Set of Six Rochetto Stools by Castiglioni for Kartell, Italy, circa 1960

Milanese designer and architect Achille Castiglioni sought to inject personality into all of his work, and found deep inspiration in everyday objects. A legend of Italian mid-century modernism, he created iconic, universally loved table lamps, chairs and other lighting and furniture with his likeminded brothers during the postwar years. 

There was the Snoopy lamp, which brings to mind the unmistakable Peanuts character, while the shape of a common street lamp inspired the design behind the Arco floor lamp. Elsewhere, the Toio floor lamp — a provocative fixture in any living room — was made with automotive parts as well as run-of-the-mill recreational gear. 

Castiglioni studied the classics at Liceo Classico Giuseppe Parini, art at the Accademia di Belle Arti di Brera and finally architecture and design at the Polytechnic University of Milan. After graduating in 1944, Castiglioni began working with his brothers Pier Giacomo and Livio at the studio they cofounded with classmate Luigi Caccia Dominioni.

Livio left to pursue lighting design and sound technology, leaving Achille and Pier Giacomo to continue to collaborate on various projects. One such design was the iconic Taraxacum hanging lamp for FLOS which featured a resin “cocoon” created with sprayed plastic polymers that protects its steel core and allows for the diffusion of light.

Castiglioni won Italy’s highest award for industrial design — the Compasso d’Oro — seven times, and the Museum of Modern Art was home to his first individual retrospective in the United States. Castiglioni later taught at the Polytechnic University of Turin and at Polytechnic in Milan.

Castiglioni’s designs remain timeless. Some of them can be found in Tokyo’s Living Design Center Ozone, the Triennale di Milano and the Hangaram Art Museum at the Seoul Arts Center.

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The Italian design giant Kartell transformed plastic from the stuff of humble household goods into a staple of luxury design in the 1960s. Founded in Milan by Italian chemical engineer Giulio Castelli (1920–2006) and his wife Anna Ferrieri (1918–2006), Kartell began as an industrial design firm, producing useful items like ski racks for automobiles and laboratory equipment designed to replace breakable glass with sturdy plastic. Even as companies like Olivetti and Vespa were making Italian design popular in the 1950s, typewriters and scooters were relatively costly, and Castelli and Ferrieri wanted to provide Italian consumers with affordable, stylish goods.

They launched a housewares division of Kartell in 1953, making lighting fixtures and kitchen tools and accessories from colorful molded plastic. Consumers in the postwar era were initially skeptical of plastic goods, but their affordability and infinite range of styles and hues eventually won devotees. Tupperware parties in the United States made plastic storage containers ubiquitous in postwar homes, and Kartell’s ingenious designs for juicers, dustpans, and dish racks conquered Europe. Kartell designer Gino Colombini was responsible for many of these early products, and his design for the KS 1146 Bucket won the Compasso d’Oro prize in 1955.

Buoyed by its success in the home goods market, Kartell introduced its Habitat division in 1963. Designers Marco Zanuso and Richard Sapper created the K1340 (later called the K 4999) children’s chair that year, and families enjoyed their bright colors and light weight, which made them easy for kids to pick up and move. In 1965, Joe Colombo (1924–78) created one of Kartell’s few pieces of non-plastic furniture, the 4801 chair, which sits low to the ground and comprised of just three curved pieces of plywood. (In 2012, Kartell reissued the chair in plastic.) Colombo followed up on the success of the 4801 with the iconic 4867 Universal Chair in 1967, which, like Verner Panton’s S chair, is made from a single piece of plastic. The colorful, stackable injection-molded chair was an instant classic. That same year, Kartell introduced Colombo’s KD27 table lamp. Ferrierei’s cylindrical 4966 Componibili storage module debuted in 1969.

Kartell achieved international recognition for its innovative work in 1972, when a landmark exhibition curated by Emilio Ambasz called “Italy: The New Domestic Landscape” opened at New York’s Museum of Modern Art. That show introduced American audiences to the work of designers such as Gaetano Pesce; Ettore Sottsass, founder of the Memphis Group; and the firms Archizoom and Superstudio (both firms were among Italy's Radical design groups) — all of whom were using wit, humor and unorthodox materials to create a bracingly original interior aesthetic.

Castelli and Ferrieri sold Kartell to Claudio Luti, their son-in-law, in 1988, and since then, Luti has expanded the company’s roster of designers.

Kartell produced Ron Arad’s Bookworm wall shelf in 1994, and Philippe Starck’s La Marie chair in 1998. More recently, Kartell has collaborated with the Japanese collective Nendo, Spanish architect Patricia Urquiola and glass designer Tokujin Yoshioka, among many others. Kartell classics can be found in museums around the world, including MoMA, the Victoria and Albert Museum and the Cooper Hewitt, Smithsonian Design Museum. In 1999, Claudio Luti established the Museo Kartell to tell the company’s story, through key objects from its innovative and colorful history.

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