Walnut Cabinets

Antique 19th Century Danish Figured Walnut Cabinet Cupboard C.1860 A Danish panelled single door cabinet. Constructed from the most striking figured walnut. The interior fitted...

A rare 18th century Italian walnut chest / credenza, Renaissance Period, neoclassical influenced, having two elaborately carved figural statue c...

Fine Italian Art Deco cabinet from the 1940s with briar fronts and walnut sides. The handles are in brass while the profiles are black lacquered. Top in rare green marble. Similar...

A large early 19th century Louis XV style French buffet from Provence made of solid walnut. Beautiful character to the wood and fine hand-carvings of an urn and olive branches. An un...

French Louis XV style Renaissance rouge marble top demilune buffet sideboard cabinet. Item features shaped rouge marble top, solid wood construction, beautiful wood grain, nicely car...

This very fine English late 19th-early 20th century (probably Victoria or Edward VII period) Georgian style chest on stand or highboy is made of the most finest burl walnut featuring...

Vintage Walnut 48 drawer file cabinet, cupboard, Scotland 1920, H204 Scotland, 1920 Solid Walnut Original finish Moulded top with large flared out cornice 48 pull out dovetailed fil...

With a minimal design that showcases expertly crafted materials, the Monterrey Credenza by Chai Ming Studios combines storage with style for any spac...

Hello, This elegant Biedermeier walnut trumeau commode was made circa 1825. Viennese Biedermeier is distinguished by their sophisticated proportions, rare and refined design and exc...

Londres Sideboard, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Sideboard Londres is a functional and at the same time elegant solution for most environments. I...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

Elegant Italian Louis XV Style cabinet with desk 1910s. This cabinet is characterized by a refined veneer in fine rosewood. The veneer is laid using the grain of the wood as a decora...

Stylish, compact and highly functional media cabinet / console in walnut with ebonized accents and laminate top tier surface. The two drawers are divided into cubbies, and all but tw...

The Althea cabinet is crafted from quarter sawn red oak for the cabinet sides - which is not typical of how one normally sees red oak. The result is an interesting grain pattern that...

We are delighted to offer this lovely circa 1930’s bleached burr walnut bedside lamp table I have in total the dressing table with trifold mirrors, the large double wardrobe, smal...

Quality antique Victorian inlaid burr walnut music cabinet having the original brass pierced gallery quality inlaid burr walnut top with a moulded edge above a single burr walnut gla...

Luxe record stands elegantly display record cover art while providing easy access to as many as 700 records. All of our cabinets are hand-built in the Uni...

Luxe record stands elegantly display record cover art while providing easy access to as many as 525 records. All of our cabinets are hand-built in the United States from sustainably ...

Lovely Small cabinet in solid walnut. Characterized by carving in the doors, elegant and wavy feet. Finished on each side so it can also be placed in the center of the room. Perfect ...

20th century Art Deco bar Completely restored to the high gloss. Material: Thuya burl Source: Czechoslovakia. We guarantee safe a the cheapest air transport from Europe to the ...

Antique French Renaissance deeply carved walnut court cupboard with gallery, scroll, gadroon, pyramidal, foliate and nut decoration, 19th century Measures: 87" H x 56.25" W x 22" D....

20th century pair of solid carved French nightstands with Turned columns It has one carved drawer and wood T.form stretcher.

Two piece antique Dutch cabinet crafted from walnut and mahogany and newly restored. This three drawer chest offers up plenty of storage while al...

Beautiful early 20th century Italian Louis XIV style solid walnut wood majestic sideboard with plate rack. In the lower part equipped with three com...

A French Louis XVI style country French walnut corner cabinet with chicken wire in the door. This beautiful cabinet as a wondeful patina and ...

We are delighted to offer for sale this lovely antique circa 1920 Art deco Burr Walnut drinks cabinet with ornately carved cabriolet legs, mirrored back and internal lights A goo...

The Alambra suspended display case designed by Giuseppe Bavuso is equipped with an exclusive invisible mechanism for the opening of the flap door, specifically designed for this refi...

With a minimal and compact design, this vintage bar offers an impressive amount of storage for its size. Quality Mid-Century craftsmanship and rich walnut make this piece beautiful a...

The Spalla solid wood hangers have a modern yet Classic design that makes them timeless. Made in Italy and handcrafted in premium solid walnut wood, they a...

A fine, and rare, very closely-matched pair of late-17th century oyster walnut chests on stands. English, Charles II period, ca 1685. Both with f...

This is a beautiful Victorian burr walnut and tulipwood double door low display cabinet, circa 1860 in date. It has been accomplished in the very ...

Phillip Lloyd Powell illuminated bar cabinet USA, 1970s hand-carved walnut, glass, brass, found objects One of one bench-made Phil Powell bar cabinet. Side panels are hand-carved walnut. Doors are stained glass with backlit lighting to illuminate the stained glass cased in the black walnut. Door handles are brass found objects. The sides and the back of the interior are clad with a sectioned walnut. Found objects support the glass display shelving...

The lower part It stands on an ogee molded base and four feet with two front legs more massive and detailed than the others. It opens with two doors and three drawers. The vert...

1970s Drexel console table, console cabinet. This cabinet console is in excellent condition. It measures.    

