Florence Knoll Sofa in Navy Velvet
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Florence Knoll Sofa in Navy Velvet
About the Item
- Creator:Knoll (Designer),Florence Knoll (Designer)
- Design:Florence Knoll SofaLounge Series
- Dimensions:Height: 31.25 in (79.38 cm)Width: 90.5 in (229.87 cm)Depth: 32.25 in (81.92 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1960
- Condition:Reupholstered. New restoration.
- Seller Location:Wilton, CT
- Reference Number:1stDibs: LU929021180732
Florence Knoll Sofa
Although Michigan native Florence Knoll (1917–2019) modestly described her furniture as “meat and potatoes” designs that were largely “fill-in pieces” for the Knoll Associates catalog, works like the Florence Knoll sofa demonstrate her artful expression of modern proportions. Introduced in 1954, the sofa was made during the American designer and entrepreneur’s direction of the Knoll Planning Unit, the company’s pioneering “design consultant service” that would define the look of the postwar workplace. The versatile Florence Knoll sofa, with its angular silhouette and tasteful mix of textures — from the colorful upholstery options to its exposed metal frame and legs — could as easily fit into the glass lobby of a skyscraper as the living room of a home.
Before she met her husband, Hans Knoll, with whom she built Knoll Associates into an international tastemaker of mid-century style, Florence studied under architect Ludwig Mies van der Rohe at the Illinois Institute of Technology and worked for architects Walter Gropius and Marcel Breuer. That mentorship — from the major figures of the Bauhaus — had a significant impact on her approach to “total design,” in which each part of an interior was not just an object, it was a component of a comprehensive whole. Mies’s influence in particular is evident in the simplicity of the Florence Knoll sofa, its modern materials and restrained design channeling his “less is more” ethos. Its polished chrome steel legs and cushions with their clean lines further provided an architectural contrast to more sculptural pieces being created for Knoll Associates by designers such as Harry Bertoia, Eero Saarinen and Isamu Noguchi.
The numerous pieces Florence Knoll designed for the Knoll Associates furniture line were envisioned as design solutions for the changing needs in residential and office spaces. The Florence Knoll Lounge chair, also released in 1954, was a scaled-down companion to the sofa, so together they could offer flexible seating for a meeting space or entertaining area in the home.
Knoll may have designed her sofa because she needed a minimal piece as an element in the diverse interiors being filled with her company’s furnishings, but it’s now among the most celebrated of the company’s designs. Knoll, Inc. continues to produce the Florence Knoll sofa over half a century after it was introduced, and vintage models are still prized for their sturdy construction and timeless qualities.
Knoll
As a company that produced many of the most famous and iconic furniture designs of the 20th century, Knoll was a chief influence in the rise of modern design in the United States. Led by Florence Knoll, the firm would draw stellar talents such as Ludwig Mies van der Rohe and Eero Saarinen into its compass. Their work would help change the face of the American home and office.
The company was formed in 1938 by the German immigrant Hans Knoll. He first worked with his fellow ex-pat, the Danish designer Jens Risom, who created furniture with flowing lines made of wood. While Risom served in World War II, in 1943 Knoll met his future wife, Florence Schust. She had studied and worked with eminent emigré leaders of the Bauhaus, including Mies, Walter Gropius and Marcel Breuer. She won Knoll over with Bauhaus notions of industrial arts, and an aesthetic that featured flat and tubular metal frames and angular forms. When Hans died in a car crash in 1955, Florence Knoll was appointed head of the company. It was as much through her holistic approach to design — a core division of the firm was dedicated to planning office systems — as Knoll's mid-century modern furnishings themselves that she brought about the sleek and efficient transformation of the American workplace.
Today, classic Knoll furnishings remain staples of modern design collections and decor. A history of modern design is written in pieces such as the elegant Barcelona chair — created by Mies and Lilly Reich — Saarinen’s pedestal Tulip chair, Breuer’s tubular steel Wassily lounge chair and the grid-patterned Diamond chair by Harry Bertoia.
As you can see from the collection of these designs and other vintage Knoll dining chairs, sofas and tables on 1stDibs, this manufacturer's offerings have become timeless emblems of the progressive spirit and sleek sophistication of the best of modernism.
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