Italian Wall Decorations

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. A perfect combina...

1960s Mountain Landscape Oil Painting - Tranquil Alpine Scenery Step into the serene beauty of the mountains with this exquisite oil painting from the 1960s. Capturing the tranquility and majesty of alpine scenery, this artwork reflects the timeless allure of nature. The artist's use of soft brushstrokes and a muted color palette creates a calming atmosphere, making this painting a perfect addition to any space that seeks to evoke peace and natural beauty. Key Features: Era: 1960s Medium: Oil on canvas Style: Realism, with a focus on natural landscapes Subject: A peaceful mountain landscape...

ABOUT Enrico Baj limited edition screen print and mixed media on wove paper, hand signed by artist and numbered 66/250 in pencil. CREATOR Enrico Baj, Italy. DATE OF MANUFA...

BUTTERFLY The free dance movement For more than 22 years, Sabrina Landini pays homage to glass surfaces in her expression of silvered masterworks, the hallmark of her collection. S...

Rectangular frame with original pictures depicting three ships launching in Riva Trigoso shipyard: Monfiore transatlantic launched on August 25, 1959; M...

Terra Cotta Minstrels Bas Relief, Plaster of Paris with Terra Cotta Finish

Light blue decorative wall panel with white and gold reliefs, handmade in Italy by Cupioli. Elegant decorative wall panel, made entirely by hand, inspired by the iconic Wedgwood cer...

Great explosive graphics feature on this original Italian 70s film poster for firm favourite Butch Cassidy and the Sundance Kid. Amazing design and bold colours on a truly stunning s...

Italian grotto (1920s) stripped wood wall plaque of a mermaid figure.

Stunning late 18th-early 19th century Italian painted and parcel carved giltwood architectural over door, architectural element or fragment. A ...

Pair Baroque Style Erotic Prints of Compromised Monks & Nuns, Italy, 20th Century Prints,  This pair of vertical Italian Baroque-style erotic prints from the 20th century provides a...

Making artistic Mosaic, design of unparalleled beauty, inventing ' tromp l'oeil' thanks to the endless colors of the glass Mosaic collections, all this allowed us to produce and divu...

Beautiful Massimo Popper Plate, 1911/1914, 20th Century Pompous polychrome ceramic "Marguerite" with a wide brim, short frill, and wide base. The rim is decorated with metopes and t...

A rare work by Emma Goitein Dessau, this color print entitled "Born to Work -- Rebel," depicts a kneeling nude male figure in chains, in the foreground, rebelling against the roiling crowd of nude figures behind him, all caught up in the crush of work and toil. The artist was clearly protesting the demands of modernity, and the toll it was taking on humanity, using a parade of beautifully captured nude figures to make her point. Goitein was German Jewish...

Country HouseAn exceptional mid-18th-century oil painting from the Studio of Pompeo Batoni (1708–1787), presenting a revered composition: The Madonna of the Annunciation. This rema...

Mid-Century Italian carved acanthus leaf gilt wood wall brackets or shelves. Perfect for displaying decorative collectibles or wonderful displayed on their own.

Hand-painted in Italy, this large, wooden wall panel features white and gray Neoclassical motifs over a black background. The images are surrounded by a thin white rectangular border...

Beautiful poster promoting American pop artist Tom Wesselmann's solo exibition at the Galleria Plura in Milan, Italy. Running from February to March 1984, the exhibition features pie...

A Minimalist shape with a strong aesthetic. Made of solid oak oiled and supported by a iron stirrup. Inside the wooden shelf, a metal flat bar fixed to the support structure is hidde...

An exceptional French 19th century Neo-Classical st. plaster plaque. This extremely elegant and most decorative Parisian wall decor depicts a grouping of Mythological figures and God...

A monumentally scaled and most decorative Italian late 17th century Baroque Period Venetian st. patinated Wood and Giltwood wall decor. This most impressive wall decor/plaque is unde...

Print from the Collection Botanique Bulbacee representing Tulipa and Allium, enriched with blue colors and nuances of watercolor. Another different Bulbacee flowers prints are avail...

