Fabric Wall Decorations

- perfect original condition, bright colours - 1985 jr

ANTIQUE ORIGINAL OIL ON CANVAS PAINTING DEPICTING A FEMALE SITTER, 19TH CENTURY Depicting a woman with a knowing glint in her large brown eyes and dressed in a fitted black gown, a ...

nr. 688 - An interesting antique French Aubusson tapestry, with non-binding sizes, therefore easy to fit into a modern home: perhaps a sliding door (wh...

Large rectangular tapestry in wool created by artist Michèle Ray in 1955. This tapestry name " Le jour et la nuit" is hand made in the most famous tapestry factory in France , Aubusson. Edited by the Atelier Robert Four...

Large decorative fine handmade vintage artwork 20th century 1960's wall tapestry showing scenery of Bratislava city. with Danube river. Set in an impre...

Balinese Painting; Artwork; 1980s; Balinese Art; Bali; Folk Art; Balinese painting, dating from the 1980s. Balinese art has traditionally called upon religion (Hinduism), people, and the island itself. Bali’s art...

Curtain fabric made by N. V. Stoomweverij Nijverheid Enschede, Holland [NV Steam Weaving] in green with the Fab Four in various poses, singularly and as a group with song titles, as ...

Unusual Little size for this embroidered Susani, elegant and suitable for wall tapestry - fine, simple, elegant - B/2411.

Colorful hand knotted wool hanging is probably a translation of the work of an artist. This was a time when modern artists work began to work with weavers...

Oscar Miller Rhode Island, 1867-1921 Interior scene of a woman knitting and a child playing. Signed lower right "Oscar Miller". Dimensions Oil on canvas laid down on board, ...

Antique embroidered textile chasuble with floral decorative patterns in blue, yellow and pink, likely made in the 17th-18th century in Europe. The piece is framed and has marking on the back paper indicating it to be a gift from William Randolph Hearst...

18th century painting of San Geronimo, oil on canvas laid on wood board. It was later placed in a restored 19th century wood and gesso frame. There is no signature.

Moroccan wall hanging made from the silk of wedding bands.

This is a semi-antique pictorial Egyptian Kilim woven during the first quarter of the 20th century circa 1920 and measures 177 x 144CM in size. Its desi...

A beautifully designed, decorative and stunning feather and fabric collar by famed fashion designer K. Lee Manuel. The piece has been professionally mounted and artfully framed in an acrylic box frame...

This lovely tapestry was handcrafted by skilled artists using the exact same method of weaving used in 16th century. Handwoven in Wool and measuring 6.10 x 12.4 ft. Excellent cond...

Pigments on silk. Signature and seal read: Chiga saku (Acid free mounting with UV plexiglass) Painting dimentions: 59" H x 34" W, overall dimentions: 63 1/4" H x 38 1/2" W.

A stone's throw from the Eiffel Tower We are a family business specializing in the purchase, sale and expertise of old, modern and contemporary tapestries, rugs, kilims and textiles....

A raw and vibrant composition investigating colour and light resonant of the work of Ivon Hitchens and Howard Hodgkin. With thickly applied colour washes and shapes with a dimensiona...

Immerse yourself in the serene beauty of the French countryside with our exquisite 19th Century Verdure Tapestry, depicting a bucolic landscape complete with a river, castle, birds, ...

This Beautiful Large Tapestry Style Velvet Picture, depiciting an Elizabethan Courlty Scene. Possibly originating from Belgium this wonderful Piece sits in Large Wooden Dark Oak Fram...

Amazing and gorgeous “Sunset in the Fontainebleau Forest”, Joseph Antoine Adrien Rousseau, Barbizon School, 19th century - France Outstanding oil on canvas, work of the painter Jos...

Olaf Hajek Pigment Print with Antique Frame & Glass

Beautiful pair of wall handing made of silk hand embroidery on green silk background Suzani textile , floral and vine motif , professionally mounted on cotton backing . backing sewn...

One of a kind oil on canvas made at the end of the 17th century. The work deals with the scene of Calvary, present, therefore, Christ crucified, his mother the Virgin Mary to her ri...

Framed oil on canvas, by artist William Dacres Adams (British, 1864-1951), "Boy in a Sailer Suit. Unsigned. Provence was relayed by seller (an Interior Designer from White Oaks Inter...

