Fabric Wall Decorations

Portrait of 'A Fisherman with his Pipe' in oil on canvas, within a finely moulded giltwood frame. The painting is signed on the lower left hand side – possibly by an artist named Ple...

Antique French Scenic and Tranquil Wall Tapestry probably made in the early 1900's. There are no signs of prior repairs, although there is the normal sun...

A large Japanese Wedding Kimono with bold embroidery designs. The auspicious attire was known as Uchikake and was worn by the bride during the wedding ceremony made from silk and hea...

Unique wall tapestry by Jean Leuenberger

Deer under maples Late Taisho period, circa 1925-1930 Pair of two-panel screens. Ink and pigment on silk. Signature: Goho Seal: Goho A pair of two-fold Japanese silk screens...

Beautiful oil painting on canvas depicting the Roman Forum, in particular the Temple of Jupiter Stator. An important example of Grand Tour painting, this wonderful painting evocatively illustrates the unparalleled beauty of the Roman ruins, which have inspired generations of poets and artists throughout the world. Unidentified signature at lower right, but most likely attributable to the great Italian artist Pietro Sassi. This painting, never before on the market, comes from a private collection Pietro Sassi (18 July 1834 – 30 December 1905) was an Italian painter who specialized in large scale vedute of Rome and the Roman Campagna. He was born in Alessandria and resident in Rome, where he painted genre and both urban and rural vedute paintings. Le Sponde del Lago di Garda in Tirolo was exhibited at the 1880 Exhibition of Fine Arts in Turin, while two landscapes where exhibited in the next year in Milan. In 1883 he found great success in Rome where he exhibited three large scale views of ‘La Campaña Romana’, 'Il Temporale in Mare’, and ‘Il Mare del Nord’ in addition to twelve other paintings including Un Bosco di Querce negli Appennini Romani and The Arch of Septimus...

19th century oversized oil on canvas landscape depicting a home in the forest with a mountain range and a body of water with a boat. Mounted o...

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

Hand-picked by buyers at Ann-Morris Inc.

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

This is an antique embroidery technique sampler. An English, framed needlepoint display, dating to the early 20th century, circa 1915. Fascinating example, displaying different tec...

Elevate your space with this exquisite Aubusson-style tapestry featuring a romantic depiction of a loving couple in the countryside, nestled under a tree. Sheep graze nearby, and a g...

"Luz" Mario Arlati, 2007. Mixed technique on canvas. Dimensions: cm 170 x H 140 in 66.30 x H 55.12. Mario Arlati biography b.1947. Mario Arlati was born in Milan in 1947. ...

Artist: Elie Grekoff Period: 20th century Style: Design 50's and 60's Condition: Perfect condition Material: Wool Width: 242 cm Height: 148 cm Depth: 0.5 cm Marine theme: The centra...

Lovely textile sample Fabulous colours Great piece of folk art. Likely to be of East European origin. Possibly Balkan. In new white painted box fra...

Peder Brøndum Sørensen (1931-2003), Danish painter. Oil on canvas. "Houses by the Sea". 1976. Signed. In perfect condition. Dimensions: 60.0 cm x 80.0 cm. Total with frame: 97.5 cm x...

1946 Vintage Ray Martinez oil on canvas rendering of the girl before a mirror. 1946 oil on canvas rendering by artist Ray Martinez during Picas...

captivating oil on canvas portrait of a monk, likely created in the 18th century by an artist of the Spanish school. The sitter is depicted with solemn intensity, his expressive fea...

Exquisite French needlepoint tapestry featuring a stunning garden design with birds and vibrant colors. Hand-embroidered using the needlepo...

We present this fantastic portrait of a young woman from the 19th century. The portrait is signed on the bottom right in red G. Puricelli (see photo). Attributable to the Italian pai...

Vintage 1980s Patrick Nagel posters in black frames. The larger vintage poster is actually mounted to foam core. The original poster is housed in...

This painting is an oil on canvas. It represents small boats near a nice bridge on a river in a French town. This painting is signed. This is a work, circa 1960.

This is an impressive oversized floral still life by Sarkis Sarkisian featuring tulips and Lillies in a vase. The mauve background is subtle enough to compliment the flowers and vas...

Our beautiful and large still life on canvas depicts harvested grapes and peaches spilling from a woven rattan basket, surrounded by peach tree blossoms in full bloom. Signed Duprat ...

Iconic Italian liqueur brand Campari have hired a number of renowned poster designers to create a number of varied designs across the 20th century, and this piece from 1970 by Pijoan...

Oversized Mid Century Modern Abstract Impressionist Oil on Canvas Painting Signed by Sharie Jones C1968 Measures - 30.5"H x 48.75"W x 1.75"D A striking oversized oil on canvas pain...

Vintage Swedish Modernist design wool wall rug Finely woven wool rug somewhat reminiscent of a native American Navajo Chiefs blanket 168 x 86 cm approximate Period 1960s Conditi...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

This beautiful mid century painting of a handsome man was painted in the 1950s. The subject was the owner of a beautiful San Diego Estate. Artist was F Stanley Herring. Beautiful antique fold leaf frame with ruby color fillet trim. Subject is seated in a royal blue chair...

French Art Deco Aubusson tapestry with figural scene. Exhibited at Louvre, Paris #26 in 1950 Exposition (signed JEAN BEAUMONT, 1926 by Tapisseries et Cartons Des Ateliers A.R.T.).   

A vintage still life oil painting on canvas by Latvian painter Leonid Moshenkov(b.1927). It is not signed but came from the family.

Embroidered tapestry with frame and double back iron for hanging on the wall. Early 20th century period.

