Continental US - Abstract Paintings

"Evening Tide" is an oil on canvas painting by Eric Abrecht, depicting an abstracted coastal landscape with trees and heavy clouds. This piece is definitive of Abrecht's gestural and...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Cuban Artist Victor Manuel Gomez - Abstract and Surrealist Landscape Painting. Victor is an emerging talent born and raised in Havana. With a great sense of Havana’s always changin...

Bob Thomas (American, 1945-2018) Altered Grounds #61, c. 2010 Mixed media on wood 19 3/4 x 23 3/4 x 1 3/4 in. Robert “Bob” Thomas was an accomplished artis...

Post Dogmatist Painting on Panel, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa...

Artist: Voskan Galstian Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2022 Style: Abstract Art, Title: Abstraction, Size: 24" x...

Katherine Bello Title: Yellow Vase Oil on board Year: 2021 Dimensions: 12"x12"x1" Signed by hand Framed in a white floater frame COA provided ---------------------------------- Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, abstract art, contemporary art, Contemporary Fine Art, Fine Art, Painting, acrylic, Jackson Pollack, Mark Rothko, Kandinsky, Franz Kline, Lee Krasner, Helen Frankenthaler, Robert Motherwell, Mark Rothko, Amy...

Kathy is an abstract artist who explores a diverse range of mediums and techniques, including painting with oil or acrylic, incorporating paper in collage, and experimenting with pri...

"Door #30 (Bright)" (2018) by Francesca Reyes Original oil & acrylic wood panel; measures 8" H x 6" W x 1" D From the artist's door series, depicting doors that she has photographed ...

Vintage Indonesian modernist nude oil painting. Oil on canvas. Framed. Signed.

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...

Acrylic on canvas 86 x 137 in Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry...

Vintage American modernist abstract oil painting. Oil on canvas. Signed verso.

Abstract Expressionist Seated Man Figurative Evocative seated figure highlighted with dynamic brushstrokes in electric blue by San Francisco area artist Daniel David Fuentes (Americ...

Abstract painting on paper image: 18 x 24 inches paper size: 22 x 30 inches Contemporary minimalist abstract painting on a beautiful thick, creamy white Arches paper, unframed. Ins...

Stephen Pace Untitled, 58-26, 1958 Signed and dated lower left Oil on canvas 56 x 40 inches Born in Charleston, Missouri, Stephen Pace grew up in Indiana, where his parents operate...

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...

Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I see the content and story when I look at my work, but shape and color are equally...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas.

Artist unknown "Black & White Abstract" May 29, 1988 Acrylic on Strathmore paper 25.75"x40.5" unframed Unsigned

Hunt Slonem "Violet Spring" Purple and Green Flower A single violet gestured in purple, yellow and green on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: ...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world...

Massadas approaches painting with a philosopher’s eye. Her transcendent landscapes, bursting with color, are as isolating as they are sublime. Merging the tropical vistas of her nati...

5-3735 French Mixed media abstract set in a wood frame

Shapes and colors are the focus of this whimsical artwork painted on canvas by Steve McElroy. Signed and dated by the artist. Artist Steve McElroy’s work is owned by the singer Madonna, Alice Walton...

Dejame - original abstract acrylic canvas painting. framed , Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in t...

Artist: Jack Graves III (American, 1988-) Title: "Aura IV" Series: Aura *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acryli...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Joseph Kardonne (1911-1985). Point Pleasant NJ New Jersey Beach Landscape 1960. 11 x 14.5 inches. Watercolor, gouache and ink on paper, sheet measures ...

Domingo Zapata Born: Palma de Mallorca, Spain (1974) Lives and works: New York Awards: ‘Most Influential Artist of the Year’, Latino Heritage Celebration (2019) Exhibitions: Grand Hyatt Tokyo (2021), New York Fashion Week (2020), Art Basel Miami (2019) Domingo grew up in Palma de Mallorca in Spain, where his mother was a painter and his father painted cars. Surrounded by “paint and fumes”, he explored his heritage and learnt about artists like Diego Velázquez, Francisco Goya, Pablo Picasso and Salvador Dalí. His art studies in London and subsequent political science degree took him to Wall Street, New York, in 1999, before he embarked on a career in the music industry and wrote lyrics for Michael Jackson. He was hugely influenced by pop culture and the aesthetics of Andy Warhol and Jean-Michel Basquiat. Created in oil and acrylic, Domingo’s works incorporate mixed media, collage and graffiti. His poetic imagination is visualised through layers of text and visual cues including symbols and iconic brands and figures. He says his work is a “conversation of colours”, with its distinctive style identified by the raw strokes of paint. Each piece is designed to have a positive influence on the viewer. Domingo’s art is collected by celebrities including Leonardo DiCaprio, Johnny Depp and Orlando Bloom...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Dorothy Heller "Little Sun" 1962 Oil on Canvas 22 1/2" x 17 3/4", Framed 24 1/2"x 19 1/2" Signed in paint lower right and on reverse Abstract expressionist painting by "the finest w...