Dolores "Lolo" Soldevilla Neito (Cuban, 1901-1971), circa 1955. A very important piece by a leading female artist in the Cuban abstract movement. This painting conducted in oil and likely tempera on canvas laid to board. Her colorful geometric paintings evoke mixed emotions and feelings - we have always viewed this piece as an homage to our solar system. In its original frame, identical framing to nearly all of her pieces. Signed to the lower right "LoLo". Measuring 13.75" w x 10.5" h (image), 20.25" w x 16.875" h (framed). Provenance: From the collection of a Cuban art collector in Canton, Massachusetts. Below is a very detailed biography of the artist from her website dedicated to her work and life. María de los Dolores (Loló) Juana Soldevilla Nieto was born June 24, 1901 in the Pinar del Río Province, Cuba. She was the third child of a piano teacher, María Paula Bathilda Nieto Lannes and a merchant, Raoúl Soldevilla Seballos, both originally from Pinar del Río. Her maternal grandparents were Severo Nieto (Pontevedra, Spain) and Lorenza Lannes Díaz, baptized in Pinar del Río. Her paternal grandparents were Pedro Soldevilla Martí (Caracas, Venezuela) and Dolores Seballos Bermúdez (Habana, Cuba). Loló was a precocious, restless, and curious girl. She was surrounded in her early years in Pinar del Río by a numerous, charismatic, and cultured family. Her mother’s and uncle’s instructions provided a learning environment, and from an early age she practiced reading and writing, singing, piano, and the appreciation of various art forms such as painting and theater. Also as a child she was reflective of social issues since she was surrounded by ideals and actions that defined her family during that time. Around 1911 Loló is translated to Havana with her family. There she studied and graduated from piano and vocal performance (soprano). She trained her voice with professor Zoila Gálvez in the Municipal Academy of Havana and violin with professor Casimiro Zertucha in the Falcón Conservatory. In 1926 Loló went to live with her mother and sister near Paseo del Prado, where they remained until they were evacuated during the catastrophic hurricane of that same year. At age 25, Loló married Manuel de Jesús Nazario Barba Bonen, a professional pianist. From this marriage were born her three children, Haydée, Magaly, and Pasto; the latter passing at one year old. In 1934 she founds the “Loló Orchestra,” composed of women and with a Latin American and Cuban repertoire. She directed the orchestra and played the violin. They performed regularly in the “Aires Libres” in the cafés of the Paseo del Prado in Havana. During these years Loló refines her political ideals and actions, stemming from her early education in Pinar del Río and family traditions. She takes part in diverse activities against the government of Machado and she was imprisoned more than once in the Women’s Detention Center of Guanabacoa. In 1937 she becomes a member of the National Executive Committee of the Cuban Revolutionary Party (Authentic), where she carried out activities according to that historical moment. In 1940 Loló marries syndicalist Eusebio Mujal and they divorce four years later due to the discrepancy of their political ideas. In 1946 she represented the Authentic Party as a member of the House Representatives of the Oriente Province, where she was named President of the Commission of Press and publicity. She travels to Prague in 1947 to participate in the first session of the International Women’s Federation. Loló was charged with representing and defending the ideals of Cuban women, their social problems, the defense of children, etc. In 1948 she became a member of the House of Representatives of Cuba. Between her actions one could mention the public denouncement about the assassination of the farm workers leader Sabino Pupo, the proposal for a law for minor courts, the retributions due to sugar workers, among other demands. That same year she was invited by the American Federation of Art in Washington and she visited museums in Boston, Philadelphia, Chicago, and New York. Later that year she travelled to Paris and begins to paint under the guidance of her painter friend Wifredo Lam. At that time she creates her first small and large format sculptures, drawings, portraits, and projects for mural paintings. In February of 1949 she is named Cultural Attaché in the Cuban Embassy in France. From that moment on, her career as a visual artist deploys in intense and varied studies and exhibitions. She matriculates in the “Académie de la Grande Chaumière” in Paris and begins her sculpture studies with professors Léopold Kretz and Ossip Zadkine. In the 1950s she travels across Europe with her daughter Magaly. In Spain, she meets Eusebio Sempre who dedicated the poem collection “Claridad de Vivir. Versos Populares.” Together with Lam, she visits museums and galleries in Switzerland, Holland, Belgium, Great Britain, Austria, and Eastern Germany. She continues her studies in various workshops and attends several conferences on new artistic trends. She also continues establishing connections with painters, sculptors, musicians, writers, photographers, and artistic personalities of Cuba and the world. She exhibits her work in various individual and collective shows, such as an exhibition in Tampa. She returns to Cuba and exhibits there for the first time. In the show “Loló esculturas” (November 23-27, 1950) in the Lyceum Lawn Tennis Club of Havana she presented 22 sculptures and one oil painting. Back to Paris she participates in various collective exhibitions including Salon d’Automne Grand Palais del Champs Elysées; Peintres, graveurs et Sculpteurs Etrangeres (Ecole Nationale del Beaux-Arts, Paris). She also participates in Jubilé International in the Cité Universitaire, among others. There she becomes part of “The Dissidents,” and she travels to Mexico invited by the painter Felipe Orlando. In 1951 she promotes and organizes, as Cultural Attaché of Cuba in Paris, the exhibition, “Art cubain contemporain, in the Musée National d’Art Moderne de la Ville de Paris. She includes works of Pedro Alvarez...

