1950 Ray & Charles Eames Herman Miller 2 DSS Fiberglass Stacking Chairs & Pillow For Sale
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1950 Ray & Charles Eames Herman Miller 2 DSS Fiberglass Stacking Chairs & Pillow

About

Two Yellow Shells by Eames with black cushions. The chairs show traces of wear like one chairs has some changing of color (#10- #12), some scratches and one shell has a white stripe (#16) on the front of the seat. The black cushions show slightly a trace of the shockmounts from under the seat of the other shells caused by stacking them. The chairs can be stacked and also attached to each other by metal brackets. The bases show traces of wear like rusty spots and even loss of chrome. More shells in many colors as well as bases in a variety are available and in stock. Weight 6 kg The total width of the chair is 60 cm and the width of the seat is 48 cm Free shipping for Amsterdam, Haarlem and IJmuiden for lamps, chairs, small items as tables and office desks, small not too heavy couches.  

Details

  • Dimensions
    H 31.5 in. x W 23.63 in. x D 18.51 in.H 80 cm x W 60 cm x D 47 cm
  • Seat Height
    18.51 in. (47 cm)
  • Seller Location
    Amsterdam, NL
  • Sold As
    Set of 2
  • Reference Number
    LU2055314338932
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About Herman Miller (Manufacturer)

No other business of its kind did more than the Herman Miller Furniture Company to introduce modern design into American homes. Working with legendary designers such as Charles and Ray Eames, George Nelson and Alexander Girard, the Zeeland, Michigan-based firm fostered some of the boldest expressions of what we now call Mid-Century Modern style. In doing so, Herman Miller produced some of the most beautiful, iconic and, one can even say, noblest furniture of the past seven decades.


     Founded in 1923, Herman Miller was originally known for grand historicist bedroom suites: heavily ornamented wood furniture that appealed to a high-minded, wealthier clientele. The company—named for its chief financial backer—began to suffer in the early 1930s as the Great Depression hit, and D. J. De Pree, the company’s CEO, feared bankruptcy. In 1932, aid came in the form of Gilbert Rohde, a self-taught furniture designer who had traveled widely in Europe, absorbing details of the Art Deco movement and other modernist influences. After persuading De Pree that the growing middle-class required smaller, lighter household furnishings, Rohde set a new course for Herman Miller, creating sleek chairs, tables and cabinetry that were the essence of the Streamline Moderne style.


     Rohde died suddenly in 1944. The following year, De Pree turned to George Nelson, an architect who had written widely about modern furniture design. Under Nelson’s leadership, Herman Miller would embrace new technologies and materials and audacious biomorphic forms. Some of the pieces the company produced are now emblems of 20th century American design, including the Eames lounge chair and ottoman and Nelson’s Marshmallow sofa and Coconut chair. As you can see on these pages, such instantly recognizable furnishings have become timeless—staples of a modernist décor; striking, offbeat notes in traditional environments.

About the Seller

4.7 / 5
Vetted
1stdibs seller since 2016
Located in Amsterdam, NL
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