Texas - Sculptures

Jacobo and Maria Angeles. Owl #24. Oaxaca, Mexico. Weight: 1.6 lbs., height: 7 in., length:4 in. width: 3 in. Copal Wood

By Duff Browne Marble sculpture on black marble base. Dimensions: 17.5" H x 8" W

A fine and rare aquatic themed Del Campo Studio wall sculpture by Virgilio Bari of Torino, Italy. This piece is masterfully constructed of welded steel rod, and freeform spill-castin...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing staged archaeological excavations exposing the malleability of our history. During these performances he discovers his own versions of historical artifacts, crafted from objects from his youth--such as baseball cards, G.I. Joe action figures, POGS, and various other toys and items. His discoveries and claims, while false and absurdly comical, are based on real research. Joshua Goode: Born in Fort Worth, Texas in 1981, Joshua Goode is researching and developing mythic historical misinterpretations and manipulations in an effort to expose the malleability of our past, present and future. His alternate history and mythology preserve memories of childhood ranch life in Texas by reimagining objects and imagery from his youth as iconic ancient artifacts. Having studied history and worked as an archaeologist on many actual excavations, he conducts staged excavations around the world, working with the community as a performance. The constructed artifacts of his invented civilization mix fact and fiction to appropriate and distort the history and myths of each region he engages. His ‘artifacts’ have been exhibited in solo exhibitions in international venues such as the Razliv Museum, St. Petersburg, (Russia); Capellades Museum, Barcelona, (Spain); Zendai Museum of Modern Art, Shanghai, (China); Darb 1718 in Cairo, (Egypt); LaSala Gallery, Zaragoza, (Spain); Galerija Miroslav Kraljevic...

By Bob Ragan 34.5" x 17" x 17" Texas Limestone 620 lbs

Amazing family of three large scale Giraffe sculptures by renowned Iowa abstract artist James Anthony Bearden. From his Animal Series, The large Giraffe measures 72"H x 16D x 9"W, th...

Frederic Remington (1861-1909) New York / Kansas / Connecticut Image Size: 56" across 52" tall 25" deep Medium: Bronze Sculpture Recast "The Bronco Buster"

"Hats" by Heiko Weiner represents an intersection between art and mathematics. This abstract wall sculpture utilizes  a 13 sided shape known as "The Hat," discovered by mathematician...

Ariel and Patricia Duboué. Wood Snail Design. Cordoba, Argentina. Medium: Silky Oak. Weight: 1.6 lbs., height: 9 in., length: 6 1/2 in., width: 9 in.

ANTOINE-LOUIS BARYE (FRENCH, 1795-1875) Panthère surprenant un zibeth, seconde version (Panther attacking a civet cat, second version) signed BARYE bronze, dark-brown patina with r...

By Bob Ragan Two Indiana Limestone caryatid sculptures Dimensions and Weight for each: 73" x 21.5" x 20.3", 2000 lbs About the Artist: Bob Ragan is...

Vasili Grachev, 1831-1905. A patinated chocolate brown bronze grouping of horses pulling a troika with figures. A Classic Russian bronze grouping of three horses tearing through the ...

A handmade olla by master potter Efren Quezada from Mata Ortiz, Chihuahua, Mexico. This ceramic olla is made with ancient traditions from the village of Mata Ortiz in Chihuahua, Mexi...

The Heart of the Matter – Metal Wall Sculptures Artist Statement by Tom Hoitsma: In October 2019 my family learned first-hand a brutal lesson about the climate crisis. Dallas used to see one tornado each year. For the last few years that number had tripled and the intensity of the tornados has increased. On October 20, 2019 one of these super tornados ripped through our Dallas neighborhood. With winds up to 140 miles per hour and three quarters of a mile wide, this tornado literally came right down our street. By some act of God, the tornado jumped over the first 5 houses on the west end of our street (including my house), which I was in at the time with my kids, but destroyed most of the homes just west of us. We have all seen images of this kind of destruction on television but to walk the neighborhood the next morning, and see the destruction with my own eyes was completely surreal and deeply disturbing. As usual, my eye kept settling on the sculptural beauty in some of the wreckage, especial the twisted metal. I collected some of these broken and bent objects and brought them to my studio to contemplate. On our walk the morning after the tornado, my 12 year old daughter and I bumped into a couple standing in front of their home. It was destroyed. The roof was gone, a few interior walls were standing but most of the exterior walls were just piles of brick. The couple pointed to an interior white door that was still standing (the exterior walls to that room were gone) and said, “do you see that white door? We were all huddle behind that door when the tornado ripped the roof off the house. The air was thick with debris flying around and we all just clutched each other until it finally passed. In front of that door used to be our bedroom (there were no walls standing). We’re so grateful that the four of us made it out without a scratch.” And that made me think. People are so resilient. Events in our lives can break our hearts but somehow we cannot be defeated. Like these sculptures, our hearts get tangled, bruised and battered but still remain full of hope and joy. We all emerge, changed from experiences but eventually, hopeful for the future. It became clear that this twisted metal was the perfect metaphor. To take this material which had been so tortured by this tornado and create something vibrant and beautiful. This work, born of the tragedy created by the climate crisis and super storms, is an examination of the impact of the “new normal...

