Pencil Drawings and Watercolor Paintings

Portrait of a boy is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The artwork represents a fre...

Nude woman is an original pencil drawing realized by André Meaux-Saint-Marc in the early 1900. Pencil and pastel drawing on brown paper in very good conditions. Hand-signed on the ...

Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board Signed and dated on label, verso This artwork is offered by ClampArt, located in New York City. Cub...

Fruit basket is an original sketch pencil drawing realized by Serge Fontinsky (1887-1971) in the half of the 20th Century. Good conditions, minor cosmetic wear. Hand-signed on the...

Christ Crucifixion is an original drawing on paper in pencil mounted on greyish cardboard Passepartout: 28.9 x 19 cm, realized by an anonymous Italian artist of the Early 20th Centu...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." S Clapham (active 1940 - 1960) Puslinch House Pencil 55 x 77 cm An architectural drawing of Puslinch House, a fine Christopher Wren-style Georgian mansion in Devon. The estate was owned by the Poslylinch, Mohun, and Upton families before being taken over by the Yonge family in 1718, following the marriage of John Yonge and Mary Upton. The Queen Anne House mansion was built on the occasion of their wedding and an earlier medieval...

Sketchbook Page with Figures and Anatomical Details in Pencil on Paper Drawings of a man at a desk and other figurative sections by an unknown artist (19th Century). On the left sid...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

Sketches of Bullfight is an Original Pencil Drawing realized by an Unknown artist in mid-20th century. Good condition on a yellowed paper. No signature.

"Interior of a House" is an original pencil, china ink and pastels drawing on ivory paper by Anonymous Artist of XIX Century. In very good condit...

Hachiya Persimmons & Fan, Modern Still Life with Red-Orange and Blue Lovely modern still-life of a fan and persimmons by Santa Cruz, California artist Anita Heckman (American, b.20th Century). This 1987 mixed media work on paper depicts three vivid Hachiya persimmons on a windowsill beside an elegant paper fan with a tassel. A decorative window drape...

Sleeping Cat is an original pencil drawing realized by Giselle Halff (1899-1971). Not signed and dated 1965 on the lower right margin. The artwork is depicted skillfully through co...

Figure of Man is an Original Pencil Drawing realized by Maurice Chabas (1862-1947). The artwork is in good condition, included a white cardboard passpartout (37.5x55 cm). Monogramm...

Erwin Pfrang, German (b. 1951) Graphite, Colored Pencil on paper Framed 20.5/8 X 16.5/8 sheet 6 X 7.75 Erwin Pfrang (born 1951, in Munich) is a German painter and printmaker. Pfrang studied at the Academy of Fine Arts in Munich from 1974–79. Later he spent many years as an independent artist in Montepulciano, Val d’Orcia and Catania, Italy, interrupted by stays in Munich and Augsburg. He presently lives and works in Berlin. Erwin Pfrang is the grandson of the Munich folk comedian Konstantin Pfrang. Carla Schulz-Hoffmann makes an attempt at characterising the painter: “An artist such as Erwin Pfrang inhabits an alternative world, a tiny microcosm of subjectivity, and lives that life uncompromisingly, with all the limitations and hardships that it entails. Among twentieth-century artists a comparable stance can be encountered perhaps in Jean Fautrier, but certainly in Otto Wols. His oeuvre relates in its figuration to Bosch or James Ensor and his oil painting to Lucian Freud in its painterly quality. Erwin Pfrang is represented by gallerists Fred Jahn, Munich (Exhibition: Don’t Forget Your Mask: Don’t (Part I: Don’t Forget Your Mask), Forget (Part II: Don’t Forget Your Mask), Your Mask (Part III: Don’t Forget Your Mask)Artists: Imi Knoebel, Barry Le Va, Karel Appel, Alexi Tsioris, William N. Copley, Isa Genzken...

Graphite and conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...

Vintage political cartoon by H.M. Talburt (American, 1895-1966). A man in a suit is speaking about the president into his "hat," which is the mouthpi...

Nude is an original drawing in pencil on paper realized by Jeanne Daour. The state of preservation good except for aged margins. Sheet dimension:4 0 x 28 cm. The artwork represent...

Herbert Alphonso Dixon, AKA Rap, was an outfielder for the Negro Baseball League on several different teams for a total of sixteen seasons. He had the honor of being the first African American player to hit a home run at the famed Yankee Stadium in 1930. Lawrence has captured the ball player here in all his glory. The watercolor is floated in a cream shadowbox and framed in black measuring 34 x 15 inches. Margie Lawrence Rap Dixon...

Portrait of Woman is a drawing in pencil on paper by an Anonymous Artist of the XX century. Sheet dimension: 32 x 24.5 cm The state of preservation is good and aged Hand-signed o...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended th...

Embrace is an original drawing in pencil on paper, realized by the Anonymous artist of the XIX century. From an illustration with an inscription on the rear related to the school of ...

Portrait of Boy is an original drawing pen realized by Anthony Roaland in early 1980s. The artist want to define a well-balanced composition, through a harmonious style. Good cond...

Sketches is an Original Pencil Drawing realized by an Unknown artist in mid-20th century. Good condition on a yellowed paper. No signature.

This is a beautiful drawing, brimming with the unique personalities of Alice Liddell and her beloved sisters, Lorina and Edith. Dating back to the late 19th Century, this captivatin...

This beautiful Victorian pencil drawing dates to around 1890 and is by an unknown hand. It is a bust length seated portrait of a young girl gazing to her right. Her long hair is bac...

Landscape is an original drawing in pencil on ivory-colored paper realized by Jan Peter Verdussen. The artwork has some folds rips and foxings and is repaired on the middle line. T...

