Paintings

Work on canvas sold with frame Total size with frame 59x74 cm Georges RIOM is a French artist born in 1877 and died in 1969. The net lists 7 works by the artist presented for sale ...

American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 15H by 18L.

TitelL'Eglise de Montigny, Effet D'Automne TechnikOil on canvas Jahr1908 Grösse65.1cm × 81cm (25.6" × 31.9") stamped with the artist's signature Literature W. A. Camfield, B. Calté...

⭐Garlic Starwars ⭐ This painting follows the same expressive, semi-abstract style as the previous ones, featuring a textured and dynamic portrayal of garlic. ⏩Subject & Composition...

Signed oil on panel landscape by post-impressionist painter Emile Octave Denis Victor Guillonnet. This colourful piece depicts a view of a garden in bloom in summer. Dimensions: Fr...

Impressionist oil painting of Scotland's Pittenweem harbor at twilight, title 'Pittenweem Evening' East Neuk of Fife, by Scottish artist John McGhie. Signe...

An outstanding example of the work by Henry Maidment Maidment was an English landscape painter form the latter part of the 19th century. He mostly painted English cottage landscapes often with ducks, sheep, and young people. He used a ward palette of color and this gave his paintings a very desirable warm glow. Henry Maidment was his real name and Robert Fenson...

Frederick Judd Waugh Risen Moon Signed lower right, Grand Central Art Galleries Inc. label on verso Oil on board 25 x 30 inches Mainly known as a marine painter. Waugh's sea paintings were enthusiastically received; for five consecutive years, he was awarded the Popular Prize at the Carnegie International Exhibition. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh...

This witty early 20th-century oil painting by British artist Edgar Bundy ARA RI RBA (1862-1922) depicts a young country woman visiting the home of her wealthy relatives, to much dism...

This exquisite early 20th-century oil on panel by Dorothea Sharp captures the timeless and universal bond between mother and child in a tender Impressionist style. Painted circa 1900...

Max Beckmann Holzbrücke, 1922 Signed in pencil lower right Drypoint on cream wove paper 11 3/8 x 9 3/8 inches From the edition of 150 Max Beckmann dreamed up a world of actors, cab...

Still Life of Flowers French Impressionist, circa 1900's oil on canvas, unframed canvas: 20 x 25.5 inches Provenance: private collection, Paris Condition: very good condition For m...

Signed figure in landscape oil on paper laid on canvas circa 1925 by French impressionist painter Maximilien Luce. The piece depicts a view of Rolleboise, a commune in the Yvelines d...

Signed fauvist oil on canvas laid on panel riverscape circa 1925 by French painter Louis Valtat. The work depicts a boat being rowed on the Bois de Boulogne lake in Paris, France. It...

For me, this reclining nude spectacularly captures 1920's Paris, in life and art, at least as I understand it from the many books I have read focusing on that magical period. The mo...

A large American Western, Native American oil on canvas landscape, by Frank Paul Sauerwein (1871-1910), "The Captive", 1901. This large oil on canvas depicts a Native American brave captively tied to a tree stump and being viewed by a rival tribe, who are evidently deciding his fate. Behind the collected tribe of elders, braves and children are a pair of conical tipi dwellings, to the background are grazing horses and another group of native people in a tree lined setting. The painting is indistinctly signed lower left, condition is good, the painting is housed in the original frame with a giltwood rabbet, the painting at sight is 40" x 26". Provenance; From a lifelong collection of 19th & early 20th Century Western Art, Portland, Oregon. Frank Sauerwein was a respected painter of western landscapes, Indian portraits, Indian genre scenes, and California missions. His promising career was cut short by his death of tuberculosis at age thirty-nine. The son of European-trained artist, Charles D. Sauerwein, Frank took his first art lessons from his father before studying at the Philadelphia School of Industrial Art, the Pennsylvania Academy of Fine Art, the Art Institute of Chicago and, finally, the Philadephia Museum School of Art. In 1891 he moved to Denver in hope of improving his health. In 1893, Sauerwein accompanied the artist Charles Craig on a trip to the Ute reservation in southwestern Colorado. This began Sauerwein's unyielding fascination with the Southwest and its Native inhabitants. After a trip to Europe, he returned to the American West, visiting Taos in 1899 and Santa Fe in 1900. That same year, Sauerwein visited the Navajo reservation, becoming good friends with trading post entrepreneur, Lorenzo Hubbell. He also spent time at Keam's Canyon on the Hopi reservation where he sketched local inhabitants. Sauerwein moved to Los Angeles in 1901, and then to Pasadena in 1902, but he maintained his contacts in the Southwest with Summer trips to the Grand Canyon, New Mexico Indian Pueblos, Taos, Santa Fe and Albuquerque. He especially loved the Grand Canyon which is the subject of a large number of his paintings. Rendered in a tight, academic style, Sauerwein's paintings clearly show the influence of German...

