Hand-Crafted Paintings

Large American abstract modernist impressionist oil painting on masonite board in the great original artist hand painted sgraffito combed decorated wood frame by Zoute ( born Leon Sa...

Large size and one of a kind painting with a great atmosphere. We are by no means connoisseurs when it comes to antique paintings, but we have seen enough antique paintings to know ...

A set of 4 vintage large hand-painted framed Gracie wall panels. These vintage panels are unique in the sense that they are not only wide but tall as wel...

This is a very large decorating Majolica Plate depicting Don Quixote de La Mancha. These famous character is universally known by the Spanish novel book of Miguel de Cervantes (One o...

Colorful painting on copper in a (recent) black frame. Signed: JH. F...(unknown). Dated: 1970

Impressionist Abstract Oil on Canvas Painting Gold Framed A very serene abstract, painted in oil. Seemingly simple and relaxed scene yet very effective in composition. Sweeping brus...

A large antique artist paint brush - perfectly aged rounded oval shaped wood handle w/ large horsehair bristles encased in riveted metal. Incise signed on handle but cannot decipher....

A fine work of Gothic Art depicting iris flowers, associated with the Passion of Christ and the Resurrection. This Gothic quatrefoil design umbrella stand is another one of our rece...

Unique work of religous art, former church or cloister window. This 'fire-painted' or stained glass church window possibly depicts a biblical scene or maybe 'just' the image of the ...

Large abstract painting "Rainforest" in patinated and engraved bronze and pewter with deep green and blue enamels by Philip & Kelvin LaVerne, American 1970s (signed “Philip. Kelvin L...

Wonderful contemporary feeling watercolor. Framed in Baltimore, not sure if this is the original frame for the work. Signed and dated 1932, Unknown artist. Procured in US. W 19.5 ...

Single french 1950's abstract acrylic panel. Screen is made from browns, oranges, yellows and greens with gold leaf in places. It has been photographed with front light, front light...

Landgarten, signed on verso. Estate fresh. Beautiful calming painting. Unrestored, and in Fair/Poor vintage condition, no rips, no holes, but a dark scuff streak on left side, and ...

Antique Pair of Chinese Pink Botanical Dogwood Watercolors in SilverFrames A lovely antique pair of Chinese watercolor wall hangings of dogwood trees with peonies, butterflies, and ...

Large size and slightly abstract Arab street scene painting. This larger size and very well executed painting is another one of our recent great finds. It may be abstract in style, ...

An original wallpaper strike off from England in the 1930’s has recently been framed. The new frame is carved and scalloped in an ebonized finish and new protective glass. The mat bo...

Pair of large french 1950’s acrylic and resin abstract panels gold leaf circa 1950. Screens are made from browns, oranges, yellows and greens with gold leaf in places. They have be...

Vintage mid-century modern still life oil painting on canvas by Vintage mid-century modern still life oil painting on canvas by Joseph Duv. He was born in Algeria in 1918 and at the ...

Two very pleasant musical themed silhouettes mixed media paintings. These lovely drawings are made of ink and watercolor on paper enriched by a musical score fixed with a red lacquer wax mold...

This is an oil on canvas landscape painting by Knud Edsberg (1911-2003) from Denmark estimated to be from the 1950s. The motive is cows in a field. The painting is signed in the bot...

5065 The Trafalgar naval battle sign painted on metal restrant food sign

Step into the peaceful landscapes of rural Poland with our vintage hand painting on board, a masterpiece that beautifully captures the essence of nature's tranquility. Signed by the ...

Early 20th Century Framed Landscape with Haystacks, France A beautiful European painting on board depicting a bucolic landscape with haystacks at the forefront. Lush green landscape with trees, a split rail...

