People Figurative Drawings and Watercolors

At the bus station 2021, paper, acrylic, 25x25 cm Ansis Butnors (1977) Education: J. Rozentals Art School in Riga – 1989. – 1996. Latvian Academy of Art, Painting Department – 19...

Study for horses painting is an original artwork realized by Anonymous artist in 19 century. Ink drawing on paper. Includes wooden frame (minor def...

Artist: TARKAY, ITZCHAK Title: "GARDEN PARTY" Size: 15 X 22 INCHES Medium: WATERCOLOR ON FRANCH ARCHES PAPER Edition: ORIGINAL Description: Hand signed by the artist The artwork is i...

Louis Lesueur (1746-1803) A Fantasy Landscape with ancient ruins, 1789, signed and dated "L Lesueur 1789" in the bottom centre Pen and ink and ink wash on paper 14.8 x 22 cm In goo...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

We are delighted to present a stunning watercolor by the Swedish artist Albert Theodor Gellerstedt. This artwork, titled "Sickelsjö Trädgård" was created on June 8, 1883. The paintin...

European School, late 18th century. Red chalk with primo pensiero in graphite on cream laid paper, 8 1/2 x 11 1/2 inches (215 x 293 mm). Scattered light handling wear and multiple s...

Linda Stein, Courante 418.030 - Signed Feminist LGBTQ+ Colorful Ink, Color Pencil, and Graphite on Paper Drawing Courante 418.030 is from Linda Stein's Profiles Notation series--d...

The Pilgrim Fathers Landing at Plymouth Rock Anglo/ America School, early 20th century ink/ watercolor on paper stuck on board, framed - glass covered framed: 12 x 14 inches board : 6.5 x 8 inches Provenance: private collection, Cotswolds, England Condition: very good condition The scene possibly depicts the Pilgrim Fathers landing in the 'New World', particularly at Plymouth Rock in 1620. The visual elements support this interpretation: The central figure in dark clothing and a wide-brimmed hat: This could represent a leader like William Bradford or John Carver...

Color pencil on acrylic-coated canvas.

Pedro Pruna Ocerans (1904-1977) - Two drawings - Ink drawing Two framed drawings, all of them signed and dated. Frame measures 23x28 cm. Pere Pruna Ocerans (Barcelona, ​​1904-1977) ...

Title: French Gouache Portrait Study of Three Navajo and Kumeyaay Figures by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper, ...

New Yorker is original black China ink drawing on ivory-colored paper, made by the Swedish illustrator and reporter Adolf Reinhold Hallman around 1956 c...

Part of the ring-wall of the Taj Mahal, Agra, India, 1914 Signed with initials and dated bottom right Black chalk on paper, 45.5 x 53 cm Literature: Ernst Braches en J.F. Heijbro...

Manfred Schwartz (American, b. Poland, 1909-1970), Reclining, Charcoal on Paper, with the artist's signature stamped lower left, unframed. 18" H x 24" W. Provenance: From a 35 East 7...

Charcoal and watercolor drawing on paper realized by Mino Maccari in the mid-20th Century. Hand signed in pencil lower right. Very good condition.

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Bulgarian pro-natalist propaganda poster design (circa 1950s) Gouache on board 17 x 12 cm After a Communist takeover in 1945, Bulgaria was a Soviet ally during the Cold War, and maintained good relationships with Russia until the Revolutions of 1989. From 1945 to 1948, the country became entrenched within the Soviet sphere of influence under the control of the Bulgarian Communist Party (BCP) which oversaw a program of Stalinization in the late 1940s and 1950s. Both countries are Slavic nations, and are bound together by a common Orthodox Christian...

Image dimensions: 15 X 10 cm. This Persian Miniature scene of men with scimitar is a unique precious original painting on the front with handwriting...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal /watercolour/ink on artists paper, double sided Size: 9.5 height) x 7.5 (width) Stamped Verso ...

Portrait by Bernard Labbe (French mid 20th century) original gouache on artist paper, unframed size: 19.5 x 16.5 inches condition: very good and ready to be enjoyed provenance: the ...

The artwork is in simple white wood frames behind glass. At the right site there is a monogram with date. The full signature is on the back of the drawing. Hanna Banaszczyk is a gr...

Rembrandt van Rijn 1606-1669 Dutch Woman Bathing Her Feet in a Brook Etching on paper New Hollstein's 309, second state of II Signed and dated "Rembrandt f. 1658" (upper left) Created from observations of a live model, this work started as a figure study before evolving into a more imaginative setting. It remains ambiguous whether the scene is set indoors, as suggested by the cushion the figure is seated on, or outdoors, indicated by the foliage in the background. The omission of her feet, suggesting they may be dangling in a brook, adds a charming touch to Rembrandt’s imaginative scene. The figure seems unaware of the viewer, presenting a dignified yet sensual demeanor. The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman...

Bold and well executed charcoal on archival paper attributed to the American artist, Richard Emil Miller. Signed lower left “Miller”. Consistent with other known signatures of the a...

In the Bar is a China Ink Drawing realized by Mino Maccari (1924-1989) in the 1945 ca. Hand-signed on the lower margin. Good conditions with some folding. Mino Maccari (Siena, 19...

Born in Valencia, Spain in 1845, 19th century impressionist Vicente García de Paredes studied at the School of Fine Arts in Valencia, in Madr...

Watercolor on heavy paper realized by Carlo Ravagnan in 1971. Hand signed.Hand signed, titled and dated also on rear. Excellent condition. Carlo Ravagnan was born in Udine on Sept...

