Decorative Art

A Chinese hand-painted fan with hand-painted calligraphy (with two different drawing on either side). The fan's frame is crafted from bamboo and also includes wood engravings. The ca...

English Majolica Strawberry & Grapes Plate Wedgwood Circa 1920 Diameter / 8.8 inches. Chips on the back.

Fabulous set of 8 figural medical prints. Unframed. Published, circa 1900. The measurement given below is for one of the prints. Free shipping

A large Japanese Wedding Kimono with bold embroidery designs. The auspicious attire was known as Uchikake and was worn by the bride during the wedding ceremony made from silk and hea...

A vintage wall relief or panel made of French plaster, featuring two cherubim in good condition. The relief is molded in French Plaster and refinished by hand. Not recommended for ex...

Antique Austrian Majolica crawfish plate, circa 1900 signed Schutz Cilli. Nautical style.

Set of Six Roe Deer Trophies on Turned Plaques Germany ca. 1900s A set of six antique Black Forest roe deer (Capreolus capreolus) trophies mounted on turned wooden plaques. The trop...

This stunning French Art Deco crackle glaze ceramic plaque, dating back to the 1920s, showcases the elegance and craftsmanship of the era. The plaque features a beautiful crackled gl...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A wondrous collection of Florentine botanicals lovingly gathered between 1905 and 1907 and presented under glass in a weathered window frame with nine panels, dated, categorized and ...

Antique Persian Sultanabad rug, room size, circa 1900 A one-of-a-kind antique Persian Sultanabad oriental carpet with a thick and lustrous wool pile, knotted by hand, with soft to...

A large intermediate size Caucasian rug from the early 20th century Measures: 5'2'' x 9'4''. Antique Caucasian rugs from the Shirvan district village are still considered one of th...

Large size, great shape and excellent condition antique coat rack. If you are looking for a stylish and practical coat rack in the Arts & Crafts style then this period piece could be perfect for you. It is truly stylish, entirely original and, as you can see in our images, it is in very good condition. This quality antique is handcrafted from solid oak and it comes with the inlaid, hand painted and glazed tiles. These tiles are extra special, because on top of the glazing are unique, gilt and stylized flower motifs. This luxurious and colorful coat rack also comes with all the original and aesthetically beautiful hooks...

Lovely Majolica pink & purple cyclamens flowers plate signed Schultz Cilli, circa 1900, Art Nouveau.

A vintage petit wall relief made of French plaster, inspired from a 18th Century French original relief featuring four cherubim and surrounded by a plaster frame, in good condition. ...

French Majolica oyster plate Orchies, circa 1910.

This is a beautifully painted KPM porcelain plaque after the famous painting of the Madonna of the Chair or Madonna della Sedia by Raphael, which was originally painted 1513-1514. Ma...

A vintage French vertical architectural wall relief featuring a stem of foliage, in good condition. The architectural relief is molded in plaster and refinished by hand. Not recommen...

Wonderful image by Beatrice Parsons Tipped in plate. On card Lithograph. Published C.1920 The measurement given is the card size not the actual printed image.

Probably circa 1910, decorative painting with craquelure throughout. Old dark varnish. The sky near frame edge has thicker paint suggesting some later in painting. Stretcher marks sh...

Antique print titled 'L'Egypte Antique illumine de toutes ses splendeurs notre joyeux Bal (..)'. Invitation card for an Egyptian themed party. Publishe...

True Arts & Crafts two-tone geometric pair of stained glass windows. Subtle workmanship which exudes simplified elegance. In very good or...

Great image of medical interest. Unframed. Published, circa 1900.

French Faience Plate Model "Callot" Longchamp Circa 1920. Inspired by Jacques Callot Jacques Callot (French c.?1592 – 1635) etchings. He made more than 1,400 etchings that chronicl...

This is a vintage peacock display panel. A Korean, framed silk cotton embroidery scene, dating to the Art Deco period, circa 1930. Colourful decorative scene with peacock interest ...

