South Korea

Crafted on a delicate cream-toned tulle mesh, this piece features intricate tonal embroidery accented with subtle glass seed beadwork throughout the lace motifs. The hem is dramatic ...

An extraordinarily well-preserved late 19th-century Victorian chatelaine scent bottle (perfume flask), featuring lustrous natural mother-of-pearl panels encased in ornate gilt brass ...

An authentic antique Edwardian to Art Deco era micro-beaded reticule pouch bag. Intricately hand-crafted with gunmetal/silver-tone micro beads, featuring a structured pleated body, c...

An exquisite 1980s Art Deco revival mini pouch necklace bag by renowned designer Wayne M. Kleski. Crafted with intricate black seed beads, bugle beads, and delicate embroidery, this...

A dramatic and rare Art Deco era (circa 1920s) folding handheld fan, featuring sumptuous black ostrich feather plumes mounted on sleek black celluloid sticks. Measuring an impressiv...

A rare and striking authentic Art Deco dress clip (circa 1930s), masterfully fashioned from a large, solid piece of carved natural mother-of-pearl shell. The focal point is the smoo...

An authentic Victorian era (circa 1880s) composite mourning brooch featuring a dramatic interplay of materials and textures. The tiered, architectural oval base is masterfully molde...

An exquisite Hollywood Regency era single lipstick holder, crafted in the United States during the mid-20th century (circa 1950s–1960s). Cast in heavy ormolu gilt brass with an impr...

An authentic Victorian era pocket watch fob, masterfully constructed with a flexible expansion mesh link body. Crafted in warm gold-filled metal, the piece features an articulated concertina-style link pattern that broadens at the center. The fob is anchored by a classic intaglio wax seal...

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made ...

An authentic 1970s American vintage cocktail hat from Plaza Suite by Betmar, crafted in the United States. Founded in New York in 1933, Betmar is one of America's most historic mill...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

An exquisite vintage Judith Leiber multi-gemstone frame pouch bag, crafted in the late 1980s to early 1990s in Italy. Crafted from luxurious black lizard-embossed leather, this vers...

An impressive and bold antique Neo-Classical Revival pendant necklace (circa 1890s–1910s). The focal point is a large circular pendant housing a matte black molded glass intaglio de...

An exceptional Victorian era (circa 1880s) book chain necklace crafted with intricately linked rectangular motifs resembling the bound spine of a book. This piece features a versati...

A charming Late Victorian era antique brooch featuring a smooth, iridescent Mother-of-Pearl cabochon set in a graceful openwork wire frame. Dating back to circa 1890s, this British-o...

An exquisite turn-of-the-century (circa 1890s–1910s) Late Victorian to Edwardian double-sided glass reliquary locket pendant. Crafted in warm gold-filled metal, this antique oval lo...

An enchanting 1940s–1950s Edwardian Revival multi-strand double-layered necklace, featuring a striking convertible design. Crafted with rich amethyst purple glass stones and clear prong-set rhinestones in an antiqued brass metal framework, this necklace showcases two tiered chandelier pendants. The larger lower pendant is cleverly designed with an original brooch pin on the reverse, allowing it to be detached and worn as a standalone statement brooch or worn as part of the full layered necklace structure. The delicate filigree bail motifs, flowing waterfall drop silhouette, and vintage box clasp...

An extraordinarily rare and heavy Mid-Century Victorian Revival brass desk clip and paperweight, designed by the iconic French-American milliner Lilly Daché during the 1940s–1950s. ...

An exquisite Victorian era (circa 1880s–1890s) hand-carved shell cameo pendant necklace, featuring a finely detailed classical profile of a goddess, likely Flora, adorned with hair f...

Crystal Series Table 01 is a sculptural contemporary table that explores the transformative qualities of light, color, and material. Crafted from...

An exceptional and rare authentic Victorian mourning brooch (circa 1870s–1880s), intricately crafted from molded black pressed horn. This piece features a striking hexagonal silhoue...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 34 x W 48 x H 57,5 cm Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose ...

An enchanting Mid-Century Victorian Revival festoon necklace featuring a dramatic black cameo centerpiece portraying a classical lady in profile. Crafted with intricate antique bras...

Crystal Series Gradient Acrylic Custom for Louis Vuitton is a rare sculptural acrylic table that embodies the intersection of contemporary design, mat...

A beautifully carved Victorian era antique shell cameo brooch, dating back to circa 1890s. The genuine sea shell features a classically rendered left-facing profile of a noble veiled...

