Hand-Painted Wall Decorations

The size and scope of the Deane King painting is impressive, especially the way she chose to fill the space with her beautiful pastel palette.. This captivating vintage landscape pa...

Print from the Collection Botanique Vegetables representinga group of three different types of artichokes enriched with green colors and nuances of watercolor. Another different veg...

19th century, Italian Painting Architectural Capriccio with the Pyramid of Caio Cestio, Roman painter, after Giovanni Paolo Panini, unsigned. Dimensions: cm H 48 x W 63.5, frame H 6...

Oil Painting Ladies on Zinc Panel 19th C Victorian A continental zinc metal painted panel of two well attired ladies gathering yarns of wool into small bundles in period gilt frame...

A rare gemstone artwork in the art nouveau style modeled after Alphonse Mucha's "Spring". The painting was done on the back of glass and applied with quartz to create the iridescent background. The Goddess finely painted, delicately inlaid with natural gemstones. She wears a long mermaid...

This a copy piece of decoration is from a very known and good artist with an emphasis on feminism. The piece is from Niki de Saint Phalle who is better known for shooting paintings. ...

A superb pair of antique 19th-Century French provincial faience Quimper wall plates. Both plates are signed "HB Quimper". These charming plates are hand painted with a young Breton c...

Extra large spider crab and lobster seafood plates wall decoration, Majolica, glazed ceramic. Portugal, 1950s Rare find. A colorful pair of fine Majolica glazed ceramic plates with s...

Whimsical set of six mixed medium paintings of assorted dog breeds dressed in costumes from Elizabethan to Victorian, executed in a tongue in cheek portrait style with watercolor and...

Vintage painting, still life of flowers in a vase, oil on canvas, framed in a cream and gold pine frame, signed Scheers Theo at the bottom right, circa mid-20th century. Nice and co...

Decorate an office or study with this large antique oil on canvas painting. Created in France circa 1890, and signed by French artist, E. Laval, the artwork is set in the original ca...

A beautiful, vintage oil painting on canvas-board sourced in France. The painting features a somewhat diffuse still-life in soft pastel hues... pink, green, blue and white. Unfortuna...

Copper plate engraving of the Laburnum by Pierre-Joseph Redouté, 1812. Engraving with original hand-coloring on laid paper with visible ribbed paper texture and plate marks. There ...

Beautiful tile mural with the "Flower Vase" motif finely painted. Quantity: 80 tiles Tile mural size: 59"H X 47.2"W (150cm X 120cm) Tile size: 5.9"H X 5.9"W (15cm X 15cm) Origin...

Series of 4 Elegant hand-watercoloured prints representing dried plants from Apiaceous botanical family, painted with notes of antique rose and sand color shade. They are represente...

A lovely 19th century English school watercolor on paper of "a garden pergola" rendered in beautiful colors of brick, green, tan and grey. Presented in a gilded gesso and wood frame.

Still Life Oil On Canvas Painting of Garden Flowers in Table Top Vase, Giltwood Framed, 20thC Measures- 27''H x 31.5''D x 4.75''D; 23.5'' x 19.5''D

19th century Russian princess with tiara and elaborate jewelry portrait miniature This young woman is wearing elaborate jewelry and a golden tiara....

This large antique charger was crafted in Holland, circa 1960. The large, wall hanging plate depicts a wintry cottage scene, a Dutch windmill and boat, as well as people enjoying the frozen lake! One person is assembling skate shoes, while the other 2 stand in front of their ice sled. This platter has the traditional ditch classic blue and white palette. The ceramic piece has a flower border and features a farm house, a fishermen on a boat and a windmill in the background. The hand painted, porcelain piece is stamped on the back "Royal Sphinx...

Still life artwork, oil painting on canvas, vegetable and fruit with apples, pears, nuts and celery, cauliflower, chard, leeks, onions, garlic, carrots, aubergine. Still life painting rich and colorful. It also has a beautiful and original golden frame from the 19th century. The oil on canvas painting dates back to the nineteenth Century. The antique frame and the oil painting are restored. This still life oil painting is not signed, however, this is a French painter active in the 19th century. Restored Painting Oil on Canvas Gilded Frame Ancient Painting...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin...

Dutch Delft Porceleyne Fles wall plate, 1960 A large wall plate with a floral and peacock decor. The wall plate with craquelure and on the back the mark of The Royal Porceleyne Fles...

Copy of a painting in the English Neo Classic style titled "A Roman Lady" showing portrait of woman in classical garb

An Incredible 19th Century Orientalist Oil on Canvas 'Prince and Princess in the Harem" signed by Antonio Rivas. Antonio Rivas (1845–1911) was a Spanish painter active in Rome, know...

This French early 20th Century folding screen is made up of four canvases entirely painted with textured tempera featuring a marine l...

19th Century Seascape with Brig Under Full Sail, British School, circa 1870, an oil on canvas seascape with a square-rigged Brig under sail on th...

This early 20th-century oil on board by American artist Louis Nadler offers a vivid portrait of a chestnut horse standing alert in its stall. Characterized by its anatomical precisio...

