Head Drawings and Watercolor Paintings

Eve Nethercott, American (1925 - 2015) - Santander, Year: 1961, Medium: Ink on Paper, Size: 14 x 10 in. (35.56 x 25.4 cm), Description: Smiling at the viewer, Eve Nethercott'...

Eve Nethercott, American (1925 - 2015) - Squash Still Life (P5.18), Year: 1960, Medium: Watercolor on Paper, Size: 8 x 10 in. (20.32 x 25.4 cm), Description: Placed alongside...

Eve Nethercott, American (1925 - 2015) - George Wagner (P5.53), Year: 1947, Medium: Ink on Paper, Size: 5.5 x 4.5 in. (13.97 x 11.43 cm), Description: Eve Nethercott's portra...

Modern abstract black ink line drawing of a reclining female nude. The work features a loose rendering of a single woman laying on her left hip and looking off in the distance. Signed and dated in front lower right corner. Currently unframed, but options are available. Artist Biography: Frank...

Collections: Sir Thomas Lawrence, who acquired the contents of Fuseli’s studio; Susan, Countess of Guilford, née Coutts (1771-1837), acquired from the Lawrence estate; Susan, Baroness North (1797-1884), daughter of the above; Mrs A. M. Jaffé, acquired in France, c. 1950 to 2016. Black chalks, on buff-coloured paper Stamped verso: ‘Baroness Norths Collection / of Drawings by H Fuseli Esq.’ Framed dimensions: 26.38 x 20.63 inches This boldly drawn sheet depicting a seated figure was made by Fuseli at an important and highly productive moment in his career. The monumental drawing is closely related to another sheet by Fuseli in the British Museum which Schiff published as subject unknown. Both drawings were made when Fuseli was designing his most important sequence of historical works, including scenes from Shakespeare and Milton, The Nightmare and The Death of Dido which was exhibited at the Royal Academy to great critical acclaim in 1781. The present drawing does not relate directly to any of Fuseli’s finished historical paintings of the period, but evidently the image of a slightly menacing, seated and covered old woman was precisely the sort of motif he was playing with. It is notable that the same figure reappears later in Fuseli’s work as the witch from Ben Jonson’s Witch’s Song which Fuseli produced as both a painting and engraving in 1812. Fuseli returned to London in 1779 from a highly creative and productive period in Rome and established himself as one of the leading history painters of the period. Fuseli re-established contact with his old mentor Sir Joshua Reynolds, becoming a regular guest at his dinner table and visitor to his studio. The earliest and most striking manifestation of this strategy was Fuseli's Death of Dido, exhibited in 1781 at the Royal Academy. Executed on the same scale as Reynolds's version (Royal Collection), Fuseli's vertically oriented picture was hung directly opposite Reynolds's with its horizontal orientation, inevitably inviting comparison between the two works and garnering Fuseli much publicity and favourable reviews in the newspapers. The present, previously unpublished sheet, relates closely to a drawing now in the British Museum. That sheet shows the same seated old woman, drawn on a smaller scale and more schematic in design, seated next to an anatomical drawing of a man. The pose of this figure is related to the pose of Dido in his Death of Dido; the foreshortened torso, arrangement of head, oblique view of Dido’s features and arms all suggest that the study can be viewed as an initial thought for the composition. Fuseli may have initially thought of including the figure of the hunched and covered old woman. Drawn on identical paper to the British Museum sheet, our study is an enlarged depiction of the same figure, more elaborately delineated and developed. The presence of a chain to the right of the figure, suggests that the iconography was related in some way to a scene of imprisonment. Fuseli had first explored the motif of the hooded old woman in an early Roman drawing, 'The Venus Seller'. The idea of a grotesque old woman, hooded and with angular nose and projecting chin seen in profile was most spectacularly used by Fuseli in his sequence of paintings depicting The Three Witches from Macbeth. Fuseli seems to have kept the present sheet and may have returned to it when preparing a painting of The Witch and the Mandrake from Ben Jonson’s Witch’s Song from his Masque of Queens in 1812. Here the same seated figure looks out from under her hood and picks a mandrake by moonlight. Jonson’s drama had been performed at the court of James I in 1609, inspired the subject. To throw the nobility of the queens into relief, the poet added a coven of witches, one of whom declares: ‘I last night lay all alone, On the ground, to hear the mandrake groan; And plucked him up, though he grew full low, And, as I had done, the cock did crow.’ The figure was reversed in the associated etching which was published in 1812. It seems likely that the present drawing remained as part of Fuseli’s working archive of figure studies. The present drawing was presumably purchased with the bulk of Fuseli’s drawings after the artist’s death by Sir Thomas Lawrence. Lawrence’s large group of Fuseli drawings were then acquired by Susan, Countess of Guildford (1771-1837). Lady Guildford was the eldest daughter of the banker Thomas Coutts (1735-1822), who himself had supported Fuseli’s journey to Rome in the 1770s and had remained one of the artist’s key...