"Metamorphosis" by Frederick Hart is figurative bronze bust of a woman numbered 17/29. “Metamorphosis” was a journey of transformation for Hart. The work haunted and yet thrilled hi...

Evgeny Alexandrovich Lanceray (Russian, 1848-1886) 19th Century, Possibly post humus Cossack on Horseback Gilt bronze signed in Cyrillic Measures: Height 8 3/4 x width 8 3/4 inches....

Jean-Léon Gérôme (1824 - 1904) FRENCH BELLUAIRE OR PLAUDITE CIVES. This sculpture shows the scene of a Roman coliseum where a gladiator just finished his battle with a large lion. ...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Antoine-Louis Barye (French, Paris 1795–1875 Paris) Roman Jester (Petit fou de Rome) modeled probably circa 1874, executed after 1875 Measure: Height 6.25 inches Condition: Very go...

Antoine-Louis Barye (FRENCH, 1795-1875) Panthère saisissant un cerf (Panther seizing a stag) Signed: “BARYE” Stamped: Susse Fres bronze, dark-green/black patina Measures: Height ...

Maurice Bouval (Fr. 1863-1916) Art Nouveau sculpture. French Art Nouveau Gilt-Bronze Figure of a Woman Cast by E. Colin & Cie., Paris, circa 1900 Possibly Pandora, modeled rising ou...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

This striking wall sculpture by prolific mid-century Texas artist, Stuart Mathews, exemplifies his mastery in blending mixed metals into compelling abstract forms. Mathews—who honed ...

Step into the world of artistic elegance with our exclusive offer on the Muses suite by master sculptor Frederick Hart. Each bronze head, representing Dance, Music, Poetry, and Theat...

Gustavo Obiols Delgado (1858-1910) – Spanish sculptor Signed in the cast ‘G. Obiols’ Spanish Dancer with Castanetas; Silvered bronze and finely carved bone No damage or repairs. H...

Maurice Bouval French Art Nouveau Gilt and Silvered Bronze Figural Vide Poche Cast from a model by Maurice Bouval, cast by Jollet & Cie., Paris, circa 1900 Modeled as a maiden in a ...

L'alsacienne Or Bretonne aux Rameau silver overlay patina by Leo Laporte Blairsy (French, 1867-1923). Depicting a woman in robe holding a garnet of flowers with a L'alsacienne or Bre...

Maximilien Louis Fiot (French, 1886 - 1953) A very large bronze animalier sculpture of combatant eagles in flight above an outcropping or rocks. The Eagles are fighting for their li...

"Ex Nihilo Fragment 6" by Frederick Hart is a figurative bronze with the edition of 55/65. Ex Nihilo Fragment No. 6, detail from the full-scale plaster for the final stone sculpture of Ex Nihilo, was commissioned as part of The Creation Sculptures at Washington National Cathedral...

"Liberty and Sacrifice" by Frederick Hart is a figurative female figure bronze sculpture with the edition number 14/50. "The figures of Liberty and Sacrifice are used in an allego...

Nic Noblique is a Texas-based sculptor whose preferred medium is steel. Noblique has, in a relatively short amount of time, become one of the foremost abstract sculptors in the Unite...

Louis Ernest Barrias (French 1841-1905) Nature Revealing Herself La Nature se dévoilant devant la Science Gilt, and silver patinated bronze with blue glass scarab Signed on base “E...