19th Century Pastel - Leda And The Swan - French School Circa 1820-1840 Elegant pastel on paper depicting Leda and the swan, inspired by the classical myth in which Zeus transforms ...

Flemish 17th Century Genre Painting Circle of David Teniers the Younger (1610-1690). This cabinet painting depicting a woman shelling peas is from the Flemish School of the 17th ...

An original modern acrylic abstract in Antique gold Frame by Shannon Weir

Very captivating, original oil on canvas of a beautiful nude woman with expressive amber eyes and a lion by her side, by famous deceased listed Dutch artist, Leo Jansen...

Beautiful oil on canvas of reclining blonde nude on a white bed sheet. Framed. Signed (see attached photo). 20th century. Painting dimensions: H. 20...

A late-18th century Italian hand-colored copper engravings, original Italian etchings by Remondini, from Bassano dating back to 1770 circa. The set of four etchings...

Beautiful oil painting on canvas, made on the first canvas and framed with a contemporary rectangular frame in carved and gilded wood. The painting represents a striking image of the...

Antique oil on canvas portrait of an unknown 19th Century Virginian Gentleman, beautifully framed to retain its sense of time and place. Rich brush strok...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Vintage Ceramic Jeziorna Polish Pottery Plate Bolesławiec 1960s Poland. Vintage handcrafted ceramic pottery decorative wall plate. Gorgeous carved and hand-painted pottery plate with...

A late 18th century copy of a painting by Claude Lorrain titled, "Port scene with the Villa Medici" the original painted in 1637 and now hanging in the Uffizi Gallery in Florence. Th...

19th C. bas-relief panel which is a type of sculpture where the design in only slightly raised from the background surface, creating a shallow, low-relief effect. The relief depicts...

Set of 3 vintage hand-carved wood African wall masks, richly decorated with intricate tribal motifs and totemic animals (scorpion, salamander, owl). Unusual hand painted in shades o...

Painted on artist board. Abstract still life in a arts and crafts frame.

Painted in England circa 1920, this half-moon shaped livestock portrait depicts a standing cow rendered in a naturalistic style, positioned against a backdrop of verdant pasture and ...

This English oil on canvas painting, dated 1884, captures the quiet elegance of a white horse standing in a dimly lit stable interior. Painted with rich tonal contrasts and an eye fo...

A fine Italian Mid-20th century oil on panel "Battipanni" (The Carpet Beaters) by Nino Caffè (1908-1975) depicting a group of Cardinals playing around with ...

Ludovico Trevisan (November 1401 Venice, Italy - 22nd of March 1465) was an Italian Catholic prelate, who was the Camerlengo of the Holy Roman Church, Patriarch of Aquileia and Capta...

Nudes male female painting on canvas, Italy, 1990s This oil painting on canvas features a large painting that captures a poignant scene depicting three nude figures. The central focu...

A framed oil on canvas painting depicting a Parisian scene by French painter M. Seval. This atmospheric oil painting by 20th-century artist M. Seval captures a rainy day on a bustlin...

Antique original oil on canvas painting by Paul E. Harney, circa 1901. This wonderful Harney barnyard scene is in good vintage condition and measures 18.5" x 15.5" x 1.5" overall and...

Russia / 19th century / Religious Icon / oak / Baroque / Antique Religious Russian Icon “The Suffering Mother God”, 19th Century in tempera on panel from the estate of a collector. ...

From our Hand-Painted Furniture Collection, we are pleased to introduce you to our Moro Screen. Nature has always been a source of inspiration for our hand-decorated furnishings. We...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

Beautiful tile mural with the "GENTLEMAN" motif finely painted. Tile mural size: 76.7"H X 47.2"W (195cm X 120cm) Tile size: 5.9"H X 5.9"W (15cm X 15cm) Origin: Portugal Production...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...

Discover the elegance of this mid-century French screen-printed by hand tapestry featuring the exquisite design of a medieval museum tapestry titled “Charade” This tapestry, a repli...

Discover the elegance of this mid-century French screen-printed by hand tapestry featuring the exquisite design of a medieval museum tapestry This tapestry, a replica of the origin...

Hand Made Garden Rustic Farm Door Bell Antique Los Angeles CA Cloche Old Fashion Measures: Height all the way to the handle is 33” the main body of the i...

Keep a view of Paris in your home with this oil on canvas painting by French painter, Lucien Delarue (circa 1970). Set inside a carved gilt frame, this detailed, architectural painti...

1681, Pair of Paintings signed Grechetto da Leone as Govaert G. VAN DER LEEUW Oil on Canvas Dimensions: cm W 91 x H 123 x D 6; canvas: cm W 72 x H 103.5 This pair of fine paintings,...

This is an oil painting that illustrates a peasant female in a countryside path walking down toward a lake at the sunset. Two large trees define the path. There is a small house at t...

"Homage to Pablo Neruda" by Jean Picart Le Doux - Signed screenprint, Bolduc on the back of the tapestry, Numbered Edition 432/500 - 155Lx115H * This Tapestry has been cleaned by ou...