South Korea

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made ...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

Crystal Series Table 01 is a sculptural contemporary table that explores the transformative qualities of light, color, and material. Crafted from precision-cast acrylic, the piece r...

Qingbai porcelain incense stands of elegant baluster form, flanked by scroll-shaped handles and raised on an openwork square base. Covered overall in a soft bluish-white glaze, the p...

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is traditional Korean dress for formal occasions. Here, those traditional colors are made in...

This olive-brown celadon ewer features an octagonal lobed body, a tall curved spout, loop handle, and a domed cover with a bud-shaped finial. The olive glaze is suffused with fine cr...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

This vase features a traditional vase coated with a clear and rich green celadon glaze. A fine network of crazing covers the surface. The neck is adorned with raised vine motifs, whi...

Proportions Of Stone Armchair in Stainless Steel & Natural Stone by Lee Sisan Dimensions: D 52 x W 82 x H 82,5 cm Materials: Stainless steel and natural stone. Each piece is made to...

This vase is sturdily potted with a robust ovoid body that rises from a short, spreading foot to a gently tapering neck, finishing with a lipped mouth rim. The exterior is decorated ...

Bal is a tapestry crafted from traditional Korean knots of cotton ropes and adorned with the Chil-bo (cloisonné) technique, a traditional method for decorating metal objects. This p...

The jar is of globular shape and is decorated to the body with a geometric design band of lozenge-shaped motifs in blue, green, ochre and cream below a plain ochre everted mouth rim,...

Ovoid form escalating to a cylindrical neck with a flaring rim, adorned at the shoulder with three narrow grooved horizontal bands. Each side is equipped with an incised double-loop ...

This vessel is an exceptionally rare example believed to represent a Cong-shaped ceramic attributable to the Jin Dynasty, and it may be the only known ceramic work of this form from the period. While certain formal similarities have led some scholars to tentatively associate it with the Song Dynasty or later, the present work is more convincingly attributed to the Western Jin Dynasty (3rd–4th century CE). The vessel is constructed with a cylindrical inner structure and a square outer profile, conforming to the characteristic geometry of the ancient Cong (琮) form. Its surface is decorated with restrained geometric incised patterns. This structural concept is directly derived from ancient jade Cong (玉琮), which represent the earliest and most authoritative prototypes of the form. Jade Congs...

This dish features a rockwork design that was popular during the Mid to Late Ming dynasties. The blue-and-white underglaze effectively captures the vibrant tones typical of the late ...

The jar features a round body with well-proportioned four distinct tiers and a short, stable foot. The surface is coated in a deep green Longquan celadon glaze, showcasing the sprout...

Potted in a balanced baluster form with a gently flared mouth and a stable foot, this vase presents a calm and harmonious silhouette. Animal-form handles holding looped rings add scu...

Proportions of stone shelf 01 by Lee Sisan Dimensions: W 110 x D 35 x H 150 cm Materials: Stainless steel, natural stone Each piece is made to order a...

Neolithic Jar with strap handle from Gansu Province. Acquired in Hong Kong in the late 1990s. Date : 3,000-2,000 BC Made in : Gansu province Dimension : 23cm (Height) x 8.5cm(Mouth ...

Proportions of stone table by Lee Sisan 2019 Dimensions: W 140 x D 60 x H 55 cm Materials: Stainless steel, natural stone Each piece is mad...

Console Table 03 by Saerom Yoon Limited Edition No. 09 of 10 + 2AP Dimensions: D 43 x W 110 x H 85 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent i...

This dish is covered in a rich green glaze, with a central medallion depicting a sinuous dragon in high relief, surrounded by a continuous band of floral scrolls. The dragon’s scales...

This pillow was produced by applying a white slip over a refined clay body and subsequently carving the decorative motifs. The floral design incised on the surface is symmetrically c...

Each side pencil-painted with stylized chrysanthemum, lotus or daisy sprays issuing from rockwork. This blue and white square vase with rounded sides has a flaring mouth and a long neck. This shape can be traced back to Chinese bronzes. It is decorated with floral motifs on four sides in underglaze blue. This piece was originally part of a pair, but the other has already been sold. Period : Qing Dynasty, Kangxi Period(1690-1699) Origin : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues below 1) Christies Amsterdam 1992 - Vung Tau Cargo...

The central design features botanical motifs, with fully bloomed flowers and branches intricately depicted. The rim of the lid is encircled by a decorative band resembling a twisted ...

The tone shelf is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made into art furniture with a modern sensibility, in Korean jade and sky blue. The tone of the blue gives an elegant and dreamy vibe. As artisans dye each piece of acrylic by hand, the tone in this piece is completely different from that of a mass-produced product, and as such, has its own value as a limited artwork. Wide spaces between the shelves can fit large...

