Modern Dessert Tables and Tilt-top Tables

Collection of high tables, low tables and console, made in multi-layered and multichromatic glass, created by laminating five slabs of 5mm extralight glass each with a different colored film. The obtained glass sheets are in different shapes, shiny ground polished and “faceted” by means of unique bevels accentuating through the transparency of the glass the stunning multicolored material. The different components are then welded together in total clarity, by means of a special gluing technique, so creating very precious “furniture jewels”. Available in green or ochre finish. Patricia Urquiola was born in Oviedo (Spain) in 1961. Lives and works in Milan. She attended the School of Architecture of Madrid Polytechnic and Milan Polytechnic, where she graduated in 1989 with Achille Castiglioni. From 1990 to 1992 she was assistant lecturer to both Achille Castiglioni and Eugenio Bettinelli in Milan and Paris. From 1990 to 1996 she was responsible for the new product development office of DePadova, working with Vico Magistretti. In 1996 she became head of Lissoni Associati’s design group. In 2001 she opens her own studio working on product design, architecture, installations. Amongst her last projects of architecture: Mandarin Oriental Hotel in Barcelona and W Retreat&Spa a Vieques (Porto Rico...

Collection of high tables, low tables and console, made in multi-layered and multichromatic glass, created by laminating five slabs of 5mm extra light glass each with a different col...

A Philadelphia Queen Anne table offers tilt top over balustrade turned column and raised on cabriole legs terminating in pad feet, c1760 Measu...

Shimmer rounded table is shown here with laminated and glued glass, and in the medium size of the two rounded tables. The collection consists of low tables, low tables and consoles in laminated and glued glass, characterized by a special iridescent multichromatic finish; the nuance varies according to the angle of the light source and the vantage point. Reflected objects with a magical and ethereal appearance emerge. The high tables bases can be dismantled and are fixed to the top by means of metal plates, concealed by a circular decorated covering. Patricia Urquiola was born in Oviedo (Spain) in 1961. Lives and works in Milan. She attended the School of Architecture of Madrid Polytechnic and Milan Polytechnic, where she graduated in 1989 with Achille Castiglioni. From 1990-1992 she was assistant lecturer to both Achille Castiglioni and Eugenio Bettinelli in Milan and Paris. From 1990-1996 she was responsible for the new product development office of DePadova, working with Vico Magistretti. In 1996 she became head of Lissoni Associati’s Design Group. In 2001 she opens her own studio working on product design, architecture, installations. Amongst her last projects of architecture: Mandarin Oriental Hotel in Barcelona and W Retreat&Spa a Vieques (Porto Rico); a villa in Udine; scenography of the opera “L’incoronazione di Poppea” by Monteverdi; showroom and installations for Hermès, Gianvito Rossi, Flos, Moroso, H&M and the general concept of Pitti Immagine Firenze. She designs for the most important Italian and international firms as Agape, Alessi, Andreu World, Artelano, Axor, B&B Italia, Bart Design, Bisazza, BMW, Bosa, Budri, Chevalier Edition, Il Coccio...

High and low oval-shaped tables in tempered extra light glass, with faded and irregular decoration which takes on the color and veins of marble. The surprising image changing effect...

Italian modern steel and white plastic Trays coffee table by Piero Lissoni for Kartell, 1990s. Tray model coffee table with square shape, chromed steel r...

While there is nothing extraordinary about this mahogany tilt-top table no fancy, carved edge or claw and ball feet there is nothing particularly ordinary, either. The top is just th...

Table Tilt Top Swedish Chess Game Pedestal Sweden. A Swedish tilt top table made during the later part of 19th Century. Painted chess game on the top. Ornate base.

19th century Engish tilt-top pedestal table made in the Chinoiserie revival period. The round table features a birdcage base support mounted to a p...

Collection of high tables, low tables and console, made in multi-layered and multichromatic glass, created by laminating five slabs of 5mm extralight glass each with a different colo...

Shimmer rounded table is shown here with laminated and glued glass, and in the medium size of the two rounded tables. The collection consists of low tables, low tables and consoles in laminated and glued glass, characterized by a special iridescent multichromatic finish; the nuance varies according to the angle of the light source and the vantage point. Reflected objects with a magical and ethereal appearance emerge. The high tables bases can be dismantled and are fixed to the top by means of metal plates, concealed by a circular decorated covering. Patricia Urquiola was born in Oviedo (Spain) in 1961. Lives and works in Milan. She attended the School of Architecture of Madrid Polytechnic and Milan Polytechnic, where she graduated in 1989 with Achille Castiglioni. From 1990-1992 she was assistant lecturer to both Achille Castiglioni and Eugenio Bettinelli in Milan and Paris. From 1990-1996 she was responsible for the new product development office of DePadova, working with Vico Magistretti. In 1996 she became head of Lissoni Associati’s Design Group. In 2001 she opens her own studio working on product design, architecture, installations. Amongst her last projects of architecture: Mandarin Oriental Hotel in Barcelona and W Retreat&Spa a Vieques (Porto Rico); a villa in Udine; scenography of the opera “L’incoronazione di Poppea” by Monteverdi; showroom and installations for Hermès, Gianvito Rossi, Flos, Moroso, H&M and the general concept of Pitti Immagine Firenze. She designs for the most important Italian and international firms as Agape, Alessi, Andreu World, Artelano, Axor, B&B Italia, Bart Design, Bisazza, BMW, Bosa, Budri, Chevalier Edition, Il Coccio...

This English tilt top table was crafted from solid oak circa 1820. Simply constructed with a fantastic patina, the top tilts up to be 37-?”H x 20”W x 18”D when you need more space. T...