Italian Wall Decorations

Found in Italy, this wall-mounted cabinet dates from the 1960s. Cabinet has a walnut base with sliding clear glass doors and glass interior shelves. Unknown maker.

One of a kind, large sculptural round red concave glass disc wall sculpture, Italy, 2024 reminiscent of an Andy Warhol pop art sculpture. Large round tinted glass in a dramatic red h...

A wonderful 19th Century Italian religious textile banner with beautifully colored Our Lady Of Sorrows Mary, Mother of Jesus oleograph, original backing, rod, rope, fringe and tassel...

A mid-20th century Italian pietra dura inlaid plaque, a Florentine commesso depicting a view of Florence with the Cathedral.

A lovely pair of vintage Italian giltwood and gesso wall brackets or shelves from Florence, Italy, circa 1950. These stylish brackets have a hand carved scrolling acanthus leaf desig...

Wonderful Italian Empire original giltwood frame with two rows of carving Early 19th century Internal measurements cm 58.5 x 47 Every item of our Gallery, upon request, is accompan...

Vintage Pop Art Paperclip Wall Sculpture, purchased in Italy and in the style of Curtis Jere. The sculpture of oversized paperclips linked together is in fun primary colors and measu...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Italian painting dated 1980. Oil painting on canvas signed Ferruccio Rosini (Livorno painter born in 1932) depicting a seascape in impressionist style, without authentic. Beautifully...

Part of the Bisanzio Collection, this stunning bas-relief is made of white Carrara marble and is distinctive for its harmonious decoration and attention to detail. Its name, Sikelia, celebrates Sicily during the Byzantine domination: the Verde Alpi marble used for the green circles, showcasing a polished finish, is finely counterbalanced by the satin finish of the copper sheet used for the triangles. Each wall decor (the single tile...

Portrait painting of old master artist Raphael. Early 19th century Italian watercolor. Unsigned. Contemporary frame.

Vintage Mid-Century Decorative Wall Panel - Iconic Retro Art Elevate your interior with this striking vintage decorative wall panel that embodies the spirit of mid-century modern de...

Artwork wall Panel scagliola decoration Handmade in Italy by Cupioli available. Prometheus a Greek mythological figure is represented in this panel. To this hero, a friend of manki...

Last 4 of an original set of 16 wall fixtures. Set of four really large and great looking, half-moon shape, easy to mount and beautifully handcrafted alabaster wall lights. In all ...

Step into the vibrant world of contemporary art with the mesmerizing triptych serigraph "Oh! Copenhagen" by the renowned artist Franco Costa. This exquisite artwork, consisting of th...

The, suitably, psychedelic artwork on the Italian 4 Foglio film poster for the Beatles' classic Yellow Submarine is, well, groovy baby. Sure to brighten up an...

Antique painting of a steam powered yacht flying a British flag and named "Sapphire" as seen on the Mediterranean sea with Mt.Vesuvius in the background. Executed in gouache by noted Italian marine artist Luca...

An old master style 18th century allegorical painting representing youth and old age, and/or beauty and wisdom, depicted by a beautiful young ...

A stylish pair of vintage Neoclassical style Italian silver and gold gilt resin wall brackets or shelves with a lovely scrolling acanthus leaf design. Perfect for displaying decorati...

The Antique Painting, Vase Of Flowers paintings on canvas depicts a beautiful bouquet of flowers with Dahlias, Asters and Chrysanthemums above a table. The flowers are gathered in a...

A wonderful Italian painting depicting peasants at rest under trees, with haystacks and farm buildings in the distance. Oil on board, late nineteenth century or early twentieth centu...