Each teabowl is delicately painted with blue pigments, showcasing scenes of mountains, trees, boats, figures, and animals. The graceful brushstrokes and gentle curves evoke tradition...

Rug and stool combination inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo – Korean embroidery...

Vietnamese stoneware crab boxes. Light blue glaze. This is one of the representative types of miniature works of Hoi An ships. Dates : 15th century Le Dyn...

The serene landscape and leisure activity of fishing are meticulously captured in cobalt blue on the porcelain's white surface, suggesting the value placed on harmony with the natura...

White tooth chair by Dongwook Choi Dimensions: 70 x 37 x 45 cm Materials: EPS, plaster It is a chair made with the motif of tooth shape. After the ureth...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

This tripod jar, dating from 2000 to 1500 BCE, is attributed to the Lower Xiajiadian Culture, which flourished in Northeast China. It exemplifies the early ceramic craftsmanship of N...

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

Fine-grained, buff-colored clay. Potted thin. Upper part of body painted with symbolic patterns in black and chocolate brown. Majiayao culture, Banshan type, 3rd millennium BC Peri...

Table 06 by Saerom Yoon Limited Edition No. 04 of 10 + 2AP Dimensions: D 75 x W 120 x H 32 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Ph...

Guseul is an experimental ceiling light crafted from multiple spheres employing various techniques. It consists of four distinct components: the black sphere, embellished black spher...

Jjirasi Vase explores the intertwined narratives of South Korea's urban landscapes and his own experiences, reflecting on how future generations might engage with traditional art and...

Object Floor Installation in Colored Resin by Saerom Yoon Dimensions: D 30 x W 37 x H 15 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is insp...

This dish is coated with a transparent bluish-white glaze over a thin white body. The center is incised with a design of lotus flowers and a bird, while the inner wall is encircled b...

Table made with Hanji and discarded paper fibers from a paper company by using dochim method, which is pounding finished paper sheets to compact fibers. Hanji is the name of a tradit...

This terracotta vessel was fired to a warm yellow-brown that shows subtle oxidation marks across the surface. Entirely unglazed, it retains a matte, tactile finish with fine pores an...

Covered with a fine bluish glaze, the body entirely decorated with an incised decoration of elegant leafy scrolls and blooming lotuses. "Yuhuchunping" translates to 'spring wine bott...

Table 14 by Saerom Yoon Dimensions: D 100 x W 200 x H 87 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Philippines with my parents. The gre...

The bowl is potted with gently flaring sides and a neatly trimmed foot. The interior is carved in low relief with a stylized peony scroll, the broad petals and flowing tendrils rende...

Two standing court figures modeled in pottery with slender proportions and simplified facial features. A thin straw-toned glaze is applied over the surfaces, with areas of exposed bu...

The dish has a scalloped rim, which gives it a flower-like appearance. The wavy edges were often inspired by nature. It has a pale, almost translucent blue-green glaze, typical of Qi...

This profound series serves as a powerful artistic examination of the tension and harmony between structure and freedom. The artist constructs each piece by employing two distinctly...

Cure 04 chair by Sundo Yoon. Dimensions: D35 x W50 x H70 cm. Materials: Aluminum. Cure Series - Sundo Yoon 'The Cure Series is a series of works by de...

The design features a central medallion surrounded by eight panels, each intricately painted with traditional Chinese botanical and floral motifs. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

The bowl has a wide, thinly potted rim and a low foot, characteristic of Song dynasty forms. A finely carved and lively twin-fish design decorates the interior, a classic auspicious ...

HUI tiles and furniture are crafted from recycled oyster shells. By powdering and mixing discarded shells sourced from Korea’s oceans, they create robust materials that are transform...

A matched pair of small circular covered boxes (蓋盒) in Swatow (漳州窯) ware, decorated in Famille Verte enamels of iron-red and copper-green on a white ground. One cover painted with a ...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

Two roosters are depicted with great precision and skill, surrounded by a landscape featuring rocks and a railing. The motif of roosters and natural elements is traditionally symboli...

Loop Series Chain Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 33 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

Object Floor Installation in Colored Resin by Saerom Yoon Dimensions: D 15 x W 50 x H 20 cm. Materials: Resin. Saerom Yoon is an artist based in Seoul, South Korea. His work is insp...

The ovoid shape suggests the influence from “amphora” of Greece and Rome, while the dragon-shaped handles allude to Persian and Central Asian metalwork. The ubiquitous dragon is a Ea...

Potted with the fluted sides rising from a recessed base, carved to the interior with Chrysanthemum, covered overall with a grayish-green glaze, save for a ring to the underside left unglazed to reveal the gray stoneware...