Gouache Drawings and Watercolor Paintings

Dolphin Dance 05 (Abstract painting) Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #...

Untitled (ID 1292) (Abstract Painting) Gouache on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that...

Leonard Cusden British Flourished: 1920 - 1950 Somerset Gouache, signed lower right Image size: 17 ¾ x 27 inches Contemporary oak gilt frame This is the original painting used for the cover of the first edition for the novel "Someret" by Maxwell Fraser, published by The Great Western Railway...

E. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...

Covers 13-Red Yellow (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses...

Transitions (Abstract Painting) Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural...

Blur (Abstract painting) Gouache on Japanese paper - Unframed This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers t...

P3.15 (Abstract Painting) Gouache and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

Art Sz: 12 3/4"H x 21 1/2"W Frame Sz: 18 3/4"H x 27 3/4"W Henry William Standing (British,1894 -1931)

Untitled 6 (Abstract painting) Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art maki...

P1.15 (Abstract Painting) Gouache and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

P3.13 (Abstract painting) Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers ...

Unknown (European, probably Eighteenth Century) Shepherds and Peasants in a Landscape Ink, watercolor, and gouache on vellum; 12 5/8 x 19 3/8 inches Framed: 20 x 28 inches (approx.)

9.1 (Abstract Expressionism painting) Gouache on paper - Unframed Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the anima...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard ed...

Robin Endsley-Fenn Robin Endsley-Fenn received her BFA from The San Francisco Art Institute. She paints with Gouache and Oils on canvas and cotton rag paper. Her style and imagery ha...

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...

Gouache on Japanese paper - Unframed This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers that are in piles all over ...

Gouache on archival paper - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her work is in t...

This abstract drawing on paper features a highly expressive depiction of figure through manic and brazen employment of line work suggest a spirit that is meticulous in execution, yet...

Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same c...

Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1-22”. Those brush paintings are Pri...

Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1-22”. Those brush paintings are Pri...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard ed...

Gouache and collage on Japanese paper - Unframed This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements of found colored papers th...

In this mixed media drawing on paper, Ushio Shinohara's highly expressive depiction of line and form suggest a spirit that is meticulous in execution, yet unencumbered by restraint. ...

Original watercolour for Town & Country magazine c.1950 by Peruvian fashion illustrator, Reynaldo Luza (1893-1978) Art Sz: 5 3/4"H x 4 1/2"W Frame Sz: ...

Gouache on paper - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her work is in the colle...

Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1-22”. Those brush paintings are Pri...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard e...

A small purple vase floats on a dreamy background of pale blues fading into a warm beige. The artist achieves a remarkable delicate quality by multip...

J Fairfax Whiteside ARRC FMAA 1904 - 2001 SAFE HARBOUR Gouache, signed Image size: 29 x 19 inches Framed

English School 20th Century Lakes Gouache, initialled lower left Image size: 20 x 14 inches Framed

Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses to color and form stim...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard e...

Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers that are in piles all over ...

9 3/4"H x 6 3/4"W

Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers that are in piles all over ...

Date: 1937 Medium: Watercolor, Gouache and Charcoal on Board Dimensions: 14.00" x 20.00" Signature: Signed Lower Center Exhibitions: It's a Man's World, Illustration Art by and for ...

Shaun O’Dell More Love Four, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) At once investigations of surface and depth, representation and reality, Shaun O'Dell's newes...

Halo, Drawing, study for a sculpture. ARTIST'S STATEMENT Michael Davis My sculptures and installations are physically and symbolically multilayered mechanisms that react to environ...

Beth Secor, Elderly Elm, Patio, 2014-2015 Ink, gouache and pencil on paper overall diptych 20 x 28 inches 20 x 14 inches each Beth Secor understands trees as both a comforting p...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

Legendary Graphic designer Paul Rand was also a Fine Artist/Painter. In the present work, " Untitled: Asian Calligraphic Shapes Over Biomorphic Forms," Paul explores the relationship...

Art Sz: 11 3/8"H x 8 3/4"W Frame Sz: 14 3/4"H x 11 3/4"W Art Sz: 11 1/4"H x 8 3/4"W Frame Sz: 14 3/4"H x 11 3/4"W USS Ranger, later USS Rockport and USS Nantucket (PG-23/IX-18), was a gunboat of the United States Navy. A screw steamer with full-rig auxiliary sail, Ranger was destined for a very long 65-year career, serving first as a U.S. Navy gunboat from 1876 to 1920, and later as a training ship with the Massachusetts Maritime Academy from 1909 to 1941. The ship was finally scrapped in 1958, but her engine, which is the only one of its type known to be still in existence, was preserved and is on display at the American Merchant Marine...