Background: White Ice Subjects: Multicolor Designer: Marika Tardio Designed by hand in Digital Art Made in: Italy Printing support: Fine Art ( front 50% cellulose, back non-woven ba...

A bold and unconventional design defines this stunning decorative mirror, a true art piece that will take center stage on a bare wall in an entryway or living room, creating an optic...

Essential wallpaper is the Wall&decò collection specifically dedicated to explore the creative possibilities of 3D textures, inlays, carvings and metal light details. Engraved wal...

Pasquale Picazio Canvas Nude of Young Girl 1970's Measures: Height 80 cm Width 40 cm Technique oil on canvas In good conservative condition, present signs of time due to use and ...

A 19th century hammered brass dish of unusual size in the historical style representing a battle scene between Romans and Barbarians, in the middle fighting generals on horseback, th...

Great aquarium, fish tank in Murano Glass, by Cenedese and attributed to Riccardo Licata, well known Murano artist. This is an early piece with a big fish, t...

724 - 19th century Italian religious element in velvet.

A beautiful oil on canvas painting by Guido Agostini, Italian, 1865-1898, late 19th century in date. The sensitively painted landscape shows a girl on a country road with the cit...

A contemporary Art Deco lithograph on paper titled "La Rose Rouge" by Italian artist Rene Gruau, a famous fashion illustrator in the 1940's and 1950's. Hand signed on the lower right...

Elegant hand-watercoloured print representing Imperatoria Ostruthium, a flowering plant belonging to the family Apiaceae, painted with notes of antique rose and light blue color shad...

Original Vintage Advertising Poster Textile company "Giovanola" , Italy 1960s A beautiful 1960s original advertising poster. Manufactured in Italy for the italian from "Gerosa Pubbl...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

Edition of 1,000 + 200 APs. Hardcover with four fold-outs, signed by Naomi Campbell, 496 pages, 33 x 46.2 cm (13 x 18.2 in.), plus companion volume, 368 pages, within a multiple artwork by Allen Jones. Supermodel, entrepreneur, activist, provocateur. Since her teenage rise to stardom, Naomi Campbell has dazzled the world with her looks, her strength, and her irrepressible spirit. The first black model to grace the cover of French Vogue and TIME magazine, she has been the face of hundreds of magazine covers, countless editorials and advertising campaigns, and a favorite subject for some of the best photographers of the 1980s, 1990s, and today. This signed, limited, two-volume Collector’s Edition celebrates Campbell’s remarkable career amidst the greatest legends of fashion and photography with jaw-dropping images and exclusive autobiographical text. Volume 1 showcases the very best of Campbell’s portfolio, with photographs from the likes of Mert Alas and Marcus Piggott, Richard Avedon, Anton Corbijn, Patrick Demarchelier, Steven Meisel, Helmut Newton, Herb Ritts, Paolo Roversi, Mario Testino, Ellen von Unwerth, and Bruce Weber, and such unforgettable shoots as Peter Lindbergh’s joyful sequence of Naomi dancing as Josephine Baker on the beach in Deauville for Italian Vogue, or Jean-Paul Goude’s stunning composition of Naomi racing a cheetah for U.S. Harper's Bazaar. Volume 2 features Naomi’s extensive autobiographical text, illustrated by magazine covers, ads, never-before-seen personal snapshots, video stills, and more. Naomi recalls her childhood; the beginning of her modeling career; her work with fashion’s greatest designers, including Azzedine Alaïa, John Galliano, Marc Jacobs, Karl Lagerfeld, Gianni Versace; and experiencing the meteoric rise to superstardom. Photographer biographies and an illustrated appendix are also included. In a dazzling meeting of art and fashion, Volume 1 is presented in a multiple artwork by British pop art luminary, Allen Jones. Best known for his controversial fetish furniture...

Background: Black and White Designer: Magnus Gjoen Designed by hand in Digital Art Spazio Miscellanea Graphic dev: Frescoes Collection: Visioni Made in: Italy Printing support: Fine...

