Art Deco

Large mid-century female oil painting on canvas by French artist, Louis-Frédéric Dupuis (1909-2003), signed in the lower right. This is a delightful, post-impressionist eye catching...

ABOUT Beautiful and impressive Art Deco statue of a dancing woman with cymbals. Circa 1935. Original title "Danseuse Aux Cymbales". Signed “Fayral” on base which is the pseudonym of...

This original Art Deco Fashion Illustration by G. Ferro is a striking ink and wash drawing on vellum paper by French artist G. Ferro. The stunning Art Deco composition captures a dap...

Original vintage World War I poster. U.S.A. bonds: Third Liberty Loan campaign: Boy Scouts of America. Depicted: Boy Scout handing a sword inscribed "Be prepared" to a stylized warri...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Beautiful antique reclining nude oil painting on canvas, signed in the top right by French artist Léonie Humbert-Vignot (1878-1960) This gorgeous nude on a relatively smooth canvas i...

Jean Cocteau (1889 - 1963) "la Méditerranée" (The Mediterranean), circa 1952 Wool tapestry, signed, dated, and titled lower left in the weave. Produced by Marie Cuttoli and the Luc...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Oil on canvas by Robert Louis Raymond DUFLOS (1898-1929), France, 1920s. Naked woman lying in front of her mirror. With frame: 95x61.5 cm -...

Antique portrait of a woman, 1920's French school, signed in the bottom left by French artist, Louis Faille (1878-1964). This is a very attractive old portrait in beautiful natural h...

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Winter Coat Oil on canvas, 18 x 24.5 inches. Signed lower left. Excellent condition. Would beneifit from a cleaning. Origina...

Beautiful Art Deco illustration by unknown artist. Ink and gouache on faux wood grain illustration board. Image field measuring 14 x 18 inches on a 17 x 21 inch illustration panel...

Artist: TARKAY, ITZCHAK Title: LAKE CAFE Year: 2000-2010 Size: 36 X 48 INCHES Medium: ORIGINAL ACRYLIC ON CANVAS Edition: ORIGINAL 1/1 Description: Hand signed by the artist. The art...

Denis-Paul NOYER Mercedes 710 - Cabourg Grand Hotel Original lithograph, c. 1980 Handsigned in pencil Numbered / 115 copies On Arches vellum 75 x 105 cm (c. 30 x 42 in) INFORMATION...

Original Vintage 1981 Cappiello Exhibition Poster held at the Paris Grand Palais. Celebrating the Iconic Artwork of Leonetto Cappiello. Linen backed in very good condition without an...

Boris Lovet-Lorski, Untitled (Portrait of an African Woman), lithograph, edition 250, 1929. Signed and numbered 13 in pencil. Number 13 of Volume 2, a series of 10 lithographs publis...

An original silver gelatin photograph capturing a timeless black and white street scene in Paris, France, circa 1930—a rare and authentic glimpse into the rhythm of a bygone era. Fea...

Unsigned Work on canvas Gilded wooden frame 70,5 x 48 x 4,5 cm

Bauhaus Gems unfolds as a quiet exploration of balance, rhythm, and chromatic architecture. Drawing subtly from the Bauhaus tradition, the work uses geometry not as constraint but as...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Boris Lovet-Lorski, 'Untitled (Black Woman Crouching)', lithograph, edition 250, 1929. Signed and numbered 16 in pencil. Number 16 of Volume 2, a series of...

Giancarlo Impiglia, Italian/American (1940 - ) - At the Bar, Year: 1987, Medium: Screenprint, signed, numbered and titled in pencil, Edition: 45/300, Size: 30.25 x 28 in. (76.84 ...

This reproduction of the iconic vintage Italian champagne advertisement "Contratto" was originally designed by the legendary poster artist Leonetto Cappiello. Published by Bruce Tele...

Beautiful original bronze sculpture of a female nude dancer in the Art Deco period. Circa 1930. The artist is the well known American sculptor, Allan Clark. Signed in the base by th...

Marc-Luc (French, active 1920s-30s). Boys Fashion Illustration, ca. 1920s. Watercolor and pencil on paper, image measures 8 x 11 inches on panel measuring 12.5 x 18 inches. Signed lo...

A unique, original silver gelatin black and white photograph. The subway construction in Place de la Bastille, Paris, November 1928. Features: Original Silver Gelatin Print Photograp...

