South Korea

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made ...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

Crystal Series Table 01 is a sculptural contemporary table that explores the transformative qualities of light, color, and material. Crafted from...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 34 x W 48 x H 57,5 cm Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose ...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

Loop Series Coil Stemmed Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 9 x H 23 cm. Materials: Borosilicate glass and stemmed glass. Cha Shin-sil is a Seoul-based desig...

Two standing court figures modeled in pottery with slender proportions and simplified facial features. A thin straw-toned glaze is applied over the surfaces, with areas of exposed bu...

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is traditional Korean dress for formal occasions. Here, those traditional colors are made in...

A charming Late Victorian era antique brooch featuring a smooth, iridescent Mother-of-Pearl cabochon set in a graceful openwork wire frame. Dating back to circa 1890s, this British-o...

Loop Series Chain Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 33 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

This olive-brown celadon ewer features an octagonal lobed body, a tall curved spout, loop handle, and a domed cover with a bud-shaped finial. The olive glaze is suffused with fine cr...

Proportions of Stone Shelf 03 by Lee Sisan Dimensions: W 120 x D 40 x H 200 cm Materials: Stainless steel, natural stone Each piece is made to order and u...

Proportions of stone shelf 01 by Lee Sisan Dimensions: W 110 x D 35 x H 150 cm Materials: Stainless steel, natural stone Each piece is made to order a...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

The interior painted with two spotted horses at play beneath a willow tree, the exterior with a cafe-au-lait glaze Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 M...

This jar features carved decoration typical of Cizhou ware. It is characterized by a creamy white slip contrasting with the brown clay body, and the principal motif appears to be a lotus flower. The decoration was created by coating the vessel with a layer of white slip and carving through it to reveal the darker body beneath, producing a strong visual contrast between the background and the motif. Period : Song-Yuan Dynasty Type : Jar Medium : Cizhou Ware Size : 21.5 cm(Height), 11cm(Mouth Diameter) Provenance : Acquired in 1999, Hongkong * Cizhou Ware Cizhou is the name given to a number of stonewares, grey or buff, of varying degrees of hardness, with painted, incised or carved decoration on a clay slip. These stonewares were not only made in the region of Cizhou, Hebei Province, but in several provinces of China during the Song, Yuan and Ming periods. The great centres of production were in the north of China in the provinces of Hebei, Henan and Shanxi. Cizhou wares seem to have been very popular, made for a clientèle of rich merchants, at a period when the paintings of famous...

The ovoid shape suggests the influence from “amphora” of Greece and Rome, while the dragon-shaped handles allude to Persian and Central Asian metalwork. The ubiquitous dragon is a Ea...

This vase is sturdily potted with a robust ovoid body that rises from a short, spreading foot to a gently tapering neck, finishing with a lipped mouth rim. The exterior is decorated ...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

Ovoid form escalating to a cylindrical neck with a flaring rim, adorned at the shoulder with three narrow grooved horizontal bands. Each side is equipped with an incised double-loop ...

The jar is of globular shape and is decorated to the body with a geometric design band of lozenge-shaped motifs in blue, green, ochre and cream below a plain ochre everted mouth rim,...

This Langyao red-glazed vase shows excellent glaze consistency and rich coloration. The deep purplish-red tone from copper reduction firing is evenly developed, with a thick, glossy ...

Layered steel bench by Hyungshin Hwang Dimensions: D 36 x W 180 x H 36 cm Materials: Stainless Steel Layered Series is the main theme and concept of work of Hwang, who continues...

A globular earthenware jar with a flaring rim and two loop handles set at the shoulder. The buff-colored body is painted in dark brown-black pigment with bold, widely-spaced chevron ...

Large rare vase painted with petal-shaped panels of 'Flowers' pattern. Decorated in underglaze blue with flower blooms borne on leafy stems. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 33 x W 33 x H 45 cm. Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose p...

This vessel was crafted using a refined black-burnished pottery technique, with the entire surface carefully polished to a smooth, lustrous finish. The body features a flaring, trump...

