Daybed 710 in birch and zebra fabric by Alvar Aalto, Artek, 1935

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Daybed 710 in birch and zebra fabric by Alvar Aalto, Artek, 1935

About the Item

Iconic daybed model 710 designed by Alvar Aalto. Made completely from solid birch with lacquer finish. The mattress is upholstered in the iconic zebra fabric designed by Bauhaus designer Otti Berger. The fabric was hand picked by Aino Aalto in 1935 to be used for several of Aaltos designs and has become synonymous with some of his designs and is a staple in the Artek world of design. The fabric is woven in a deep relief with a very high quality. The condition of the fabric is very good. All over very good vintage condition with light age related wear and patina. Hugo Alvar Henrik Aalto (pronounced [ˈhuːɡo ˈɑlʋɑr ˈhenrik ˈɑːlto]; 3 February 1898 – 11 May 1976) was a Finnish architect and designer.His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture."Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons.The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards. His architectural work, throughout his entire career, is characterized by a concern for design as Gesamtkunstwerk—a total work of art in which he, together with his first wife Aino Aalto, would design not only the building but the interior surfaces, furniture, lamps, and glassware as well. His furniture designs are considered Scandinavian Modern, an aesthetic reflected in their elegant simplification and concern for materials, especially wood, but also in Aalto's technical innovations, which led him to receiving patents for various manufacturing processes, such as those used to produce bent wood.As a designer he is celebrated as a forerunner of midcentury modernism in design; his invention of bent plywood furniture had a profound impact on the aesthetics of Charles and Ray Eames and George Nelson.The Alvar Aalto Museum, designed by Aalto himself, is located in what is regarded as his home city, Jyväskylä. The entry for him on the Museum of Modern Art website notes his "remarkable synthesis of romantic and pragmatic ideas," adding His work reflects a deep desire to humanize architecture through an unorthodox handling of form and materials that was both rational and intuitive. Influenced by the so-called International Style modernism (or functionalism, as it was called in Finland) and his acquaintance with leading modernists in Europe, including Swedish architect Erik Gunnar Asplund and many of the artists and architects associated with the Bauhaus, Aalto created designs that had a profound impact on the trajectory of modernism before and after World War II. Designer: Alvar Aalto Manufacturer: Artek Year: designed 1935, this example ca 1970-80s Condition: Very good Dimensions: W. 203 D. 92 H. 35 cm

Creator:
Alvar Aalto (Designer),Artek (Manufacturer)
Dimensions:
Height: 13.78 in (35 cm)Width: 79.93 in (203 cm)Depth: 36.62 in (93 cm)Seat Height: 13.78 in (35 cm)
Style:
Scandinavian Modern (Of the Period)
Materials and Techniques:
Birch,Wool
Place of Origin:
Finland
Period:
1930-1939
Date of Manufacture:
1970-80s
Condition:
Wear consistent with age and use. Minor structural damages.
Seller Location:
Hägersten, SE
Reference Number:
1stDibs: LU2121337780332

Shop All Alvar Aalto

Alvar Aalto

An architect and designer, Alvar Aalto deserves an immense share of the credit for bringing Scandinavian modernism to a prominent place in the global arena. In both his buildings and in his vintage furniture — which ranges from chairs, tables and lighting to table- and glassware — Aalto’s sensitivity to the natural world and to organic forms and materials tempered the hardness of rationalist design.

Relatively few Aalto buildings exist outside Finland. (Just four exist in the United States, and only one — the sinuous 1945 Baker House dormitory at M.I.T. — is easily visited.) International attention came to Aalto, whose surname translates to English as “wave,” primarily through his furnishings.

Instead of the tubular metal framing favored by the Bauhaus designers and Le Corbusier, Aalto insisted on wood. His aesthetic is best represented by the Paimio armchair, developed in 1930 as part of his overall design of a Finnish tuberculosis sanatorium. Comfortable, yet light enough to be easily moved by patients, the chair’s frame is composed of two laminated birch loops; the seat and back are formed from a single sheet of plywood that scrolls under at the headrest and beneath the knees, creating a sort of pillow effect. Aalto’s use of plywood had enormous influence on Charles and Ray Eames, Arne Jacobsen, Marcel Breuer and others who later came to the material.

Concerned with keeping up standards of quality in the production of his designs, Aalto formed the still-extant company Artek in 1935, along with his wife, Aino Aalto, whose glass designs were made by the firm. In the latter medium, in 1936 the Aaltos together created the iconic, undulating Savoy vase, so-called for the luxe Helsinki restaurant for which the piece was designed.

Artek also produced Aalto pendants and other lighting designs, many of which — such as the Angel’s Wing floor lamp and the Beehive pendant — incorporate a signature Aalto detail: shades made of concentric enameled-metal rings graduated down in diameter. The effect of the technique is essential Alvar Aalto: at once precise, simple, and somehow poetic.

Find a collection of vintage Alvar Aalto stools, vases, dining tables and other furniture on 1stDibs.