New York - Mixed Media

Abstract mixed media piece created with oil and latex paint, wood and metal on plywood board. 17"x12"x2" :: Mixed Media :: Abstract :: This piece comes with an official certif...

Abstract mixed media piece created with oil and latex paint, wood and metal on plywood board. 17"x12"x2" :: Mixed Media :: Abstract :: This piece comes with an official certif...

Abstract mixed media piece created with oil and latex paint, wood and metal on plywood board. 32.5"x18.5"x2.5" :: Mixed Media :: Abstract :: This piece comes with an official cer...

Despite international acclaim as one Cuba’s foremost living artists, Havana born Hector Frank never received a professional artistic education yet specialized in electronics. Now, in...

Cindy Crawford and Claudia Schiffer vibrant and with diamond dust. About the artist: Punk Me Tender (b. 1982) is a French street artist whose brightly colored work explores themes of love, beauty, sensuality, and desire. Born Romain Lefebvre in Paris, France, he immigrated to Los Angeles at the age of 18. There, he was introduced to street art by fellow artist, Mr. Brainwash. The pair worked together creating art for over 15 years. Today, Punk Me Tender’s work melds techniques of street art, graffiti...

Contemporary collage by Roxane Hollosi. In her art Hollosi documents the emotional, social and environmental energies she encounter in the moment of creation. The artist founds her ...

'Tulip' by Catherine Howe, 2015. Acrylic and interference mica pigment and resin on canvas, 40 x 30 inches. In gold, silver and white. Howe's abstracted still life florals are painte...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Knights in a series called Knights, Revisited. A Prominent Greek Profile...

Keith Sonnier Elliptical Orbit, 1991 Silver aluminum sheet, silkscreened with oil based inks 48 x 24 inches Edition of 6, with 3 AP Signed recto

Linda Stein, Masculinities: Image 846 - Feminist Contemporary Fabric Leather Sculpture Tapestry Masculinities: Image 846 is from Linda Stein's Sexism series, which advocates an exp...

Biggie. One of a kind glass piece made by hand with rhinestone crown, necklace and cement on wood. No frame needed. About the Artist: NYC based...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Jeremy Deller This artwork is not to be re-sold at auction or online, if you do you will be cursed and die horribly., 2018 Marker on posterboard 28 x 22 inches Signed verso

Linda Stein, I Sell the Shadow to Support the Substance (Kamala Harris) 1042 - Feminist Contemporary Fabric Leather Sculptural Tapestry I Sell the Shad...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

The focus of “Black Lips” is a woman with a 1920s flappers haircut who captivates the viewer with her sultry black lips. Geometric shards of arcylic with pa...

Small Size stretched oil painting on canvas signed and wired for hanging. Contact Gallery for Framing Options. BIO David Headley was born in Washingto...

Linda Stein, Gloria Steinem 1037 - Feminist Contemporary Fabric Leather Sculptural Tapestry Gloria Steinem 1037 is from Linda Stein's Sexism series, wh...

‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...

Mixed Media Collage Piece. Chanel theme of luxury. On Wood. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing graffiti a...

One of a kind Buddha made by hand of glass with cement on wood. No frame needed. NYC based artist, Grace has been honing her skills in glass mosaics since 1998. Originally inspired by the mosaic art found underground in subway stations, Grace experimented with shapes and patterns to practice and perfect her glass cutting techniques and assemblage. Her evolution into representational work has allowed her to create pieces that are deeply detailed and realistic, including portraiture and familiar imagery. Grace’s passion for color and instinct for harmonious combinations further adds to the appeal of her art. Grace has had multiple solo and group shows throughout New York and has collectors from all around the world and often collaborates with architects and interior designers in creating site-specific work and custom installations. Small works can be found in retail shops throughout the city. ARTIST STATEMENT Upon my very first exploration of cutting glass and building a mosaic, I realized it required tenacity. The span between the start and finish of a project is never quick and easy. It depends on focus and diligence, and it’s what attracts me most to this medium. As a mosaic artist, my attention is centered on piecing together materials to make art that is visually appealing both for its subject matter as well as its aesthetics. My influences are the structures and symbols I see around me everyday in NYC. Parts of the city such as buildings, water towers, bridges and sewer covers are often the impetus for a project. My travels through the subway tunnels, streets and parks also lead to inspiration. I particularly love the accessible art underground; those magnificent, colorful and bold mosaic designs that brighten up our subway platforms. Works of art that are often rushed passed, but remain ready to be admired and steady in their function. Additionally, I have an inclination to study faces. I look at a subject and see the shapes and shadows that create them. I relish the process of taking their image apart to input color and texture into the tones I see. The use of color and how colors are combined are the most significant decisions in my work. Working with a variety of materials that include stained glass, ceramic figures, window glass, mirror and cement are the force from which my designs are created. Glass is scored, broken and nipped down into the pieces I desire to compose the whole. I work quite deliberately, concisely employing both traditional mosaic methods with innovative techniques. Mosaic making has a long history and tradition and I always want to honor that in my work. Part of that homage is to build upon that base by creating and using materials in a unique way. I often combine my glass with paper, foil...

