South Korea

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made ...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

A charming Late Victorian era antique brooch featuring a smooth, iridescent Mother-of-Pearl cabochon set in a graceful openwork wire frame. Dating back to circa 1890s, this British-o...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

Loop Series Coil Stemmed Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 9 x H 23 cm. Materials: Borosilicate glass and stemmed glass. Cha Shin-sil is a Seoul-based desig...

A hexagonal-based tomb figure depicting a standing court official in ceremonial dress, covered in a rich, dark green lead glaze that pools naturally along the folds of the robe. The ...

Loop Series Stream 2 Candle Holder in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 37 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and found...

Crystal Series Table 01 is a sculptural contemporary table that explores the transformative qualities of light, color, and material. Crafted from...

Two standing court figures modeled in pottery with slender proportions and simplified facial features. A thin straw-toned glaze is applied over the surfaces, with areas of exposed bu...

The vase has a form close to cylindrical, with a long neck, covered overall in a rich egg-yolk yellow glaze. The body features a playful composition of various antique vase forms ren...

Loop Series Chain Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 33 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

Fluid Loop Series Flow Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 8 x H 30 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and fo...

This Langyao red-glazed vase shows excellent glaze consistency and rich coloration. The deep purplish-red tone from copper reduction firing is evenly developed, with a thick, glossy ...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 34 x W 48 x H 57,5 cm Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose ...

Graffiti Console V2 Table by Wonwoo Koo Dimensions: D 40 x W 140 x H 85 cm. Materials: Stainless Steel Finish: Multi-stage hand- applied coating — matte black surface with subtle to...

Qingbai porcelain incense stands of elegant baluster form, flanked by scroll-shaped handles and raised on an openwork square base. Covered overall in a soft bluish-white glaze, the p...

This vase features a traditional vase coated with a clear and rich green celadon glaze. A fine network of crazing covers the surface. The neck is adorned with raised vine motifs, whi...

The jar is of globular shape and is decorated to the body with a geometric design band of lozenge-shaped motifs in blue, green, ochre and cream below a plain ochre everted mouth rim,...

The tone shelf is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made into art furniture with a modern sensibility, in Korean jade and sky blue. The tone of the blue gives an elegant and dreamy vibe. As artisans dye each piece of acrylic by hand, the tone in this piece is completely different from that of a mass-produced product, and as such, has its own value as a limited artwork. Wide spaces between the shelves can fit large...

Proportions of stone table by Lee Sisan 2019 Dimensions: W 140 x D 60 x H 55 cm Materials: Stainless steel, natural stone Each piece is mad...

A globular white-glazed jar with a short cylindrical neck and flat-topped cover. The creamy white glaze extends uniformly across the body, exhibiting a fine crackle network with subtle blue pooling in the fissures. Four hand-modelled lug handles in stylised cloud or ruyi-head form are applied symmetrically at the shoulder, each terminating in delicately curled tips. The low, broad foot rim is unglazed, exposing a compact reddish-buff stoneware body. Period : Song-Yuan Dynasty(907~1279) Type : Jar Medium : White glazed(or Qingbai type) ware Dimension : 13.5 cm(Height), 7cm(Mouth Diameter) Condition : Excellent Provenance : Acquired in late 1990s from Hongkong Reference : 1) Nasjonal Museet(Natioanl Museum of Norway) - NMK.2013.0105 (Type : Closely related) 2) Anhui Provincial Museum, Hefei - Song Porcelain...

Proportions of stone shelf 01 by Lee Sisan Dimensions: W 110 x D 35 x H 150 cm Materials: Stainless steel, natural stone Each piece is made to order a...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

Loop Series Twist Stemmed Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 12 x H 26 cm. Materials: Borosilicate glass. Cha Shin-sil is a...

Proportions of Stone Shelf 03 by Lee Sisan Dimensions: W 120 x D 40 x H 200 cm Materials: Stainless steel, natural stone Each piece is made to order and u...

This vase is sturdily potted with a robust ovoid body that rises from a short, spreading foot to a gently tapering neck, finishing with a lipped mouth rim. The exterior is decorated ...

This olive-brown celadon ewer features an octagonal lobed body, a tall curved spout, loop handle, and a domed cover with a bud-shaped finial. The olive glaze is suffused with fine cr...

This vessel is an exceptionally rare example believed to represent a Cong-shaped ceramic attributable to the Jin Dynasty, and it may be the only known ceramic work of this form from the period. While certain formal similarities have led some scholars to tentatively associate it with the Song Dynasty or later, the present work is more convincingly attributed to the Western Jin Dynasty (3rd–4th century CE). The vessel is constructed with a cylindrical inner structure and a square outer profile, conforming to the characteristic geometry of the ancient Cong (琮) form. Its surface is decorated with restrained geometric incised patterns. This structural concept is directly derived from ancient jade Cong (玉琮), which represent the earliest and most authoritative prototypes of the form. Jade Congs...

This vessel was crafted using a refined black-burnished pottery technique, with the entire surface carefully polished to a smooth, lustrous finish. The body features a flaring, trump...

The ovoid shape suggests the influence from “amphora” of Greece and Rome, while the dragon-shaped handles allude to Persian and Central Asian metalwork. The ubiquitous dragon is a Ea...

Ovoid form escalating to a cylindrical neck with a flaring rim, adorned at the shoulder with three narrow grooved horizontal bands. Each side is equipped with an incised double-loop ...

