Art Nouveau Furniture

A light blue lustre bone china bowl designed by Daisy Makeig-Jones for Wedgwood circa 1915, beautifully decorated with an aquatic scene. When examinin...

Jugendstil side table by Adolf Loos professionally stained and repolished.

Antique La Seynie P & P Limoges 5 Piece Vanity Tray Set. The large tray is signed G. Dodge on the upper right side. The smaller tray bears the manufac...

A pair of Art Nouveau beech stained side tables with clover leaf style tops supported with whiplash uprights beside shaped aprons, flowing with elegant legs finishing on little pad f...

1910's Danish art nouveau handcrafted sealion bowl - ash tray by P. Ipsens Enke The handcrafted art nuveau bowl featureing sealions designed in 1915 by Miss...

Jugendstil stool no.715 by Otto Wagner designed for Paris World Exhibition in 1900 for J.J.Kohn. Professionally stained and repolished.

Carved wooden G Tart Liege antique Belgium Barometer with Thermometer, 1910s Unusual antique carved wooden barometer in a lovely carved case, working order. With best Wishes, Geert...

Pair Large Art Nouveau Expertly Carved and Patinated Wood Wall Sconces. Polychrome tones, fruit, flowers. French Estate sale acquisition.

Set of five antique sterling silver and glass vanity jars. Various repoussè floral designs. each sterling lid is stamped sterling. Large j...

An exceptional intricately, cut to clear, bowl by Saint Louis - Rarely this bowl has a sulphide to the front depicting a courtier. The bowl is cases in blue and finely cut to clear t...

c1910 Beautiful Pair Antique Art Nouveau Beaded Crystal Basket Form Wall Lamps. Set of 2. One Basket is one inch smaller than the other.

Important Art Nouveau centerpiece / coupe / vide poche France 1910s brass, bronze H 14.5 cm x 24 cm diam. Conditions: excellent consistent with age and use. Wonderful patina. Int...

An authentic set of three French Absinthe glasses manufactured by Franckhauser in Lyon circa 1910. These heavy glasses were used in French Bistros, Bars, or Cafes in the ritual of drinking the addictive beverage called "la fée verte" (the green fairy...

Set of four steel nickel-plated coat hooks designed by Adolf Loos 1913 for Café Capua in Vienna Austria. Ref.: Eva B. Ottilinger, Adolf Loos (Wohnkonzepte und Möbelentwürfe / Livi...

Art Nouveau huge brass candle holder brass 5 arms with beautiful typical Art Nouveau design

Beautiful overmantel / fireplace mirror in solid oak with beveled mirror. Art Nouveau / Arts & Crafts style, France, circa 1910-1920. In the style of Mathieu Gallerey's productions....

Objekt: Kleintisch Entwurf: unbekannt, angelehnt an Anton Pospischil, Wien um 1901 Modell-Nummer: - Ausführung: unbekannte Kunstmöbeltischlerei, verm. Ungarn um 1910 Maße in cm (H x ...

Heading : Tall Gallé magnolia vase Date : c1910 Origin : Nancy, France Bowl Features : Two colour cameo depicting magnolia Marks : Galle cameo signed to ...

This unique and remarkable Danish Art Nouveau pine cabinet, a creation of architect Hans Karl Kristensen during the years 1910-1920 in Ry, Denmark, stands as a captivating exemplar o...

rare and distinctive wall-mounted document cabinet made of solid chestnut, with shutter doors with pull-out drawers, you can also make good use of it in the kitchen.

A steel candlestick with engraving designed and produced in Sweden, dated 1917. fits 0.85” diameter candles

Admirable Art Nouveau Figure Group by Rosenthal. Naked faun-like boy sitting on the back of an ibex, straining his upper body backwards and supporting himself with both arms on the h...

Pair of Large c1910 Art Nouveau Bronze with Ruby Red/ Cut Clear Crystal Floral Form Wall Sconces. Crystal Petals on Bronze twist vines. Manufactured by Maison Bagues Paris. These ant...

Very charming Meissen Art Nouveau porcelain figurines: Boy in dark blue jacket, under it a brown vest, striped pants and lace-up shoes, on his head a green cap with a wide brim, a white scarf around his neck, with his right arm reaching far back to throw a snowball at the girl, with his left hand holding more prepared snowballs to his chest. The boy is supported from behind by a small toboggan and is based on round snow base. The girl in purple flowered dress...

Antique sterling silver repoussè hand mirror. Stamped sterling, as shown in photos. Beveled inset mirror is possibly not original.

Oval mirror framed by a dense coloured floral wreath formed of ceramic, on the upper rim two winged putti, between them a bird in the middle. By Michael Powolny (1871 - 1954) Nowada...

Very Beautiful c1910 Italian Art Nouveau Metal Chippy Paint Topiary Form Table Lamp. 2 lights 48 inches tall.

This ornate sterling silver framed circular mirror has detailed floral and foliate carvings/etchings in the silver with reticulation that makes this wall mirror exceptional. The piece is finished on the back with original green felt with a formed hanging clip. It is marked on the back Sterling 722 Hodgson Kennard & Co. Boston. A stunning addition to a wall grouping...

