Stone More Furniture and Collectibles

Night stand covered externally in TERRA DI SIENA 34 leather and sliding door in Oak D milled vertically dark matt stained and sprayed metal details. Top in Grigio Orobico marble th....

This 1990s Belgian Metal & Marble Goblet is a symbol of triumph and the indomitable spirit of competition. Awarded for 'Endurance Tout Terrain' in 1995, ...

A rare glimpse into childhoods of the late 1930s, this children's chair—model "Hansi"—was crafted by the German manufacturer Reinhard Jahn in Bad Suderode, with production beginning ...

Mid-Century Modern magazine rack by Sergio Asti, Marble and Steel, Italy, 1960s.

SUITE OF THREE ITALIAN PAPERWEIGHTS In veined Black Marble 20th century In veined black marble, one square, another conical and the last pyramidal. Cone dimensions: h. 15cm Good c...

Series of marble vases and bookends in the variants: lepanto red, alpi green and marquinia black. Both bookends and vases feature a complementary structure that intersects, acquiring...

A large circular micromosaic panel representing the so called "Tomb of Cecilia Metella on the Appian way" near Rome. This plate shows superior quality and m...

Rectangular micromosaic plate featuring a shepherd, seated and resting with his dog at his feet. The shepherd is wearing a woolen cloak over his colorful clothes. He is holding a hat in his left hand and his staff in his right. A wicker basket at his feet is filled with a bouquet of flowers and a bunch of grapes. This pastoral theme is characteristic of the micromosaic production of Gioacchino...

Add a touch of architectural elegance to your space with these Vintage Boho Stone Column Bookends, a striking set that blends historical charm with natural beauty. Crafted from fossi...

Ancient Ethnic Brooch Afghan Uzbek Style, realized in 19th Century. Metal, enamel, precious stones. Very good condition.

Ancient Ethnic Bulgarian brooch, realized in 19th Century. Gilded Metal, enamel, precious stones. Very good condition.

Ancient Ottoman pendant, realized in 19th Century. Metal, enamel, precious stones. Very good condition.

A vibrantly painted antique Caen stone architectural model. Dating from the mid 19th century, this limestone model came from a French church destroyed during WWII. With its arched design and ornately carved columns, it is reminiscent of blind arcades found in historic ecclesiastical and gothic architecture. Detailed to the top with castellations, this antique architectural model...

This 1990s Belgian Metal & Marble Goblet from the CSAP LG Tout-Terrain 1998 is an impressive accolade, representing the vigor and determination of off-ro...

Antique French Mahogany and Bronze Louis XVI Marble Top Occasional Table

Seamlessly mixing influences from around the world, Werner works with oft-overlooked materials--including her signature black iron--to create bold pieces of striking beauty. "I am am...

Marble Inlay Garment Rack by Euromarmi Store Dimensions: D 45 x W 45 x H 118 cm Materials: Sodalite, Azul Macauba, Estremoz,Fior Di Pesco, Striato Olimpico, Onice Verde Smeraldo, Ver...

This beautiful cylindrical mahogany table features bronze mounts in the neo-classical manner, and is supported by three reeded mahogany legs. Dating back to the 19th century, the Fre...

Interesting Scandinavian cuff from Danish jewelry designer Bent Knudsen in sterling with amethyst. Signed with impressed manufacturer's mark to interior: [Sterl...

"Bunny" bookends in Picasso Green marble with left-hand positioning; an original way to beautify your bookcase. Designed by designer Alessandra Grasso, it allows people to approach t...

"Bunny" bookends in White Carrara marble with right-hand positioning; an original way to beautify your bookcase. Designed by designer Alessandra Grasso, it allows people to approach ...

A pair of 1840 French imperial green marble bookends with mounted 18th century Cremona bolts. With handled knobs. High quality bronze doré. Circa...

Empire style marble-top nightstand or console. One drawer and lower ledge, gilt bronze details and neoclassical columns.

Coat Rack Manufactured by Elissa Lacoste France, 2022 Recycled aluminum, acrylic resin, pigment, marble and quartz powder, Measurements 50 cm x 40 cm x 200 cm 19.6 in x 15.7 in x 78.7 in Edition Unique piece Exhibition Infinito Viviente, 9th November 2022 - 14th February 2023, Side Gallery, Barcelona. Side Gallery’s first solo exhibition with the French designer Elissa Lacoste, Infinito Viviente took its title from Jules Verne’s Twenty Thousand Leagues Under the Sea...

A lovely water font with an unusual silver and gold orthodox church center medallion.

Obelisk with cherub holding wreath.

Portland is a delicate and refined line of furnishings, characterized by decorations that recall the world of Wedgwood ceramics. The ornaments with a...

Very few athletes reach the level of fame and recognition as Yankee center fielder Joe DiMaggio. One of the most recognizable icons of the mid-20th century, the Yankee Clipper is regarded among America's most enduring intergenerational heroes. This award — the Jim Thorpe...

Essential in form but extravagant in style, the Pares Nightstand designed by the Italian Arxx Studio adds an alluring touch to a modern bedroom. Crafted in bronze-plated brass with a...

Set of 6 Square Malachite Napkin Rings by Marcela Cure Dimensions: W 7 x D 7 x H 1 cm Materials: Malachite Our luxurious Malachite Napkin Rings are completely made with natural ...