A beautiful and important painting by the great artist Enzo Benedetto, an absolute protagonist of the so-called ‘Second Futurism’. It depicts a seascape captured in its essence of natural energy with the waves of the sea crashing powerfully on the coast, probably a glimpse of his homeland, Calabria. This artwork, never before on the market, comes from an important private collection and is beautified by an impressive original frame in wood, in almost perfect condition. Enzo Benedetto (Reggio Calabria 1905 - Rome 1993) Benedetto, called Record by Filippo Tommaso Marinetti, approached the Second Futurism in 1924 after meeting Mino Somenzi and was active as a Futurist until his death, becoming a tenacious continuer of the movement's principles, revisited in 1967 with the Futurism Today manifesto. Benedetto theorised and practised the union of colour with the word and coined the term chrome-paroise to define the synthesis of painting and writing. In 1926 he promoted the futurist hall for the 4th Calabrian Art Biennial in Reggio Calabria where Depero, Dottori, Tato, Fillia, Pozzo, Benedetto Marinetti and himself, amongst others, exhibited. In 1927 he participated in the National Futurist Exhibition in Palermo. He moved permanently to Rome in 1927 and joined the Manifesto in 1931. In a short time he took part in the ‘great Futurist exhibition’ in Imola, the ‘first exhibition of Calabrian art’ in Rome, the ‘33 Futurists’ exhibition at the Pesaro gallery in Milan, and above all the ‘great Futurist exhibition’ at the ‘international artistic circle’ in Via Margutta in Rome. Benedetto had begun flying in 1926, as a photo of the time documents. That same year, inspired by the exploits of the aviator of the same name, he had executed the painting De Pinedo. He adhered to the Manifesto already signed by Balla, Marinetti, Depero, Dottori, Tato, Prampolini and Fillia, which advocated the triumph of a spatiality enhanced by flight in its dynamic effects and freed from the fixity of the horizon. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. From 1939 to 1946 he volunteered for the African campaign and was sent to Libya, after which he was imprisoned for six years in the concentration camps in Alexandria, Ismailia, and in India in Bangalore and Yol in Kashmir. During this imprisonment he was able to paint and some canvases from this period were brought back to Italy, rolled up as personal luggage, In January 1943, he painted Yol, a new psychological oil portrait of Francesco Tommaso Marinetti. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. The exhibition dedicated to the great Italian poet and founder of Futurism was opened by Benedetta Marinetti. He adhered to the Manifesto already signed by Balla, Marinetti, Depero, Dottori, Tato, Prampolini and Fillia, which advocated the triumph of a spatiality enhanced by flight in its dynamic effects and freed from the fixity of the horizon. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. From 1939 to 1946 he volunteered for the African campaign and was sent to Libya, after which he was imprisoned for six years in the concentration camps in Alexandria, Ismailia, and in India in Bangalore and Yol in Kashmir. During this imprisonment he was able to paint and some canvases from this period were brought back to Italy, rolled up as personal luggage, In January 1943, he painted Yol, a new psychological oil portrait of Francesco Tommaso Marinetti. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. The exhibition dedicated to the great Italian poet and founder of Futurism was opened by Benedetta Marinetti. In 1948 he had a personal exhibition in Capri at the gallery, ‘l'oblò’, and in Reggio Calabria in the Hall of the ‘Francesco Cilea’ Municipal Theatre. In 1949 he took part in the Calabrian Biennial in Reggio Calabria. In 1950 quanta took part with ceramics in the Selective Exhibition of Artistic Craftsmanship in the Angelicum in Milan, and with paintings in the Historical Review of Futurism in the Palazzo di Re Enzo in Bologna. He then held an important solo exhibition in Milan, at the ‘Centro d'Arte San Babila’ and participated in the sixth Quadrennial in Rome. He had a solo exhibition in Fano and another exhibition in Rome in the Galleria del Palazzo delle Esposizioni and in the Galleria del Teatro ‘il Millimetro’. In 1951 he took part in the collective exhibition ‘Mostra Nazionale della Pittura e della Scultura futurista’ (National Exhibition of Futurist Painting and Sculpture) in Bologna, Palazzo del Podestà, with Acquaviva, Giacomo Balla, Primo Conti, Tullio Crali...

19th century pair of framed Italian hand colored engravings One engraving depicts a scene from Florence, Italy The other depicts a sc...