The bowl is potted with gently flaring sides and a neatly trimmed foot. The interior is carved in low relief with a stylized peony scroll, the broad petals and flowing tendrils rende...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

Loop Series Coil Stemmed Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 9 x H 23 cm. Materials: Borosilicate glass and stemmed glass. Cha Shin-sil is a Seoul-based desig...

Two standing court figures modeled in pottery with slender proportions and simplified facial features. A thin straw-toned glaze is applied over the surfaces, with areas of exposed bu...

A globular white-glazed jar with a short cylindrical neck and flat-topped cover. The creamy white glaze extends uniformly across the body, exhibiting a fine crackle network with subtle blue pooling in the fissures. Four hand-modelled lug handles in stylised cloud or ruyi-head form are applied symmetrically at the shoulder, each terminating in delicately curled tips. The low, broad foot rim is unglazed, exposing a compact reddish-buff stoneware body. Period : Song-Yuan Dynasty(907~1279) Type : Jar Medium : White glazed(or Qingbai type) ware Dimension : 13.5 cm(Height), 7cm(Mouth Diameter) Condition : Excellent Provenance : Acquired in late 1990s from Hongkong Reference : 1) Nasjonal Museet(Natioanl Museum of Norway) - NMK.2013.0105 (Type : Closely related) 2) Anhui Provincial Museum, Hefei - Song Porcelain...

This olive-brown celadon ewer features an octagonal lobed body, a tall curved spout, loop handle, and a domed cover with a bud-shaped finial. The olive glaze is suffused with fine cr...

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is traditional Korean dress for formal occasions. Here, those traditional colors are made in...

This Langyao red-glazed vase shows excellent glaze consistency and rich coloration. The deep purplish-red tone from copper reduction firing is evenly developed, with a thick, glossy ...

The interior painted with two spotted horses at play beneath a willow tree, the exterior with a cafe-au-lait glaze Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 M...

Proportions of Stone Shelf 03 by Lee Sisan Dimensions: W 120 x D 40 x H 200 cm Materials: Stainless steel, natural stone Each piece is made to order and u...

An exquisite 1930s–1940s American Sweetheart ID link bracelet by R.F. Simmons—the iconic American metal craft company founded in Attleboro, Massachusetts, in 1873. Crafted with high...

This vase is sturdily potted with a robust ovoid body that rises from a short, spreading foot to a gently tapering neck, finishing with a lipped mouth rim. The exterior is decorated ...

The jar is of globular shape and is decorated to the body with a geometric design band of lozenge-shaped motifs in blue, green, ochre and cream below a plain ochre everted mouth rim,...

This jar features carved decoration typical of Cizhou ware. It is characterized by a creamy white slip contrasting with the brown clay body, and the principal motif appears to be a lotus flower. The decoration was created by coating the vessel with a layer of white slip and carving through it to reveal the darker body beneath, producing a strong visual contrast between the background and the motif. Period : Song-Yuan Dynasty Type : Jar Medium : Cizhou Ware Size : 21.5 cm(Height), 11cm(Mouth Diameter) Provenance : Acquired in 1999, Hongkong * Cizhou Ware Cizhou is the name given to a number of stonewares, grey or buff, of varying degrees of hardness, with painted, incised or carved decoration on a clay slip. These stonewares were not only made in the region of Cizhou, Hebei Province, but in several provinces of China during the Song, Yuan and Ming periods. The great centres of production were in the north of China in the provinces of Hebei, Henan and Shanxi. Cizhou wares seem to have been very popular, made for a clientèle of rich merchants, at a period when the paintings of famous...

This vessel was crafted using a refined black-burnished pottery technique, with the entire surface carefully polished to a smooth, lustrous finish. The body features a flaring, trump...

The "twin fish" dishes, emblematic of fertility and marital joy, are also recognized as one of the Eight Buddhist symbols. These dishes were prominently produced by the Longquan kiln...

The ovoid shape suggests the influence from “amphora” of Greece and Rome, while the dragon-shaped handles allude to Persian and Central Asian metalwork. The ubiquitous dragon is a Ea...

Layered steel bench by Hyungshin Hwang Dimensions: D 36 x W 180 x H 36 cm Materials: Stainless Steel Layered Series is the main theme and concept of work of Hwang, who continues...

Ovoid form escalating to a cylindrical neck with a flaring rim, adorned at the shoulder with three narrow grooved horizontal bands. Each side is equipped with an incised double-loop ...

Decorative handcrafted vase with mother-of-pearl inlay.

