Houston - Abstract Paintings

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression. I...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression, whil...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression. I...

This work, although understated in comparison to other works of Wrays, reflects the abstract expressionist’s devotion to freedom of expression, both in form and color, and his intere...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression. I...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression. I...

Here the boundary between line and form seems blurred. While still spontaneous in application, Wray’s treatment of the paint suggests an oscillation between sudden and more deliberat...

While this work may stray from the diverse range of color and textures that usually dominate Wray’s canvases, one can see how the quick and emotive treatment of the paint still captu...

Encouraged by spontaneity, this work uses line and texture to invigorate the painting’s picture plane in a way that is sudden and playful. In 1958, Wray embarked on a trip to Europe...

While this work may stray from the diverse range of color and textures that usually dominate Wray’s canvases, one can see how the quick and emotive treatment of the paint still captu...

Encouraged by spontaneity, this work uses texture and saturated color to invigorate the painting’s picture plane in a way that is rugged and playful. Born in Houston, Texas in 1933...

The creation of this work was featured in Mountain Dew’s “Do the Dew” ad campaign in 2018. This monumental piece aptly captures Ushio’s unrelenting energy...

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings, which are made by dipping a pair of custom made boxing gloves into paint and unleashing his fists onto swathes of un-stretched canvas. Ushio works in several mediums including painting, printmaking, drawing and sculpture. In 1960 Ushio helped found the Neo-Dadaism Organizers. Their mission: deviate from any conventional form of art. Akin to European Dadaists, who’s art sought to reveal the customary and often repressive conventions of logical order and rationality, the Neo-Dadaism Organizers embodied a similar ethos. This can chiefly be seen in akushon, meaning “action”, which is the practice of emphasizing the human body as an artistic medium. For Ushio, this sensibility is encapsulated in what has become his personal trinity “be speedy, beautiful, and rhythmical.” Ushio's bright and frequently oversized work has exhibited at prestigious institutions internationally, including the Hara Museum of Contemporary Art; Centre Georges Pompidou; the Guggenheim Museum, New York; the Japan Society, New York; the National Museum of Modern Art, Tokyo; the Museum of Contemporary Art, Los Angeles; the Metropolitan Museum of Art, Busan; the Dallas Museum of Art and the Tate Modern, among others. His work was included in International Pop, a landmark exhibition at the Walker Art Center that chronicles the global emergence of Pop art from the 1950s through the early 1970. In addition to an extensive exhibition history, Ushio has also been a prolific performer — demonstrating the process of his boxing paintings live and in-person at various institutions. A selection of these performances include the National Museum of Art, Osaka; Museum of Contemporary Art, Tokyo; Austria Museum of Applied Art, Vienna; Busan Art Museum, South Korea; Musée d’Art Contemporain, Lyon; The State University of New York at Potsdam; J. Paul Getty Museum, Los Angeles; Dallas Museum of Art; and Carlton University, Ottawa. Ushio Shinohara "Trapeze Artists...

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Toky...

While decidedly abstract in execution, this lively painting demonstrates a tendency for even abstract imagery to resemble content we’re already familiar with. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings...

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Toky...

"Love and War," a collaborative series between Bert Long Jr. and Jesse Lott, features loosely human forms painted in a manner that suggests humanity’s proce...

This stunning and monumental painting exemplifies Ushio’s ability to temper the raw energy he brings to the canvas with an innate understanding of formal composition. This work truly demonstrates Ushio’s capacity to balance his wild enthusiasm with thoughtful design. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings...

Robert Motherwell's "The Red and Black No.52" is an abstract collage that incorporates oil based etching ink, pasted papers, and aquatint on paper. The piece was created between the ...

Contemporary figurative painting in a pop art style. The work features three women with masks embracing one another in a forest landscape. The painting i...

Black and peach tonal abstract painting with a crushed toy car attached to the surface of the canvas. The work is signed by the artist in the b...

Mixed Media primary tonal painting with two metal cars attached to the surface. The work is painted in yellow and red tones. The painting is signed by the ar...

Large minimal abstract painting with a green background. Attached to the surface are two toy cars surrounded by red paint and four wired bicycles surrounded in blue. The work is sign...

Large Black, yellow and red minimal abstract painting with bicycles. The work is signed by the artist, Francis d'Estaing, in the bottom corner. The work...

Red and yellow tonal minimal abstract painting with bicycles. The work is signed by the artist in the bottom corner. The canvas board is framed in a gold frame. Dimensions without F...

Primary tonal painting with toy cars attached to the surface. The work is signed by the artist, Francis d'Estaing, in the bottom corner of the painting. The artist board is framed in...

Abstract collage painting with acrylic paint. Painted pieces of paper were attached to a blue painted paper. This piece was shown at The Santa Fe Artists Emergency Medical Fund along...

Expressionist painting of two abstract skulls in flowers on a field of red. Framed in a white frame with a white matte. Painting was newly framed. Dime...

Gorgeous geometric abstract painting done in bright reds, yellows, and blues by Frank Holliday titled "GLORIA" in 1989. Signed, titled, and dated on reverse. Artist Biography: Frank Holliday (born 1957, North Carolina) is a painter who became known in the New York City art world in the 1970s and 1980s and is often associated with the East Village scene...

Bold, graphic spray paint portrait piece by local Houston street artist DUAL titled "Pop Icon No. 1 ". Signed, titled, and dated on the back. This piece was featured at a solo exhibition of DUAL's work titled "Waste Nothing" at the Wedge Space in Houston, TX in 2016. Artist Biography: DUAL stands for the conflict between “street art” and “fine” art, between freeway burners and gallery exhibitions, between mass recognition and total anonymity. His bold lines and fresh colors are a break from the every day monotony of life in the city—a taste of urban subculture, whether you asked for it or not. While one may not have a choice in where and when they encounter a DUAL piece, DUAL leaves it up to the observer to assign a meaning to his work. By operating under a pseudonym, he lets his audience write their own narrative for who he is and the message he is trying to get across. Perhaps best known for his work with wheat paste, particularly since his feature in the 2011 wheat pasting documentary Stick ‘Em Up!, DUAL has never been one to confine himself to a particular medium, background, or context. He has been recognized not only for his work with silkscreen and spray paint, but also for his work with lithography and acrylics. Though his obsession with “making marks” stems from his background in graffiti, he has translated that into a passion for creating art. His “art” includes everything from large-scale murals to micro...

Abstract black and blue painting by Spanish artist Carlos Planell of two blocky figures from the 1960's. The black dots across the canvas penet...

Bold black, red, and white abstract geometric painting of Terlingua Church in the city of Terlingua, Tx near the Texas-Mexican border. Signed and dated by artist in 1971. Artist Bi...