Surrealist oil on canvas painting created by Russian artist Pierre Ino of Paris, France. Piece measures approximately 16" by 13" including frame and is signed Pierre Ino, lower right...

Step into the past with our enchanting 19th Century Sampler, meticulously crafted by Anne Marie Frissen in 1888. This delightful piece, known as the "Off Family Tree," showcases intr...

Cotton, wool and mix-media. Both signed. Simone Prouve (born 1931) is the daughter Jean Prouve. Dimensions: H 93’´x W 62’´ and H 93’´x W43" for the rope ...

Antique Moroccan Moorish Silk Textile Tapestry Wall Hanging Hiti Ottoman voided silk velvet wall covering. Silk velvet cut designs, light browns, yellow, cream and blue, the panel consist on two arches with Islamic floral designs. Antique textiles from early 1900s. Each arch panel is 62" height X 26"5 wide Antique silk...

18th century, large Italian neoclassical oil on canvas four panels screen with Trompe L’œil These large screen is composed of four panels in oil on canvas painted. Neoclassical, dating to the second half of the 18th century. Each panel represents a trompe l'oeil, with a classical architecture with square section marble columns and large clogging. Inside the pink space of the first and third panels are painted, as inserted in a niche with bronze frame, ancient busts...

Group of Three WPA Era Paintings, American, circa 1930s-1950s. From left to right, they are: 1) Brick mason oil painting, American, circa 1930s. It ...

Exceptional oil on canvas by the French painter Serge Arnoux (1933-2014). This absolutely modern work is characterized by the intense blue color of the background, against which a co...

J. Foxcroft Cole, born: Jay, Maine in 1837, and died: Winchester, Massachusetts in 1892. As a young man Cole worked with renowned American artist Winslow Homer and was actively suppo...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Jim Rodgers (American/New Jersey, b. 1958), a framed still life with summer fruit, signed "Rodgers" at lower right. Succulent ripe peaches, figs and raspberries are beautifully rende...

Original Oil Painting by Jane Corsellis ( born 1940) 'Waiting at Florian's, Venice' On Canvas 26" x 28"

Anatoly Shlapak (Ukrainian, 1929-2014), Impressionist style oil on canvas "Docked Sailboats", signed "An. Shlapak" in red at lower right, in giltwood frame. Anatoly Shlapak graduated the College of Fine Arts and began a career in the motion picture and theatre industries. He developed a reputation for portraits and figurative work exhibited in the Ukraine and the then Soviet Union. He moved to the United States of America in 1979 and began to expand his painting style. Experimenting with Impressionist and Post Impressionist styles he found his romantic voice. The result is a collection of of naturally vibrant landscapes and still lifes, rich in texture and expression. His work was exhibited at Gallery...

A traditional and characteristic 18th century, Spanish colonial oil on canvas painting depicting the Virgin Mary holding a book with St. Anne an...

Antique French Verdure Tapestry. Depicts a beautiful European landscape w/ a castle in the background.

Rembrandt "Der Mann mit dem Goldhelm" Tapestry. Gorgeous embroidered border w/ caramel velvet hanging tabs, backed w/ sink & cotton blend fabric. The ta...

Herbert Bayer "Event" tapestry, 1980. Signed lower left, "Bayer" and with insignia to lower right. Verso with signed, titled, dated and numbered (2/3) label. Produced by the Munchener Gobelin-Manufaktur. Tapestry 60...

