Natural Fiber Chairs

João VI style refers to the artistic and architectural style prevalent during the reign of King João VI of Portugal and Brazil, who ruled from 1816 to 1826. João VI was a significant...

18Thc Banister back chair from New England with hand woven early seat .The condition is very good and sturdy.

If these two chairs could speak, the history they might share. These rare and very early chairs are hand-carved and constructed in a refined primitive country design, reflective of the era. Utilizing a stunning, rich maple, the top rails and cross rails flow with ribbon designs for a touch of elegance. The backs of these chairs are more delicate than others of this period and style. Higher, thinner rails and styles found in these chair backs, mixed with the heavy squared legs and wide band stretchers make these an impressive example of an Early American country chair...

Fashion brand Loewe has worked with global artisans to create a collection of wooden chairs decorated with woven materials, including foil, shearling and paper, that was shown as par...

A pair of stunning black lacquer ebonized acorn armchairs or dining chairs designed by Massimo and Lella Vignelli. These mid-century modern chairs, crafted in Italy, boast a birch frame with rounded arms, supports, and legs. The seat is generously proportioned and features a striking woven rush bottom in a natural organic finish, providing a captivating contrast to the black ebonized frame. With arms standing at a height of 27 inches, they elegantly blend into a gracefully contoured backrest. These exceptional acorn chairs...

A matched pair of antique country French fruitwood chairs. Finely carved with a very unusual and exceptionally graceful sculptural form. Both chairs in beautifully aged original surf...

A pierced splat cupid's bow crested Chippendale great chair. This imposing Chippendale arm-chair is made of maple and figured maple. The profile of the crest and its pierced pattern ...

Chair model "Harp" designed by Jørgen Høvelskov. Solid natural ash wood structura, with seat and back in natural rope. Inspired by the arched curves of the bow and stern of a Viking...

Beautiful 18th century of the period Louis XVI Italian antique rustic armchair in solid walnut wood. The armchair is very simple and essential. Beautifully decoration in wood. The se...

Set of four baroque style chairs (late fifteenth century), made in the late 1800. The characteristic of this style lies in the wavy lines, the harmonious curves and the search for co...

Chinese Huanghuali (Rosewood) Spindle Back Chair, Meiguiyi, 18th/19th Century A fine 19th century Chinese huali (rosewood) chair with spindle backsplat, woven cane seat, and wood ca...

Offered for your consideration is a solitary black lacquered Chiavari chair in beautiful vintage condition. Featuring turned legs and hand carved purple willow frame and backrest in a restrained 17th century Empire style and painted in a black lacquer with a herringbone woven cane seat. Chiavari chairs originated in the city of Chiavari, Italy and are the creation of early 17th century Italian cabinet...

An Italian pair of wooden side chairs with chinoiserie and caning from the 18th century. This antique pair of chairs from Italy each features a shapely wood back with scooped top...

Viennese rococo, reeded and wooden small chair, from the end of the 18th century. This piece is untouched antique! Use it as a fancy decoration in your residency. You can find...

An English William and Mary style oak youth chair from the late 18th century, with rush seat and spindle back. This English oak chair features a straight s...

French, Louis XV Régence Style caned Chairs, 18th Century, Two similar presented as a pair without being identical. Chair 1 - 19" W x 18.5"D x 38.25"H Seat height 18" Chair 2 - 19...

Offered for your consideration are a pair of antique Italian 17th century gilded Empire Chiavari chairs. Gilded willow hardwood with woven...

A most charming Italian hand painted, carved, and woven cane side chair with beautiful heavily worn and distressed original patina perfection ove...

This stool is a fantastic piece. It appears so simple and yet so precise, where proportions seem to be perfect. All those little details define the charm and finally the complexity o...

Carved walnut, caned back and seat. Zebra pattern fabric cushions (Lelièvre France). Fine natural patina, 18th century period.