Signed lower right, 'Komaromi-Kacz' for Endre Komaromi-Kacz (Hungarian, 1880-1969) and titled, 'Molm'. Born in Komarom, Kacz was initially a pupil of Eduard Ballo, a painter of port...

Tom Ivester Lloyd 1871-1942 was a fine artist who worked mainly in water colour but was also very accomplished in oils. He served in the first war and produced pictorial records which are now in the army museum. He was a keen hunting man and was Master of the Sherrington Foot Beagles. He was a great hound man and wrote and illustrated a book on hounds. Acquiring an early 20th-century English fox hunting...

We are delighted to offer for sale this exquisite painting by the Swedish artist Otto Lindberg, titled "Bränningar vid Utö" (Breakers at Utö). Completed in 1928, this stunning piece ...

Wonderful American school impressionist family portrait oil painting. Oil on canvas. Image size, 38H by 30L.

Delicate and detailed floral still life by Alfred Broge (Danish, 1870-1955). Three white anemones and one pink poppy, all with stems and leaves, sit against a medium grey background...

Signed landscape oil on canvas by French post impressionist painter Elisee Maclet. The work depicts a view of the buildings in the Place Emile Goudeau in the Monmartre district of Pa...

Paris, Cafe de la Paix. Period 1920-1940s. Oil on canvas, 60x73 cm Lucien Adrion (1889-1953) was a French painter known for his depictions of the countryside and bustling street sce...

ALFRED JANSSON (1863-1931) – FOREST LANDSCAPE Oil on Canvas ⚜ Signed ⚜ Dated ⚜ Framed A STUNNING IMPRESSIONIST WOODLAND SCENE FROM 1909 This original oil painting by Alfred Jansson,...

This is a colorful mountainous view in what is likely Northern Italy. Angiola Meucci captured a dramatic sunrise or sunset to play off the verdant green mountain side in the foreground. The fencing and the pathway lead one through this breathtaking landscape that undoubtedly offers stunning views...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

American impressionist nude beach scene oil painting by Nathan Hoffman (1900 - 1979). Framed. Oil on board. Signed. Image size, 16H by 20L.

Oscar Lycke was a Swedish artist from Sundsvall. He is best known for his impressive colourful landscape paintings in a national romantic and realism styl...

This exquisite watercolor by the Swedish artist Olle Hjortzberg (1872–1959) captures a serene view of Montreux, Switzerland, in July 1902. Known for his masterful use of color and li...