Plum, Sky Blue and Prussian Blue Excess combo is a trio of thick and vibrant impasto paintings on wood. The elegant texture is spontaneously built up and creates the dynamic surface ...

Pumpkin Spice Excess by Chloe Hedden is a rich, textured exploration of warmth and abundance. Its deep, earthy orange hue recalls the comforting essence of autumn—spiced lattes, cris...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 15 x 20.5 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist ...

“In the spaces between words, vulnerability takes form, emotions transform into color. Where silence reveals its truths—raw, vulnerable, and real. The purest essence. My language. Ea...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

A pop piece depicting Basquiat with Bazooka Gum. With impasto painting and silkscreening we are drawn to the movement, as the artist is able to engage his viewer with contrasting hig...

Artist: Jonathan Singer, American (1949 - 2019) Title: Homage to Ilya Bolotowsky Year: 1979 Medium: Acrylic on Canvas, signed and dated lower right Size: 78 x 45.5 in. (198.12 x 11...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing them at a particular moment in time.” Her artworks often incorporate a sophisticated and vibrant sense of movement. The secret bond that connects everything is a combination of appearance and perception, which Mauel has devoted herself to studying during her artistic career. Whether the subject be dancers, cityscapes, landscapes, or pure expression, Mauel has exemplified herself as an expert in the acute perception of ephemeral moments. This original landscape painting immerses the viewer into the serene world of a masterful portrayal of nature's greens and sky's blues. Layers of carefully applied hues evoke the tranquility of trees, and the sun's gentle embrace in abstract form. This artwork seamlessly blends modern aesthetics with nature's beauty, embodying the allure of modern landscapes. The canvas features a delicate fusion of emerald green, forest green, and accents of blue and white, creating a sophisticated ambiance. Delicate textured layers add depth, making it perfect for modern, nature-inspired decor. Crafted in oil on canvas, this original artwork by Bettina Mauel showcases her exceptional skill, revered by art enthusiasts worldwide. This original artwork measures 24 inches high by 40 inches wide. Mauel created this one-of-a-kind painting using layered oil paint on linen canvas with a balanced subtlety. It is signed and dated by the artist on the back. It is stretched, wired, and ready to hang. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping is available. A certificate of authenticity issued by the art gallery is included. Bettina Mauel was born 1959 in Wuppertal, Germany. She studied at the Düsseldorf Art Academy with Gerhard Richter, one of the most important artists of the 20th century. In 1984 Mauel was asked by the city of Wuppertal, Germany to paint scenes of the dance theater of Pina Bausch. This had a major influence on the selection of themes in her imagery. Rather than focusing on spectacular poses, she pays acute attention to the spontaneous movements in between, capturing a resonating rush of color and form. These impromptu paintings combine a long tradition of Eastern scroll painting, expressionist sketching, and fashion illustration. She lives and works as a lecturer in painting and artist in Cologne, Germany. Bettina Mauel has presented her work in numerous exhibitions throughout Europe, North America, and Asia and her art has been acquired by many notable public institutions. Representations Artspace Warehouse Los Angeles Kunstwarenhaus Zurich, Switzerland Group Exhibitions: 2020 Galerie Partout, Bergisch Gladbach, Germany Art Karlsruhe, Galerie Lauth, Germany 2019 Discovery art fair, Frankfurt Artspace Warehouse Los Angeles, CA, USA 2018 AAF Hong Kong AAF New York, NY, USA Artspace Warehouse Los Angeles, CA, USA Kunstverein Worth eV, Worth, Germany 2017 AAF Hong Kong AAF Battersea, London, UK Artspace Warehouse Los Angeles, CA, USA Kunstwarenhaus Zurich, Switzerland 2016 AAF New York, NY, USA AAF Hong Kong Art Hamptons, NY 2015 Los Angeles Art Show, CA, USA AAF New York, NY, USA Love Art Fair Toronto, Canada AAF Singapore 2014 AAF New York (Artspace Warehouse), NY, USA Love Art Fair Toronto (Artspace Warehouse), Canada Houston Fine Art Fair, TX, USA Red Dot Art Fair Miami, FL, USA 2013 Kunstwarenhaus, Zürich, Switzerland Artspace Warehouse, Los Angeles, USA 2011 Messmer Kunsthalle, Riegel, Germany 2009 Badisches Kunstforum, Ebringen, Germany 2007 Künstler der Galerie, Galerie Nordmann, Bad Kreuznach 2006 Galerie Kunstturm e. v, Ratingen 2004 Galerie, Schloss Oberhausen, Germany 2003 Galerie Peveling, Köln, Germany 2002 Wissenschaftspark, Gelsenkirchen, Germany 2001 Galerie Vostry, Erfurt, Germany 1999 Hans-Thoma-Museum, Bernau, Germany 1995 le rhin de waal, rheinisches Landesmuseum, Bonn 1993 Galerie Michele Hensel, Agrippawerft Köln, Germany 1991 Kunsthalle Barmen, Wuppertal, Germany Frauenmuseum Bonn, Germany 1990 Gut Opherdicke, Unna, Germany Baukunst-Galerie, Köln, Germany 1988 Goethe-Institut, London, UK Goethe-Institut, Sofia, Bulgaria 1986 Famagusta Gate, Nicosia, Cyprus 1984 Charlottenburger Schloß, Berlin, Germany Hannover - Herrenhausen, Germany Stadthausgalerie, Münster, Germany 1983 Akademie München, Germany Museum Abtei, Liesborn, Germany Solo Exhibitions 2020 alles bewegt, Galerie Berghout, Frankfurt 2019 Galerie K, Bad Kreuznach, Germany 2018 Galerie van Almsik, Epe- Gronau, Germany 2017 Alte Pumpstation, Haan, Germany 2016 Palmengarten Frankfurt, Germany 2015 Schloss Paffendorf, Galerie Bergheim, Germany 2013 Galerie Lauth, Ludwigshafen, Germany 2012 Kunst in der Villa, Waldshut-Tiengen, Germany 2010 Oberlandesgericht, Köln, Germany 2008 ces Wasserprojekt, Damaskus, Syria tanzhaus nrw, Düsseldorf, Germany Wasserturm, Meerbusch, Germany 2007 kleine Rathausgalerie Odenthal, Germany Kulturverein Schloss Eulenbroich, Ratingen, Germany Alte Synagoge, Meschede, Germany 2006 tanzende Bilder, Galerie Peveling, Köln cultur and dance boise, Illinois, USA 2005 Icon-Institut, Köln, Germany Culturclub Vancouver, sunshine coast Vancouver, Canada 2004 Ferme Heremance, Switzerland Galerie drei Eichen, Uelzen, Germany artrium art gallery, Luxemburg 2003 Fishhall, Chicago, USA Galerie Peveling, Köln, Germany 2002 Galerie der Universität Köln, Germany 2000 Galerie Luley, Wuppertal, Germany Kulturhaus Llyz, Siegen , Germany 1999 Stadtwerke Troisdorf, Germany 1998 Ingenieurkammer– Bau NRW, Essen, Germany 1997 Ka De We, Berlin, Germany Markgrafenhaus, Berlin, Germany 1996 Art Frankfurt, Galerie Peveling, Germany Kloster Pfaffen-Schwabenheim, Germany 1995 Galerie Hensel und Wiegers, Köln, Germany Castello di Rossignano, German-Italian Culture Institute, Italy Abtei Brauweiler, Köln, Germany 1994 Galerie Peveling, Vence, France Galerie Ricarda Fox, Essen, Germany 1993 Galerie Grashey, Konstanz, Germany 1992 Kunstverein Wuppertal, Wuppertal, Germany Bayer AG, Hochhaus w1, Leverkusen, Germany 1990 Kunstverein Schwelm, Schloß Martfeld , Germany 1989 Galerie Ruth Leuchter, Düsseldorf, Germany 1988 Galerie 2 well, Holland Friedrich...

