Mahogany Dining Room Tables

Austrian Biedermeier-style (modern) mahogany round pedestal base dining table with ebonized rope trim on apron and claw feet. (4 leaves with apron at 17.5" each)

Philippine Mahogany dining table with brass X stretcher between tapered legs, designed by Paul McCobb, part of his Irwin collection for Calvin. Includes two 15" extension leaves, len...

English Sheraton (19th Century) mahogany rectangular dining table with a carved beaded edge apron & supported on a pedestal base with...

Late 20th Century extending mahogany dining table in George III style with reeded edge to top. Supported on three reeded tripod pillars. Circa 1970.

The Mahogany Dining Table Leaf Holder from our customers request file we developed a decorative place to store your table leaves when not in use. Ideal for a number of our different ...

A Louis XVI Style mahogany extension dining table with two drop sides and two additional leaves. When open to a round, table is 50.5" diameter. Reeded legs on casters

Antique English Mahogany Banquet Table with Handsomely Carved Border Detail, Circa 1840-1860. This wonderful piece was purchased from a private home in England. Table is 157 1/2 inch...

Paul McCobb for Calvin midcentury Brass and Mahogany Dining Table with Leaves This table measures: 60 wide x 38 deep x 28.75 high,...

An elegant twin pedestal Duncan Phyfe/Sheraton style dining table, the pedestals in mahogany with original brass castors, the 'D' shaped top expertly painted in a faux green veined m...

Antique French Louis XVI Mahogany table with Ormolu is an elegant way to display, dine, or play! Tailored lines ensure it will complement most any decor, and the beauty of the heavy ...

Oak cutting board with embedded wooden sticks. The wooden sticks are made of mahogany, walnut and maple. The surfaces are very finely ground and sealed with oil. The sides are straig...

The mahogany dining table from the 1920s is a timeless piece of furniture that exudes elegance and sophistication. Crafted from high-quality mahogany wood, this table boasts a rich ...

Round Widdicomb dining table with extension designed in 1938. There are 2 leafs that measure 12" each for a total of 24". The total length is 72 1/4" by 48". the Height is 29 Inches.

The iconic Parsons dining table is know for its large open design to maximize seating. With its timeless design, our version is crafted from mortise and tenon joinery and robust cons...

Dining table model 1197 designed by Josef Frank for Svenskt Tenn, Sweden, 1940s. Mahogany. This simple yet elegant dining table is an excellent example of how Josef Frank combined...

Antique French Louis XVI Mahogany Breakfast ~ Dining Table represents the essence of the tailored look, creating a table just the right size for cozy dining rooms or breakfast nooks....

Very nice Mid-Century Modern rectangle dining table with 2 x 21" leaves attributed Tommy Parzinger.

Great Empires take centuries to build, and those who rise after taking a fall find their true strength. It goes without saying that great decisions are taken around powerful tables a...

This is a fully restored early dining table by E Gomme, G-Plan for the librenza range in mahogany and black. The 20" extension leaf is stored beneath the top when not in use. The top...

This lovely traditional style mahogany dining table boasts a 1930's design with modernist 'pillar' style legs. 88"l x 39" d x 29" with no leaves inserted. Three leaves expand the tab...

Two-tone large 45" deep dining room table with two 24" leaves by John Stuart. Total maximum expending length is 114". Beautiful ebonized base and legs.

This is a mahogany drop-leaf table made in the Leighton Hall shop. It is ideal for the dining area of an apartment or condo or in a breakfast area. It features a field of swirly crot...

Antique French Napoleon III Bronze D' Ore Mounted Mahogany Dining Table That Converts to a Center Table, Circa 1860-1870. Photographed with the leaves in it at 11 feet 1 inch Breaks ...

This unique and very elegant Empire table dates back to around 1810-20. It comes from Germany. It was probably made in the northern part of Germany or possibly in Berlin. The table s...

Stitched leather console by great iconic French designer of 20th century Jacques Adnet (1900-1984).

Solid mahogany. Straight frame base on balustrade-shaped legs. Deep drawer on the side. Slightly protruding table top, foldable on both sides. Excellent warm patina grown over decad...

This is a made-to-order large traditional mahogany banquet/dining table made in the Leighton Hall shop. It features a classic scallop corner design with a field of slip-matched swirl...

Good Quality Mahogany 2 Leaf Extending Dining Table. Circa 1880 Raised Upon Square Fluted Tapered Legs With Inset Castors. The Frieze of The Table Also Being of a Fluted Form. The To...

Custom Art Deco Inspired Flame Mahogany dining table. Featuring magnificent flame mahogany veneers with rosewood edge banding. Completed in a rich high gloss lacquered finish. Table ...

Dart Dining Table by Veermakers Dimensions: W 300 x D 110 x H 74 cm. Materials: Mahogany Classic with a satin clear coat / Undercarriage in Black Oxidized steel. About: After years...

