Decorative Art

Antique print titled 'Orchis antropomorphos (..)'. Old botany print depicting white stonecrop and other plants. Originates from the first Dutch editon of an interesting travel accoun...

Set of 5 original antique botany prints from the work 'Botanica Pharmaceutica exhibens plantas officinalis quarum nomina indispensatoris recentur, cum Iconibus (..)' by A. Happe. The...

Antique portrait titled 'Serenissim, ac Potentissum, princeps Ludovicus XIII (..)'. Portrait of Louis XIII, King of France. Bust length with curled hair, moustache, lace collar, armo...

Rare Mid-1800s Antique Flemish Tapestry Fine Wool & Silk Green/Blue 5'2' x 5'3" 158cm x 160cm Circa 1790 "This is a very fine Authentic Antique Flemish Tapestry in Wool & Silk ...

Hand carved during the reign of Louis XVI, this linden wood and oak plaque was originally a boiserie panel that would have adorned the wall of a French manor...

Antique print titled 'Het Slot te Heusden, op de linker syde en van achteren'. View of Heusden Castle, the Netherlands. Source unknown, to be determined. Published circa 1730. Art...

Nice pastel portrait representing a young woman. Wonderful weathered wooden frame and its old glass, France, 18th century. Weathered, small losses.

PAIR OF MONUMENTAL CARVED PANELS FROM THE 18TH CENTURY IMPORTANT SPANISH BAROQUE 18TH CENTURY WOODEN PANELS ATTRIBUTED TO: Luis Bonifás y...

An antique rectangular mirror inscribed in a Pinewood, gilded frame adorned with water leaves and pearl friezes, in good condition. The mirror is consisting its original mirror glass...

Antique print titled 'Illyricus magno veles irae fluctuat cestu (..)'. Mezzotint of travellers being robbed by bandits. Artists and Engravers: Made by Georg Philipp Rugendas (166...

Antique print titled 'Phare de l'Egypte'. A vue d'optique of the lighthouse of Alexandria. Also called Pharos of Alexandria, one of the Seven Wonders of the World and the most famous...

Original antique print of a bison. This print originates from 'Boeken op Google Play Beschryving van den Amerikaanschen gebulten stier, genaamd...

French Majolica oyster plate Orchies, circa 1910.

Antique print titled 'Les Murailles de Babylone'. A vue d'optique of the ancient city of Babylon. This is an optical print, also called 'vue optique' or 'vue d'optique', which were m...

Set of 2 original antique botany prints from the work 'Botanica Pharmaceutica exhibens plantas officinalis quarum nomina indispensatoris recentur, cum Iconibus (..)' by A. Happe. The...

