Paintings

McLean's consummate skill as a portrait artist, graphic designer and master of composition is on full display in the complex narrative work. This work contains 41 portraits including those of Bette Midler, Jimi Hendrix, and Benny Goodman...

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

Few artists in Venezuela have the fortune of the affection and the overwhelming admiration of the city that saw them born, like the one expressed by Barquisimeto and the Barquisimeta...

Medium: Oil on Canvas Signature: Signed Lower Right Contact for exact dimensions.

The painting is being offered with a work and authenticity certificate

Medium: Oil on Canvas

Medium: Painting Signature: Unsigned Contact for dimensions. Katrina, By Jeramie Price. Publisher is Pocket Books, Inc. (1956). Comes with book.

Medium: Oil on Canvas Signature: Unsigned Sight Size 24.00" x 16.50;" Framed 31.75" x 24.75" "Universal Peace" by Hamilton Holt, August 1911. Cosmopolitan Magazine...

Pintura

Oil Painting by Luis Frangella done in 1984. This painting is on a 24x34" canvas, of a figure cut off at the knees and a reclining head. Defined with pa...

"The Great Man Comes to Take His Oath" Life Magazine Spread, July 4th, 1960, This epic narrative depicts the celebration of George Washington's inauguration, en route to Federal Hall...

Signed upper right: Addams

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

High drama and fear is exressed on the faces of 5 kids as they anticipate the outcome a scary event. Signed lower left From the Estate of Charles Martignette. Most likey for the Sa...

Medium: Oil on Board Signature: Signed Lower Right

Medium: Oil on Canvas Dimensions: 24.00" x 60.00" Signature: Signed Lower Left

Montgomery Clift and Admirers

Date: 1948 Medium: Oil on Board Dimensions: 17.25" x 13.50" Signature: Signed Lower Left Magazine Story Illustration

An oil on board painting by Belgian Modernist painter Emiel Creado. Framed - 60 x 38 Inches Unframed - 53 x 31 Inches

Date: 1988 Medium: Gouache and Acrylic on Paper Dimensions: 9.50" x 26.00" Signature: Signed Lower Right Image of performers in front of the word "Variety." TV Guide, April 16, 1988.

Medium: Oil on Board Dimensions: 10.00" x 8.00" Signature: Signed Upper Left A still life image of wine and fruit (pitcher and fruit). There are two pictures.

Medium: Oil on Canvas Signature: Signed Front of Canvas and Pencilled on Back Stretcher Possibly original magazine illustration for the Saturday Evening Post.

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Sculpted Composition Dimensions: 17.50" x 13.50" Signature: Signed Lower Left A Jerusalem Gate at night

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

Signed lower right. James R. Bingham was born in Pittsburgh, Pennsylvania and studied at the Carnegie Institute of Technology. During World War II, he put in a stint animating Army Air Force films and received an appointment as a Naval officer attached to the Office of Research and Invention. Following the war, the heroics and adventure in his life was confined to the usual subject matter of his illustrations, such as a long series of pictures for Erle Stanley Gardner’s “Perry Mason...

Archivally Matted to 17.75 x 16.75 inches Signed lower left

Harry Jelinek (1905-1986) “Lady Posing in a Red Dress” Signed and dated 1965 Acrylic on board

original and certificated by gallery

Signed with initials upper left

“Bathing Nymphs,” Oil on Canvas cm 115×110 with frame cm 140×135 Fioravante Seibezzi (Venice, 1906-1974), Post-Impressionist Venetian painter, he devoted himself to landscape en plein air, translating the immediacy of impressionism through pure, bright colors. His debut at the Venice Biennale in 1938, participates in the Quadrennial Roman (1931, 1935, 1948, 1951, 1959) and several exhibitions abroad. He received important awards during his long career. In 2010 the exhibition “Settepittori Settemondi. Palazzo Carminati La Bohème “at the Maximilian Tower of St. Erasmus, Venice, sponsored by the Cultural Paolo Rizzi in collaboration with the Institution Lagoon Park – City of Venice. One hundred works from a single collector who chose Aldo Bergamini, Neno Mori, Marco Novati...

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent who symbolizes evil - wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

Medium: Acrylic on Board Dimensions: 16.00" x 20.00" Signature: Signed Lower Right GIrls of Canby Hall Book Cover

Medium: Oil Painting Signature: Signed Lower Right Lady

Thomas Cooper Gotch 1854 – 1931 Study of Violinist for Holy Motherhood Oil on canvas, on board Image size: 28 ¾ x 21 inches 18th century frame Illustrated in "The Golden Dream, A bi...

Watercolor on paper

The painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

Medium: Oil on Board Signature: Unsigned Edmund F. Ward estate stamp on verso

This illustration shows a grandmother and daughter baking together. Baking Advertisement Lawrence Wilbur was born in Whitman, MA in 1897. Wilbur attended night classes at the ...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 36, plate #041. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph B...

Medium: Acrylic on Canvas Dimensions: 24.00" x 20.00" Signature: Signed Lower Left Gin Rummy Game

The painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

Georges Georoy Belgium, 1906–1983 Still Life aux Legumes et Poisson Oil on canvas 23 ¾ in. by 28 ¾ in. W/frame 31 ¾ in. by 36 ¾ in. Signed lower right In a period Heydenryk frame ...

Date: 1927 Medium: Oil on Canvas Dimensions: 27.00" x 18.00" Signature: Signed Lower Right "We Amused Ourselves for an Hour or More, Darting in and out Among the Crowd and Setting off our Crackers", The Story of a Bad Boy...

Medium: Watercolor, Gouache and Ink on Paper Signature: Signed Lower Right Magazine Advertisement Young woman in blue and black lace dress holding and looking at flowers.

The painting is being offered with a work and authenticity certificate

Date: 1952 Medium: Oil on Canvas Dimensions: 34.00" x 27.00" Signature: Signed Lower Left Cover for The Saturday Evening Post Magazine, May 31, 1952. Clymer's coverscape takes you to Massachusetts' tidelands where the frost is on the pumpkin and the red and gold areon the trees. Gloucester harbor and the inlets roundabout-- for three centuries this haven has been the homeport of renowned and valiant fisherman. They were the Captains Courageous of Rudyard Kipling, the hero’s of Longfellow's The Wreck of the Hesperus and of James B. Connolly's tales of the sea. John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

The painting is being offered with a work and authenticity certificate

Frank Usher De Voll American, 1873-1941 East River, New York Winter (From Brooklyn Bridge) Oil on canvas 32 by 36 in. w/frame 41 by 45 in. Signe...

Fabry's captures the hight of elegance in his loose style. Conte crayon, watercolor on watercolor paper Signed lower right Private collection Other works by this artist: ca. 1940 - ...

Josef Presser (Poland, United States, 1907 - 1967) Abstracted Shapes signed in red lower right 19 ¾ ” x 14 3/4” 25 1/4 ” x 20 1/4” Medium: Gouache on paper Provenance: Woodstock, NY About Josef Presser was born in Lublin, Poland. He studied at the Boston Museum of Fine Arts School and in Europe, with Bryant Baker...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Signature: Signed Lower Left, "Hughes" Medium: Oil on Masonite Framed 24.50" x 26.50" Original cover illustration for The Saturday Evening Post, June 8, 1957. The Post described, “...

ca. 1965 Acrylic on canvas 54 1/4 x 54 in. (137.8 x 137.2 cm) Signed, verso