Art Nouveau Furniture

Chandelier / ceiling light in bronze with glass shade. With decor of leafs. Made by Böhlmarks, Sweden circa 1910. In good condition, smaller signs of age and wear

Superb tree/palm lamp, silvered bronze base. Green stained glass lampshade Art Nouveau, France, Circa 1900 In excellent condition, new electricity. Dimensions: height 50 cm diame...

Set of six chairs, Art Nouveau circa 1900, solid walnut. The chairs were new re-upholstered and covered with new fabric. In very good restored condition. Seat height: 46 cm.

- Kohn catalogue 1902 - Art Nouveau - completely restored - bentwood beech solids - new brown shellac hand polished polish - completely reupholstered ...

Set of 2 Art Nouveau Pewter Vases realized in the early 20th Century. Largest piece: height 36 x base diameter 15 cm x top diameter 7 cm weight 0.280 grams Smallest piece: height 1...

This exceptional Art Nouveau vitrine embodies masterful craftsmanship and timeless elegance. The slender black wooden frame exudes a refined aesthetic, while the four glass doors fea...

A pair of antique Danish silver Georg Jensen candelabra, design #93 by Georg Jensen in 1918. The meticulous silversmithing showcased in these candelabra is truly remarkable, adorned with an abundance of intricately chased floral motifs and delicate beads. The fabrication process would have required a significant amount of time and skill, as each detail was carefully crafted by hand. Each candelabrum stands on a large round base supported by five elegantly designed feet resembling berries or buds. The hand-hammered stem is exceptionally thick, contributing to the overall grandeur of the design. Two gracefully curved arms extend from the stem, holding a substantial sconce...

Early 20th century Italian Art Nouveau nightstand in cherrywood and mahogany inlaid, restored and polished to wax Measures cm: H 81+34, W 40, D 32.

Stunning and rare Art Nouveau Arts & Crafts magazine rack. Striking Dutch design from the 1900s. Solid oak. This wonderful Art Nouveau Arts & Crafts magazine rack is in very good...

William James Neatby Attri. An English Art Nouveau music cabinet, with parquetry panels depicting Art Nouveau women and men playing musical instrumen...

This exquisite Art Nouveau vase by Daum Nancy is a statement piece in the room. Signed "Daum Nancy". Vase with decoration in frosted glass internally suffused with light olive in th...

Beautiful sewing or side table made of oak wood. The table dates back to the time of Art Nouveau period, more specifically from the time, around 1905. The table has a very nice art n...

Early 20th century Venetian commode Art Nouveau Belle Époque with mirror, carved walnut and burl walnut by Testolini & Salviati , Venice Precious Bakelite handles fixed with stainles...

Girl with green-blue, patterned, long-sleeved dress and tied-up hair with her little brother in a white shirt, sitting at an elongated piece of driftwood and baking sand moulds with ...

A rare art nouveau chestnut and leather 8 chairs set with elegant woodwork ready to be used or to be upholstered. New photos and video will be available soon

Elegant and very rare chandelier with four frosted shades in molded-pressed glass with glass beads and rods in the manner by Lorrain/Daum (Paul Daum & Pierre D'Avesn), Nancy, France....

Émile Gallé (1846-1904), France. Colossal art glass vase with floral motifs in shades of purple on a green base. Pâte de verre technique. Approximately 1920. Marked. In perfect cond...

A characteristic Art Nouveau ambra vase, Murano Glass "Sommerso" by Salviati. Measures cm: Height 38, diameter 22.  

Yellow and red blown Murano glass vase 1950 Art Nouveau Italian design.

Solid cast brass door handle with polished finish. An assortment of early 20th-century metalwork fixtures are cast from Gaudí's hand. Metalwork fixtures were created by Antoni Gaudí...

A rare art nouveau chestnut and leather 10 chairs set with elegant woodwork ready to be used or to be upholstered. New photos and video will be available soon

13 jugendstil wall hooks. Polished and stove enameled. priced and sold per piece.

Large marble bust (Carrara?), height 0.81m, representing Diane of Poitiers. French school, circa 1880. The sculptor was inspired by the fountain at the Château d'Anet, now in the Lo...

Discover the elegance Attributed to Basile-Ducrot's rare vintage chairs, a testament to the legendary Italian designer's mastery of Art Nouveau style. Crafted in the circa 1910s, the...

Small jugendstil picture frame Vienna around 1908. Polished and stove enameled.

- made in Czechoslovakia - made of glass, brass, root veneer, wood and mirror - shows signs of use - good, original condition - size cabinet depth-37 cm, length-63 cm, height 75 cm

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Stunning and rare Art Nouveau tea table. Striking Dutch design from the 1900s. Original bamboo frame with solid padouk top. This wonderful Art Nouveau tea table is in very good co...

Elevate your living space with this exquisite Antique Brass Magazine Stand, a testament to Italian craftsmanship from the 1950s. This vintage treasure, reminiscent of the golden era ...

This unique vanity mirror crafted from tin, mother-of-pearl, and amboyna burl is of French origin and dates back to the early 20th century. The o...