Boris Akopian "Spring dreams"

Sanctus Paulus, 2024 Graphite and White Chalk on Toned Paper, 6 x 6.5 inches A source of firm contemplation, Justas Varpucanskis’s drawing “Sanctus Paulus” is a resolute rendition ...

Monique Amélie Cras, born in Brest in 1910 and died in Paris in 2007, was a French painter and poster artist. The daughter of composer Jean Cras, she studied under Jean-Paul Laurens ...

Genre: Expressionist Subject: Figures Medium: Watercolor Surface: Paper Country: Austria Dimensions w/Frame: 21" x 26 3/4" Heimrad Prem (1934 – 1978) was a German painter born in Roding, Oberpfalz. From 1949–1952 he studied decorative painting at Schwandorf and then studied painting with Josef Oberberger and sculpture with Toni Stadler at the Akademie der Bildenden Künste, Munich until 1956. While studying painting with Ernst Emil Schumacher at the Hochschule der Künste, Berlin, he formed Gruppe SPUR with Lothar Fischer, Helmut Sturm, and Hans-Peter Zimmer. After meeting Asger Jorn, SPUR joined the Situationist International. He was influenced by the Cobra artists Karel Appel and Otmar Alt. In 1960 he won a scholarship of the Kulturpreises im Bundesverband der Deutschen Industrie, Cologne. From 1960–1962 he co-edited the magazine SPUR. In 1961 he visited Oerkelljunga, Sweden with Sturm, Zimmer and Dieter Kunzelmann staying with Jørgen Nash...

Stages II Watercolor on Arches paper, 2021 Signed with the artist's initials lower right (see photo) Signed with the artist's Yummy blindstamp lower right Signed, titled and dated in...

11x14 (with frame 19x23) Hal Frater passed away on February 3, 2008, just a month from celebrating his 99th birthday. Hal Frater had a long and prolific career. He became a sought after commercial artist for over fifty years . All the while he would return to his studio and paint for himself rather than his clients. Yet he always retained his illustration roots in wanting to tell a story on canvas with his keen eye of observation on the human condition. Often he would join fellow artists in informal sessions and paint from a model - no formal art school training but a mutually beneficial learning experience. His contemporaries that influenced him were Jack Levine, Raphael Soyer, John Sloan, Thomas Hart Benton, Reginald Marsh and Phillip Reisman...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Angel Gabriel) Year: Circa 1980 Medium: Ink on heavy archival paper Size: 18.5 x 22 inches Condi...

Man  Profile is a drawing in pencil and pen on paper realized in the early 20th century by French unknown artist. The state of preservation is good with slight foxing. The artwork ...

Pollack, Bob (American, born 1936). TYSON WINS BY A KNOCKOUT. Original painting in acrylics on paper, 2023. Signed and dated within the image. 11 X 14 inches. Matted. In excellent c...

Georges Scott (1873-1943) Portrait of Jules Lagorio 1893, signed, dated and annotated on the right : "A monsieur Jules Lagorio, Souvenir de notre excursion à l'Estaque 12 mai 1893" Pencil on paper 24 x 22 cm In fair condition : an horizontal crease in the middle of the shhet, stains ans other creases, trace of the mount (see photographs please) In its original vintage framing : 33 x 30 cm If not in perfect condition, this intimate portrait by the young artist is really intersting and charming. The mention of it as a souvenir of an excursion to l'Estaque is interesting too. L'Estaque, near Marseille was a famous place for painters of the time such as Cezanne, Braque and Renoir who painted there the sea and shores. The young Georges Scott wanted to keep the souvenir of the excursion with his friend, but we have to think of the place by the gaze of the model contemplating it. Georges Scott, or Scott de Plagnolle (his full name wasGeorges Bertin Scott de Plagnolle ), was born on June 10 1873 in Paris, he was a painter and illustrator. He studied at the Alsatian School in Paris, where he drew a lot: “I have always drawn […]. My father was a painter and illustrator. I was born in a workshop ”. Fatherless in 1884, he studied at the Beaux-Arts, then was one of the pupils of Édouard Detaille, he was a member of French artists outside the competition in 1897. Painter and illustrator, he worked for various periodicals, including Cocorico and L'Illustration where his first drawing was published on March 19, 1892 (“La catastrophe d'Anderlues”). In 1911, the Minister of War Adolphe Messimy asked Scott and Detaille for studies to renovate the uniforms of the French Army: if their projects were not adopted, some were published in newspapers such as L'Illustration in March 1912 he covered as a war correspondent for the newspaper the First Balkan War, with the Bulgarian Army. He returned to Thrace inJuly 1913 for the Second Balkan War, but with the Greek Army, meeting King Constantine. In September 1913, on the occasion of the King of Greece...