A very interesting and unusual Cornwall Iron Banks Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on canvas and comes complete with what appears to be an original artist decorated/painted frame with later touch ups. The Cornwall Iron Banks Original Oil Painting is signed on the front by the artist and appears to be dated 1948 on the rear. Known for his unusual subjects Pfoutz outdid himself with this effort, capturing the workings of one of the largest iron ore mines in the eastern United States, located in Cornwall PA. This mine and others in the area that came before it, played a crucial role in the development of the United States of America from the Revolutionary War, through the industrial revolution up until the 1970’s when the mine was flooded during Hurricane Agnes and closed operations. Overall frame Size approximately 26″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

A very interesting and unusual Lancaster Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist. Overall frame Size approximately 42″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Fabulous period of abstract expressionism 1962 created by Zubel Kachadoorian, "Andromeda" signed and dated in verso. Madison Ave Gallery label affixed. Gallery 831 Madison Nordness p...

Large Modernist Impressionist Oil Painting Seascape Village, 1950's Italy A very restful large Mid-20th Century Mediterranean seascape composition, painted in oil. Seemingly simple...

Impressive antique wall panels crafted in hardwoods and paint decorated in floral motifs retrieved as architectural remnants from an Addison Mizner Palm Beach Estate.

Amazing workmanship enamel paintings in original frames. This unique and stunning pair of Midcentury Modern enamel paintings, in our view, is fit for a fine art museum, because thi...

Simple & elegant hand painted enamel on copper of a French cottage by a pond with dock. Petite in size, work of art is 3.5 x 5. Totality is 10.5 x 9.5 framed. In excellent antique co...

Fabulous colorful abstract view of the city of Rouen, France from the countryside with the spectacular view of their cast iron cathedral prominently situated. Great technique and col...

Arminian - Russian artist moved to California and painted many beautiful small paintings , landscapes and seascapes also still life . This painting measures 8 x 10 , signed in white ...

Beautiful Oil on Canvas painting of a southwestern scene showing a native American Indian involved in a peace pipe ceremony. Great technique by William Burlingame...

Oil on masonite by Eugenio Fernandez Granell (1912-2001). Fantastic piece of art, realized by the Spanish artist Eugenio Fernandez Granell, back in the 1952. This art-piece were realized during his living period in Puerto Rico, when he decided to emigrated from Spain. Represent several surrealistic animals and personages, like a bull, a horse and the synthesis of a torero with a helmet. Clearly a bullfighting image. Title: Estampa Taurina. Year: 1952 Technique: Oil on masonite wood. Art Measures: 463.55 mm by 368.30 mm (23.5 x 17.5 Inches). Frame Measures: 463.55 mm by 368.30 mm (29.5 x 23.5 Inches). Signature: At lower right corner signed, "GRANELL 52". Eugenio Fernandez Granell As a Surrealist artist, Eugenio's work is principally characterized by its bright and vivid colors that explore nature and the indigenous symbolism of the Americas. His most famous works include Autorretrato (1944), Elegía por Andrés Nin (1991) as well as Crónica de los fiscales de los años horrendos (1986). Granell's work has been incorporated into exhibitions in the Maeght Gallery, the Bodley Gallery, The Museum of Modern Art as well as The Museum of Contemporary Art alongside other Surrealists such as André Breton and Marcel Duchamp. Granell also dedicated himself as a poet, essayist and novelist, publishing 15 books in all. Some his first, and most prominent works, include "El hombre verde" (The Green Man, 1944) and Lo que sucedió (What Occurred), a book he illustrated and designed himself which won Mexico's Don Quixote novel prize in 1969. From the mid-1960s until retirement, he was professor of Spanish literature at Brooklyn College. The Eugenio Granell Foundation was inaugurated in 1995 to conserve the life and work of the artist with an expansive collection of his oils, drawings, constructions, collages and archives. The museum also dedicates itself to the preservation of other Surrealists such as Joan Miró, Wifredo Lam, José Caballero...

Unknown origin, unknown artist. Amazing piece of work. Possibly a WPA Poster, Artist Proof. Appears to be in the original frame, do not see any damage on ...

Oil Painting on Canvas signed Maurice Braun, 1902 Listed Artist A very lifelike rendering of a European street scene with houses. This early 20th Century painting features houses ...