Vintage Danish Porcelain figurine "Girl with Cat" by Bing & Grøndahl. Porcelaine figurine of a young girl feeding a cat. Designed by Ingeborg...

Splendid Murano chandelier attributable to Paolo Venini's 'Cascata'. The structure of the chandelier consists of 3 cascades full of iridescent drops that cascade downwards. The pec...

Italian early 20th century Art Nouveau country rustic nightstand cabinet restored and polished to wax, in all massive pine. Measure cm: H 79, W 48, D 35.

A beautiful pair of large Art Nouveau vases made of clear green crackle glass with stylized Art Nouveau patinated pewter ornate mounts. Dimensions:...

A vintage sterling silver Georg Jensen Pyramid tea strainer stand/drip bowl, design #600A by Harald Nielsen from 1930. Additional information: Material: Sterling silver Styles: Art ...

Well-decorated slip pot with cherries and birds, a good size with a diameter of 32, the glaze is very colorful.

An attractive mid 20th Century pate de verre glass study of butterfly rested on a rose with excellent detail and very fine vibrant colour, signed Daum France ADDITIONAL INFORMATION ...

A museum-worthy Art Nouveau masterpiece: a monumental terracotta clock by renowned Austrian manufacturer Friedrich Goldscheider (serial number 2808). This exceptional piece features ...

A ceramic Art Nouveau vase produced by Turn-Teplitz, Bohemia, made in Austria. Amphora manufacture between 1892 and 1905. Signed.

This exquisite Art Nouveau set of 3 soliflore vases is a statement piece in the room. Signed La Rochère, France, 1920. In its style, the vase is French Art Nouveau. Marbled pâte de ...

Orivit. An Art Nouveau pewter and green glass decanter. Design Number 1211. Unmarked but an identical version with stamped Orivit marks was illustrated in the Christies Art Nouveau...

Solid cast brass with polished finish. A company that has always attributed such great importance to the author of the designs could never forget the great figures in history. That is why the BD catalogue of contemporary creations has always included those by admired classical masters. Antoni Gaudí (1852/1926) is, without doubt, the most internationally well-known Spanish architect. But is not only his buildings and brilliant architectural solutions that have travelled the globe. His integrated conception of architecture led him to pay attention, not only to structural calculations, but also to all the decorative elements, including furniture, that would form part of the building. The admiration felt by modern designers for the furniture designed by Gaudí has not gone unnoticed by BD which was the first company to rescue them from history by embarking on their serial production using...

Rectangular table clock with rounded vertical sides in 925/1000 sterling silver with translucent fired enamel on guilloche, in Art Nouveau style from the early 1900s. Hand-engraved e...

A small sterling silver jardinière, design #296C by Georg Jensen, dating back to 1919. This handcrafted oval bowl features four exquisitely detailed hanging grape clusters serving as...

Art Nouveau Brass Framed Fire Screen with Double Beveled Etched Mirror Glass 19"w x 8"d x 32"h

WMF Art Nouveau plate silver plated brass Germany about 1900-1910

Rare jugendstil writing set by Erhard & Sohne Germany including letter holder 10x13x6cm, letter dryer 15x8x6cm and knife 18cm long.

WMF attributed. An Art Nouveau candelabra with six sconces to the main circular ring and sineous supports that meet the arms which rise from the sides of the wise old owl in the cent...

France, circa 1900 A fine large desk lamp by Majorelle, the wrought iron base decorated with incised dots and diagonal lines, of tripod form with large circular wrought iron shelf d...

Architect: Jan Kotěra Maker: Josef Motka - Litovel Sofa dimensions: Height: 79 cm (31.1 in) Width: 110 cm (43.3 in) Depth: 52 cm (20.5 in) Seat height: 52 cm (20.5 in) Armchair dim...

A beautiful, rare vintage Silver and Ceramic door bell push. This gorgeous piece is made from silver with a ceramic body, the push shaped like a flower bud, the ceramic body delic...

Very beautiful rare small corner armchair on which one can sit comfortably. The corner chair comes from the Art Nouveau period around 1900 from Germany. The chair was made of solid walnut. The seat has the original art nouveau leather...

Val Saint Lambert signed 1900, Belgium 3 of very nice clear Crystal Art Deco candlesticks made by Val Saint-Lambert.  

Henry Van De Velde; Art Nouveau; Arts and Crafts Movement; Jugendstil, Victor Horta, Paul Hankar, Belgian design; Architecture; Samuel Bing; Charles Verlat...

Art nouveau in design and era, a fabulously glazed ceramic vase by Horsens Danico Denmark A super little vase to collect Circa 1920's Signed Danico, 221 Denmark Height 4.25 inch, Dia...

Stained beachwood, seat and back with leather, seat height 46cm (18,11") Lit.: "Gebogenes Holz", Asenbaum /Hummel 1979, p:29.

Excellent baluster-shaped vase in trumpet form on a round, offset stand, widening conically and then bulbously in the upper third, with a slightly inward-curving mouth rim, colorless...

Important Carved Walnut Trumeau Mirror, Art Nouveau, France, Circa 1900 We are delighted to present this immense fireplace mirror or trumeau, an exceptional piece dating back to the...