Frederick William Macmonnies Marion Jones Farquhar, 1905-11 Oil on canvas 24 x 20 inches Provenance: William Clerk Private Collection, New York Literature: Mary Smart, A Flight with Fame: The Life and Art of Frederick MacMonnies, with a Catalogue Raisonne of Sculpture and a Checklist of Paintings by E. Adina Gordon, Madison, Connecticut, 1996, no. 90. The work depicts Marion Jones Farquhar who, was an American tennis player who competed during the late 19th century and early 20th century. She won the singles titles at the 1899 and 1902 U.S championships and was the first American woman to medal at the Olympics placing Bronze in singles. Additionally, she was the artist's sister-in-law who often played and competed with MacMonnies in golf and tennis. MacMonnies would often study the movements of her form referenced in his sculpture. When MacMonnies won a doubles golf tournament he said "Marion dragged my dead weight thro' and won us the tournament, showing what great Generalship can do." A sculptor of classical figures, American-born Frederick MacMonnies had fame in the United States and Europe in the later half of the 19th century and early 20th century. He occasionally returned to America but lived most of his life as in expatriate in France. He was especially known for his lithe bronze figures, especially ones titled Diana. The classical names of these figures allowed him the appearance of propriety but gave him the opportunity to model svelte nudes. Frederick MacMonnies was one of the first American sculptors to recognize the potential market of the middle class. He copyrighted his works and then contracted with foundries to mass produce some of his figures such as Diana in smaller sizes. MacMonnies was born in Brooklyn, New York, and was a child prodigy at carving stone. At age 18, he worked in the studio of Augustus Saint-Gaudens, and then persuaded him to become his assistant, keeping models damp and covered, running errands, and cleaning the studio. Evenings he studied at the Art Students League, Cooper Union, and the National Academy of Design. In Saint-Gaudens' studio, he met many of the wealthy people who shared Saint-Gaudens Beaux-Arts based ideas that art and architecture should be unified in order to create public art in America equal to that of classical antiquity or Renaissance Europe. Among the men that MacMonnies met through Saint-Gaudens who later furthered his career were architects Stanford White and Charles McKim...

Charming mid century oil painting of two horses at watering trough by William M. Lemos, Santa Cruz and San Francisco artist (American, 1861-1942), circa 1900. Writing on verso is in ...

Experience the breathtaking beauty of Mt. Evans, Colorado, through this stunning original oil painting by renowned artist Ferdinand Kaufmann (1864–1942). Created circa 1920–1940, thi...

Bulldog In A Landscape J White (British 19th/20th Century) oil on canvas, framed signed and dated 1908 framed: 32 x 25 inches canvas: 27 x 20 inches provenance: private collection, S...

Antique American impressionist painting of kids in a park. Oil on canvas, circa 1920. Unsigned. Displayed in a giltwood frame....

Wonderfully painted antique American impressionist western landscape painting; Oil on canvas. Signed. Handsomely framed and ready to hang.

3919a Antique German oil painting river crossing in a gilt wood frame Image size 12x12"

Springtime: Almond Tree in Bloom (Printemps: Amandier en Fleur) Raymond Thibesart (France, 1874-1968) Oil on canvas, circa 1920s 19 x 25 1/2 (22 3/4 x 28 1/2 framed) inches Raymond ...

This lovely Scottish Edwardian Impressionist exhibited landscape oil painting is by noted artist George Whitton Johnstone. Painted in 1901 it was exhibited at the Royal Scottish Acad...

“Tuareg Rider in the Desert, 1908” Paul Jouve (1878-1973) Oil on panel, signed lower right. 21 ¾ × 17 1/2 inches ( 27 ½ × 24 frame) inches Paul Jouve’s work has been celebrated and ...

Don Crowley (1926-2019) Arizona / California Western Artist Image Size: 11 x 13 Frame Size: 18 x 20 Medium: Gouache Study "After Glow" Indian Girl with her...

Josephine Reichmann Bass Rocks Signed lower right Oil on canvasboard 14 x 16 inches Reichmann was born in 1864 in Louisville, Kentucky. After studying at the School of the Art Inst...

The image shows a captivating early 20th-century Scottish river landscape painting by Joseph Henderson, a renowned Scottish artist celebrated for his evocative depictions of nature, ...

Antique American impressionist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 20 by 25 inches overall and 16 by 20 painting alone.

Portrait of a Man with a Hat holding a Pipe French School, signed and dated 1903 oil on canvas, unframed canvas: 21.75 x 18 inches provenance: private collection, France condition: s...

This lovely British Edwardian Impressionist portrait oil painting is by noted artist William George Robb. Painted circa 1901 the sitter is Louisa Ann Inglis, wife of Sir Charles Ingl...