"Hyperbolic Paraboloid - Harp"" by Jerry Dane Sanders is a large brushed finish stainless steel outdoor sculpture measuring 120x48x48. This is a stunning stainless steel sculpture in the shape of a twisted U with skinny pieces of steel intertwined in the middle, creating a hyperbolic paraboloid effect, reminiscent of a harp. This unique and modern piece will add an eye-catching focal point to any outdoor space, from gardens and patios to public parks and corporate courtyards. The durable stainless steel construction ensures that this sculpture will withstand the elements and retain its beauty for years to come. Don't miss the opportunity to enhance your outdoor environment with this one-of-a-kind sculpture. This piece does have some damage with scratches. on the steel base. Jerry Dane Sanders Sadly passed away at age 58 from brain cancer...

Don't miss this opportunity to own a piece of history! Ex Nihilo Figure 2, a full-scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the Creation Scul...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

Luis Castillo and Marcelo Guzman. Grey/White Ceramic Mask with Wood Base. Cordoba, Argentina. Weight: 16.8 lbs., height: 25 in., length: 17 in. width: 10 in.

1.75 x 3.75 x 2 Mixed Media 2023 Each mini is a unique and original artwork. Biomorphic sculpture that draws you to play with it.

Celadon 6 from Chloe Hedden’s Fold Series envelops the viewer in the quiet drama of form, color, and materiality. Created from hand-dyed linen on linen, the piece merges tonal subtle...

Agathon Leonard (French, 1841 - 1923) Art Nouveau Silvered Bronze A French Art Nouveau gilt bronze sculpture, "Marguerite", by Agathon Léonard of Margeruite, placing a flower in her...

Image of Jules Moigniez Bronze Sculpture of a Pointer and Pheasant, 19th Century Jules Moigniez Bronze Sculpture of a Pointer and Pheasant, circ...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

French dore bronze depicting a seated figure of a boy with tablet by Louis Ernest Barrias, French(1841-1905) Circa 1912 Modeled as a partially nude youth seated with a tablet and p...

The alabaster of "Cloud," upon which this bronze is based, is in the collection of the Crystal Bridges Museum of American Art in Bentonville, Arkansas. Anita Huffington's work is also included in the collection of the Metropolitan Museum of Art in New York; the Morris Museum in Augusta, Georgia; the Arkansas Arts Center in Little Rock; and the Samuel P. Harn Museum of Art at the University of Florida in Gainesville. Anita Huffington's history includes a long period in New York City starting in the late fifties when she studied dance with Martha Graham and Merce Cunningham. Huffington became acquainted with a circle of artists of the New York School, including Kline and de Kooning, as well as a diverse and individualistic group of painters, sculptors, musicians, and poets in this vital and idealistic period. These experiences, and her later choice to live in the woods of the Arkansas Ozarks, sowed the seeds for the sculpture she makes in stone, bronze, wood, and mixed media. Her work reflects both the world of art and the spirit of her life in the woods. Anita Huffington states: "I do direct carving in stone and make bronzes, often using the stone as part of the process. My sculpture is usually based on the human form, primarily the female nude. I often carve torsos...

In Indigo 1, Chloe Hedden invites us into a meditative field of texture, movement, and hue. Part of her Fold series, this work uses hand-dyed linen in deep, inky indigo tones that ri...

A bold and architectural statement piece, this original wall sculpture by Texas artist Stuart Mathews exemplifies the raw elegance of Brutalist design. Constructed in textured metal ...

Celadon 3 from Chloe Hedden’s Fold Series envelops the viewer in the quiet drama of form, color, and materiality. Created from hand-dyed linen on linen, the piece merges tonal subtle...

L'Hiver, which is French for winter. An evocative title which pretty much explains the piece. Number 1 out of a production of Seven. Artist Statement: I am very happy to announce that two of my bronze works are now available in a limited edition of 7. The first one, shown above, is my vision of Eros. He is more popularly known in the Roman interpretation of a chubby baby or young boy with an bow and arrow. I have always been more intrigued with the original Greek embodiment of the this deity as a young man. More than the god of love, Eros was a personification of the power of creation. He was balanced by his antithesis was Thanatos, that of destruction. In fact, Thanatos is currently in the design process. This work will exist in an edition of 7 and 2 artist's proofs. Each piece is hand chased by myself and I apply the patina as well. The sculpture was created using the Lost Wax...

This sculpture is edition 2/20

This is a unique bronze container. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from li...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to creat...

By Mark P. Williamson 17" x 8" x 6" Limestone

Large scale abstract mixed media sculpture by contemporary artist Bernardo Infante. The work incorporates red Texas clay, wood, and other various materials into an abstract horse sha...