'Kneeling Nude', Louvre, Académie Chaumière, LACMA Signed lower right, "Di Gesu" for Victor di Gesu (American, 1914-1988) and painted circa 1955. Watercolor nude showing a woman kn...

Masquerade is an original Contemporary artwork realized in 1970s by the italian artist Leo Guida. Original Pencil Drawing on paper. The work is in very good conditions.

Preliminary Study for Cretan Dancer Bronze Graphite on tracing paper, 1930 Unsigned Note: The bronze sculpture measures 24 1/2 x 33 5/8 inches and is signed and dated 1930 on the bas...

Authentic drawing from the early 20th century by the well-known French painter Gustave Guetant (1873-1953). Technique: pencil and charcoal on paper. Bottom right stamp: ATELIER GUET...

Satiric Scene For l’asino is an original drawing in pencil and pen realized in 1910 ca. by Gabriele Galantara. The state of preservation of the artwork is good. The artwork with a ...

PERLE FINE Untitled Graphite on paper 14 x 11 inches

Gorla swimming pool is an original artwork realized in 1930s by Cesare Breviglieri. Black and white pencil drawing .Hand signed on the lower right margin. The artwork represents a...

A ca. 1945, Cubist black & white graphite drawing of fruit by artist Illinois and Michigan artist Stanley Bielecky. Image size: 4" x 5". Archivally matted to: 13 1/4" x 16". Stanley Bielecky was an Indiana artist who painted the American scene, from the factories and workers around East Chicago to the bucolic settings of Mackinac Island...

People and Animals is an original drawing in pencil on paper, realized by an Anonymous artist of the XIX century. With a drawing of a cat and its kitt...

Study of Nudes is an Original Pencil Drawing on Paper realized by an Unknown Artist in mid-20th century. No signature. The artwork is depicted skillfully through confident and sugge...

Signed lower left, 'F. Sedivy' for Franz Sedivy II (Danish, 1888-1973) and dated 1959. A dramatic figural painting of a young woman, shown naked and hold...

Turkish Man is an original artwork realized in the 1970s by Anonymous artist. Black and white pencil drawing. The artwork depicting an oriental man who i...

Woman profile is a drawing in pencil and watercolor realized in the mid-20th Century. Good conditions. The artwork represents the profile of a woman within a well-balanced composit...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Original watercolor with graphite tracings by the well known German artist, Peter Von Halm. Signed in pencil lower right. Condition is good. Several tiny foxing spots with small areas of mild wrinkles on the outer corners. Matted but not framed. He was the son of an innkeeper and brewer. Initially, he wanted to become an architect and, in pursuit of that goal, attended the Technische Universität Darmstadt. After 1875, he studied copper engraving with Johann Leonhard Raab and general art subjects with Ludwig von Löfftz, at the Munich Academy. From 1883 to 1885, he lived in Berlin at the invitation of his friend, Karl Stauffer-Bern, where he created graphic versions of the Old Masters for Wilhelm von Bode...

Portrait of Woman is an original etching realized by Francis Mockel (1940) Limited edition of some copies numbered and signed. Good condition, on a white little cardboard. Francis...

A 65 million year old sea creature is captured here through the art of Gyotaku by Jeff Conroy. After inking and taking impressions of a reproduction fossil Ammonite shell and combini...

Clematis 4, Iris 4 and Iris 5 Triptych Overall Size cm : H90 x W60 Clematis 4 [2021] original Coloured pencil on 150gsm paper Image size: H:29 cm x W:21 cm Co...

Hal Frater, American (1909 - 2008) - Portrait of Bearded Man, Medium: Graphite on Paper, signed lower right, Size: 11 x 8.5 in. (27.94 x 21.59 cm)

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. An elegant and powerful work by this well-exhibited and well-listed California pai...

Rose Tattoo Luis Alfonso Jimenez 1940-2006 Color pencil on Arches paper 22 x 30.25 inches Provenance: The original drawing was owned by Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". An original Drawing by Luis Jimenez, 1983, 22 x 30.25 inches. A stone lithograph edition was made from this drawing. There was a PBS documentary showing Jimenez drawing on the stone with the drawing in front of him and the making of the lithograph with Sette Publishing. Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo photography...

The Kiss is an original drawing in Pencil realized by Alfred Grévin in the Late-19 Century. Applied on a Passeprtout: 50 x 32 cm. In good conditions. Alfred Grévin (1827- 1892),w...

Nude of Woman is an Original Pen Drawing realized by Marcel Spranck (1896-1978). The little artwork is in very good condition, included a yellow cardboard passpartout (50x32.5 cm). ...

Transport of Dead Christ is a drawing realized by the French painter Lucien Alphonse Gros (1855-1913) in the late 19th century. The state of preservation i...

From a series of paintings by Clifford Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - o...

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

"The Painter", 1880s, is an original pencil drawing glued on ivory paper realized by Charles Des Bordes (1863-1909) . In very good condition. Hand-signed on the lower left corner.

"Figures" is an original drawing in tempera on paper glued on ivory-colored cardboard, by an Anonymous Artist of XX Century. In excellent conditions: as good as new. Sheet dimension: 41.8 x 58 cm. This is an original drawing representing two men figures.

Anatomical Studies is an original artwork realized by an artist of the 19th Century. Good conditions, only some stains on the back of the yellowed paper.

Literature is an original artwork realized by a French artist in the XX Century. Original drawing on paper. Very good conditions. Very interesting artwork representing several s...

Sketch for Frescoed Frieze is an interesting preparatory study realized by the artist Paul Bony, a famous French painter active in the last century. The artwork is in good state of p...