We are delighted to offer for sale this rare and important suite of twelve original John Gee 1779-1824 Regency bergère Rosewood with brass inlay dining chairs Where to start, these are as rare as they come, an original suite of John Gee chairs and twelve no less! They have rosewood frames, brass inlaid and period bergère seats with later mate removable cushions. I have included a brief history on John Gee below along with some of is later sales and so on Most likely if you are a collector and follower of fine furniture, you would have seen this design many times before, these are the originals, where it all began, the first edition period pieces by one of the great cabinet makers of the late 18th to early 19th century. The craftsmanship is as fine as they come In terms of the condition, they are all structurally sound, the finish is original and they haven’t been professionally restored so far as I can see. There are some small losses which is quite normal to the brass work and some punches to the bergère again consistent with age and use, they are after all, over 200 years old. We have deep cleaned hand condition waxed and hand polished them from top to bottom, I can have them fully, professionally restored for the cost price should the new owner wish, they can be made as gallery perfect as possible X2 Carver dimensions Height:- 84.5cm Width:- 52cm Depth:- 59cm Seat height:- 45cm X10 standard chair dimensions Height:- 84.5cm Width:- 46.5cm Depth:- 53cm Seat height:- 46cm Please note all measurements are taken at the widest point Gee, John 49, Wardour Street, Soho, London; chair maker and turner (fl.1779–c.1824) Also listed as Gee & Sons (1809) and Gee, Thomas Ayliffe (1804– 09) In about 1779 John Gee replaced Thomas Ayliffe as partner to Benjamin Crompton, who had been Turner in Ordinary to George III since 1762. On 14 October 1787 Gee was sworn in as turner ‘jointly with Thos. Ayliffe his partner’, but his name, unlike Ayliffe's, does not appear in the Court and City Register until 1799. Ayliffe was the fourth member of his family to be a turner to the King, so Gee was probably the junior partner. In 1790 Lord Wilton bought chairs for the Music Room at Heaton Hall, Lancs. ‘2 June 1790 Aycliffe & Gees Bill for chairs etc. £49 8s.’. From 1799, when he is described as ‘Chair-maker, 49 Wardour Street, Soho’, Gee is listed in London directories. In 1803 he is called ‘Chairmaker & Turner to His Majesty’ and this title occurs regularly in entries up to 1823; in most directories, however, this appointment is omitted. Gee is also included in the list of master cabinet makers attached to Sheraton's Cabinet Dictionary, 1803. The last directory listing for Gee is 1823–24. On 8 November 1804 Thomas Ayliffe Gee was appointed Turner in Ordinary to the King jointly with his father and briefly, in one directory of 1809 the firm is listed as ‘Gee & Sons, Turners & chair makers’. John Gee's name is shown in the Court and City Register until 1831, well after his apparent retirement. Charles Holme Bridges, who succeeded Gee at 49 Wardour St in 1824 received a royal warrant in 1822 but is first entered as a turner in the 1832 Register. Gee's productions have been identified through stamped marks: ‘J GEE’, ‘GEE’, l GEE’, ‘Jn. G’ and a crown, J within G, and ‘GEE WARDOUR ST’ have been noted. Certain chairs are stamped with initials: ‘RR’, ‘GL’, ‘GH’, ‘IT’ and ‘WG’ have been noted. These are probably the marks of individual chairmakers in Gee's employ. His seems to have been a substantial undertaking. The following summary list records chairs by Gee in the order of their emergence: Pride's of London, 1962, 6 chairs, painted trophies on green and brown background, stamped ‘J GEE’. Bearne's Sale Rooms, 1964, settee, 2 armchairs, 7 chairs, stamped ‘J GEE’; 8 chairs, brass inlay, stamped ‘J GEE’. Sotheby's, London, 19 June 1970, lot 80, 4 chairs, simulated rosewood, gilt, stamped ‘GEE’ and ‘RR’; Sotheby's, London, 23 October 1970, lot 170, 6 chairs, simulated rosewood and brass inlay, stamped ‘GEE’ and ‘GL’ (some only); Sotheby's, London, 11 June 1971, lot 192, 2 armchairs, ebonised and gilt, stamped ‘GEE’; Christie's, London, 20 January 1972, lot 64, 8 chairs, ebonised, stamped ‘I GEE’ and ‘GH’; Bearnes & Waycotts, 1974(?), armchair, painted. Christie's, London, 31 October 1974, lot 98, 3 chairs, gilt, one branded ‘Jn. G’ twice with crown, the other two branded with crown, and with trade label of Copworth Bros. & Harrison, 22 Old Bond Street, Carpet & Cabinet Manufacturer to Her Majesty; Pride's of London, 1975, 6 chairs, simulated rosewood and brass inlay. Temple Newsam House, Leeds, 1976, 2 armchairs, ebonised and painted, stamped J within G and ‘IT’. Mrs G. M. Douglas, Bath, 1978, 3 chairs, painted green, stamped ‘GEE WARDOUR ST’ and ‘WG’. Sotheby's, London, 14 November 1979, lot 277, 2 chairs, painted with flowers, one stamped ‘GEE’. Private House, Monmouthshire, 1985, 8 chairs, ebonised, all stamped ‘GEE’ and ‘IT’, and 2 settees, en suite, both stamped ‘GEE’ and (?) ‘WP’. SOANE MUSEUM, 4 plain splat back chairs...

Handsome set of four antique beechwood chairs, with original green paint, and rush seats. Elegantly curved front foot rests. Wide and comfortable.

A fine form English Queen Anne armchair with caned back and seat, arched scroll carved crest and arms, Spanish carved feet, with beautifull...

Exquisite French circa 1785 late Louis XVI period and style fauteuil having tall tablet form backrest on chamfered vertical supports continuing into dramatic panel cut splayed rear l...

British country armchair in ash. This Georgian period chair's design is unusual and is attributed to an anonymous craftsman operating in the Lancashire parish of Wigan during the late 18th century. This chair features turned uprights, with domed and nipple finials, connected by wavy line slats and boldly turned stretchers and legs. The patina of its dark honey-brown color finish is excellent. Chair's low seat is ideal for fireside seating...

French Louis XVI low caned fireside slipper chair, 18th century. This very rare and exceptional low chair is very old, and has withstood the test of time in a remarkably good state, with a minor loss to the base of the caning in a lower corner of the back (see picture). The caning has a lovely pattern. This low, deep chair was probably a fireside chair. However small metal bolts in the back suggest that it may have at some point been attached, possibly to a vehicle or to some kind of carrying device. It is beautiful and highly decorative. Though it is quite comfortable, we do not recommend it be used for seating to protect the antique caned seat...

18th century caned chair with original frame finish. Chair is newly upholstered. We have 2 of these chairs. Chairs are priced individually.

Italian 18th century country rustic robust armchair in chestnut wood hand cut, restored and polished with shellac and wax. Straw seat in excellent condition Measures cm: H 102\48 x ...

Early, Swedish allmoge poker / stove chair, origin: Blekinge, Southern Sweden, circa 1750 Provenance: Private Manor House, Sweden These chairs were u...