New York City - Prints and Multiples

This limited edition five-color offset lithograph by Joan Miró was created for an exhibition of his work held at Pace Columbus in Columbus, Ohio, in 1979...

Facsimile signature printed in the lower right corner. Numbered in pencil out of 300. Paper Size: 24 x 18 inches ( 60.96 x 45.72 cm ) Image Size: 12 x 13 inches ( 30.48 x 33.02 cm )...

Duane Bryers, American (1911 - 2012) - Cooling Off, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 17.5 x 22.5 inches, Size: 21.5 i...

This original poster, titled Merton of the Movies, was published by List Art Posters and printed by Fine Creations Inc. It was the first poster published by HKL, Ltd., a nonprofit or...

Benedictus, Edouard. Relais. Plate 1. Paris, Éditions Vincent, Fréal et Cie, 1930. Original pochoir, printed by J. Saudé.

Georges Rouault, French (1871 - 1958) - Acrobate II, Year: 1919, Medium: Etching, Edition: 2nd State, Image Size: 4.25 x 2.75 inches, Size: 9 x 6.25 in. (22.86 x 15.88 cm), Descrip...

"Nymphee" is a colorful Roberto Matta etching from his Requiem pour la Fin des Temps suite. The print is signed and numbered (44/100) in pencil w...

Noel Daggett, American (1925 - 2005) - We Shall Not Talk of War, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 25 inc...

Paper Size: 34 x 49 inches ( 86.36 x 124.46 cm ) Image Size: 34 x 49 inches ( 86.36 x 124.46 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping a...

William Eggleston 2 1/4 Eggleston (Hand signed by William Eggleston), 2011 Fifth Edition hardback monograph cloth-bounded with tipped-in image to ...

Paper Size: 12 x 9.5 inches ( 30.48 x 24.13 cm ) Image Size: 12 x 9.5 inches ( 30.48 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details...

Max Epstein, Canadian (1932 - 2002) - Bench in the Park, Year: 1980, Medium: Screenprint, Signed and numbered in pencil, Edition: 295, Image Size: 19 x 28 inches, Size: 23 in. x...

This is an etched rendition of a painting by Frank Dicksee. Harmony is one of the most well-known pictures by Dicksee, depicting a young man staring adoringly into the eyes of a girl...

Robert Motherwell Art Chicago, 1981 Offset lithograph on wove paper Plate signed 39 × 27 1/2 inches Unframed This stunning ithographic poster was printed by Tyler Graphics Mt. Kisco...

Paper Size: 22 x 15 inches ( 55.88 x 38.1 cm ) Image Size: 15.75 x 12.5 inches ( 40.005 x 31.75 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additiona...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Chris Forrest, American (1946 - ) - Canada Geese Family, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 22 inches, Siz...

Andy Warhol Campbell’s Soup Silk Screen on Shopping Bag Published for the Andy Warhol Exhibition at the Institute of Contemporary Art of Boston in 1966 Framed Very good condition ...

Keith Haring Andy Mouse art toy: This rare vintage, limited edition Keith Haring Andy Mouse art toy was published in 2005 & is licensed by the Estate of Keith Haring. The collectible...

Alechinsky/Reinhoud: Alechinsky & Reinhoud Dos Artistas Belgas, published in 1964 by Imprenta Anzilotti in Buenos Aires, is a softcover edition with a protective dust jacket. This 20...

Linda Plotkin, American (1938 - ) - Clouds IV, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/30, Image Size: 6.75 x 8.75 inches, Size: ...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Paper Size: 38.5 x 27.5 inches ( 97.79 x 69.85 cm ) Image Size: 38.5 x 27.5 inches ( 97.79 x 69.85 cm ) Framed: No Condition: A: Mint Additional Details: Tekniska Museet, Sjofa...

James Rosenquist Castelli Gallery poster (hand signed and inscribed by the artist to the art dealer Richard Feigen), 1980 Offset lithograph poster Signed, dated and inscribed by Jame...

Georges Braque, French (1882 - 1963) - La Theogonie d'Hesiode Frontispiece, Year: 1953, Medium: Etching, Image Size: 14.5 x 11.5 inches, Size: 17.5 x 13.5 in. (44.45 x 34.29 cm), Pr...

Paper Size: 25 x 19.5 inches ( 63.5 x 49.53 cm ) Image Size: 19 x 14 inches ( 48.26 x 35.56 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional De...

Oscar Dominguez, Spanish (1906 - 1957) - Sombre est Noir, Year: 1945, Medium: Etching, Image Size: 9.25 x 6.75 inches, Size: 12.75 x 9.25 in. (32.39 x 23.5 cm), Description: From t...

This print depicts a hand adorned with ornate jeweled rings, printed in teal turquoise. Underneath the hand is written “Study for the Rings on Dorian Gray’s Hand”. In Oscar Wilde’s novel The Picture of Dorian Gray...

This reproduction of Lucia by Michel Canetti, published by Graphique de France, features a striking portrayal of a woman wearing a long, flowing dress complemented by an elaborate fe...

Artist: Hugo Dietz, Swiss (1930 - 1973) Title: Diamond Composition Year: 1973 Medium: Screenprint, signed and numbered in pencil Edition: 25/50 Size: 22 x 22 inches Frame: 31.5 x 31....