An unusual Boundoukou man’s wrapper cloth, composed of plain green warp of narrow strips in machine cotton hand sewn together and interspersed with repeating weft float flags in indigo , red , yellow and white cotton. This cloth illustrates two distinctive aspects of pattern layout within the Boundoukou tradition, namely a focus on the centre of the fabric and an alignment of patterns in rows down the cloth - a single large cloth...

A superb vintage medical chart 1947 supplied by Adam Rouilly & Co Ltd London. Fantastic colours & illustrations of the bone structure. Comes as a...

Sunset over the sea, Jan De Clerck (1891 - 1964), oil on canvas, signed.

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

This sensual and erotic like one of a kind original vintage work of art by Leo Engels is of the Art Deco period. It is a combination of gouache and water color. It is Belgium. There ...

Large panel swatch Design 105 dating to Frank Lloyd Wright’s original 1955 collection for Schumacher. Extremely rare original large scale fabric, with surged edges to facilitate long...

Large Mid Century Tapestry designed by Jean Lurcat and probably produced by Corot. Very colorful fishes, butterflies and starfishes ...

Aubusson is a town on the Ceruse River in central France. It has been famed for its carpets as well as tapestries since the 15th century. Antique Aubusson rugs made in tapestry techn...

Navajo rug flat woven rug tapestry beige Measures: 4' x6' (3'11" x 5'7") 119cm x 170cm Circa 1920 "The woolen rug has a white background color on which are three stylized figures on each side of a center cornstalk. All are surrounded on three sides by a "guardian "figure - one side is the head and the body - the other side are the legs. The rug is a Navajo Yei rug. All the figures are holding prayer sticks; there are feathers attached to the elbows of the figures in a vertical line. The colors of the rug are white, red, maroon, blue, tan, brown, grey, orange, rust and gold. The most common type of Navajo Yei rug are those with a white background color. Navajo Yei rugs were made at Lukachukai or in the Shiprock area or even Ganado. It is a fact that a Navajo Yei rug with many Yei figures and many colors will garner the highest value. While Yei rugs are technically woven for the floor, they were often placed on couches, or hung on the wall like paintings, few actually touched the ground. The Yei figure is a frequently used pattern in Navajo rugs. Male Yei figures are generally pictured with round heads, and female Yei figures with square heads. Modern Yei rugs are more often pictorial compositions, showing a row of front-facing stylized stick figures with a Rainbow Guardian which protects the figures on three sides, indicating the sand painting roots of this particular style. The Yei rug portrays ceremonies on a desire for healing, not only physical health, but also mental, spiritual, and even material well-being. The "Holy People...

Nice little French needlepoint tapestry with beautiful floral design and nice natural colors, entirely hand embroidered with needlepoint method with wool. ✨✨✨ "Experience the epitom...

19th century Aubusson tapestry hunting scene - N° 1205 Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you works of art in fa...

Tapestry Aubusson Harbor and birds.

Very beautiful late 19th century tapestry with beautiful design of a hunter at the town, and beautiful golden colors, mechanical Jaquar manufacturing woven with wool and cotton. ✨✨✨...

A framed French rustic tapestry from the 18th century, envisioning a pedant seated on a barrel, instructing a group children in music and the arts within a verdant setting. Enclosed ...

Impressionist New York City traffic jam on a winter day. Cars fill the street and snow fills the air. The city that never sleeps gleaming with patriotic pride. From early childhood to the present, Willett, a natural talent carried on the tradition in the arts. Currently as a painter in the New Hope, Bucks County Impressionist style- he works full time in the mediums of oil on board or canvas, and watercolor. His recent work has been compared to Edward Redfield both in subject and style. Earlier works by Willett are reminiscent of the photographic representational influence of Andrew Wyeth- his revered friend and mentor. Upon reviewing Chris's portfolio that spans 3 decades, one can see the gradual evolution and development of Chris' own unique method and artistic language- he portrays the landscape and daily lives of the people that live and have lived in this locale- spanning the region from Bucks County, New Hope, Lambertville, New Jersey, French Town, Point Pleasant, and such- still the most popular subject matter of local contemporary impressionists today. Painting measures: 14 x 24 inches. Frame measures: 17 x 27 inches. Oil on board signed lower right corner and verso. Christopher Willett...