Early 19th Century oval mahogany tip-up breakfast table crossbanded in rosewood held on a pod supported by three splayed legs on brass castors. C. 1820

Maison Jansen Style Triple Pedestal Ebony Dining Table. Part of our extensive collection of over forty dining tables and chair sets as seen on this site, thus why we are referred to ...

Good Quality Mahogany 2 Leaf Extending Dining Table. Circa 1880 Raised Upon Square Fluted Tapered Legs With Inset Castors. The Frieze of The Table Also Being of a Fluted Form. The To...

his exquisite piece celebrates the artistry of woodworking, where birch and mahogany woods elegantly merge on the surface, seamlessly blending into the solid mahogany edge. The bril...

A model 4229 dining table in solid mahogany with two extension leaves.

English mahogany, satinwood, & rosewood banded dining table, circa 1950s.

For sale is a good quality 19th century Regency period mahogany dining Ttable, having a single additional leaf, above column supports on platform bases, ...

An Exceptional Irish George IV Mahogany Dining Table, in the manner of Mack, Williams and Gibton With circular reeded top above a turn...

A lovely colour and fine quality timber mahogany carbriole leg drop-leaf table with well carved ball and claw feet. Superb colour and patina. Circa 1770

An early 20thC twin pedestal dining table in the Sheraton/Duncan Phyfe style. The table is unique in that the top has been expertly painted to resemble sea-green marble. The single l...

Rectangular mahogany table with eight legs ending in small metal wheels. It has a system of "endless screw" under the board that allows its extension to reach six meters. The legs ha...

A Fine George IV Mahogany Extending Table In the manner of Robert Jupe. The circular moulded top with additional concentric outer leaves above four tapering columns united by an und...

Very beautiful French round table glass smoked brass, the base mahogany veneered is made of three brass bases imitating elephant tusks. Glass diameter 1m20, table height 80 and bas...

Rectangular table extendable by panels and mechanical system manually operated by crank, made of carved mahogany wood and metal elements (leg ends, mechanism, sheaves). The top board has been left smooth, with a slight recess towards the edges that curves the area and extends through the corners of the piece of furniture, contributing to the comfort of its use as a dining or conference table; The legs present an outstanding work of carving and turning, with a stipe shape and a memory of architectural columns for its combination of moldings, highlighting the polygonal base and the fact that it retains the wheels or small metal sheaves that help to move the piece of furniture. Both the wood chosen for the table (mahogany), and the lack of decorative elements (which enhances the quality of the material and the lines) are common features in the old English furniture...

Unique Empire folding table. The table's legs feature bronze lion paws, with spherical glass wheels on which the table moves. The table is designed for ...

Mahogany and rosewood table with glass top, 1950s. Masterfully executed in an exquisite combination of rosewood and mahogany; all the lines of the cabinet are curved and rounded. Fou...

Oval table in mahogany. Top in 4 mirrored sheets of mahogany laid in herringbone bordered with fillet and veneer laid on top completed with four-tier frame. Under elegant threaded fl...

Good Quality Mahogany 2 Leaf Extending Dining Table. Circa 1880 Raised Upon Square Fluted Tapered Legs With Inset Castors. The Frieze of The Table Also Being of a Fluted Form. The To...

Antique English William IV Mahogany 2 Pedestal dining table with lovely inlay Border, Circa 1830. 3 Leaves: Left Leaf: 29 inches long...

The Aro Dining table in marble tabletop with marble base and brass details. Dimensions: L 280.0cm/110.2” W 110.0cm/43.3” H 73.6cm/28.9" Stone Options: Verde Tikal Negro Monterre...

Mahogany dining table with extensions by G Poisson. Located in NY Two leaves of 50 centimetres could be added.

The Masai Dining Table is adorned with a mesmerizing giraffe inlay on the top and a solid mahogany frame, bringing a touch of the wild into your dining space. The giraffe finish adds...

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

This Scandinavian coffee table was designed by Illum Wikkelso for CF Christiansen Silkeborg in Denmark in the 1960s. Typical of the best Danish modern design, the excellent craftsmanship matches the refined details such as beautifully carved x-shaped legs and the cut outs for the hand cut glas...

A fully restored rectangular mahogany dining table, designed by Frank Lloyd Wright for Heritage-Henredon as part of the 1955 “Taliesin” collection, Model No. 2002. Featuring two leav...

Alex Roskin’s Trois Jambes table with Bezel top can easily function as a desk or dining table. Resting on a sparkling tripod base of mirror-polished stainle...

A spectacular French 19th century Neo-Classical st. mahogany and ormolu dining table with five extensions. The impressive table is raised by fine bun feet with their original casters...

Exquisite oval drop-leaf dining table designed by Kurt Östervig for Jason Möbler, Denmark, 1950s. Dramatic V-shaped mahogany gatelegs an...