Stunning, original Art Deco bronze of a male archer by the well known French sculptor, Pierre Le Faguays. Condition is very good. Verde green finish over bronze patina. Slight rubbed...

Oil on Canvas by B. Robert, France, circa 1930. This exquisite oil painting by B. Robert, created in France around 1930, captures the serene beauty of a young nude woman reclining. T...

An extraordinary outdoor cuboid for floating pots in your garden. Customization possible and designed in 2010. Also available to order in stainless stee...

This artwork titled "After Dinner Relaxation" c.1980 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered 426/450 in pe...

A unique original silver gelatin black and white photograph. A construction site on The Boulevard Haussmann in Paris, France, June 19, 1926. A view of the Boulevard Haussmann in Par...

Banjo. Art Deco era musical instrument to be restored in inlaid wood. Signed on the handle Achille Jacomoni, the signature is made with the pyrographed technique. Materials: Wood, ...

This beautiful one-of-a-kind chess set designed by artist Cyrice Griffith using found objects to create a luxury art deco inspired functional piece of art. The artist utilizes the c...

Original London Midland and Scottish Railway (LMS) vintage Art Deco railway poster from 1925. The artist is Raymond Virac. Archival linen-backed and in excellent condition, ready to ...

An authentic original silver gelatin black-and-white photograph capturing a timeless view of the Canal Saint-Martin at 82 Quai de Jemmapes, Paris, circa 1930. This historical image s...

Outdoor light "Globe" for the garden or entrance area. This luminaire captivates by its unique shadow projection. The ball is supplied in galvanised steel optics. The built-in lamp ...

Tamara de Lempicka, After, Polish (1898 - 1980) - Portrait of Ira Perrot, Medium: Poster, Image Size: 34.5 x 26.25 inches, Frame Size: 41.5 x 33.5 inches

Tomorrow afternoon is a contemporary artwork realized in 1951 by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower margin. Titled and numbered "1...

Jean Cocteau ( 1889 - 1963 ) " Orphée " . terre blanche. circa 1958 . pendentif terre blanche en relief . dimensions : 9,7 x 9 cm Ref: RB6 . page 215 du catalogue raisonné Poter...

Medium: Pencil on paper Size: 8 inches (height) x 10 inches (width) Signed: No Condition: Good condition, slight age-related wear around the edges. Provenance: From the artist's estate Description: This pencil drawing by K. B. White features a conceptual design of a futuristic car, meticulously rendered with a sleek, aerodynamic silhouette. The main image presents a side profile of the vehicle, showcasing the artist's vision of a seamless, rounded body and large windows, suggesting a focus on aerodynamics and modern design. In the upper right corner, a smaller sketch provides a front view of the car, highlighting the grille and headlight design, adding another layer of detail to the concept. K. B. White, known for his motoring art in the 1930s, has captured an imaginative interpretation of future automotive design, reflecting both artistic creativity and a keen interest in transportation innovation. This drawing would appeal to collectors of vintage car art...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Elegance Year: 1982 Medium: Bronze Edition: 100/250 Numbered, 12 AP, 9 HC Size: 15 inches Condition: Excellent Inscription: Incised...

Elegant and glamorous fashion illustration from the 1920's, Original signed gouache painting on paper. Monogrammed V.S. lower right. Site: 10...

Lucien-Victor Guirand de Scevola (1871-1950) Portrait of a Lady Signed upper right Pastel on paper 46 x 38 cm Framed under glass: 57.5 x 50 cm The vintage frame is not in perfect ...

WAITING FOR THE BOYS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on arch...