The Frameworks are created with the same technique as our wallcoverings and represent a unique artistic vision, which embellish the location where they are exhibited. This creation ...

An absolutely exquisite pair of Italian 19th century Neapolitan gouaches in 20th century giltwood frames. One depicts the volcano eruption of 1822 in Naples, the other is an affluent...

Wall Decoration Jag in handcrafted ceramic.

ITA: Sculptural wall panel designed by Nerone & Patuzzi and produced by Forme & Superfici in 1972. This is an unnumbered prototype, thus to be considered a unique piece. A few number...

Set of four hand made and painted tiles professionally framed it wood frame , depicting caricatures from The Carnival of Venice. Which is annual festival held in Venice, Italy. The festival is world-famous for its elaborate masks. The celebration takes place over ten days in which people dress up and take part in organized parades or simple processions on the street. The costumes are seventeenth-century Venetian dresses.

Valentina Guido Crepax lithograph 1980s multiple 90/99. The item is in excellent conservative condition, there are no major cosmetic or structural defects to report, just slight an...

Background: Dark Blue, Light Blue Subjects: Beige Onyx Designer: Marika Tardio Designed by hand in Digital Art Made in: Italy Printing support: Fine Art ( front 50% cellulose, back ...

The four 18th-century Neapolitan posthumously framed under-glass paintings depict biblical scenes from The Book of Jonah, specifically: 1. Jonah vomited by the Whale; 2. Elisha and t...

Were I, all of a sudden, to find myself lost in a dream, I would search in the horizon for the right moment to make it come true. Even if everything seems frozen in time, it’s actua...

Luigi Saccardo, 'Beehive' bookcase from the 'Topline' series, lacquered laminated wood, metal, Italy, circa 1976 Back in the seventies, Topline was a newly introduced collection by ...

Decorative Ceramic "Bocca della Verità" Wall Sculpture by Domenico Persiani, Rome, 20th Century This striking ceramic wall sculpture is a rare, decorative...

A large Italian ceiling panel made of hand crafted Walnut, enhanced with caryatid and acanthus scrolls, in good condition. The antique wall relief, décor represents the Rococo time period...

BUTTERFLY The free dance movement For more than 22 years, Sabrina Landini pays homage to glass surfaces in her expression of silvered masterworks, the hallmark of her collection. S...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

Cassina Set of Two Podor Outdoor Accessories Outdoor accessories complete the Cassina lineup of furnishings for open-air living and dining areas. The baskets are inspired by the sh...

Set of etchings of views of a Greek ceremonial klismos chair. In his fifties, G.B. Piranesi was interested in archaeology and studied in Southern Ita...

A lovely pair of vintage Italian gilded wood and gesso wall brackets shelves, circa 1950. They are decorated with lovely roses and scrolls in a beautiful gilt patina, perfect for dis...

This wooden gilded wall corbel or shelf is beautifully constructed and ornamented with columns down the center with a floral final at the tip. This wood gilt piece would be a wonderf...

Enzo Mari Wall Hanging Quilted Tapestry Arazzo Canova Adone e Venere, 1999, Italy- Dimensions 102" x 59" x 1" This large wall hanging designed by Mari was produced in 1999 and is no...

A stunning vintage Italian gilded wall bracket / shelf / corbel. This gorgeous bracket is a nice large size at 18.5" height with a beautiful gilt patina, perfect for displaying decor...

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. Inspired by the l...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Rare Ginori plate in porcelain painted 1860 Italy with Allegory of Women, taken from a work of the Uffizzi of Florence of 1600 by Francesco Furini "Painti...

Philia is an impressive decorative work, a triptych composed of three panels, each measuring 126 x h. 187 cm. Its surface, characterized by an abstract, textured decoration, is the r...

Wonderful and LARGE terracotta wall plaque by Italian ceramist Giovanni de Simone. Weighing approximately 30 pounds, the plaque measures 22.25" high, 20.63" wide and 1" deep. The ha...