My paintings and drawings are very personal, they capture my everyday life, my reaction to things I experienced, either yesterday, in my childhood or even events I imagine. My portra...

Artist: Jose Canes (aka Dore), Spanish (1931 - ) Title: Woman in Pink with Red Flowers Year: circa 1975 Medium: Acrylic and Pastel on Paper, signed l.r. 'Dore' Size: 25.5 x 19.5 in. ...

HAROLD CHEESMAN, RSA (1915-1982) Figures at Road Junction Signed, inscribed with title and dated 1960 on a label on the backboard Charcoal and black conte crayon Framed 36 by 53 ...

Original Graphite Sketch on Paper 1953 / Signed 1959 Inscribed “Sketch for Robe Feature” 10 5/8″ x 13 1/2″ Viewable 25″ x 29 1/2″ Framed The Robe, a fictional Biblical epic film was ...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of woman sitting with...

Manfred Schwartz (American, b. Poland, 1909-1970), Portrait of a Woman, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 24" H x 19" W. Provenance: From ...

Manfred Schwartz (American, b. Poland, 1909-1970), Portrait of a Woman, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 25" H x 19.5" W. Provenance: Fro...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through her meticulously detailed, and patterned imagery. The work is mesmerizing, rich in symbolism, and reference feminine power, vulnerability, sadness, longing, and desire. Often featuring adolescent girls and boys that are mysteriously posed, the artist leaves the circumstances of her subjects to the viewer's interpretation. Chikako Okada is inspired by the paintings of European masters, Mexico's Frida Kahlo, and the American surrealists. The drawing is 23 1/4 X 18 1/4 inches. Professionally matted and framed in a museum quality rose gold wood...

Katarzyna LIBROWICZ Polish French painter studied at the Academy of Fine Arts in Warsaw and arrived in France in 1937 . She studied with André Lhote in Montparnasse Paris and exhibited at the Salon d'Automne and the Salon des Independants . She is one of the painters of the School of Paris . Peintre polonaise.Elle étudia à l'Académie des Beaux-Arts de Varsovie, puis arriva en France en 1937. Elle suivit les...

George Bissill (1896-1973) A moment of rest Pencil sketch 28 x 38 cm Signed to lower right Born in 1896, George Bissill was a British miner, painter and furniture designer. Rais...

Helen Slimp (1890 - 1995) San Antonio Artist Image Size: 24 x 17 Frame Size: 30 x 24 Medium: Pencil Drawing 1931 "Bather" Nude Biography Helen Slimp (1890 - 1995) A Virginia native, Helen Ferne Slimp was a lifelong artist, who worked in oils, lithography, stained glass and china painting. She was a friend of Mount Rushmore sculptor Gutzam Borglum and art patron Marion Koogler McNay, painted alongside the Onderdonks and was a teacher to Porfirio Salinas. “She liked that modern stuff,” Slimp said of McNay in the Express-News in 1990, on her 100th birthday. “I never cared for it myself. I thought an apple should look like an apple.”Chester Slimp died in 1965, but Helen Slimp lived to be 105, dying Oct. 29, 2005. Helen Ferne Slimp's instructors were a "Who's Who" of American artists including Randall Davey, Ernest Lawson, Fremont Ellis, Gerald Cassidy, Harry Anthony De Young, and Jose Arpa. Please view my store front for other Great Vintage Texas Paintings...

“IONICUS” JOSHUA CHARLES ARMITAGE (1913-1998) Mr Punch – How to Grow Tobacco Pen and ink heightened with white, unframed 5.5 by 10 cm., 2 ¼ by 4 in. (mount size 25.5 by 25.5 cm., ...

Artist: Justin Liam O'Brien Title: Seated Nude and Landscape Medium: Graphite on Paper Size: 10 x 7 Inches Year: 2021 Notes: Hand Signed, Titled and Date...

"Truth and Virtue's Room" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower right and dated it on the back. It features two peo...

This is a quite pleasant session sketch of a very attractive model. It comes with some bumps and bruises but that's the nature of these drawing exercises. It's just that this particu...