This dish features a rockwork design that was popular during the Mid to Late Ming dynasties. The blue-and-white underglaze effectively captures the vibrant tones typical of the late ...

A globular white-glazed jar with a short cylindrical neck and flat-topped cover. The creamy white glaze extends uniformly across the body, exhibiting a fine crackle network with subtle blue pooling in the fissures. Four hand-modelled lug handles in stylised cloud or ruyi-head form are applied symmetrically at the shoulder, each terminating in delicately curled tips. The low, broad foot rim is unglazed, exposing a compact reddish-buff stoneware body. Period : Song-Yuan Dynasty(907~1279) Type : Jar Medium : White glazed(or Qingbai type) ware Dimension : 13.5 cm(Height), 7cm(Mouth Diameter) Condition : Excellent Provenance : Acquired in late 1990s from Hongkong Reference : 1) Nasjonal Museet(Natioanl Museum of Norway) - NMK.2013.0105 (Type : Closely related) 2) Anhui Provincial Museum, Hefei - Song Porcelain...

Console Table 03 by Saerom Yoon Limited Edition No. 09 of 10 + 2AP Dimensions: D 43 x W 110 x H 85 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent i...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings and paintings that are visual representatio...

A Chinese jardinière rarely in six colors, hexagonal, China, presumably 19th century. Period: Qing Dynasty Type: Jardinière Medium: Famille rose Size : 17 cm(Height) x 24cm(Mouth Di...

The tone shelf is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made into art furniture with a modern sensibility, in Korean jade and sky blue. The tone of the blue gives an elegant and dreamy vibe. As artisans dye each piece of acrylic by hand, the tone in this piece is completely different from that of a mass-produced product, and as such, has its own value as a limited artwork. Wide spaces between the shelves can fit large...

Of broad pear shape rising from a low foot to a waisted neck and flared rim, covered overall with a lustrous brownish-black glaze with rare six bands of russet-strokes radiating in yuhuchunping shape. Period : Northern Song-Jin Dynasty Type : Yuhuchunping Medium : Black glazed with russet painted Provenance : Acquired in late 1990s from Hongkong Reference : 1) Bonhams London 12 MAY 2016 - Fine Chinese Art - Lot 30 (Price realised : £ 37,500 / Type : Closely Related) 2) Bonhams London 11 MAY 2021 - Roger Keverne Ltd Moving On - Lot 99 (Price realised : £12,750 / Type : Related) 3) Christies NEW YORK 22 MAR 2018 - The Classic Age of Chinese Ceramics - The Linyushanren Collection, Part III - Lot 521 (Price realised : 35,000 USD / Type : Closely Related) 4) Christies HONG KONG 30 MAY 2024 - Important Chinese Ceramics and Works of Art - Lot 2854 (Price realised : HKD 201,600 / Type : Related) * Black-glazed ceramics in Northern Song-Jin dynasty Black-glazed ceramics, also known as "black ware," were prominent during the Northern Song (960–1127) and Jin (1115–1234) dynasties. The creation of these ceramics involved the application of a rich, dark glaze, typically achieved using iron oxide. This glaze was applied over a stoneware or porcelain body, then fired at high temperatures to produce a glossy, dark finish ranging from deep brown to black. Notable techniques included the "tea-dust" glaze, which exhibited a speckled appearance, and the "oil-spot" glaze, characterized by small, iridescent spots. The high-temperature firing process was crucial for achieving the desired glaze effects and durability. The design of black-glazed ceramics often included intricate carvings, incised, or molded decorations. Common forms included bowls, vases, jars, and ceramic pillows. These pillows, used as headrests, featured detailed designs such as floral patterns, animals, and mythical creatures. An example of this is a black-glazed ceramic pillow from the Jin dynasty, which features carvings of two lions. Similar pieces can be found in the Guanfu Museum, where black-glazed pillows...

A globular jar on a spreading footring, with cylindrical neck and domed cover topped by a lotus-bud finial. Body and cover are combed overall with overlapping wave-like petals, a mot...