A Chinese jardinière rarely in six colors, hexagonal, China, presumably 19th century. Period: Qing Dynasty Type: Jardinière Medium: Famille rose Size : 17 cm(Height) x 24cm(Mouth Di...

Console Table 03 by Saerom Yoon Limited Edition No. 09 of 10 + 2AP Dimensions: D 43 x W 110 x H 85 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent i...

This dish is covered in a rich green glaze, with a central medallion depicting a sinuous dragon in high relief, surrounded by a continuous band of floral scrolls. The dragon’s scales...

The central design features botanical motifs, with fully bloomed flowers and branches intricately depicted. The rim of the lid is encircled by a decorative band resembling a twisted ...

Stoneware decorated with Persian-style colors and patterns, and it is highly likely that this Annamese pottery intended for export was produced to meet Middle Eastern demand. Dates ...

A beautifully carved Victorian era antique shell cameo brooch, dating back to circa 1890s. The genuine sea shell features a classically rendered left-facing profile of a noble veiled...

Bal is a tapestry crafted from traditional Korean knots of cotton ropes and adorned with the Chil-bo (cloisonné) technique, a traditional method for decorating metal objects. This p...

Each side pencil-painted with stylized chrysanthemum, lotus or daisy sprays issuing from rockwork. This blue and white square vase with rounded sides has a flaring mouth and a long neck. This shape can be traced back to Chinese bronzes. It is decorated with floral motifs on four sides in underglaze blue. This piece was originally part of a pair, but the other has already been sold. Period : Qing Dynasty, Kangxi Period(1690-1699) Origin : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues below 1) Christies Amsterdam 1992 - Vung Tau Cargo...

This jar features carved decoration typical of Cizhou ware. It is characterized by a creamy white slip contrasting with the brown clay body, and the principal motif appears to be a lotus flower. The decoration was created by coating the vessel with a layer of white slip and carving through it to reveal the darker body beneath, producing a strong visual contrast between the background and the motif. Period : Song-Yuan Dynasty Type : Jar Medium : Cizhou Ware Size : 21.5 cm(Height), 11cm(Mouth Diameter) Provenance : Acquired in 1999, Hongkong * Cizhou Ware Cizhou is the name given to a number of stonewares, grey or buff, of varying degrees of hardness, with painted, incised or carved decoration on a clay slip. These stonewares were not only made in the region of Cizhou, Hebei Province, but in several provinces of China during the Song, Yuan and Ming periods. The great centres of production were in the north of China in the provinces of Hebei, Henan and Shanxi. Cizhou wares seem to have been very popular, made for a clientèle of rich merchants, at a period when the paintings of famous...

Layered steel bench by Hyungshin Hwang Dimensions: D 36 x W 180 x H 36 cm Materials: Stainless Steel Layered Series is the main theme and concept of work of Hwang, who continues...

This pillow was produced by applying a white slip over a refined clay body and subsequently carving the decorative motifs. The floral design incised on the surface is symmetrically c...

The "twin fish" dishes, emblematic of fertility and marital joy, are also recognized as one of the Eight Buddhist symbols. These dishes were prominently produced by the Longquan kiln...

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

a Line 5 (Abstract painting) Acrylic on Canson-Arches huile paper - Unframed. In her work, Lee is responding to her emotional experiences within her physical surroundings. Color is...

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is traditional Korean dress for formal occasions. Here, those traditional colors are made in...

A candle sconce constructed with cotton rope, viscose casing, and brass. The brass part is made by a metal turning master who worked as a technician for more than 45 years. The rope ...

Layered steel seat XVII by Hyungshin Hwang Dimensions: D 30 x W 51 x H 108 cm Materials: stainless steel Layered Series is the main theme and concept of work of Hwang, who conti...

Proportions Of Stone Armchair in Stainless Steel & Natural Stone by Lee Sisan Dimensions: D 52 x W 82 x H 82,5 cm Materials: Stainless steel and natural stone. Each piece is made to...

Potted in a balanced baluster form with a gently flared mouth and a stable foot, this vase presents a calm and harmonious silhouette. Animal-form handles holding looped rings add scu...

A globular earthenware jar with a flaring rim and two loop handles set at the shoulder. The buff-colored body is painted in dark brown-black pigment with bold, widely-spaced chevron ...

This dish features a rockwork design that was popular during the Mid to Late Ming dynasties. The blue-and-white underglaze effectively captures the vibrant tones typical of the late ...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 33 x W 33 x H 45 cm. Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose p...

Fade Coffee Table by Wonwoo Koo x DVIRA Dimensions: D 85 x W 140 x H 34,7 cm. Material: Stainless steel Finish: Proprietary multi-stage hand-applied oxidation patina — matte black gr...

Table 06 by Saerom Yoon Limited Edition No. 04 of 10 + 2AP Dimensions: D 75 x W 120 x H 32 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Ph...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

Circular form with flattened doomed covers, the covers with a medallion of flower with full bloom, the bowls with two round borders. Period : Qing Dynasty, Kangxi-Yongzheng Period P...

Table made with Hanji and discarded paper fibers from a paper company by using dochim method, which is pounding finished paper sheets to compact fibers. Hanji is the name of a tradit...

Loop Series Chain 02 in Borosilicate Glass by Studio-Chacha Dimensions: Ø 9 x H 23 cm. Materials: Borosilicate glass and champagne glass. Cha Shin-sil is a Seoul-based designer and ...

These two pieces are Chinese Yixing (宜興) zisha teapots. The one on the left is made of a grayish-green zisha clay, shaped like a ribbed pumpkin (nangua) form, with a spout carved int...