1990s Post-Modern Philippe Starck for Vitra Black Louis 20 Armchair, 3 Available

A ubiquitous name in the world of contemporary architecture and design, Philippe Starck has created everything from hotel interiors and luxury yachts to toothbrushes and teakettles. Yet for every project in his diverse portfolio, Starck has maintained an instantly recognizable signature style: a look that is dynamic, sleek, fluid and witty.

The son of an aircraft engineer, Starck studied interior design at the École Nissim de Camondo in Paris. He started his design career in the 1970s decorating nightclubs in the city, and his reputation for spirited and original interiors earned him a commission in 1983 from French president François Mitterrand to design the private apartments of the Élysée Palace. Starck made his name internationally in 1988 with his design for the interiors of the Royalton Hotel in New York, a strikingly novel environment featuring jewel-toned carpeting and upholstery and furnishings with organically shaped cast-aluminum frames. He followed that up in 1990 with an equally impressive redesign of the Paramount Hotel in Manhattan, a project that featured over-scaled furniture as well as headboards that mimicked Old Masters paintings.

Like their designer, furniture pieces by Starck seem to enjoy attention. Designs such as the wedge-shaped J Series club chair; the sweeping molded-mahogany Costes chair; the provocative Ara table lamp; or the sinuous WW stool never fail to raise eyebrows. Other Starck pieces make winking postmodern references to historical designs. His polycarbonate Louis Ghost armchair puts a new twist on Louis XVI furniture; his Out-In chair offers a futuristic take on the classic English high-back chair. But for all his flair, Starck maintains a populist vision of design. While one of his limited-edition Prince de Fribourg et Treyer armchairs might be priced at $7,000, a plastic Starck chair for the Italian firm Kartell is available for around $250. As you will see on 1stDibs, Philippe Starck’s furniture makes a bold statement — and it can add a welcome bit of humor to even the most traditional decor.

Design house Vitra has garnered international recognition for more than 70 years — the Swiss family-owned furniture company has outfitted public spaces as well as residential properties and offices worldwide. It has been a proponent of modernist design since the 1950s. While the brand is heralded for its collaborations with mid-century modern icons such as Verner Panton, Charles and Ray Eames, Alexander Girard and others, Vitra’s German campus is also home to buildings designed by legendary architects Zaha Hadid and Frank Gehry. Among them is the Vitra Design Museum, an independent cultural institution that displays two centuries of design today.

Vitra was established in Weil Am Rhein, Germany, in 1950 by husband and wife team Willi and Erika Fehlbaum. On a trip to New York several years later, Willi Fehlbaum encountered the work of design polymaths Ray and Charles Eames in a furniture store and immediately knew that he had found his bliss.

In 1957, Vitra entered into a licensing agreement with Herman Miller, which saw the company producing designs by George Nelson, the Eameses and others. Later, Vitra partnered with Verner Panton and created the Panton chair, which was the first chair ever crafted from a single piece of molded plastic (it was also the first piece to be independently developed by Vitra). After 27 years of establishing the Vitra brand, the Fehlbaums passed control to their two sons, Rolf and Raymond Fehlbaum.

When a fire destroyed the factory in 1981, the brothers developed the Vitra Factory Campus, subsequently taking the opportunity to redirect the architectural landscape of the company. They created a masterplan with Nicholas Grimshaw, and together they erected four buildings in just a few short years.

In 1988, with the passing of Ray Eames and the disbandment of the Los Angeles Eames office, Rolf and Raymond acquired the furniture design portion of her estate, including the Eames prototypes and experimental models, housed today in the Vitra Design Museum.

Rolf and Roy opened the Vitra Design Museum in 1989. This began a period rich with design relationships, including collaborations with Antonio Citterio, Jasper Morrison, Maarten van Severen, Philippe Starck, Alberto Meda and others.

In 2012, leadership passed to Nora, the third generation of the Fehlbaums. Nora Fehlbaum has, like her grandparents, expanded the company and brought it into the 21st century with the acquisition of Finnish furniture manufacturer Artek. Nora has turned the company’s focus to sustainability yet still maintains its international and cultural relevance legacy.

Find a collection of Vitra lounge chairs, tables, side chairs, sofas and other furniture on 1stDibs.