A fine mythological etching by the great Italian engraver Antonio Tempesta (Florence, 1555 – Rome, 5 August 1630) printed by François L'Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647),also called F. L. D. Ciartres (" Francois Langlois from Chartres"). Beautiful sheet , very sharp . The dimensions below are inclusive of the frame, the print without the frame measures 27x19 cm Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-Maniera" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Tempesta and the Flemish painter Matthijs Bril were commissioned by Pope Gregory XIII to paint wide panoramas of the Procession to Transfer the Relics of St. Gregory of Nazianzus (1572) for the loggias on the third floor of the Vatican Palace. He completed frescoes in the Palazzina Gambara at the Villa Lante in Bagnaia (1578-1609). From 1579–83, Tempesta participated in the decoration of the Villa Farnese in Caprarola, notably of this villa's Scala Regia. He is also known to have collaborated on frescoes in the Villa d'Este at Tivoli and the Palazzina Gamara at Villa Lante, Bagnaia. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. Tempesta painted frescoes for the Palazzos Colonna, the Doria Pamphilj, and for the Marchese Giustiniani in his Roman palace, where Tempesta collaborated with Paul Bril, and at Bassano di Sutri. He painted a Massacre of the Innocents for the church of Santo Stefano Rotondo in Rome. Tempesta is now best known as a printmaker in etching and engraving. He also left numerous etchings, among them: Plates from the Old Testament; twenty-four plates from the Life of St. Anthony; a set of 150 prints from Ovid’s Metamorphoses; 13 plates on The Labours of Hercules and four plates on respectively The ages of man; The entry of Alexander into Babylon; Diana and Actaon, and The crucifixion (1612). In 1612 he engraved a series of plates under the title "Batavorum cum Romanis Bellum" after designs of the Netherlandish artist Otto van Veen, also known as Vaenius (1556-1629) and court painter to Alessandro Farnese. Van Veen was influenced by the Italian mannerists but had developed his own style anticipating the Flemish baroque of his pupil Peter Paul Rubens. The series consists of 36 numbered engraved plates and illustrates the armed struggle between the ancient Dutch tribes and their Roman oppressors as narrated in Tacitus' Histories. Each plate bears at the bottom an engraved legend in Flemish and in Latin while a detailed explanation is printed on the otherwise blank verso. Plate I, signed 'Ant.Tempesta f. Anno 1611', shows 'Roma' and 'Batavia' in battle dress with respective scenic backgrounds, symbolizing the two nations. Fifteen other plates bear Tempesta's monogram. The plates depict heroic events, sieges, and battle scenes. This historicist work was very popular in its time. Tempesta also drew many designs for tapestries. François L’Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647), also called F. L. D. Ciartres ("François Langlois from Chartres"), was a French print publisher, print seller, engraver, bookseller, art dealer, and painter. He is widely considered to have been the first important print publisher in France and to have contributed significantly to spreading awareness of contemporary artists' work throughout Europe. François L’Anglois was born in Chartres and baptised there on 12 May 1589. He visited Italy on several occasions: Rome in 1613 and 1614 and Genoa, Florence, and Rome again in 1621. On these trips he met Anthony van Dyck and Claude Vignon, who both painted his portrait. He also became acquainted with the engravers Stefano della Bella and François Collignon. It was probably around this time that he acquired the nickname of Chartres (Ciartres in Italian). In 1624–1625 he was associated with Vignon as an art dealer (paintings) and acted as a print collector for Thomas Howard, 14th Earl of Arundel, and Charles I of England...

Antique print titled 'Il Monte avec la Main, les Eperons, et Gaule (..)'. Plate 4 from "La Methode et Invention Nouvelle de Dresser les Chevaux" by William Cavendish. This engraving shows William Cavendish, first Duke of Newcastle...

Refined work by a painter from the first half of the 19th century, from the landscape of the "Rinpa" school by a painter from the end of the 18th century, the Rinpa school. Six panels painted in ink on gold leaf and "gofun" on vegetable paper. The flowers are made with the "gofun" technique, natural or pigmented white oyster powder. Rinpa is one of the major historical schools of Japanese painting. The style was consolidated by the brothers Ogata Korin (1658–1716) and Ogata Kenzan (1663–1743). This folding screen has a very clean design that leaves plenty of room for the beautiful golden landscape. It comes flat and you can easily hang it with our hooks. Lucio Morini...

Antique print titled 'Grotte remplie d'Idoles'. Copper engraving of the cave filled with idols on the banks of the Yenisei river. This print originates from volume 18 of 'Histoire ge...

Antique print titled 'Leoena - Leo'. Original antique print of a lion and lioness. This print originates from 'Historiae Naturalis De Quadrupetibus Libri I' by John Johnston, published by Matthias Merian in 1657. John Johnston (or Johnstone, 1603-1675) was a descendant of a Scottish family...

Figure 10 of first part: The French king Louis XIII (aged sixteen) standing at left, with Messieurs de Pluvinel and le Grand, a horse tethered b...

17th century Italian painting of Jesus and Mary adorned with an 18th century Italian gold leaf pediment and bejeweled with green sapphires, carnelian pebbles, garnet, and fluorite. The painting depicts Christ inside of the Virgin Mary as he is yet to be born while wearing a crown and two angels crown Mary as well. The picture of the Madonna predicting the upcoming birth of Christ is an important work done by an unknown artist. The precious gems perfectly match the colors of the painting. The historic painting...

Set of three original antique equestrianism or horse riding prints. Each print shows two horses and riders. These prints originate from 'Des Welt-berühmten Herzog Wilhelms von Newcas...

Antique print titled 'Vue et Description du Cap de Bonne Esperance'. Striking view of the Cape of Good Hope, with Dutch ships in the harbor and Table Mountain in the background. A ni...