Work on paper Brown wooden frame with glass pane 44.5 x 35.5 x 1.5 cm

William Anthony Born 1934, Forth Monmouth, NJ. and grew up in Washington State. Education 1958 Yale, New Haven, CT, B.A European History 1959-60 San Francisco Art Institute, CA 1961...

Caricature of Amintore Fanfani is a modern artwork realized by the Artist Emilio Giannelli. Black and white drawing Hand signed on the lower margin Includes frame: 34 x 24 cm

Caricature of Ciriaco De Mita is a modern artwork realized by the Artist Emilio Giannelli. Black and white drawing Hand signed on the lower margin Includes frame: 34 x 24 cm

The female figure in Oliver Benson's "Lady of the Temple" is drawn in exquisite detail. This fine drawing is floated on a mat board and framed in a silver frame measuring 11h x 8.25...

NEVILLE HICKMAN (1930-2012) Study of a Statue, Aston Hall Signed with initials, inscribed and dated: May 2 67. Aston Hall Pen and ink, unframed 25.5 by 17.5 cm., 10 by 7 in. (mount size 34.5 by 28 cm., 13 ½ by 11 in.) Aston Hall is a magnificent seventeenth century red-brick mansion situated in a public park on the north side of Birmingham. It was built between 1618 and 1635 by Sir Thomas Holte, the head of an important Warwickshire family and was one of the last great Jacobean houses...

An early work on paper, by American Impressionist painter, Ben Fenske. It's rare to see a drawing like this from Fenske, especially of a self portrait. Fenske uses classical draftin...

Mariette Lydis (Vienna 1887 - Buenos Aires 1970) is an Austrian painter and illustrator who was successful in Paris in the 1930s, in Montparnasse and then in Argentina, where she emigrated in 1940. Mariette Lydis was born on 24 August in Vienna, Austria 1887. From 1919 to 1922 she signed her works with the initials MPK for Marietta Pachoffer Karñy, a name derived from her first marriage in 1910 to Julius Koloman Pachoffer-Karñy, who died on 22 April 1922. Subsequently she lived in different cities around Europe, among others: Athens and Florence. She moved to France from 1926 to 1939, during these years she exhibited and became a member of the Salon d'Automne. She befriended Count Giuseppe Govone, the art publisher, in 1928 and married him on 1 August 1934, for whom she illustrated the books of many authors and cultivated a great friendship with Henry de Montherlant, which came about through the publication of a first in 1938 monograph by the author of Les Jeunes Filles. Fearing the German invasion, she travelled to England and then to Buenos Aires in July 1940, where she stayed and published published her latest paintings...

Paco Rabanne ( 1934-2023 ) grand couturier et parfumeur franco-espagnol . il a marqué l'univers de la mode dans les années 60. en 1963 , lauréat de la biennale de Paris avec une sculpture exposée au musée d'art moderne de Paris . " Aède " est un autoportrait de Paco Rabanne Feutre noir et de couleur , encre sur papier . signé et daté 1991 . 30 x 23 cm . 51 x 41 cm encadré cadre alu noir canon de fusil provenance : Succession Paco Rabanne 2023 " Un Aède est ,en Grèce antique...

Pencil drawing by H. P. James, realized in the ed of 19th Century. Good condition.

CAROLYN SERGEANT (1937-2018) Girl in Sari Signed on the reverse and inscribed: Set of six Drawings of a Figure from the Life - Finals Pencil and...

Paper paint charcoal collage ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

Sketches is a double side Ink and watercolor drawing realized by Karl Hanny in 1934 and 1949. Hand-signed. Good conditions with slight foxing.

Emily At 1 (Study #1) Watercolor on Yupo mounted to board, 2018 Signed with the artist's initials (see photo) The image depicts the artist's daughter Emily. Exhibited: Occupying A Sp...

Portrait is a drawing realized by Joseph Colin in the Mid-20th Century. Charcoal ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expre...

Portrait is a drawing realized by Joseph Colin in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expr...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Figure Study Year: circa 1964 Medium: Charcoal on vélin paper Size: 18 x 23 inches Condition: Good Provenance: Estate of...

Old Doll by Lu Haskew Pencil 10x6.5" image size 12x10" framed as pictured, behind glass Still Life drawing of a doll from the artist's extensive doll collection. Shipping price incl...

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. Th...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Figure Study Year: circa 1964 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: E...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: E...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 18 x 23 inches Condition: Good Provenance: Estate o...

French women in a reclining position looking out at the viewer. The work is signed by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Classroom is a pen drawing Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, ...

Portrait is a watercolor drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, Ju...

Drinking is a china ink drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, Jun...

Portraits is a watercolor drawing Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924...

Violonist is a china ink drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, Ju...

Portrait  is a charcoal drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, Jun...