Sign: 7104 Austria Julio Dressler established the unit in 1888 in Bela or Biela Bohemia. This town used to be in Austria, but changed to Czechoslovakia ...

Tiffany Studios New York "Jeweled Colonial" Table Lamp Circa 1910 Leaded glass, patinated bronze Shade impressed "Tiffany Studios, New York, 1593" Base impressed "Tiffany Studios, New York, 29733" and with the Tiffany Glass & Decorating Company monogram Dimensions: 22.5 inches high, Shade: 16 inch diameter. Provenance: Property from a Massachusetts Collection Condition: The shade with 11 single hairline cracks dispersed throughout, mostly in the bottom border panels. The base in excellent overall condition and retains the original sockets. Tiffany glass refers to the many and varied types of glass developed and produced from 1878 to 1933 at the Tiffany Studios in New York City, by Louis Comfort Tiffany and a team of other designers, including Clara Driscoll...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning Antique 1913-1927 dated and initialed to the base, Art Nouveau Liberty's London style hand ham...

Thonet chair no.335

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Gorgeous, very rare tobacco tin in the shape of an owl, made around 1910, most probably in Austria or Bohemia. The tobacco tin is made of ceramic, in the shape of an owl - the top l...

Exceptional and elegant silver jardinière of elliptical basic form on high curved volute legs with attached fully plastic putti as torchbearers and feather leaf rests on the rolled f...

Stunning flower vase, ceramic, made in the Art Nouveau period around 1910 in Belgium. This beautiful unusual vase is designed with an exquisite running glaze, and three vertical st...

Daum Cameo Glass Bowl, France, circa 1910. A rare Art Nouveau Daum cameo glass vitrified Monnaies du Pape round coupe (Honesty). Very finely acid etched, wheel carved decor of Honest...

A lovely Art Nouveau vase by Edmond Rigot is a rare find and a must-have for any glass collector. Inscribed on the wall: E. RiGOT H: 7.5 cm, Ø 8 cm From an important private collecti...

This is an exceptional example of early French Mont Joye art glass. It is Circa 1910. The vase has a floral enameled motif in the form of pansies l...

Very rare armchairs nr.813 /1F by Josef Hoffmann for Jacob Josef Kohn in original vintage condition.

Offering this large Louis Comfort Tiffany gold Favrile iridescent art glass vase. This vase features a tapered urn design with deep shoulders and cylindrical neck and flared mouth in...

Jugendstil longcase clock in very good original condition, working.

Antique Gouda Soliflor Stem Vase - Art Nouveau Elegance from the Netherlands This soliflor stem vase, crafted from hand-painted, matte-glazed ceramic, is an example of ceramic art f...

Heading : A William Moorcroft Pomegranate Pattern Pewter Mounted Tazza Date : c1915 Period : George V Marks :The pottery tazza is signed with impressed marks and blue monogram. The ...

Objekt: Blumenkästchen / Etagere Entwurf: unbekannt, Wien um 1910 Modell-Nummer: - Ausführung: unbekannte Kunstmöbeltischlerei, Wien um 1910 Maße in cm (H x B x T): 111 x 43,5 x 43,5...

Objekt: Schreibtisch Ausführung: unbekannter Hersteller, Wien um 1910 Maße in cm (H x B x T): 79 x 125 x 78 Material: Messing, Eiche furniert (ebonisiert), Leder Zustand: guter Zusta...

Offering this outstanding Louis Comfort Tiffany Favrile pastel green and opalescent decorated iridescent clear art glass footed "bon bon" bowl. This bow...

Offering this diminutive Louis Comfort Tiffany gold Favrile iridescent art glass salt dish. This dish features a "cauldron" design with four pulle...

Objekt: Essgruppe (1 Tisch ausziehbar, 2 Armlehnstühle, 4 Sessel) Entwurf: unbekannt, Wien um 1910 Modell-Nummer: - Ausführung: unbekannte Wiener Kunstmöbeltischlerei, um 1910 Maße i...

Beautiful brown with touch of green finish bronze art nouveau table lamp with three pull chain sockets and fitted with black lampshade.

Vase Le Verre Francais Page: 99 book Schneider Maître Verrier Author: Olivier Ador acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. I...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Art Nouveau chandelier or lustre, French Colored glass and bronze Made in the late 19 th century, it is a luminaire designed to operate on gas which has been electrified in the 20th ...

Edwardian display cabinet in mahogany with finely carved decoration The carved decoration in black very intricate and features art nouveau motifs and floral sprays Also features a gl...

Objekt: Schminktisch Entwurf: Gebrüder Thonet, Wien um 1910 Modell-Nummer: 23045 Ausführung: Gebrüder Thonet, Wien um 1910 Maße in cm (H x B x T): 148 x 91 x 47 Material: Buchenbugho...

This delightful authentic original stone lithographic Dutch poster is from 1915 and custom framed. It is signed Willy Sleuters on top and is a more obscure poster from the time perio...

Jugendstil coffee table by Adolf Loos for F.O.Schmidt in original vintage condition with signs of use.

Vase Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider de...