Antique print titled 'Von ihm wird Pegasus mit Sporn und Hand geritten (..)'. Original old print of the Marquess of Newcastle riding on Pegasus before an assembly of the Greek Gods a...

Large manuscript sheet with Gregorian Chant on parchment "Sacerdos In Eternum" Gregorian Chant composition book sheet as wall decoration, Spain before XVth century...

Antique print titled 'Colosse de Rhodes'. A vue d'optique of the Colossus of Rhodes, one of the Seven Wonders of the World. The Colossus of Rhodes w...

Beautiful etching representing the classic religious subject of the "Adoration of the Magi" by the Baroque painter and engraver Pietro Testa known as il Lucchesino. The print derives from an oil on canvas of the same name now in Montpelier. Identified by the TPL monogram on the right and the dedication signature. Paolo Bellini in the book "L'opera incisa di Pietro Testa" (The engraving work of Pietro Testa) ,published in 1976 by Neri Pozza in Vicenza, identifies this work as an example of the third state of three since, respect to the second state, the address of Gio Giacomo Rossi is added . In the lower margin there is the dedication in Latin to: Most illustrious and most reverend (cardinal) Gerolamo Bonvisi, Cleric of the Apostolic Chamber, D.D. The star on the left often blushes with the light of evil / Kings live here so that they recognize the Lord, / happy face good star shines benignly./ Petrus Testa Pietro Testa (1611–1650) was an Italian High Baroque artist active in Rome. He is best known as a printmaker and draftsman. He was born in Lucca, and thus is sometimes called il Lucchesino. He moved to Rome early in life. One source states he was ejected from the Cortona studio in 1631, soon after joining the workshop. Others state Testa trained under Pietro Paolini or under Domenichino, for whom he worked under the patronage of Cassiano dal Pozzo. He was friends with Nicolas Poussin and Francesco Mola. Some of his etchings, which often include work in drypoint, have a fantastic quality reminiscent of Jacques Callot, or embellishments of his Genoese contemporary Giovanni Benedetto Castiglione and even presciently suggest William Blake. His Sacrifice of Iphigenia appears to have influenced Tiepolo's rendition at Villa Valmarana Ai Nani in Vicenza. His early prints, from the 1630s, were often religious and were influenced by Federico Barocci...

A mid-18th-century Italian terracotta relief of the Virgin & Child appearing to St Philip Neri In a silver filigree, gilt-bronze and gilt-copper-mounted, lapis lazuli and wood frame. Known as the ‘Apostle of Rome’ due to his labours amongst the sick and poor of the city, Philip Neri (1515-1595) became an influential figure of the Counter-Reformation. Many miracles were attributed to him, and he was beatified by Paul V in 1615. His popularity and place in the folklore of Rome created a demand for his depiction within the church. For example, Carlo Maratta’s painting for San Giovanni dei Fiorentini, the preliminary study for which bears relation to the present composition (Royal Collection, inv. 905553). The fresh and freely modeled handling of the present relief is in the tradition of Giovanni Antonio Mazzuoli’s (1644-1706) small-scale modelli for altarpieces (C. Sisi and G. Gentilini, La Scultura : bozzetti in terracotta, piccoli marmi e altre sculture dal XIV al XX secolo, Florence, 1989, nos. 92-95). Additional information: Origin: Italy Period: Circa 1750, 18th Century Style: Religious, The Virgin and...

Antique print titled 'La croupe au Pilier au pas à Droite (..)'. This print originates from 'Des Welt-berühmten Herzog Wilhelms von Newcastle Neu-eröffnete Reit-Bahn. Welche erstlich...

Important German Tabernacle Museum Piece 16th-17th century IMPORTANT GERMAN TABERNACLE IN MUSEUM 16TH-17TH CENTURY EXCEPTIONAL SOUTHERN GERMAN TABERNACLE...

Antique print titled 'Nymphe de la Chasse'. Old print of a sculpture of Jardin des Tuileries (Tuileries Garden), Paris. It shows a hunting nymph. Source unknown, to be determined. ...

Antique print titled 'Ex Museo Schadeloockiano'. Beautiful original antique print of various sea shells. This print originates from 'Verlustiging der oogen en van den geest; of Verza...