Frank Nelson Wilcox (American, 1887-1964) Cliffs at Paramé, France, c. 1926 Watercolor on paper Signed lower right 14 x 17.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17...

Wright BARKER Exhibited 1885 - 1935 Canvas Size: 20 x 26" (50 x 65cm) Outside Frame Size: 29 x 35" (72.5 x 87.5) He was a figure and animal painter who was based originally in Bradford, where he lived until 1885, when he moved to Edwinstowe, near Mansfield, Nottingham. In 1901 he moved to Hampstead and then back north to Harrogate where he stayed until his death. In his later years he became a picture dealer, but in his will he referred to himself as ‘animal painter’. Barker became a member of the Royal Society of British Artists in 1896. Although he called himself an animal painter he is also known to have painted ‘Roman Maidens...

"Workers" Russian Constructivist 1920s Modern Social Realism Cubism Figurative VLADIMIR VASIL’EVICH LEBEDEV (1891-1967) "Workers" Gouache on paper Monog...

Signed and dated figures in landscape pastel on canvas by French Barbizon painter Leon Augustin Lhermitte. The piece depicts washerwomen washing linen on the bank of the River Marne,...

Signed oil on canvas landscape circa 1920 by French post impressionist painter Elisee Maclet. The work depicts a view of the coastal city of Arles in the South of France from the wat...

"Cherry Trees in Bloom on the Seine (Cerisiers en Fleurs sur la Seine)" Raymond Thibesart (France, 1874-1968) Pastel on paper, circa 1920s Signed l.l. Circa 15 1/2 x 12 1/2 ( 20 1/2 ...

⭐ Pineapple Starwars ⭐ Still life _ painting of vegetables. Dripping creates movement and dynamic. Technique: oil, acrylic, glue, ink on pan...

Very finely painted early 1900s American impressionist beach scene. Oil on board. Framed. Signed verso. Great colors and very well painted. Excellent ready to hang condition.

Robert Azensky Fine Art is proud to present Early 20th Century Oil Painting Palo Alto, California Foothills Landscape Painting circle of Bruce ...

ERNEST NORMAND (1857-1923) St Lunaire, Brittany Signed, inscribed and dated l.l.: Ernest Normand/St Lunaire 1902 Oil on canvas Framed 26 by 49 cm., 10 ¼ by 19 ¼ in. (frame size 38 by 61 cm., 15 by 24 in.) Ernest Normand was born in London and studied at the Royal Academy Schools. He is best known as a painter of history and orientalist paintings and portrait commission. In 1884 he married the painter and writer Henrietta Rae. They lived in Holland Park and were part of that area’s artistic group which included Leighton, Millais, Prinsep and Watts. In the 1890s they travelled of Paris to study at the Academie Julian with Jules Joseph Lefebvre and Jean-Joseph Benjamin-Constant. He exhibited at the Royal Academy and works by him are in the collections of Glasgow Museum...

Antique European impressionist harbor oil painting. Oil on board, circa 1920. Signed. Framed. Image size, 15"L x 18"H.

Signed lower right, 'Fred. Ballard Williams' for Frederick Ballard Williams (American, 1871-1956) and dated 1906. An early twentieth-century oil showing two young women in classical robes, one standing holding a polished silver mirror while her companion braids her hair with flowers, all beneath a canopy of foliage with a distant view beyond towards a body of blue water. Frederick Ballard Williams first artistic training took place artistic training took place at the Cooper Union in New York and he subsequently worked for a time in the drafting room of John Williams. He later studied at the New York Institute of Artists with John Ward Stimson, before enrolling in the life class of the National Academy of Art where he studied under Charles Yardley Turner and Edgar Melville Ward. Williams made two trips to Europe, first in 1904 and again in 1908. During his first trip, he visited France, staying with Henry Golden Dearth...

Signed figures in cityscape oil on board circa 1920 by Russian-born post impressionist painter Elie Anatole Pavil. The work depicts citygoers in the Grand Boulevard in Paris, France ...