from the Vista Alegre Porcelain Factory (founded 1824) each rectilinear vase with flared neck above a tapering body ending in a splayed foot; hand decorated overall with vibrant flor...

Two vintage Japanese Satsuma moriage painted table lamps. Made of porcelain featuring a chinoiserie theme landscape scene of pagodas, bridges...

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Europe, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

The ENSO table lamp is the new add-on to the ENSO pendant. ENSO is based on traditional Japanese wood joinery using the best materials and handcraft. With ...

“Hoshigame” table lamp designed by Issey Miyake for Artemide, iF Product design Award 2013. The art of lighting has a conceptual and technological heritage at the Miyake Design St...

A fine quality Japanese Cloisonné Lamp, with blue, red and green enamel inlay on a brass base. This Japanese Cloisonne Table Lamp was hand-crafted wi...

The SEN table lamp is a unique and contemporary piece of light art that builds on tradition while revitalizing traditional Japanese craftsmanship. Also avai...

The ENSO table lamp is the new add-on to the ENSO pendant. ENSO is based on traditional Japanese wood joinery using the best materials and handcraft. With ...

The ENSO table lamp is the new add-on to the ENSO pendant. ENSO is based on traditional Japanese wood joinery using the best materials and handcraft. With ...

Antique Japanese Cloisonné Lamp, circa 1910, with blue, red and green enamel inlay on brass baluster shaped vase, mounted as a table lamp and ...

A Pair Of 'Japonsime' Gilt-Bronze-Mounted Powder-Blue Porcelain Vases, Mounted As Lamps. By Ferdinand Barbedienne, Paris. Each with a square shaped body. The sides decorated with ...

This Japanese Export porcelain charger is singular and speaks for itself in a beautiful palette of soft orange, blue and white. It is remimiscent of Imari, but the appraisers say it is from a 17th or 18th century kiln in Arita Japan. The colors are vibrant and clear, and there are no chips or other damage to this beautiful piece. Arita ware...

Pair of French antique Japonisme glazed ceramic and ormolu mounted lamps French, Late 19th Century Lamps: height 104cm, width 36cm, depth 26cm Shades: height 33cm, diameter 50cm In the Japonisme style, these superb, exceptionally large lamps (converted from vases) are made from glazed ceramics and fitted with ormolu mounts. The beautiful vases are parcel gilt and decorated with exquisite images of, to the front, a Japanese male figure on one and a female figure on the other; complemented by images of Japanese landscapes including trees, birds (ducks), shrubbery, flowers, and insects, including stick insects and butterflies. Each piece is fitted with superb ormolu elephant...

A Pair of Large Japanese Satsuma Lamps A pair of large Japanese Moriage Satsuma Handpainted Lamps dating from the Early 20th The lamps are ...

Large figural ceramic table lamp by D. Polo Uiato, Capodimonte style This is a large and rare piece lamp, the lamp is a colourful outdoor scene wi...

Beautiful white porcelain living room lamp. Far Eastern inspiration / Japonism, France, circa 1970-1980. Stamped "Pillivuyt France Porcelain since 1818" "E 86 3" "34" In very good...

The attenuated silhouette of this late 19th century bronze table lamp turns heads. It is an antique Asian archaic style bronze. The intricate carving and the oxidized bronze color sp...

A pair of Japanese Satsuma glazed earthenware vases with French dore bronze mounts originally as gas lamps, now electrified.

Elegant Oriental Style Black and Brass Table Lamp This is an elegant piece, with its large 6 sided linen Lamp Shade The lamp is in good origina...

The 1970s gorgeous red modulable manon table lamp is designed by Japanese manufacturer Yamada Shomei Lighting. The switch is inside the folding arm, the...

Height with lampshade : 133 cm (52,3 in.) / without lampshade : 125 cm (49,2 in.) ; Lampshade - Height 74 cm (29,1 in.) ; Diameter : 86 cm (33,8 in.) Important Japanese style gourd-shaped lamp, made with a polychrome Kutani porcelain vase decorated with lake scene and flowers in cartouches, in the middle of flying waders on a red background. It is covered with its original beige pleated silk lampshade, embroided with flowers and waders. It rests on an « old gold » patinated bronze base with stylized openwork decoration, topped with a Fô dog on each foot. Related work : Japanese enamel porcelain...

This beautiful pair of lamps has relief decoration with enameled, painted, and gilt design. The lamps have been wired with European sockets; however, we can change the sockets to a h...