Margrete Levy 1881-1962 Levy was a Danish artist; she worked in Paris from 1905-1911. Levy was niece to the Danish master painter Kristian Zartmann. She married French author Louis Nicolai Levy in 1911. She applied for technical school at Charlotte Sode and Julie Meldahl's school before applying for admission to the Academy of Fine Arts for Women, where she studied at Viggo Johansen 1900-1902. In 1902 she traveled to Florence as a nanny for a Danish family, giving her the opportunity to study the old masters of the art collections. When she returned home, she continued her education in 1904-05 at Bertha and Dorph's painting school. In 1905, she traveled to Paris and taught at various drawing schools while studying the collections of the Louvre, especially Leonardo da Vinci, who inspired her for the symbolic painting Five Sisters , 1905, which she debuted at the Charlottenborg Spring Exhibition the following year. 1906-07 she was a student at the French Academy in Rome. With a few interruptions she exhibited at Charlottenborg's Spring Exhibition 1913-43, and on several occasions she also participated in Charlottenborg's Autumn Exhibition and the Artists' Autumn Exhibition. She had several personal exhibitions, including 1910 in Ole Haslunds Hus, 1919 and 1923 in Kunstforeningen, 1927 at Møntergården and 1945 in Alfred Andersen's Art Shop. She participated in several foreign exhibitions, for example Modern Danish Artists in Brighton, England 1912, and Exposition présentée par le Club international Féminin , Paris 1958. She was often represented at exhibitions reserved for women, for example Nine Painters in Admiral Gjeddes Gaard, in 1936 and Nordic Artists in Stockholm 1948. She participated in the Women's Artists Retrospective Exhibition in 1920, which was organized by the Women's Artists Society, on whose board she sat. Along with 18 other members, including Anna and Helga Ancher, Christine Swane, Elisabeth Neckelmann and, Olivia Holm-Møller, she exhibited at the Kunstforeningen in 1930. For the painting Three Sisters , she was awarded 1931 Carlson's Prize by the Academy. The painting shows both back to the old masters and to the new realists such as Niels Strøbek...

This joyful painting was inspired by a David Attenborough program! I was drawn to the symmetry of the reflections in the still water. The colours and composition make a fun yet peace...

Henri Montassier was born at Courlon near the River Yonne on July 27th 1880. As a young man he studied under Luc -Oliver Merson and began his career painting primarily landscapes, ma...

An exceptional original silver gelatin black-and-white photograph from Press Agency, Paris, 1925, capturing a striking view of the International Decorative Arts Exhibition in October...

Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

Paul JOUVE (1878-1973) Soldat apercevant la panthère, c. 1949 Gravure originale à l'eau-forte (atelier Haasen) Non signée Sur vélin 32.5 x 25 cm INFORMATION : Gravure créée pour le...

Antique French Art Deco Bronze bust sculpture of a beautiful young woman, by Marcel Andre Bouraine (1886-1948), and cast by the Etling foundry, Paris, circa 1920. The bronze depicts...

A stunning exhibited 1934 nude female portrait by Dora Crocket (Countess Lewenhaupt). The portrait depicts a nude woman reclining in a sensual pose against a background of red and bl...

Raymond Moritz. French ( b.1891 - d.1950 ). A Liberated Lady On The Cliffs, 1927. Oil On Canvas. Signed Lower Left. Image size 25 inches x 20.7 inches ( 63.5cm x 52.5cm ). Frame size 29.3 inches x 24.8 inches ( 74.5cm x 63cm ). Available for sale; this original oil painting is by the French artist Raymond Moritz and dates from 1927. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas and the painted surface have benefitted from cleaning and conservation, which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. A later dedication to “Louise” dated April 1942 in the artist’s hand is set around the earlier signing. Raymond Moritz was a French impressionist artist and illustrator. He was born in Paris on 8 July 1891. His family came from the Alsace region and were poor and Catholic. On his mother’s side, the Staubs were from Wihr-au-Val where they had been coopers for several generations. His uncle, Marie Clement Staub, was the founder in Canada of the Sisters of Saint Joan of Arc. Moritz fought during the Great War in the Picardy region of the Somme with the 2nd machine gunner company. He won the French 1914-1918 War medal with bronze palm attachment, which signifies that the awardee was mentioned in dispatches at army level. Moritz obviously created some art during the war because during the inauguration of the new town hall in the town of Albert he was congratulated by the French President, Albert Lebrun, and the British press for the paintings he had produced. Albert was the main town behind the lines for the Allies on the Somme battle fields...

This exquisite reproduction of Erté's Gala captures the essence of 1920s glamour, epitomizing the opulence and sophistication of the Art Deco era. The artwork portrays a figure adorn...

MAX THE SAX by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. MAX THE SA...

Jean Cocteau ( 1889 - 1963 ) " Visage poisson " circa 1962 . signé Jean Cocteau ( Bon à tirer ) framed : 60 x45 cm image : 46 x32 cm

La Jolla Thomas McKnight, American (1941) Date: 1987 Screenprint, signed and numbered in pencil Edition of AP 6/40 Image Size: 26 x 29 inches Frame Size: 37 x 39 inches

We are proud to have recently discovered, “The Sophisticate”, by American artist Alexander Rosenfeld. Rosenfeld was classically trained in fine ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...