"On the Wings of an Eagle by Chester Fields is one of his most popular sculptures. This is number 26 of 75 made. It is made with the following: Bronze Casting Deluxe Patina Gold Beak...

James Surls (Born 1943) Texas / Colorado Artist Image Size: 60 x 36 x 33 Medium: Wood Sculpture from the Cabinet Oak Tree at LBJ Ranch 2024 "History Man" Designed to stand. James Surls (Born 1943) Texas / Colorado Artist A modernist sculptor of delicate seeming wooden objects of intriguing designs, James Surles also does drawing and prints that feature natural and human images and forms. He carves, whittles and stains his objects, but creating a monotone effect, rarely paints them but sometimes burns images into them. Some of his works are large, as much as nine-feet tall. Surls earned a B.S. degree from Sam Houston University and an MFA from the Cranbrook Academy of Art. In 1998, he moved from Splendora, Texas to Carbondale, Colorado. In 2009, five sculptures, made of bronze and steel, were set up on Park Avenue by the New York City Parks Public Art Program. His work has been shown in major New York museums including the Whitney, Guggenheim, and Museum of Modern Art. His work is in numerous public collections. East Texas native James Surls is among the most acclaimed Texas artists of the late twentieth century and has found great success outside the state, as well. Surls' sculptures are most inspired by nature but also reveal metaphorical and mythological content. In a 2009 catalog for The Grace Museum in Abilene, Texas, Patterson Sims wrote that Surl's works are "studies of myths, science, and human behavior." After graduating from Sam Houston State University and The Cranbrook Academy of Art, he taught at Southern Methodist University and later at the University of Houston and the Lawndale Art Center, Houston. Surl's work is held in many museum collections, and he has had numerous solo exhibitions, including the Dallas Museum of Art in 1984 and The Meadows Art Museum, Dallas, in 2003. History Man and Walking Man – Provenance James Surls, renowned Texas Artist, was commissioned by the Friends of the LBJ National Historical Park, to create art from what is known as the Cabinet Oak that is growing in the yard of the Texas White House. As President, Lyndon Johnson held many meetings, including meetings with cabinet members, under the sprawling live oak tree in his front yard, next to his swimming pool. For that reason, the tree became known as the Cabinet Oak. In 2019, a huge branch of the tree broke off. The park service searched for ways to turn this devastating event into something positive and memorable. As a result, The Friends of Lyndon B. Johnson National Historical Park stepped forward and invited 53 artists to receive portions of the wood and without conditions use the wood to reflect their vision of its meaning. Renowned artist James Surls used his section of the branch to create three art pieces, including the two identified below that are being offered for sale. These works are unique examples of Surls artistry, showcasing his devotion to the LBJ legacy and to the beauty and history of the wood itself. History Man James Surls, 2024 60 inches times 36 inches times 33 inches Free standing Whistling Man...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

The sculpture is painted cast plaster. The dimensions are for the painted cast plaster. The black base dimensions are 2 x 10 x 10 inches. About this body of work: “Everybody has that feeling when they look at a work of art and it’s right, that sudden familiarity, a sort of...recognition, as though they were creating it themselves, as though it were being created through them while they look at it or listen to it...” ―William Gaddis, "The Recognitions" “A great deal of my recent work was made during a time when I was reading the great American novel by William Gaddis, "The Recognitions," the most demanding book I’ve ever read. Along the way, I extracted sentence fragments that interested me and I pieced them together to make the titles for the last three years of my work. So, my recent work is linked to Gaddis’ novel through the titles, but also in the theme of “recognition,” which speaks to the nature of my work. I feel my way through various processes until I recognize a possibility―a possibility that is promising in terms of visual dynamics but also in terms of giving a body to some part of my experience. It is my hope that the viewer is compelled to recognize some part of themselves reflected in the work.” —Michael O’Keefe Michael O’Keefe earned his MFA from SMU and currently teaches at The O’Keefe Studio Center in Richardson, Texas. This sculpture was included in "Recognitions," his fifth solo exhibition at Valley House...

My Mother's Tears Inundation is a deeply emotive work from Chloe Hedden’s Fold Series, composed of hand-dyed linen in soft, stormy tones. A pale, silvery veil of fabric envelops the ...

This sculpture is edition 2/20

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Josh...

signed "1938-42 Morgan Russell" with monogram on base cast circa 1982 with permission of the Estate of Morgan Russell