Kartell Rocchetto Stools in Blue Velvet
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Kartell Rocchetto Stools in Blue Velvet
About the Item
- Creator:Kartell (Manufacturer),Achille & Pier Giacomo Castiglioni (Designer)
- Dimensions:Height: 17 in (43.18 cm)Diameter: 16 in (40.64 cm)
- Sold As:Set of 2
- Materials and Techniques:
- Period:
- Date of Manufacture:1960
- Condition:Ivory ABS plastic base is smooth and free of any cracks. Refreshed with new upholstery in blue mohair velvet.
- Seller Location:Brooklyn, NY
- Reference Number:Seller: SKU000012801stDibs: LU954128402692
Achille & Pier Giacomo Castiglioni
Milanese industrial designer-architects Achille and Pier Giacomo Castiglioni (1918–2002; 1913-68) created some of the most iconic furniture designs in the world, particularly those that originated in the realm of mid-century modern lighting.
In the late 1930s, after graduating from the acclaimed Polytechnic University of Milan, Pier Giacomo opened a design studio with his brother Livio and likeminded architect Luigi Caccia Dominioni. Achille, also a graduate of Milan Polytechnic, joined the group after completing his studies in 1944. The era’s architects were encountering difficulty in their attempts to secure building commissions, so the group focused on designing practical everyday objects such as the Model 547, a tabletop radio for Phonola that was encased in Bakelite.
The Castiglioni brothers produced wildly popular and innovative designs throughout the 20th century. While Livio departed the practice in 1952 to pursue lighting design and sound technology on his own, Pier Giacomo and Achille would continue to collaborate on a wealth of projects in the ensuing years.
Vintage furniture collectors may be familiar with Livio and Italian designer Gianfranco Frattini’s serpent-like Boalum lamp, while Achille’s Taraxacum hanging lamp — created for FLOS with sprayed plastic polymers originally intended for military use — as well as the Arco, Snoopy and Toio lamps, which were the result of the collaboration between Pier Giacomo and Achille, are milestones in modernist lighting design.
Also for FLOS, Pier Giacomo and Achille created a series of metal frames that, wrapped in the polymer, became floor lamps (Gatto) or pendant lights (Viscontea and Taraxacum), all released in 1960. The Gatto floor lamp takes its name from the Italian word for “cat” and the inspiration for its aesthetic from lighting that George Nelson developed for legendary American furniture manufacturer Howard Miller during the 1940s. Around the same time, the designer Tobia Scarpa (son of the famed Italian architect Carlo Scarpa and one-half of the widely revered postmodern husband-and-wife design duo Afra and Tobia Scarpa) created a floor lamp called Fantasma (1961) using the polymers technique. FLOS continues to make the Castiglionis’ innovative pieces today.
In addition to their provocative lighting works, Pier Giacomo and Achille also created stereo systems, decorative objects, seating, tables and other items for the likes of Brionvega, Alessi, Zanotta, Kartell and more.
Find vintage Achille and Pier Giacomo Castiglioni floor lamps, table lamps, pendants, seating and other furniture on 1stDibs.
Kartell
The Italian design giant Kartell transformed plastic from the stuff of humble household goods into a staple of luxury design in the 1960s. Founded in Milan by Italian chemical engineer Giulio Castelli (1920–2006) and his wife Anna Ferrieri (1918–2006), Kartell began as an industrial design firm, producing useful items like ski racks for automobiles and laboratory equipment designed to replace breakable glass with sturdy plastic. Even as companies like Olivetti and Vespa were making Italian design popular in the 1950s, typewriters and scooters were relatively costly, and Castelli and Ferrieri wanted to provide Italian consumers with affordable, stylish goods.
They launched a housewares division of Kartell in 1953, making lighting fixtures and kitchen tools and accessories from colorful molded plastic. Consumers in the postwar era were initially skeptical of plastic goods, but their affordability and infinite range of styles and hues eventually won devotees. Tupperware parties in the United States made plastic storage containers ubiquitous in postwar homes, and Kartell’s ingenious designs for juicers, dustpans, and dish racks conquered Europe. Kartell designer Gino Colombini was responsible for many of these early products, and his design for the KS 1146 Bucket won the Compasso d’Oro prize in 1955.
Buoyed by its success in the home goods market, Kartell introduced its Habitat division in 1963. Designers Marco Zanuso and Richard Sapper created the K1340 (later called the K 4999) children’s chair that year, and families enjoyed their bright colors and light weight, which made them easy for kids to pick up and move. In 1965, Joe Colombo (1924–78) created one of Kartell’s few pieces of non-plastic furniture, the 4801 chair, which sits low to the ground and comprised of just three curved pieces of plywood. (In 2012, Kartell reissued the chair in plastic.) Colombo followed up on the success of the 4801 with the iconic 4867 Universal Chair in 1967, which, like Verner Panton’s S chair, is made from a single piece of plastic. The colorful, stackable injection-molded chair was an instant classic. That same year, Kartell introduced Colombo’s KD27 table lamp. Ferrierei’s cylindrical 4966 Componibili storage module debuted in 1969.
Kartell achieved international recognition for its innovative work in 1972, when a landmark exhibition curated by Emilio Ambasz called “Italy: The New Domestic Landscape” opened at New York’s Museum of Modern Art. That show introduced American audiences to the work of designers such as Gaetano Pesce; Ettore Sottsass, founder of the Memphis Group; and the firms Archizoom and Superstudio (both firms were among Italy's Radical design groups) — all of whom were using wit, humor and unorthodox materials to create a bracingly original interior aesthetic.
Castelli and Ferrieri sold Kartell to Claudio Luti, their son-in-law, in 1988, and since then, Luti has expanded the company’s roster of designers.
Kartell produced Ron Arad’s Bookworm wall shelf in 1994, and Philippe Starck’s La Marie chair in 1998. More recently, Kartell has collaborated with the Japanese collective Nendo, Spanish architect Patricia Urquiola and glass designer Tokujin Yoshioka, among many others. Kartell classics can be found in museums around the world, including MoMA, the Victoria and Albert Museum and the Cooper Hewitt, Smithsonian Design Museum. In 1999, Claudio Luti established the Museo Kartell to tell the company’s story, through key objects from its innovative and colorful history.
Find vintage Kartell tables, seating, table lamps and other furniture on 1stDibs.
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