Set of 2 original antique botany prints from the work 'Botanica Pharmaceutica exhibens plantas officinalis quarum nomina indispensatoris recentur, cum Iconibus (..)' by A. Happe. The...

Antique print titled 'Le Derriere du Chateau Royal de sans Soucy'. A vue d'optique of the Sanssouci Palace, Potsdam, the title printed in reverse. The open...

Antique snake print of a Saharan or desert horned viper, Cerastes cerastes. This print originates from George Shaw and Frederick Nodders 'The Natur...

An antique rectangular mirror inscribed in a Pinewwood frame, gilded, the pediment formed by an openwork flower basket spilling sinuous gar...

Small original antique print with two skulls. Source unknown, to be determined. Published circa 1790.

The Engravings are showing The Old town of Paris and Neuilly at the beginning. the condition of the Frames is good, and the Paper is in fair condition. You can see on the paper whic...

Antique print titled 'la petite Beccassine'. Hand colored engraving of a small snipe. This print originates from 'Histoire Naturelle des Oiseaux' by Francois Nicolas Martinet, one of France’s foremost bird illustrators of the 18th century. Published in Paris from 1770 to 1786. It was a monumental effort to catalog 1035 known ornithological species of birds. A staff of 70 people, feverishly worked for an astounding 13 years to complete this amazing work by Francois Martinet and George LeClerc...

Antique print titled 'L'Amphitheatre de Rome'. A vue d'optique of a Roman amphitheatre. This is an optical print, also called 'vue optique' or 'vue d'optique', which were made to be ...

Antique print titled 'Mausolee'. A vue d'optique of the Mausoleum of Halicarnassus, Halicarnassus also spelled Halikarnassos, one of the Seven Wonders of the World. The monument was ...

Antique bird print titled 'Auerhenne'. Hand colored original antique print of a Western capercaillie hen, also known as the Eurasian capercaillie, wood grouse, heather cock, cock-of-...

" Ceres and Phytalus" To left, Phytalus, kneeling, receives the fig tree from the goddess Ceres, standing to right, as a reward for his hospitality. Etching and drypoint, circa 1662...

This French Gold Leaf Framed Painting is a timeless piece of art featuring an outdoor scenery by the shore, painted in the 18th century. This unique ar...

18th Century front panel of an altar. This panel is originally from the private chapel of an important house in Montelimar. With beautiful decorative stitched floral design with fl...

Figure 25 of second part: Schematic outlines of different volte manoeuvres; surrounded by frame on separate plate showing classical architecture and coat of arms of France and Navarr...

Indian Pair of Panels with Mirror Work and Hand-painted Glass.

Architectural Capriccio of Roman Ancient Ruins with Figures. Italian, 18th century large painting in oil on canvas is from the school of Giovan...

This stunning 18th century French painting features a luxurious gold-leaf frame. The beautiful and detailed artwork showcases animals lounging in the fields, creating a tranquil scen...

A gold, antique Swedish Gustavian rectangular wall mirror with its original mirror glass and blue color paint, made of handcrafted gilded Pinewood, in good condition. The wall decor ...

17th century, Roman School Mystical marriage of Saint Catherine of Alexandria Oil on canvas, 32 x 23 cm Frame cm 45 x 36 The saint is depicted in front of the Virgin holding th...

Set of 2 antique prints titled 'Der Nord-Vogel (..) - Avis Artica (..)'. Original antique prints of a male and female arctic bird with original/contemporary hand coloring. Engraved b...

The Holy Family by Matthias Oesterreich after Carlo Lotti. Matthias was a German Old Masters artist who lived 1716 - 1778. Measures: 20.25” x 2...

George Edwards Set of Twelve Parrot Engravings with chinoiserie Frames, Natural History of Birds, Engraved by Georg Dionysius Ehret, Mid-18th cent...

Antique Dutch delft ceramic tile - hand crafted - hand painted cobalt blue glaze - unsigned - Holland / Netherlands - 17th century. Contained in a professional contemporary metal ...

Chinese Watercolor 16th century Ancient Chinese watercolor from the 16th century framed after the beginning of 1900. Total measures: 85x52x6 cm a...

18th century dark wax butter mold with habsburg imperial coat of arms, diameter 20 cm with engraved inscription IG S and M S 1737. Good age related condition, this lovely Mittle-...