Cowboys Horses Cattle WPA American Scene Social Realism Mid 20th Century Modern Jo Cain (1904 – 2003) Cowboy 33 3/4 x 36 inches Oil on paper, c. 1930s Signed...

Costume Design is an original modern artwork realized in 1970s by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower m...

A French gouache on paper portrait of Don Quixote and Sancho Panza by Jean Paul Ducel. The painting is signed to the back where there is another painting of a clown. A strong and co...

"My Fair Lady" 1958 West End Theatre Costume Drawing Mid 20th Century Modern Cecil Beaton (1904 – 1980) "My Fair Lady," Pen and ink on paper. ...

China ink and watercolor on paper. Conditions: Two cuts on the centre of the paper. Three holes on centre-right, botton-left and top-left of the paper. Worn on the top left of the ...

Hopeless is a Colored lithograph realized on japan paper by Jean Cocteau (1889 -1963) in 1930 ca. French draftsman, poet, essayist, playwright, librettist, ...

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 10.75 (height) x 8.5 (width) Stamped Verso Cond...

"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII. 18 x 24 inches Watercolor on paper. c. 1940s. Signed lower right. BIO ...

Portrait of an Old Man is a black marker Drawing realized by Hermann Paul. Good condition except for some ripples along the edges. René Georges Hermann-Paul (27 December 1864 – 23 ...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

This is an original drawing of Wile Coyote and Road Runner. The drawing is signed by Virgil Ross, an American artist and cartoonist lower right Graphite, colored pencil on animation...

Less is more from the studio of John Emanuel Image 21" x 15" Originally from Bury, in the North of England, John Emanuel works in Porthmeor, Cornwall. He has received no formal art...

Centaur with Arch 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio Antiquity is an endless inspiration res...

A muted color acrylic and oil pastel of an androgenous subject with Modigliani eyes, Ornette by African American artist Bai is an enigmatic portrait made on 15” x 11” etching paper. ...

SALE ONE WEEK ONLY "Nude Female" by Eric Saarinen is an intimate portrait of a female that appears to be in the throes of orgasm. It is aesthetically re...

Hand signed. Sketch realized in 1924 for the invitation to "Ballets Russes de Serge Diaghilev". Published in the same invitation in June 26th, 1924. Ref. Mimì, Anna Laetitia Pecci...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Mid Century French Portrait by Josine Vignon (French 1922-2022) Medium: Pencil on artists paper, double sided Size: 10 height) x 6.5 (width) Stamped Verso Condition: Good Provenan...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

Early 20th century watercolour of a gentleman on horseback with other riders in the background apparently signed or titled 'Count A de Monthaus'. Signed or titled bottom left. Presented in fine period gilt frame under glass. The artist has captured a moment of pause, the gentlemen rider in his fine clothes and bowler hat regarding his surroundings as his fellow riders continue the chase behind him, possibly a 'point to point'. Monthaus has captured the stance of the standing horse as well as the movement of the other horses. He has used white to give light and definition to the costume of the rider and the background. A lovely atmospheric and dynamic watercolour very much of its period and in the spirit of equine portraiture made famous by the likes of Sir Alfred Munnings. Sir Alfred James Munnings, KCVO PRA RI (8 October 1878 – 17 July 1959) was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War...

Italian School, late 19th century Christ in the Garden of Gethsemane miniature painting, framed framed: 3.5 x 3 inches image: 2.5 x 2 inches provenance: private collection, Italy con...

Waterline Fine Art, Austin, TX is pleased to present the following work: Chinese ink and acrylic on rice paper, stretched on canvas. Artist's stamp upper left. 71 x 38.25 in. 72.25...

Early Indian Mithila Folk Art Painting Traditional Indian Mithila Painting artist signed verso. Pencil, ink, natural dye watercolor, on handmade paper 22x30 framed under glass 26x36...

6th Avenue El at 8th St NYC Cityscape American Scene Social Realism Mid-Century Max Arthur Cohn (1903-1998) 6th Avenue El at 8th Street 13 x 18 inches Watercolor on paper, c. 1930 ...

Title: Reclining Figure Artist: Josine Vignon (French 1922-2022) Medium: signed watercolour on artists paper stuck on board, glass covered Size: 9.75 (height) x 9 (width) Conditi...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

"Modern Nude". Part of "Nude in Interior" series. Original work on colored paper, with blue ultramarine tempera, inspired by Matisse. Size 2is 7.5x19.5in / 70x50cm . Shipped rolled ...

This is the original rare concept drawing created 54 years ago in 1970 by the legendary artist David Edward Byrd. It was presented to Bill Graham and the Rock group "The Who" showing...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 12 (height) x 9.5 (width) Stamped Verso Condition: Good Pr...

WPA Mural Study American Scene Social Realism Mid 20th Century Modern Workers Seymour Fogel (1911-1984) Mural Study, untitled 11 x 49 1/4 inches (sight) Tempera on board Provenance:...

China Ink Signed H. Balslaecj (artist unknown from the gallery) and dated 1978 Pastel wooden frame with plexiglas Total size with frame: 75x57x6 cm

Edwin, Marzo 14, 2014 by Celso Castro Black Crayon on archival paper Image size: 39.2 H in. x 28 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the...

"Some far away speech" is an original ink and watercolor work on paper by Brian Spolans. The piece ships framed as pictured and measures 20.5in x 28.5in. Alternative custom framing...

Female Figure is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in charcoal, china ink, and Watercolor on ...