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Wall shelf in birch by Alvar Aalto, Artek Hedemora, Sweden 1946-1956

About the Item

Wall shelf designed by Alvar Aalto. Produced by Svenska Artek in Hedemora, Sweden. Made between 1946-1956. Mad from solid and laminated birch throughout. Beautiful honey toned color from age and patina. The shelf comes with original wall mount but the shelves can be installed separately without it as well. Very good vintage condition with light age related patina from age and wear. To meet the demand for Aaltos products, post WWII, Artek established a factory in Hedemora in Sweden. The main goal was producing Aaltos furniture mostly for exporting to the US. The factory remained producing Aaltos pieces between 1946 and 1956. Hugo Alvar Henrik Aalto (pronounced [ˈhuːɡo ˈɑlʋɑr ˈhenrik ˈɑːlto]; 3 February 1898 – 11 May 1976) was a Finnish architect and designer.His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture."Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons.The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards. His architectural work, throughout his entire career, is characterized by a concern for design as Gesamtkunstwerk—a total work of art in which he, together with his first wife Aino Aalto, would design not only the building but the interior surfaces, furniture, lamps, and glassware as well. His furniture designs are considered Scandinavian Modern, an aesthetic reflected in their elegant simplification and concern for materials, especially wood, but also in Aalto's technical innovations, which led him to receiving patents for various manufacturing processes, such as those used to produce bent wood.As a designer he is celebrated as a forerunner of midcentury modernism in design; his invention of bent plywood furniture had a profound impact on the aesthetics of Charles and Ray Eames and George Nelson.The Alvar Aalto Museum, designed by Aalto himself, is located in what is regarded as his home city, Jyväskylä. The entry for him on the Museum of Modern Art website notes his "remarkable synthesis of romantic and pragmatic ideas," adding His work reflects a deep desire to humanize architecture through an unorthodox handling of form and materials that was both rational and intuitive. Influenced by the so-called International Style modernism (or functionalism, as it was called in Finland) and his acquaintance with leading modernists in Europe, including Swedish architect Erik Gunnar Asplund and many of the artists and architects associated with the Bauhaus, Aalto created designs that had a profound impact on the trajectory of modernism before and after World War II. Designer: Alvar Aalto Manufacturer: Artek, Hedemora Year: 1946-1956 Condition: Very good Dimensions: W. 165 D. 61 H. 25/62 cm

Creator:

Alvar Aalto (Designer),Artek (Maker)

Dimensions:

Height: 22.64 in (57.5 cm)Width: 36.23 in (92 cm)Depth: 11.23 in (28.5 cm)

Style:

Scandinavian Modern (Of the Period)

Materials and Techniques:

Birch

Place of Origin:

Finland

Period:

1940-1949

Date of Manufacture:

1946-56

Condition:

Wear consistent with age and use. Minor structural damages.

Seller Location:

Hägersten, SE

Reference Number:

1stDibs: LU2121338094582

Shop All Alvar Aalto

Alvar Aalto

An architect and designer, Alvar Aalto deserves an immense share of the credit for bringing Scandinavian modernism and Nordic design to a prominent place in the global arena. In both his buildings and his vintage furniture — which ranges from chairs, stools, tables and lighting to table- and glassware — Aalto’s sensitivity to the natural world and to organic forms and materials tempered the hardness of rationalist design.

Relatively few Aalto buildings exist outside Finland. (Just four exist in the United States, and only one — the sinuous 1945 Baker House dormitory at M.I.T. — is easily visited.) International attention came to Aalto, whose surname translates to English as “wave,” primarily through his furnishings.

Instead of the tubular metal framing favored by the Bauhaus designers and Le Corbusier, Aalto insisted on wood. His aesthetic is best represented by the Paimio armchair, developed with his wife, Aino Aalto, in 1930 as part of the overall design of a Finnish tuberculosis sanatorium.

Comfortable, yet light enough to be easily moved by patients, the Paimio chair’s frame is composed of two laminated birch loops; the seat and back are formed from a single sheet of plywood that scrolls under the headrest and beneath the knees, creating a sort of pillow effect. Aalto’s use of plywood had an enormous influence on Charles and Ray Eames, Arne Jacobsen, Marcel Breuer and others who later came to the material.

Concerned with keeping up standards of quality in the production of his designs, Aalto formed the still-extant company Artek in 1935, along with Aino, whose glass designs were made by the firm. In the latter medium, in 1936 the Aaltos together created the iconic, undulating Savoy vase, so-called for the luxe Helsinki restaurant for which the piece was designed.