Medium: Pen and Ink with White Gouache Signature: Signed Lower Right A pin-up study

Elegant gouache portrait of a 'Chinese Lady in Jade Robe' on rice paper Art Sz: 6"H x 5"W Frame Sz: 13"H x 10"W

Men Who Plan Beyond Tomorrow” Advertising campaign for The world’s incredible technological inventions that we take for granted today ….. Provenance: Edgar Bronfman Sr. former C...

Linda Stein, Profile Solid 383.006 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.006 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.026 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.026 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.027 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.027 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.028 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.028 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.031 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.031 is from Linda Stein's Profiles series--drawings, coll...

Linda Stein, Profile Solid 383.034 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.034 is from Linda Stein's Profiles series--drawings, coll...

Southern Landscape with View of a Castle and Ships passing by Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm Plain black moulding with golden pearl ...

"Steam", by Christina Haglid, is a small, exquisite watercolor. A single nasturtium is suspended inside a paper lantern, floating on turbulent water, the steam escaping from the lantern propelling it forward. The fragility of the environment has always played an important role in Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrigued her. This fragile balance between nature and her subject matter is as delicate as a paper lantern floating on the ocean. Christina Haglid Steam, 2019 watercolor and gouache on paper 8h x 9w in 18.75h x 19w in framed CMH034 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night which will return to its purpose during the day. My intention is to not show the failure because I imagine all these objects make it through to better times. Allegories of survival. Someone comes by and finds the paper crane, the rowboat owners return and see their boat undisturbed, and the slide during the day brings joy. EDUCATION 1993 M.F.A., Cranbrook Academy of Art 1991 B.F.A., Maryland Institute, College of Art 1990 Skowhegan School of Painting and Sculpture EXHIBITIONS 2019 "Tiny Sanctuaries", Gallery Victor Armendariz, Chicago, IL 2015 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2014 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2013 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2012 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2011 “Gallery Group” Ann Nathan Gallery, Chicago, IL "Meticulous Details: Conservators' Paintings" The Architrouve, Chicago, IL 2010 “Art Chicago” Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2009 “Botanica” Ann Nathan Gallery, Chicago, IL 2006 “Botanicus” Ann Nathan Gallery, Chicago, IL 2006 “Arts Botanica” Loyola University Museum of Art, Chicago, IL 2005 “Blumen: Group Show” Ann Nathan Gallery, Chicago, IL 2004-05 “Think Small” Illinois State Museum, IL [traveled] “Christina Haglid: Microworlds” Greenville County Museum of Art, Greenville, SC [solo exhibition] 2004 “Art Chicago” Navy Pier, Ann Nathan Gallery, Chicago, IL 2003 “Small to Mighty” Ann Nathan Gallery, Chicago, IL 2002 “Art of the 20th Century” NY Armory, Ann Nathan Gallery, NY, NY “Art Chicago” Navy Pier, Ann Nathan Gallery, Chicago, IL 2001 “Group Fusion” Ann Nathan Gallery, Chicago, IL 2000 "Small & Mighty II" Ann Nathan Gallery, Chicago, IL "Christina Haglid, New Work and Amy Lowry-Poole, Bugs and Buds" Ann Nathan Gallery, Chicago, IL 1999 “Small & Mighty” Ann Nathan Gallery, Chicago, IL “Views II” Ann Nathan Gallery, Chicago, IL 1998 “Maleri” Galleri Carl Michael Bellman, Stockholm, Sweden “1987 – 1997, A Skowhegan Decade, Alumni Exhibition and Benefit Auction” David Beitzel Gallery, NY, NY “On and Off the Wall, Gallery Group” Ann Nathan Gallery, Chicago, IL 1997 “15 x 15” (Alumni Exhibition), Thesis Gallery, Maryland Institute, College of Art, Baltimore, MD 1996 “Small Works” Suburban Fine Arts Center, Highland Park, IL., Special Recognition Award 1994 “Unknown Chicago” Gallery 312, Chicago, IL “15 x 15” (Alumni Exhibition), Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore, MD 1993 “Graduate Summer Exhibition” Cranbrook Academy of Art Museum, Bloomfield Hills, MI “Graduate Thesis Exhibition” Cranbrook Academy of Art Museum, Bloomfield Hills, MI “Michigan Fine Arts Competition” Birmingham Bloomfield Art Association, Birmingham, MI 1992 “Word of Mouth” Forum Gallery, Cranbrook Academy of Art Museum, Bloomfield Hills, MI 1991 “Drawing: A Covert and Private Affair” West Gallery, Rutgers University, New Brunswick, NJ “Senior Exhibition” Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore, MD 1990 “Fiber Exhibition” Fox Gallery...

Composition by Arikha Avigdor (1929-2010) Gouache on paper 39 x 75 cm (15 ³/₈ x 29 ¹/₂ inches) Signed lower right Executed circa 1955 This work is an fine example of the Avigdor’s a...

Cherry Dancer Marcel Vertes French, 1895-1961 Beautiful girl juggling cherries is a beautiful and charming idea that is deftly rendered in a quick and loose style. Work is round De...