A Fine Pair of Gilt-Bronze Mounted ‘Japonisme’ Style Porcelain Vases, Mounted as Lamps. Each vase is of slender ovoid form with a cream craquelure glaze surmounted by a gilt-bronze lotus and flower head cast finial...

A very good quality pair of Japanese Meiji period (1868-1912) Satsuma porcelain vases / lamps. Each with wonderful gilded classical motif decoration, with inset hand painted panels depicting various scenes of courtiers in attendance and Samurai warriors. Both mounted on ormolu oriental stands.

A French Japonisme piece from the early 20th century - this white, crackle glazed ceramic table lamp is incised and intricately hand painted with a colorful scene of peacocks, butter...

Signed ThD on porcelain and Gagneau on the bronze mounts. A very fine pair of « blue Deck » earthenware lamps, ornated with a Persan decor. Mounted within pierced gilt-bronze bases....

A very decorative pair of late 19th century French oriental style champleve enamel vases / lamps. Each having wonderful turquoise ground and exo...

Japanese mixed metal vase Mounted as a lamp Meiji period The bulbous-form body with long conical neck decorated in high-relief copper w...

Antique 19th century Japanese Totai Shippo tree bark Cloissoné vase mounted as lamp on gilt bronze base. Meiji period. Rare type of cloisonné tha...

Baluster shaped lamp with Imari decor in porcelain and gilt bronze. Body adorned with red flower motifs on a white and blue background. Chiseled and gilt bronze mount. Quadripod hexa...

19th century French Satsuma urn table Lamp features hand-painted artistry protected by a proprietary glaze that made such artifacts all the rage in 18th & ...

Large scale Japanese "Tree Bark" style Cloisonne vase lamp. The vase itself is believed to be 19th century and was later mounted as a lamp in the 1...

A very impressive and striking pair of 19th century Japanese (Meiji period 1868-1912) patinated and embossed bronze vases / lamps. Each with inset panels of exotic birds and plants, ...

Antique Japanese export vase lamp (circa 1900), newly wired for use within the USA. Sold without a shade (listed height measured to the top of the socket). This interesting lamp has...

Pair of egg-shaped lamps in a fine Satsuma earthenware. Body presenting Japanese dignitaries speaking together inside cartouches on a white background as well as red, golden, brown and green decorative and geometric motifs. Mount in gilt bronze adorned with openwork and chiselled Japanese style motifs. Work realized circa 1880. New and functional electric system. !The price doesn’t include the lampshade price. However, our workshop can advise you with pleasure and realize it with your size and color choices! Satsuma earthenware appeared at the 16th century in Japan on Satsuma lands. This kind of ceramics is characterized by a wide range of shapes evolving through time and ovens used...

A fine quality pair of 19th century French patinated bronze vases / lamps in the Japanese style. Each with two handles on either side, embossed flower and bat decoration, supported b...

Baluster-shaped lamp in Samson porcelain and gilt bronze. Shaft in porcelain adorned with two large cartouches in which are represented several Japanese style characters. Red backgro...

The lamp comes with E27 Edison screw fit bulb holder. They are with original wiring, in working condition. Size: Lamp base is 10.2" x 10.2" (26cm x 26cm).

A pair of Japanese cast bronze vases, each of slender tapered form resting on a stepped base and rising to a narrow neck with everted, key-f...

These wonderful oil lamps have been attributed to the prestigious ceramic company, Viellard & Cie. The firm was established in 1845 in Bordeaux, France. It was directed by Jules Viel...

An important and monumental pair of very fine 19th century French Japonisme/Orientalist ormolu vases designed by Edouard Lièvre and Executed by Ferdinand Barbedienne. Each body with an oval shape, finely sculpted in a floral design, fringed by orientalist style handles with cartouches, the neck surmounted by a circular pierced scrolling dragon frieze. Each vase resting on a group of four orientalist style jeweled elephant...

Pair of baluster shape brown and blue porcelain lamps. Decoration of Japanese style figures in a cartouche framed with vegetals and flowers with deep blue and gold highlights. Mounte...

1970s table lamp on Japanese lacquer foot in the style of Jean Claude Mahey. The lampshade has beautiful fringing. The fabric is in a good condition, although some slight discolorat...

Pair of slightly bulged Satsuma earthenware lamps with a gilt bronze mount. Beige background decoration with geishas surrounded with dahlias in outside scenes and flanked by a palm l...

This wonderful handcrafted sculptural lamp was designed by the famous Isamu Noguchi in the 1950s. This Tri-colored (black, white, red) lamp was manufactured by Ozeki and Co Ltd. ...