David Hare Cronus Waiting, 1990 Ink and Wash on Paper on Board 34 x 25 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...

Madonna in mixed media. On wood. About the Artist: Sylvie Perrin graduated from the National Fine Arts Academy of Lyon. She began her artistic career in the Netherlands as an il...

Becky Brown works between painting, drawing, sculpture and installation using found images, objects and texts. Diverse materials inform her practice, inclu...

A unique Impiglia harnessing all the beauty and charm he is known for. An artist whose value has only increased over the years, this acrylic on collage mounted on panel with a hand-m...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

Oil on vintage architecture magazine paper

73” x 40” x 2” variable dimensions (resin, metal) In Philip Simmons' series of sculpture made of resin, metal, and vinyl, he references pop sources and the news media to comment o...

Mixed media on hand made wooden frame. Figurative and abstract together.

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

'Mysterious' 2018 by American artist Barbara Hirsch. Encaustic, oil, rice paper, and copper on wood panel, 12 x 36 in. / 12 x 12 (each) in. This abstract work features 3 mini sculptural, mixed media works painted in grey, yellow, and beige on wood panel. Barbara Hirsch incorporates textural encaustic infused with oils to create depth and repeating motifs that are inspired by nature. Encaustics have allowed Hirsch to manipulate the natural world by using diverse materials including wax, rice paper and found objects. Inspired by the natural beauty and seasonal patterns in her Aspen home...

Richard Smith Untitled (lavender green), 1992 Acrylic and pastel on paper and foam core 22 1/2 x 22 1/2 inches (sheet) 23 x 23 inches (frame) Signed and...

'Break of dawn' is an original abstract painting, inspired by the landscape of upstate NY. Painted on stretched canvas, it is ready to hang. :: Mixed Media :: Abstract :: This pi...

This painting depicts a patch of tall trees as they reflect on a light background. Painted on stretched canvas, it is ready to hang. :: Mixed Media :: Abstract :: This piece comes ...

Nature is a continue source of inspiration for my artwork. This original piece uses warm colors to create the atmosphere of a summer day. Summer, trees, landscape, warmth, nature,...

Nature is a continue source of inspiration for my artwork. This original piece is an abstract landscape inspired by the ordinary upstate NY landscape that I see on a daily basis. :: ...

Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Separation- a modern day reality for too many.

JORGE WELLESELEY From the series: Subterfuges, ”Illumination”, 2018 Aluminum, LED, plexiglass, PLA, concrete 15.5 x 23.5 x 12 in Ed: 2/3 + 1AP Jorge Wellesley (Havana, 1979) Cuban...

Elizabeth Gregory-Gruen’s Cut Work series is a free hand paper cutting process that charts the contours of our ever-changing emotional experience through the movement of form, line, ...

Converse sneakers. One of a kind stained glass piece made by hand with cement on wood. No frame needed. About the Artist: NYC based artist, Grace has been honing her skills in ...

Abstract Piece on canvas. One inch deep. Vibrant colors. Red. White. Pink. Orange. Black. About the Artist: Joanne attended the University of Pennsylvania where she studied as a photographer. She established a professional practice in studio photography in 2001, while her personal work began to explore the language of abstraction. This continued exploration inspired a transition into painting. Handler enrolled at The Art Students League of New York, where she studied with Peter Golfonopoulos for three years. She is currently studying under James Little...

Figurative Mixed Media Portrait Painting by Cuban Artist Hector Frank. Unique Painting with a certificate of authenticity. Despite international acclaim as one Cuba’s foremost livi...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

Nostalgic mixed media on wood. Iconic Bazooka Joe. Pop Art. Bubble Gum homage. About the artist: David's paintings have a build-up of layers using different mixed mediums suc...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...

Oil on vintage architecture magazine paper

Brigitte Bardot vibrant and with diamond dust. About the artist: Punk Me Tender (b. 1982) is a French street artist whose brightly colored work explores themes of love, beauty, ...

Jacqueline Dee Parker’s collages are interdisciplinary in approach and concept. Her materials include antique literature and music books and other ephemera. Just as words, sounds, an...

Homage to the late, great Bridget Bardot. Hand pulled silk screen. Diamond Dust. Stretched on black frame. About the Artist: Russell Young currently lives and works in Califo...

Valerie B Hird NEW MEDIA, 2020 wood, screws, foamcore, paper, watercolor, ink, electrical wire, LEDs, batteries 28 x 14 x 6 1/2 in. 71.1 x 35.6 x 16.5 cm. When the handle is tur...

TITLE - Choices In Life DIMENSION : 48 x 48 inches “There are two primary choices in life: to accept conditions as they exist, or accept the responsibility for changing them.â€

Oil & Enamel Painted Silkscreen on Recycled Floppy Discs. Mounted on Custom built Panel. Featuring the late great David Bowie. About the artist: Taylor Smith...