Vibrant Shoreline - Abstract Impressionist Landscape in Oil on Canvas Gorgeous, vibrant abstract impressionist shoreline landscape by artist Kristin Cohen (American, b. 1963). The s...

Karen Silve’s paintings are distillations of her emotions, impressions, and experiences in the realms of nature and culture. Surrounded by the scenic beauty of the Pacific Northwest ...

Artist: Lucy Gregry Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic, Resin on Canvas 3D Neon Colors Year: 2024 Style: Abstract art, Title: Magic Forest Siz...

Bookatz's artistic practice embodies a dynamic and multifaceted approach to creation. His canvases resonate with an improvisational interplay, a reflection reminiscent of the nuance...

"On the Water XVII: Come Sail Away" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of cool and royal blue, interrupted by a st...

Oil paint and steel roof paint on antique baker's box. Repurposed object, colorful, cheerful, ironic

Green and blue abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Woman Drawing, 2023 Christopher Mudgett In Woman Drawing (2023), Christopher Mudgett offers a quietly powerful portrayal of a woman absorbed in the act of creation. Executed in his...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

Antique American oil painting by Elaine Crawley. Oil on canvas board. Signed. Framed. Measuring 21 by 25 inches overall and 20 by 24 painting alone.

Joseph Kardonne (1911-1985). Nude Woman, 1966. Watercolor on paper, sheet measures 10 x 13.5 inches. Signed, dated and titled lower right. Excellent condition. Born in Newark, New ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a colorful striped background with thick use of pai...

Stamped, verso, with certification of authenticity for Suzanne Gertz (American, 1938-2003) and painted circa 1985, partial signature lower right. Suzanne Gertz first studied at the...

Miami Lights 2021 Large abstract heavy texture, oil on hemp fabric 72x72x3.5, framing optional for additional cost. This painting by Alexander and Natalia Gore...