Elegant hand-watercolored print representing Corallium Rubrum in red nuance, Image reproduced from ancient and famous illustrations. These prints are available in 2 different represe...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Framed copperplate engravings of sea shells, Niccolo` Gualtieri (editor). Giuseppe Menabuoni (1708-after 1745) (after). Plates 30 and 31 from Index testarum conchyliorum quae adservantur in museo Nicolai Gualtieri...

Bice Mirror with Butterflies in Brass Casting designed by Roberto Mora for the brand Mogg. Extra butterflies can also be purchased with two different sizes. The butterflies are avai...

'Grand Tour' old master drawing of a seated male nude antique statue torso Italy 18th century or older Drawing (sight): 15" W x 20.75" H; Framed: 25.5" W x 32" H x 2" D. An exquisite 'Grand Tour' Old Master drawing from Italy, dating back to the 18th century or even earlier. This captivating piece measures 32 inches high by 25.5 inches wide when framed.  This finely executed Grisaille chalk/pencil artwork measures 20.75 inches in height and 15 inches in width within its later neoclassical frame. The drawing skillfully captures the essence of a Roman antique-carved marble male torso...

Elegant and refined print representing architectural details of the famous Pantheon, with plans, sections, elevations of capitals and columns, architraves and cornices, with particul...

Antique Original Watercolour Painting Depicting a Classical Scene A woman is seated in an Arcadian landscape and is being atten...

Enamel on canvas "Untitled" signature on the back. Certification by the artist is present. Archived in 1997 Monte Titano Arte General Archive of Mario Schifano's paintings n. 713/9...

Transform your home into a dreamlike setting with our new designer wallpapers , .embrace the magical colours and bold patterns. Special collections. Unique design. Worldwide shippin...

Broken mirror is a mirror born from the encounter between Gufram and New York Snarkitecture studio (founded by Daniel Arsham and Alex Mustonen). The reflecting surface is surrounded ...

Background: Noble Red Subjects: Multicolor Designer: Marika Tardio Designed by hand in Digital Art Made in: Italy Printing support: Fine Art ( front 50% cellulose, back non-woven ba...

Italian painting from the second half of the 20th century. Artwork oil on canvas depicting landscape, countryside view in impressionist style of good pictorial quality. Painting of g...

Light sculpture Curved acrylic sheet, Lighting with light tubes "The intervention of an artist, citizen of the world, like Marco Lodola has created a climate of high cultural as well...

Extraordinary midcentury ceramic sculpture conceived as a picture, framed. "Three countenances" in green - off-white - grey colored combination turned into one sculpture. The backgro...

Pair of 19th century Italian gilt wall brackets. Brackets have beautifully carved and painted acanthus leaves topped with a flat shelf. Wonderful old patina. Brass hardware is affixe...

Late 17th century Italian Baroque lintel carved in triangular shape with acanthus scrolls, centered by a winged cherub face. Polychrome painted. Superb Italian craftsmanship. Previously refinished. Currently mounted to an upholstered headboard panel; could be remounted professionally to another substrate. Carved lintel...

One of six hands watercolored and press printed botanical print. Each print is entirely printed and colored in Italy by our master craftsmen. The complete set can be viewed on our pa...

Elegant hand-watercoloured black silhouette print representing "Amaryllis Aurea", printed on aged paper and accompanied by a stunning white passpartout with black stripes This botan...

Beautiful reproduction of an antique English map showing th Planisfere, with astral hemisfere, made in 1629. We can see with what mastery of join...

An Impressive 18th Century Painted Parchment Armorial Height: 260cm Width: 185cm Provenance: Private Melbourne collection.

Attributed to Domenico di Paris, also called Domenico del Cavallo ( Monselice, documented in Ferrara between 1442 and 1501) Madonna and The Child Polychromed and gilded Stucco 47,5 ...

A stemma is a written record of a family tree that can be traced back to ancient Rome when they recorded such genealogical information on scrolls. In the Middle Ages, coat of arms be...