Table 14 by Saerom Yoon Dimensions: D 100 x W 200 x H 87 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gre...

The bowl's design features fluid, dynamic brushstrokes typical of Annamese pottery, where cobalt blue underglaze was used to create intricate patterns before a clear glaze was applied. The artwork, with its foliage and floral motifs, suggests a connection to the natural world—a common theme in Vietnamese art. Such items were highly traded, and their recovery from shipwrecks helps us understand the extent of maritime commerce in Southeast Asia during the 15th and 16th centuries. This piece embodies the craftsmanship and aesthetic values of the period, providing insights into the cultural and economic contexts of its time. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Diameter : 17cm Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

The interior painted with two spotted horses at play beneath a willow tree, the exterior with a cafe-au-lait glaze. Tea saucer and teabowl set. Period : Qing Dynasty, Yongzheng Peri...

Neolithic Vase with raised neck, slightly flared, two handles. Geometric designs and stylized bovine heads in black. Acquired in Hong Kong in the late 1990s. Date : 3,000-2,000 BC M...

Proportions Of Stone Column in Stainless Steel & Natural Stone by Lee Sisan Dimensions: D 50 x W 50 x H 240 cm Materials: Stainless steel and natural stone. Each piece is made t...

Both Yixing Zisha teapots appear to be modern to republic-era pieces. Yixing Zisha teapots are made from rare Zisha (紫砂) clay, which is exclusively...

Beomjong light is inspired by a traditional Korean bell that has more than 1000 years of history. Bells play a crucial role in a variety of Buddhist servic...

This Yue ware celadon ewer features a softly rounded body rising from a stable foot to a wide, flaring mouth. A translucent olive-green glaze is evenly applied, pooling gently in rec...

Stoneware decorated with Persian-style colors and patterns, and it is highly likely that this Annamese pottery intended for export was produced to meet Middle Eastern demand. Dates ...

Loop Series Twist Stemmed Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 12 x H 26 cm. Materials: Borosilicate glass. Cha Shin-sil is a...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

Proportions of stone table by Lee Sisan 2019 Dimensions: W 140 x D 60 x H 55 cm Materials: Stainless steel, natural stone Each piece is mad...

Bal is a tapestry crafted from traditional Korean knots of cotton ropes and adorned with the Chil-bo (cloisonné) technique, a traditional method for decorating metal objects. This p...

Hand-built grey-black earthenware of rounded, footless form, with a cylindrical spout on one side and a modeled bird's head applied opposite. The surface is covered in dense cord-imp...

These two pieces are Chinese Yixing (宜興) zisha teapots. The one on the left is made of a grayish-green zisha clay, shaped like a ribbed pumpkin (nangua) form, with a spout carved int...

A hexagonal-based tomb figure depicting a standing court official in ceremonial dress, covered in a rich, dark green lead glaze that pools naturally along the folds of the robe. The ...

Rug and stool combination inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo – Korean embroidery...

The heavily potted dish is molded in the central roundel below the fluted cavetto and the everted rim with lipped edge, and is covered overall with a glaze of sea-green color, except for the unglazed ring on the base. The wood stand is not included with the item. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Celadon Type: Dish Provenance : Acquired in late 1990s from Hongkong Reference : 1) Christies NEW YORK 22–23 MAR 2018 - Fine Chinese Ceramics and Works of Art - Lot 722 2) Sotheby's Paris 11 December 2020 - Arts d'Asie - Lot 8 (Price realised : 4,032 EUR / Type : Closely related) 3) Christies LONDON 21–28 MAY 2020 - The Art of China - Lot 31 (Price realised : 5,250 GBP / Type : Closely related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

This vase features a traditional vase coated with a clear and rich green celadon glaze. A fine network of crazing covers the surface. The neck is adorned with raised vine motifs, whi...

Loop Series Stream 2 Candle Holder in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 37 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and found...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

The pillow is intricately decorated with a vibrant pattern, demonstrating the craftsmanship and artistic sensibilities of the period. The Haitai is a creature from Chinese mythology,...