Eames for Herman Miller LCW in Santos Palisander
View Similar Items
Eames for Herman Miller LCW in Santos Palisander
About the Item
- Creator:Herman Miller (Manufacturer),Charles and Ray Eames (Designer)
- Dimensions:Height: 26.5 in (67.31 cm)Width: 22 in (55.88 cm)Depth: 24 in (60.96 cm)
- Style:Mid-Century Modern (Of the Period)
- Place of Origin:
- Period:
- Date of Manufacture:circa 2000s
- Condition:
- Seller Location:Kansas City, MO
- Reference Number:1stDibs: LU105703496062
Charles and Ray Eames
Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.
As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.
Charles (1907–78) studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.
His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.
The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.
The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.
Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.
The collection of original Eames furniture on 1stDibs includes chairs, tables, case pieces and other items.
Herman Miller
No other business of its kind did more than the Herman Miller Furniture Company to introduce modern design into American homes. Working with legendary designers such as Charles and Ray Eames, George Nelson and Alexander Girard, the Zeeland, Michigan-based firm fostered some of the boldest expressions of what we now call mid-century modern style. In doing so, Herman Miller produced some of the most beautiful, iconic and, one can even say, noblest furniture ever.
Founded in 1923, Herman Miller was originally known for grand historicist bedroom suites: heavily ornamented wood furniture that appealed to a high-minded, wealthier clientele. The company — named for its chief financial backer — began to suffer in the early 1930s as the Great Depression hit, and D.J. De Pree, the company’s CEO, feared bankruptcy. In 1932, aid came in the form of Gilbert Rohde, a self-taught furniture designer who had traveled widely in Europe, absorbing details of the Art Deco movement and other modernist influences. After persuading De Pree that the growing middle-class required smaller, lighter household furnishings, Rohde set a new course for Herman Miller, creating sleek chairs, tables and cabinetry that were the essence of the Streamline Moderne style.
Rohde died suddenly in 1944. The following year, De Pree turned to George Nelson, an architect who had written widely about modern furniture design. Under Nelson’s leadership, Herman Miller would embrace new technologies and materials and audacious biomorphic forms. Some of the pieces the company produced are now emblems of 20th century American design, including the Eames lounge chair and ottoman and Nelson’s Marshmallow sofa and Coconut chair. As you can see on 1stDibs, such instantly recognizable furnishings have become timeless — staples of a modernist décor; striking, offbeat notes in traditional environments.
- Armchair by George Nelson for Herman Miller RestoredBy Herman Miller, George NelsonLocated in Kansas City, MOGeorge Nelson armchair in new blue Maharam fabric. Blonde Primavera frame in excellent condition.Category
Vintage 1950s American Mid-Century Modern Armchairs
MaterialsUpholstery, Wood
- George Nelson for Herman Miller Chaise LongueBy Herman Miller, George NelsonLocated in Kansas City, MORare George Nelson chaise longue for Herman Miller. Heavy chromed steel frame with newer upholstery.Category
Vintage 1950s American Mid-Century Modern Chaise Longues
MaterialsChrome
- Early Red Aniline Dyed Eames LCM "Lounge Chair Metal", Signed with Evans LabelBy Evans Products Company, Charles and Ray EamesLocated in Kansas City, MOVery early Charles Eames and Ray Eames LCM, for Evans Products Company, Venice, CA, circa 1945. Red aniline-dyed molded plywood, polished c...Category
Vintage 1940s American Mid-Century Modern Lounge Chairs
MaterialsChrome
- Alexander Girard for Herman Miller Neck Ties. NOS. Silk. Vintage 1960s, SignedBy Herman Miller, Alexander GirardLocated in Kansas City, MOSuper rare neckties designed by Alexander Girard for Herman Miller, 1960s. We don't think these were ever in mass production. All th...Category
Vintage 1960s American Mid-Century Modern Historical Memorabilia
MaterialsSilk
- Very rare Eames EC175-8.By Herman Miller, Charles and Ray EamesLocated in Kansas City, MOEames EC175-8. Very rare example of the loose cushion armchair without upholstery. Dated Oct. 1, 1978. This is an opportunity to own a very collectible piec...Category
Vintage 1970s American Mid-Century Modern Chairs
MaterialsAluminum
$6,000 - Charles and Ray Eames High Back Aluminum Group Chairs in Original Blue FabricBy Herman Miller, Charles and Ray EamesLocated in Kansas City, MOSix available. Eames for Herman Miller high back aluminum group desk, dining, or lounge chairs with arms in the original Alexander Girard for H...Category
Vintage 1960s American Mid-Century Modern Armchairs
MaterialsAluminum, Steel
- Custom Covered Eames for Herman Miller LCWBy Herman Miller, Charles and Ray EamesLocated in Ferndale, MIVery nice Charles and Ray Eames ebonized lounge chair wood legs LCW for Herman Miller . Covered in lambskin hide . Earlier chair with foil label .Category
Mid-20th Century American Mid-Century Modern Lounge Chairs
MaterialsPlywood
- Pair of Eames For Herman Miller LCW Lounge ChairsBy Charles and Ray Eames, Herman MillerLocated in Brooklyn, NYPair of molded birch plywood LCW, low seated easy lounge chairs designed by Charles and Ray Eames for Herman Miller. Their black oval Herman Miller label indicates the pair is from t...Category
Late 20th Century American Mid-Century Modern Lounge Chairs
MaterialsBentwood
- Charles & Ray Eames LCW Walnut Lounge Chair for Herman MillerBy Charles and Ray Eames, Herman Miller, Charles EamesLocated in Amsterdam, NLIconic LCW lounge chair designed by Charles & Ray Eames in Walnut Plywood and manufactured by Herman Miller USA. The veneer and chair is in very good / excellent as new condition wit...Category
Vintage 1940s American Mid-Century Modern Lounge Chairs
MaterialsRubber, Plywood
- 1953 Herman Miller Eames LCW Lounge Chair in Walnut w/ ProvenanceBy Herman Miller, Charles and Ray EamesLocated in Philadelphia, PAThis is An Eames LCW Lounge Chair in Walnut, dating to circa 1953. It has the 5-2-4 screw pattern underneath, indicating early Herman Miller production. This example is in very good ...Category
Vintage 1950s American Modern Lounge Chairs
MaterialsWalnut, Plywood
- 1940s Pair of Early Charles Eames for Herman Miller LCW Lounge Chairs in OakBy Herman Miller, Evans Products Company, Charles and Ray EamesLocated in Philadelphia, PADesigned in the late 1940s by Charles Eames, this chair has cemented itself in Mid-Century Design like very few other pieces. Early models like this are difficult to come by and are ...Category
Vintage 1940s American Mid-Century Modern Lounge Chairs
MaterialsPlywood
- 1940s Pair of Early Charles Eames for Herman Miller Lcw Lounge Chairs in BirchBy Charles and Ray Eames, Herman Miller, Evans Products CompanyLocated in Philadelphia, PADesigned in the late 1940s by Charles Eames, this chair has cemented itself in Mid-Century Design like very few other pieces. Early models like this are difficult to come by and are ...Category
Vintage 1940s American Mid-Century Modern Lounge Chairs
MaterialsRubber, Wood, Plywood
Recently Viewed
View AllRead More
The 21 Most Popular Mid-Century Modern Chairs
You know the designs, now get the stories about how they came to be.
A Guide to Herman Miller’s Most Iconic Furniture
The prolific manufacturer has partnered with many of the world’s top designers since opening its doors in 1923. Here are some of the company’s greatest hits, which helped transform the American home and office.