This piece was executed by Maurice Alexandre. BACS - EDON ROC, CAP D’ANTIBES, FRANCE (1912-1927) BACS workshop was formed by four colleagues employed by Clement Massier: Jean Barol...

Antique map of California ( Southern part ) Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Repair to...

This abstract tableau has been hand carved out different kinds of woods. The abstract shapes are amorph and make an interestring composition.

French Majolica oyster plate signed Saint Clement, circa 1920.

Lovely image by Beatrix Potter Rescued from an early edition of " The Tale of Two Bad Mice " Possibly a 1st edition from 1904 The measurement given is the paper size not the actua...

French Majolica oyster plate Orchies, circa 1910.

Painted by W.V. Bagnall.

Lofty antique Italian bisected seashell arrangement ambitiously composed in a floral motif. Presented under a convex lens in a distressed ceramic round frame.

A rare, domed, black and white enameled Art Nouveau advertising sign for Wiener Werkstätte, founded by Josef Hoffmann, Koloman Moser and Fritz ...

Antique map of Michigan ( Northern part ) Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Black Forest Red Deer Trophy on Painted Wooden Plaque 1919 An antique uneven 6 pointer red deer (Cervus elaphus) trophy from the Black Forest. The trophy was shot in 1919. The large antlers are mounted on a wooden carved wall plaque...

Antique map of Kansas Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Antique map of New Jersey Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

The price is for the lot of 5 italian copper molds from the Tuscany Beautiful antique copper molds come from a beautiful old house in the Chianti area of ​​Tuscany, Italy. They are antique copper molds, and the insides are made of tin, as was customary. Ideal copper molds to hang as an ornament in a rustic kitchen. Vintage copper molds with tin-plated interior *More lots of molds in other listings  copper molds kitchen...

Great pair of astronomy prints Unframed. Lithographs Published, C.1920 The measurement is the paper size of each print Free shipping.

Lovely image by Beatrix Potter Rescued from an early edition of " The Tale of Two Bad Mice " Possibly a 1st edition from 1904 The measurement given is the paper size not the actua...

The Ypres Salient By William Lionel Wyllie. A poignant reminder of WWI in this framed collotype of biplanes over Ypres by W.L. Wyllie, taken from his watercolour drawing "The Ypres S...

French Majolica Faience Trompe L'oeil Pickles Plate, circa 1900

Antique map of Ohio ( Southern part ) Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Pilkington's Tile Works. An Arts and Crafts large single tile with a tube line painted galleon in full sail on a turquoise sea.

This is a vintage embroidered crane panel. A Korean, silk cotton embroidery, dating to the Art Deco period, circa 1930. Charming Art Deco embroidery, rea...

Oil Painting from the Early 20th Century, Winter Rural Landscape We present you this oil painting from the early 20th century depicting a winter rural landscape. The painting is in ...

French Faience plate signed Emile Galle Saint Clement Circa 1900. Decorated with cornucopia and flowers, butterfly.

A Tibetan, traditional hand-woven textile in silks. Framed behind glass, against a raw linen background.

Great image of medical interest. Unframed. Published, circa 1900.

Insika (Screen or Wall Panel) Rwanda-Burundi, Tutsi people Circa 1900 or earlier Natural fibers and dyes H 23 ins (58.5 cm) W 16 ins (40.5 cm) Depth 3 1/2 ins (9 cm) This superb ...

A beautiful German Art Deco period white and gold porcelain plate signed by artist for the Thomas Porcelain company, 1929, Germany. Dated by hand, "May '29", and signature of artist,...

Antique map of Michigan ( Southern part ) Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Glorious set of 12 prints of English family coats of arms or armorials Chromo-lithographs Published C.1900 Unframed. The measurement given is the paper size of one print. Free s...

Large French Majolica oyster plate signed TN Bavent, circa 1920. Diameter / 10.5 inches. Rustic style.