Console Table 03 by Saerom Yoon Limited Edition No. 09 of 10 + 2AP Dimensions: D 43 x W 110 x H 85 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent i...

Large rare vase painted with petal-shaped panels of 'Flowers' pattern. Decorated in underglaze blue with flower blooms borne on leafy stems. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

Black Layered oak wood seat by Hyungshin Hwang Dimensions: D 33 x W 54 x H 120 cm Materials: ebonized red oak Layered Series is the main theme and c...

The heavily potted dish is molded in the central roundel below the fluted cavetto and the everted rim with lipped edge, and is covered overall with a glaze of sea-green color, except for the unglazed ring on the base. The wood stand is not included with the item. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Celadon Type: Dish Provenance : Acquired in late 1990s from Hongkong Reference : 1) Christies NEW YORK 22–23 MAR 2018 - Fine Chinese Ceramics and Works of Art - Lot 722 2) Sotheby's Paris 11 December 2020 - Arts d'Asie - Lot 8 (Price realised : 4,032 EUR / Type : Closely related) 3) Christies LONDON 21–28 MAY 2020 - The Art of China - Lot 31 (Price realised : 5,250 GBP / Type : Closely related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Layered steel seat XVII by Hyungshin Hwang Dimensions: D 30 x W 51 x H 108 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who conti...

This dish features a rockwork design that was popular during the Mid to Late Ming dynasties. The blue-and-white underglaze effectively captures the vibrant tones typical of the late ...

Loop Series Chain Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 33 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

A Chinese jardinière rarely in six colors, hexagonal, China, presumably 19th century. Period: Qing Dynasty Type: Jardinière Medium: Famille rose Size : 17 cm(Height) x 24cm(Mouth Di...

Table 14 by Saerom Yoon Dimensions: D 100 x W 200 x H 87 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gre...

Of broad pear shape rising from a low foot to a waisted neck and flared rim, covered overall with a lustrous brownish-black glaze with rare six bands of russet-strokes radiating in yuhuchunping shape. Period : Northern Song-Jin Dynasty Type : Yuhuchunping Medium : Black glazed with russet painted Provenance : Acquired in late 1990s from Hongkong Reference : 1) Bonhams London 12 MAY 2016 - Fine Chinese Art - Lot 30 (Price realised : £ 37,500 / Type : Closely Related) 2) Bonhams London 11 MAY 2021 - Roger Keverne Ltd Moving On - Lot 99 (Price realised : £12,750 / Type : Related) 3) Christies NEW YORK 22 MAR 2018 - The Classic Age of Chinese Ceramics - The Linyushanren Collection, Part III - Lot 521 (Price realised : 35,000 USD / Type : Closely Related) 4) Christies HONG KONG 30 MAY 2024 - Important Chinese Ceramics and Works of Art - Lot 2854 (Price realised : HKD 201,600 / Type : Related) * Black-glazed ceramics in Northern Song-Jin dynasty Black-glazed ceramics, also known as "black ware," were prominent during the Northern Song (960–1127) and Jin (1115–1234) dynasties. The creation of these ceramics involved the application of a rich, dark glaze, typically achieved using iron oxide. This glaze was applied over a stoneware or porcelain body, then fired at high temperatures to produce a glossy, dark finish ranging from deep brown to black. Notable techniques included the "tea-dust" glaze, which exhibited a speckled appearance, and the "oil-spot" glaze, characterized by small, iridescent spots. The high-temperature firing process was crucial for achieving the desired glaze effects and durability. The design of black-glazed ceramics often included intricate carvings, incised, or molded decorations. Common forms included bowls, vases, jars, and ceramic pillows. These pillows, used as headrests, featured detailed designs such as floral patterns, animals, and mythical creatures. An example of this is a black-glazed ceramic pillow from the Jin dynasty, which features carvings of two lions. Similar pieces can be found in the Guanfu Museum, where black-glazed pillows...

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

This work, part of a series titled The Sensory World-Part Series, is based on a broad interpretation of sense-meaning, reflecting the nature of the present, including human physical ...

The tone shelf is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made into art furniture with a modern sensibility, in Korean jade and sky blue. The tone of the blue gives an elegant and dreamy vibe. As artisans dye each piece of acrylic by hand, the tone in this piece is completely different from that of a mass-produced product, and as such, has its own value as a limited artwork. Wide spaces between the shelves can fit large...

Emotional Color Change 45 (Abstract painting) Acrylic on canvas — Unframed. Emotional Color Change series combines colour and language to visually represent the external environment...