Materials matter set by Theodora Alfredsdottir Unique set Materials: Granite Dimensions: 11 x 6 x 18 cm Theodora Alfredsdottir is a product design studio based in London. The...

John Lee Bookend by Fakasaka Design Dimensions: W 13 cm D 11.5 cm H 18 cm, base D 14cm. Materials: polished bronze, onyx base. JOHNLEE BOOKEND / DOOR HOLDER...

John Lee bookend by Fakasaka Design. Dimensions: W 13 cm D 11.5 cm H 18 cm. Materials: dark bronze, onyx base. Johnlee Bookend / door holder / sculpture. ...

Portland is a delicate and refined line of furnishings, characterized by decorations that recall the world of Wedgwood ceramics. The ornaments with a...

The Apollineo collection mergs classical and contemporary elements to define a unique aesthetic inspired by Mediterranean architecture and v...

- Bedside table composed in marble, wood and metal, created by Michele Arcarese Architect together with Giovannozzi. - Top with groove, in marble type "Black Gold" or "Statuario". ...

- Bedside table composed in marble, wood and metal, created by Michele Arcarese Architect together with Giovannozzi. - Top with groove, in marble type "Black Gold" or "Statuario". ...

Sculptural coral and pearl earrings, flower "calla" shaped, signed Sorrentino: unique piece mounted on gold. For Your summer evenings ! G/...

Seamlessly mixing influences from around the world, Werner works with oft-overlooked materials--including her signature black iron--to create bold pieces of striking beauty. "I am am...

Seamlessly mixing influences from around the world, Werner works with oft-overlooked materials--including her signature black iron--to create bold pieces of striking beauty. "I am am...

Seamlessly mixing influences from around the world, Werner works with oft-overlooked materials, including her signature black iron, to create bold pieces of striking beauty. "I am am...

Seamlessly mixing influences from around the world, Werner works with oft-overlooked materials--including her signature black iron--to create bold pieces of striking beauty. "I am am...

Audrey Werner has always been interested in the different ways people around the world, and throughout history, have adorned themselves. As a child, she would make jewelry from everything she could find-from beads to rocks, wire, and seeds. In 1992 she enrolled in classes at FIT with an eye toward expanding her knowledge of metal, and, from this point onward, was hooked. Later that same year, she landed an apprenticeship with the jeweler Gregg Wolf. Werner soon became his assistant, a position she would hold for the next two years while establishing her own practice. Another influence on Werner’s work came from a seemingly unexpected place. In 1996 she was sharing a studio with jeweler Philip Crangi...

An impressionistic bronze of a horse having green and brown patina, mounted on a travertine base. Signed on base: "SB c 1988 08".

Art Deco parrot bookends by Georges Van de Voorde with Foundry seal Brig, Paris. The birds are in patinated Art metal and stand on green marble bases...

1970s Gorgeous black and white chess set in Volterra alabaster. Handmade Made in Italy, the items are in excellent condition. So rare to find in this color This chess set is a beauti...

Elegant Pair of French Art Deco Bookends in Marble, circa 1920s Striking and highly characteristic Art Deco bookends from the 1920s, crafted in a sophisticated combination of marble...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Bringing together 15 of Europe’s most exceptional artisans working across the design spectrum, Jadot has spearheaded the creation of an extraordinary mixed-media, multi-functional object in the form of an unique ping pong table, titled “Spin Love.” In addition to its recreational use, "Spin Love" can be divided with each table top elevated to serve as a double-sided room divider or screen, with a matching pair of standing floor lamps. One of the most ambitious works of decorative arts today, “Spin Love” connects the talents of the idiosyncratic, visionary artists that make up Zaventem Ateliers. Jadot is the mastermind behind Zaventem, an experimental artist workspace accommodating 32 separate workshops dedicated to the production and transformation of materials, allowing a group of exceptional craftsmen working in ceramics, leather, metal, marble, textiles, and wood to collaborate, experiment, and inspire one another. As a physical representation of the ingenuity and creative drive housed within the walls of Zaventem Ateliers, “Spin Love” asserts their commitment to old world craftsmanship, free thinking, and modern innovation. In conceiving “Spin Love” Jadot aimed to create a work where visionary design and idiosyncratic craftsmanship meets the already collaborative energy, humor and playfulness he had amassed within Zaventem. Each individual element, from the mixed media table tops to the unique ping pong paddles, showcases the height of the artists’ specific expertise. The double sided clover-shaped table top can be divided into two separate tables, each with the ability to be raised to stand upright, acting as a dual-faced screen allowing for four distinct visual options.One bifurcated table half features black and white geometrically patterned leather collages from Niyona, a French custom leather design company. Its corresponding half is composed of precious wood marquetry work by Alexandre Lowie with a steel star detail jewelry designer by Luna Lotta. The second table is composed of an integration of metalwork by Maison Jonckers and textiles from Studio Krjst enclosed within poured resin. On one side each artist’s work is tessellated into a tightly controlled pattern. Flipping the table over reveals an expressive and chaotic assemblage of patterns and textures. The freestanding, movable lamps...

Stefan Rurak’s Screen Triptych typifies his unique approach to design, blurring distinction between art and design, into a literal representation. The screen’s panels are created fro...

A rare enamel, gold and rock crystal figure of Emperor Maximilian I by Reinhold Vasters, Aachen, In the Renaissance style, circa 1870. The g...