Ada Pratella (1901-1929) Houses at Capri, oil on canvas in gold frame, signed lower left. Italy, circa 1920 Dimensions: 17" W x 14.5" H x 1.88" D; sight 12.5" W x 10.25"H.

This 19th-century oil painting captures a vibrant Venetian landscape, depicting the iconic Venice Canal with boats drifting along the waterway. The bright colors and dynamic brushst...

Art Deco bronze floral motif architectural panel, four available, each one of rectangular form with pierced floral still life.

A very fine early 20th century Italian “japoneserie” painted and parcel-gilt Boiserie panels with a black painted canvas insert. Modular panels create a complete room with an amazin...

Neoclassical Etching of a architectural cornice and a Corithian capital by Francesco Piranesi (Italian, 1758 - 1810). Architectural Etching on paper...

Elegant hand-watercolored print representing Corallium Rubrum in red nuance, Image reproduced from the famous illustrations by Albertus Seba' Cabinet of Natural Curiosities. These pr...

An intriguing framed print (likely woodcut) signed and dated by the artist, Giacomini 1985, the work recalls early 20th century artistic movements toward abstraction of the figurativ...

A beautiful hand painted blue, cream, and green faience pottery wall plate featuring a coat of arms crest with a swan. By Veschini Deruta Italy, Late-20th Century Measures: 10"W x...

Pair of petite Florentine wall brackets/shelves in giltwood with rocaille flourish and hand-painted details (ca. 1950s, Italy). Each bracket has two hooks for hanging. Rich, naturall...

Background: Red Classic Burgundy Subjects: Beige Onyx Designer: Marika Tardio Designed by hand in Digital Art Made in: Italy Printing support: Fine Art ( front 50% cellulose, back n...

Lithograph with golden yellow background Signed in pencil lower left ‘P d A’ Artist's proof Signed in pencil lower right ‘G. De Chirico’ Inscribed in the centre in pencil ‘Bucintoro...

PRESENTING A GLORIOUS & RARE Early 20C Medici Print of ‘Putti Under a Vine’. From the very early 20th Century, circa 1911. Framed and sold by Foster Bro...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

We adore the Italian film poster for 60s classic Breakfast at Tiffany's. Enzo Nistri's design is simply fabulous darling! This vintage film poster has been professionally linen-back...

Beautiful oil painting on canvas, made on the first canvas and framed with a contemporary rectangular frame in carved and gilded wood. The painting represents a striking image of the...

Madonna in ceramic high or bas relief on a wooden panel base, from the Déco era. Little flowers painted on the Madonna veil. It's delicious !

1 of the 24 blue and white sunflower tiles. The floral tiles are handmade and hand painted in Europe, Italy. These tiles are particularly beautiful, the biscuit is handmade and the ...

An outstanding and grand 17th century Baroque oil painting on an oval wooden panel of the Madonna and Child. Beautifully executed and stunning patina.

N.4 ceramic wall tiles, 1930, square form, each framed, each signed Richard Ginori S.Cristoforo Milano Giò Ponti.

From our Hand-Painted Furniture Collection, we are pleased to introduce you to our Fuchsia Otello Screen. Nature has always been a source of inspiration for our hand-decorated furn...

This set of four antique hand painted pottery tiles are all unsigned, so no specific artist can be identified, but are presumed to have be...

DESCRIPTION: Nerone & Patuzzi for Gruppo NP2 Sculptural Wooden Panel, Circa 1970, Italy. Very decorative and important piece made with sculpted wood. Signed. CONDITION: Good condit...

These carved wood wall mounted brackets have many uses as architectural pieces flanking either side of a mirror as well as functional holding small statues on a wall. This classic se...

Fantastic sculptural clay mask wall art made in Italy. Hand made in an aged adobe color with a short rope which ties off on the face of the mask. Hangs from a single screw making ins...

An incredibly rare Italian due fogli teaser poster for Roger Vadim's 1968 sexy science fiction comedy 'Barbarella', with spectacular psychedelic artwork by Mario De Berardinis. Based...