Frank Lloyd Wright Schumacher Wallcovering Fabric Book Catalogue Reference, 1986

Without question the greatest architect the United States has ever produced, Frank Lloyd Wright and his philosophy of “organic architecture” — of buildings that exist in harmony with their natural surroundings — had a profound influence on the shape of modern life.

Wright gave us some of the most elegant and iconic buildings in America: residences such as Fallingwater, in rural Pennsylvania, the Robie House in Chicago, and Taliesin, Wright’s own home; and masterful institutional structures that include the Unity Temple in Oak Park, Illinois, the Johnson Wax headquarters in Racine, Wisconsin, and the Guggenheim Museum in New York. Whenever possible, Wright designed the furniture for his projects, to ensure an affinity between a building’s exterior and interior.

Wright’s wooden chairs and tables for his “Prairie Houses” of the early 1900s have sleek, attenuated forms, influenced by both the simplicity of traditional Japanese design and the work of Gustav Stickley and other designers of the Arts and Crafts movement.

For Taliesin and several residential projects, Wright designed severely geometric chairs that are marvels of reductivist design. He revisited many of these forms in the 1950s in furniture licensed to the North Carolina firm Henredon, adding a decorative frieze-like element to the edges of tables and stools. Owing to a cross-licensing agreement between Henredon and Heritage at the time, Wright's lines of the era are usually labeled Heritage-Henredon.

The works on 1stDibs also show how happily Wright embraced new forms and materials. His desks and chairs for Johnson Wax have a streamlined look and use tubular steel to the same effect as designer Warren McArthur, who collaborated with Wright in the interiors of the Arizona Biltmore Hotel. For the Price Tower (1956) in Oklahoma, Wright designed angular wooden desks as well as upholstered pedestal chairs made of chromed steel — audacious furniture for his tallest completed building project.

The beauty of Frank Lloyd Wright’s furniture designs is that while many of us wish we could live in one of his houses, his vintage sofas, storage cabinets and armchairs connect us directly to his architecture, and to the history he made.

Schumacher is an esteemed American textile company known for its fine pillows, wallpaper and carpets. The family-owned business is still managed by its founder’s descendants. While committed to its history and traditions, the brand has evolved to maintain its vaulted status for more than 130 years.

Schumacher was established in 1889 in New York by Frederic Schumacher, who was born in France and moved to America that same year. By 1898, the Gilded Age elite were patrons of the company’s exquisite imported European fabrics. Schumacher became one of the first to produce luxury textiles in America and its fabrics began appearing in upscale properties like the Waldorf-Astoria hotel.

Schumacher grew in prestige in the early 20th century due to its partnerships with top designers such as Josef Frank and Dorothy Draper. Its textiles graced the White House and captured the attention of leading decorators, including Edith Wharton and Elsie de Wolfe.

In the 1920s, Schumacher was a favorite at Mar-a-Lago estates and Newport’s ritzy summer cottages. In the 1930s, French fashion designer Paul Poiret helped usher in the company’s Art Deco era. Schumacher textiles could be found on the sets of Hollywood films, most notably the Hydrangea Drape wallpaper in Gone with the Wind.

After World War II, Schumacher began a decades-long partnership with designer Vera Neumann, whose scarves were worn by the likes of Marilyn Monroe and Grace Kelly. In 1955, legendary architect Frank Lloyd Wright developed a textile line with Schumacher. Known as the Taliesin line, it was the first commercial venture of the architect’s career.

In 2011, Andrew and Stephen Puschel became the fifth generation of Schumacher’s descendants to join the family business. The company continues to exemplify a spirit of innovation by partnering with exciting modern designers like Miles Redd, Mary McDonald, David Kaihoi, Veere Grenney and David Oliver. Under the creative direction of Dara Caponigro, Schumacher has also partnered with the biannual luxury interiors magazine Cabana.

On 1stDibs, find Schumacher textiles, wall decorations, rugs and more.