Hello, This elegant and early Austrian Biedermeier secretaire was made circa 1825-30. The Secretaire is an example of beautiful, rare ...

French walnut cabinet, the shaped top with central carved ribbon detail above a pair of glazed doors opening to reveal mirrored back and two glazed shelves. To the base section fitte...

A refined showcase of craftsmanship, this captivating bar cabinet will make a bold statement in a modern interior. Fashioned of Canaletto walnut wood lacquered with a glossy black po...

Mid century American Studio craft thick slate top black walnut credenza cabinet. beautiful hand crafted solid black walnut single drawer cabinet....

17th century Italian two door cabinet with tilt top exposing inner drawer. One inside shelf. Beautiful aged walnut. Classic Italian decorative molding...

A captivating combination of hues and refined materials, this stunning bar cabinet will make a splendid and majestic statement in a modern interio...

Very early cabinet designed by George Nelson for Herman Miller. This cabinet has unusual silver pulls.

Marble top oval one door compartment drawer Adams style painted stand table. Beautiful carved walnut legs, nice beveled walnut bezel incasing marble top. Hand painted 360 degrees ce...

Early 19th century French Renaissance Revival hand carved walnut display cabinet with exterior design details. The display cabinet is in good antique condition with age / use appropr...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

This exquisite early 18th century bureau bookcase is finely crafted in the Queen Anne style with dramatic form and burled walnut veneered ...

A monumental Dutch 19th century ‘Meubles à Coussins’ ebony and walnut Kussenkast. This most impressive cabinet is raised by bun feet below the dentil shaped frieze. At the bottom of cabinet is a wide drawer with original iron pulls. The raised double paneled doors are framed within rippled ebony borders and flanked by ebony columns raised on walnut blocks. All below stunning top capitols of cherubs and floral garlands. The central front column slides to the side to reveal the hidden keyhole. The impressive top has an extended crown of rippled ebony moldings decorated by carved lions finished in walnut. Dutch cabinets of this nature are excellent examples of craftsmanship from the second quarter of the 17th century. Commissioned by wealthy families to celebrate a marriage or to have imposing pieces of furniture. Often the most expensive piece of furniture in the house next to paintings by Rembradt and Vermeer Hals Terborch Ruysdael de Hooch. These Kussenkast cabinets are similar to German Wellenschrank, Fassadenschrank, Schappschrank, and Eichenschrank, and also Italian Armadio...

Victorian arch top astral glazed display cabinet. This is a very attractive cabinet, it has an attractive cornice to the arch top, the interior is in c...

Kipp Stewart for Drexel Declaration Mid Century Walnut Buffet & Hutch Buffet measures: 48.5 wide x 20 deep x 67.25 All pieces of furniture can be had in what we call restored v...

This chest stands on a high moulded plinth. It was made from a fine walnut wood and shows good traces of polychromy and gold leaf decor. The facade’s two panels, once colourful, ...

Beautiful Mid-Century Modern wall unit designed by Kipp Stewart. One piece unit with cabinet storage, drawers and sliding g...

Antique French carved walnut Panetiere, of typical form with finial crown top, and working key. Better than most, fresh from a Palm Beach Estate.

Arthur Umanoff designed two drawer cabinet no. 618 for The Elton Company. Ebonized walnut case with dark walnut finished drawers. A nice bit of color contrast. One slim line top draw...

This rare and rich decorated Renaissance dresser was made during the Dutch Golden age in the southern part of the Netherlands currently Belgium. It was made around 1670 and most likely in Antwerp. The dresser was made in the finest quality watered European oak and decorated geometric-shaped walnut veneer panels. The cabinet has two wide doors and two drawers above. The drawers are flanked by carved lion heads with brass rings. The right drawer is equipped with an authentic working lock and key. The doors are decorated with geometrical star-like walnut inlaid raised panels. The doors are flanked by large twisted Solomonic columns decorated with brass nails. The righthand door features its authentic lock and key with a brass ajour cut keyplate. The dresser has a wax finish with a great patina built up over 350 years. This piece of furniture was made by highly skilled craftsmen by the use of the best materials available. It is among the best furniture that was produced during the golden age and even now its craftsmanship is unprecedented. The dresser is highly original and in perfect shape for a piece of furniture over 350 years old. It was gently cleaned in our atelier and a new protective wax coat was applied. The Dutch golden age the 17th century was an important century for the Netherlands. The region separated from the Spanish Empire and formed its republic. Dutch merchants...

Our Dovetail Vinyl storage cabinets utilize a “file drawer” approach to store LPs and allow you to easily flip through an entire record collection while enjoying a visual display of record cover art across the front of the cabinet. The design incorporates many of the same details found in our Dovetail Record Crates...

Our dovetail vinyl storage cabinets utilize a “file drawer” approach to store LPs and allow you to easily flip through an entire record ...

When floor space is limited hang it on the wall. Hang low below your flat screen TV, a bit higher in the dining room or entryway, or higher still combining mutiples as shelving. This...

Material and finishes Body and drawers: Exterior with 14 cylinders in Corian ref. Pearl gray and 36 250 Swarovski crystals ref. Amethyst color. 9 drawers in Palisander veneer w...

Luxe record stands elegantly display record cover art while providing easy access to as many as 350 records. All of our cabinets are hand-built in the Uni...