Frederic Menguy, French (1927 - 2007) - Detente, Year: 1975, Medium: Lithograph, signed in pencil, Edition: EA, Size: 15 x 22.5 in. (38.1 x 57.15 cm)

William Wegman is known for his iconic photographs and videos featuring Weimaraners, a breed of dog known for their sleek, silver-gray coats and elegant appearance. Wegman’s Weimaran...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm ) Image Size: 33 x 23.5 inches ( 83.82 x 59.69 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

This original serigraph poster was designed for an in-store advertising campaign and printed in 1982. It is part of an unnumbered edition featuring collage-style images intended for ...

CYRK posters from Poland are renowned for their vibrant and imaginative designs, often featuring bold, abstract visuals that go beyond traditional circus imagery. These posters, like...

Pablo Picasso, Spanish (1881 - 1973) - La Fosse Commune, Year: 1947, Medium: Etching on Arches, Image Size: 10 x 8.75 inches, Size: 11 x 17.75 in. (27.94 x 45.09 cm), Reference: Blo...

Elizabeth Catlett Blues, 1983 Color offset lithograph and lithograph on cream wove paper Signed, titled, dated and numbered (126/130) in graphite pencil on the front Printed and publ...

2012, 4-plate aquatint with 22 colors, 21 7/8 x 29 3/8 inches, edition of 25 For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a si...

La Sirene Masuo Ikeda, Japanese (1934–1997) Date: 1969 Etching and Aquatint on BFK Rives, signed and numbered in pencil Edition of 38/45 Image Size: 23.5 x 19.5 inches Size: 28 x 21....

This is a color lithograph print on paper, created as a poster for William Giles' debut show at the Allan Frumkin Gallery in 1967. The artwork features a vibrant arrangement of geome...

Plate LXIX [Green flesh or Candia melon] from Pomona Britannica; or, A collection of the most esteemed fruits.. with the blossoms and leaves.. by George Brookshaw. London, T. Bensle...

André Masson, French (1896 -1987) - Le soleil passe au dessus de la fontaine, Medium: Lithograph on thin wove paper, unsigned, Image Size: 9.75 x 12.75 inches, Size: 11 x 13.25 in...

In celebration of Lincoln Center's ultimate New York festival, Summer for the City, the Brooklyn based artist Rico Gatson created a dynamic image of bold colors radiating positive energy. Gatson's concentric circle motif and projecting lines draw inspiration from the giant disco ball shining above Lincoln Center's iconic Revson Fountain, a welcoming beacon at the heart of Josie Robertson Plaza. This colorful, archival pigment print is printed on Hahnemühle paper and is signed, dated and numbered in pencil by the artist. It is in excellent condition and comes directly from Lincoln Center Editions...

Keith Haring Tony Shafrazi Gallery 1984: A RARE signed Keith Haring letter produced in 1984 by Haring's long-time gallerist, Tony Shafrazi in reference to Keith Haring's wood panel s...

This is the original cover for Derrière le Miroir No. 143, a highly collectible piece from the iconic French art publication known for collaborating with modern masters such as Miró,...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Artist: Arman, French (1929 - 2005) Title: New Romanticism Year: circa 1979 Medium: Screenprint, signed and numbered in pencil Edition: 150, AP 30 Size: 30 in. x 22 in. (76.2 c...

Paper Size: 32.5 x 21 inches ( 82.55 x 53.34 cm ) Image Size: 32.5 x 21 inches ( 82.55 x 53.34 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Su...

Carmen Louis Cicero, American (1926 - ) - Untitled 7, Year: circa 1971, Medium: Screenprint, signed and numbered in pencil, Edition: 45/55, Image Size: 18 x 20 inches, Size: 23 x 2...

Situation #3 Shlomo Cassos, Moroccan (1936) Date: circa 1980 Etching, signed and numbered in pencil Edition of 63/95 Image Size: 26 x 19 inches Size: 30 ...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Screenprint in colors with glitter on heavy wove paper. Hand signed in pencil verso, numbered from the edition of 150 verso with artists copyright inkstamp. Published by Other Crite...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

Max Epstein, Canadian (1932 - 2002) - Nostalgic Path, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 295, AP, Image Size: 17 x 26 inches, Size: 23 in. ...

Walt Kuhn Kuhn Family Holiday Card Lithograph on paper 5 1/2 x 4 inches Walter Kuhn was born on October 27, 1877 in Brooklyn, NY. His father, Francis Kuhn, was the owner of a ship ...

To promote the "Masterpiece Theatre" presentation of "The Citadel," Mobil created a large advertisement poster. While specific details about the poster's design are not provided, suc...

Eduardo Paolozzi, British (1924 - 2005) - Studies in Human Salvage, Portfolio: General Dynamic F.U.N. Portfolio, Year: 1970, Medium: Photolithograph, stamp signed verso, Edition: 350...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

Red Grooms Grand Central Terminal (signed and inscribed to renowned attorney), 1993 Offset lithograph poster (signed and inscribed in marker to Herbert Nass) Signed, inscribed to Her...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Untitled (Mandalas in a Grid) Year: 1973 Medium: Screenprint on Scintilla paper, Signed and numbered in pencil Edition...