Complete set of five promotional posters Portraits 27 x 18¾ in. (68.5 x 47.5 cm.); Banner 14½ x 40 in. (37 x 101.5 cm.) Printed in England by Waterlow & Sons Limited for Stern Magazine, Germany Beatles manager Brian Epstein...

1990s Oil Painting on Canvas of Bali Woman Faces Signed: Awan Bali ‘96 Carved Wood Frame Some corners of frame need to be reattached as shown in pi...

Vintage 1980s Patrick Nagel poster in new frame. This vintage poster is actually mounted to foam core. The original poster is housed in a new black poster frame with acrylic panel pr...

Enchanting oil on canvas by Carl Emil Doepler, protected by a beautiful hand-carved giltwood frame with a metal label titled "Italian Renaissance Party", depicting a traditional Ital...

[Authentic work] ◆ Koga Hada ◆ Autumn colors in Kumoyama ◆ Double box ◆ Osaka ◆ Hand-painted ◆ Silk ◆ Hanging scroll ◆ Koga HatS Japanese painter. Born in Osaka in 1908. Teacher: ...

Stephen Cimini Artwork tittle "Stepping Up To Paradise" part of his early work collection, in very good condition.

Beautiful marked tapestry of the Spanish artist/painter Joan Miro based on his painting Femme et Oiseaux (1966). A playful, experimental approach of art is characteristic for Miros w...

Large Art Deco/Modernist geometric Amsterdamse school tapestry. Netherlands 1925,, Mohair velvet has a shimmering quality which reacts to light.. Stunning !

It is a Japanese indigo dyed antique cloth. It calls its name "fu-ro-shi-ki". Originally used in the dressing room of the public bath "furo" during the...

- Handspun and handwoven wool, henna dye, oil paint - 2022 - Unique piece - Framing by Laetitia Verchere Dimensions: 17.3 x 17.3 in // 44 x 44 cm.

This is a vintage ship painting. An English, framed maritime watercolour with nautical interest by John Whale, dating to the late 20th century. Delightful 'golden age of sailing' wa...

In good condition From a private collection Free international shipping 17th Century Old Master Oil Painting Crucifixion of St Pe...

Painting by Caxing, circa 1940. Oil on canvas. Handsigned. After the style of Georges Braque and Pablo Picasso. In original condition, with some visible signs of previous use and a...

This exquisite set of 12 vintage herbarium botanical specimens brings the beauty of nature into your home. Each piece is delicately pressed and preserved, framed under glass to showc...

This oil on canvas, painted by Jean-Auguste Bard in 1838, was exhibited at the Salon the following year, as entry number 81. Jean-Auguste Bard (1812-1862) was a student of the renow...

Tapestry of French origin (circa 1950) printed and signed, representing a playful and cheerful scene of troubadours and musicians in Harlequin costumes dancing and singing for a vill...

A striking painting of Erik af Sillén. Erik af Sillén (1895–1977) was a Swedish nobleman and military officer who held various distinguished positions throughout his career. He serve...

A Flemish Renaissance Biblical Tapestry 16th century In an open architectural setting, the central crowned and enthroned female figure flanked by three handmaidens, a fourth to the left urging a boy towards a kneeling woman on the right with an apple in her right hand, on the left a wooded landscape with a man walking in the distance, a man striking another over the head in the mid-ground, and a man, a woman, and a handmaiden approaching the scene in the foreground, on the right a man gesturing while others flee up a staircase and out of the scene, within a flower and fruit cluster surround punctuated along the top and bottom edges by balustrades and sphinxes, and along the sides by a figure, a mask, and a beaded and crowned man...

Antique Oil On Canvas Landscape Painting Signed C1890. Measures - 18 7/8" x 15 7/8" x 16".

A fine 18th century painting depicting the Virgin Mary holding baby Christ above four saints, painted in the artistic centers of Cuzco and the Altiplano re...

Large, impressive, abstract, dimensional, wall sculpture in distressed, neutral tan and taupe hues features a rough-hewn, brutalist texture. The painting is uniquely constructed of u...

Late 18th to Early 19th Century Portrait of a Sea Captain, by Charles Delin (Netherlands: 1756-1818), circa 1810, a fine period oil on canvas quarter-length portrait of Captain Mellens, an elegant gentleman in navy blue woolen double breasted sea coat, with high starched collar shirt and neck cloth, unsigned; retains an old collection label on the reverse identifying the artist and subject. The painting remains in fine condition, in its original carved and gilded frame. Although identified by name, we could not find any additional information on the sitter. The name and clothing indicates that the captain was American or English. The artist Charles Delin was highly regarded in his day and specialized in sea captain portraits...

This monumental antique oil on canvas painting was created in France, circa 1790. Set in a carved gilt frame, the large artwork depicts a pastoral scene with the port of Marseilles in the background; it features people playing cards around a table, one lady napping with a dog beside her, another woman with her kid carrying flowers, a man courting a young beauty sitting on a bench, and horses in movement. The inscription on the rider's flag reads "Liberte de L'Escaut 1793," likely referring to the Battle of Raismes (also known as the Battle of Conde or St. Amand) which took place on 8 May 1793, during the Flanders Campaign of the Wars of the French Revolution. It was between the French Republican army and the Allied Coalition army, and resulted in an Allied Victory. A possible signature is not legible in the lower left corner of painting. The important painting is in excellent condition with lots of wonderful and interesting details, and embellished with an elegant frame! Place this huge artwork...

Cyrstofer/Christopher Shoemaker (Italian/German) Standing Man, 20th Century Acrylic on canvas

1979 Cui Tang Korean painting on silk showing brightly colored male and female pheasants in front of a bush of pink and white peonies. This art was made in 1979...

The tapestry depicting King Solomon as a warrior king standing with a globe and staff in his hands framed within a border of armaments, flora, and fauna, the tapestry recently restor...