Andrew V. Wapinksi Sea Fragment 12 x 12 in Encaustic, Sand, Graphite, and Charcoal on Canvas Mounted Panel. Signed, and Initialed by artist on verso.

This is an oil on canvas painting by John Edvin Knüppel from Denmark estimated to be from the 1950s. The motive is a farm at the countryside called “Gammel Hedegaard”. The painting ...

Charming oil on canvas painting of an Italian coastal city scene with sail boats, signed, circa 1950's. A very lifelike rendering of an Italian coastline. This 20th Century oil pa...

Emile Aubry, France, 1932 documentation, comparable with a similar work - catalogue "Salon des Independents" Paris from 1932 Muse´e des Beaux-Arts, Pau, Be´arn, Pyre´ne´es-Atlantique...

Large and exceptional “Passion”, a painting in patinated and engraved bronze and pewter with colorful enamel cloisonne with hand-brazed sculptured frame by Philip & Kelvin LaVerne, A...

" Morning Subway " Prestopino, Gregorio (American, 1907-1984) Original Serigraph signed and numbered 3/50 . The Whitney and MoMA both have his work in their collections, he is ove...

Unsigned multi colored/layered silkscreen. Framed W 30.5 x H 26.5 in. Image W 23.5 x H 19.5 in.

A fine English still life oil on canvas painting, signed J.E. Cook. Still Life Oil Painting of Flowers, attributed to 20th Century British Artist Frame measures 25 3/4" x 22" Pre...

Antique Framed oil painting on canvas by De Kok showcases the artist's firm grasp on creating the tranquility of an intriguing landscape composition using color and contrast resultin...

Fabulous, fantastic 1963 oil on canvas painting of a Marilynesque Figure by a pool. Colorful and stylish depiction of the famed and tragic Marilyn Monroe sitting in a pool setting po...

"Horses Plaque" in patinated and engraved bronze and pewter with colorful hand-painted enamel cloisonne horses by Philip and Kelvin LaVerne, American 1960's (signed "Philip Kelvin LaVerne"). The background of this piece is patinated pewter and the piece is trimmed in patinated bronze. The colorful green, blue and yellow enamels used for the horses are stunning. Reference: ”Philip and Kelvin LaVerne, Sculpture III”, paper catalog published in the 1970’s, this painted wall sculpture is on page 38 titled, “Horses Plaque“. The description on the back of the catalog is written as followed: “HORSES PLAQUE - Ming horses...

Antiqued Massive Ornate Gold Gilded Framed "The Dinner Party" Oil on Canvas Circa 1940 Dimensions: with frame H 64" W 87" D 5" Introducing Elegant "The Banquet Scene" Artwork i...

Seasonal autumn Chinese hanging scroll painting depicting colorful Camellias with a calligraphy signature and date. Crafted on hand-made mulberry paper wi...

A light-green, grey vintage Art Deco French still life oil on cardboard painting depicting a working table with a green vase with flowers, pain...

Vintage Art Deco Framed Oil on Canvas Painting Wall Art Wall Decor Cool large Art Deco painting in a silver frame. Signed Circa 1995 Dimensions:...

A white-pink, vintage Russian still life oil on canvas painting of a green ceramic vase with many different kinds of flowers, painted by Titov Y. V....

Rare abstract collage "Dialogue" in engraved and patinated bronze and pewter with colorful enamel cloisonne and hand-brazed sculptured frame by Philip & Kelvin LaVerne, American 1960...

Beautiful watercolor by the well known artist Tarkay, This work was purchased in a charity auction and retains label also art work measure 16x 12 inches,...

This unique and vibrant enamel painting on copper is of a sailboat in stormy waters. The sky is aglow in bright yellow, ochre, and white mixing with hints of blue and green. The roll...

Stunning, one of a kind, mint condition and signed Modernist painting. For very good reasons the midcentury modern era has become extremely popular amongst interior designers and de...

This original painting was done by the well known Canadian-American Rolph Scarlett, dating to approximately 1950 and done in his Non-Objective Modern style. This abstract painting is...